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Color name
RGB 57 141 58

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 57 141 58 it is the complementary color RGB 198 114 197. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 57 141 58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 57 141 58 shade: RGB 62 141 53, RGB 79 159 72, RGB 96 177 91, RGB 113 195 110 and RGB 130 213 129

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 57 141 58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 57 141 58 shade: RGB 57 141 58, RGB 40 123 39, RGB 23 105 20, RGB 6 87 1 and RGB 0 69 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 57 141 58 shade: RGB 57 141 58, RGB 79 141 57, RGB 101 141 57, RGB 124 141 57 and RGB 141 135 57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 57 141 58 shade: RGB 57 141 58, RGB 57 141 81, RGB 57 141 103, RGB 57 141 126 and RGB 57 133 141

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 57 141 58 shade matches the following richer shades: RGB 57 141 58, RGB 41 157 42, RGB 25 173 27 and RGB 9 189 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 57 141 58 shade: RGB 57 141 58, RGB 73 125 74, RGB 89 109 90, RGB 105 92 105 and RGB 122 76 121

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 57 141 58 shade: RGB 102 141 57, RGB 79 141 57, RGB 57 141 57, RGB 57 141 79 and RGB 57 141 102

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 57 141 58 shade: RGB 33 82 34, RGB 45 111 46, RGB 57 141 58, RGB 69 170 70 and RGB 92 188 93

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 57 141 58 shade: RGB 57 141 58, RGB 57 124 141 and RGB 141 57 91

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 57 141 58 shade: RGB 57 141 58, RGB 57 57 141 and RGB 141 57 57

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 57 141 58 shade: RGB 57 141 58, RGB 57 124 141, RGB 141 57 141 and RGB 141 74 57

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 57 141 58 shade: RGB 57 141 58, RGB 57 99 141, RGB 141 57 141 and RGB 141 99 57

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 59 / 45

HEX #398D3A

RGB 57 141 58

HSL 120.71, 0.42%, 0.39%

LAB 52.09, -42.83, 36.24

 

Complementary color

CMYK 0 / 42 / 1 / 22

HEX #C672C5

RGB 198 114 197

HSL 300.71, 0.42%, 0.61%

LAB 59.95, 45.38, -29.44

 

CMYK 56 / 0 / 62 / 45

HEX #3E8D35

RGB 62 141 53

HSL 113.86, 0.45%, 0.38%

LAB 52.21, -42.1, 38.83

 

CMYK 50 / 0 / 55 / 38

HEX #4F9F48

RGB 79 159 72

HSL 115.17, 0.38%, 0.45%

LAB 58.91, -42.31, 37.6

 

CMYK 46 / 0 / 49 / 31

HEX #60B15B

RGB 96 177 91

HSL 116.51, 0.36%, 0.53%

LAB 65.5, -42.31, 36.3

 

CMYK 42 / 0 / 44 / 24

HEX #71C36E

RGB 113 195 110

HSL 117.88, 0.41%, 0.6%

LAB 72.01, -42.19, 35.01

 

CMYK 39 / 0 / 39 / 16

HEX #82D581

RGB 130 213 129

HSL 119.29, 0.5%, 0.67%

LAB 78.41, -42, 33.77

 

CMYK 60 / 0 / 59 / 45

HEX #398D3A

RGB 57 141 58

HSL 120.71, 0.42%, 0.39%

LAB 52.09, -42.83, 36.24

 

CMYK 67 / 0 / 68 / 52

HEX #287B27

RGB 40 123 39

HSL 119.29, 0.52%, 0.32%

LAB 45.31, -42.22, 37.44

 

CMYK 78 / 0 / 81 / 59

HEX #176914

RGB 23 105 20

HSL 117.88, 0.68%, 0.25%

LAB 38.44, -40.89, 38.05

 

CMYK 93 / 0 / 99 / 66

HEX #065701

RGB 6 87 1

HSL 116.51, 0.98%, 0.17%

LAB 31.48, -38.49, 37.75

 

CMYK 100 / 0 / 100 / 73

HEX #004500

RGB 0 69 0

HSL 120, 1%, 0.14%

LAB 24.5, -33.65, 32.1

 

CMYK 60 / 0 / 59 / 45

HEX #398D3A

RGB 57 141 58

HSL 120.71, 0.42%, 0.39%

LAB 52.09, -42.83, 36.24

 

CMYK 44 / 0 / 60 / 45

HEX #4F8D39

RGB 79 141 57

HSL 104.29, 0.42%, 0.39%

LAB 52.96, -36.43, 37.96

 

CMYK 28 / 0 / 60 / 45

HEX #658D39

RGB 101 141 57

HSL 88.57, 0.42%, 0.39%

LAB 54.15, -28.42, 39.64

 

CMYK 12 / 0 / 60 / 45

HEX #7C8D39

RGB 124 141 57

HSL 72.14, 0.42%, 0.39%

LAB 55.72, -18.96, 41.84

 

CMYK 0 / 4 / 60 / 45

HEX #8D8739

RGB 141 135 57

HSL 55.71, 0.42%, 0.39%

LAB 55.37, -8.31, 41.83

 

CMYK 60 / 0 / 59 / 45

HEX #398D3A

RGB 57 141 58

HSL 120.71, 0.42%, 0.39%

LAB 52.09, -42.83, 36.24

 

CMYK 60 / 0 / 43 / 45

HEX #398D51

RGB 57 141 81

HSL 137.14, 0.42%, 0.39%

LAB 52.41, -39.28, 24.59

 

CMYK 60 / 0 / 27 / 45

HEX #398D67

RGB 57 141 103

HSL 152.86, 0.42%, 0.39%

LAB 52.84, -34.81, 12.83

 

CMYK 60 / 0 / 11 / 45

HEX #398D7E

RGB 57 141 126

HSL 169.29, 0.42%, 0.39%

LAB 53.41, -29.12, 0.42

 

CMYK 60 / 6 / 0 / 45

HEX #39858D

RGB 57 133 141

HSL 185.71, 0.42%, 0.39%

LAB 51.35, -20.79, -11.36

 

CMYK 60 / 0 / 59 / 45

HEX #398D3A

RGB 57 141 58

HSL 120.71, 0.42%, 0.39%

LAB 52.09, -42.83, 36.24

 

CMYK 74 / 0 / 73 / 38

HEX #299D2A

RGB 41 157 42

HSL 120.52, 0.59%, 0.39%

LAB 56.83, -53.78, 48.37

 

CMYK 86 / 0 / 84 / 32

HEX #19AD1B

RGB 25 173 27

HSL 120.81, 0.75%, 0.39%

LAB 61.8, -61.94, 57.86

 

CMYK 95 / 0 / 94 / 26

HEX #09BD0B

RGB 9 189 11

HSL 120.67, 0.91%, 0.39%

LAB 66.88, -68.17, 65.18

 

CMYK 60 / 0 / 59 / 45

HEX #398D3A

RGB 57 141 58

HSL 120.71, 0.42%, 0.39%

LAB 52.09, -42.83, 36.24

 

CMYK 42 / 0 / 41 / 51

HEX #497D4A

RGB 73 125 74

HSL 121.15, 0.26%, 0.39%

LAB 47.72, -28.69, 22.48

 

CMYK 18 / 0 / 17 / 57

HEX #596D5A

RGB 89 109 90

HSL 123, 0.1%, 0.39%

LAB 43.94, -11.55, 8.18

 

CMYK 0 / 12 / 0 / 59

HEX #695C69

RGB 105 92 105

HSL 300, 0.07%, 0.39%

LAB 40.7, 7.85, -5.48

 

CMYK 0 / 38 / 1 / 52

HEX #7A4C79

RGB 122 76 121

HSL 301.3, 0.23%, 0.39%

LAB 39.05, 27.17, -17.65

 

CMYK 28 / 0 / 60 / 45

HEX #668D39

RGB 102 141 57

HSL 87.86, 0.42%, 0.39%

LAB 54.21, -28.03, 39.72

 

CMYK 44 / 0 / 60 / 45

HEX #4F8D39

RGB 79 141 57

HSL 104.29, 0.42%, 0.39%

LAB 52.96, -36.43, 37.96

 

CMYK 60 / 0 / 60 / 45

HEX #398D39

RGB 57 141 57

HSL 120, 0.42%, 0.39%

LAB 52.08, -42.96, 36.72

 

CMYK 60 / 0 / 44 / 45

HEX #398D4F

RGB 57 141 79

HSL 135.71, 0.42%, 0.39%

LAB 52.38, -39.64, 25.64

 

CMYK 60 / 0 / 28 / 45

HEX #398D66

RGB 57 141 102

HSL 152.14, 0.42%, 0.39%

LAB 52.82, -35.04, 13.37

 

CMYK 60 / 0 / 59 / 68

HEX #215222

RGB 33 82 34

HSL 121.22, 0.43%, 0.23%

LAB 30.58, -27.82, 23.04

 

CMYK 59 / 0 / 59 / 56

HEX #2D6F2E

RGB 45 111 46

HSL 120.91, 0.42%, 0.31%

LAB 41.41, -35.32, 29.62

 

CMYK 60 / 0 / 59 / 45

HEX #398D3A

RGB 57 141 58

HSL 120.71, 0.42%, 0.39%

LAB 52.09, -42.83, 36.24

 

CMYK 59 / 0 / 59 / 33

HEX #45AA46

RGB 69 170 70

HSL 120.59, 0.42%, 0.47%

LAB 62.05, -49.62, 42.19

 

CMYK 51 / 0 / 51 / 26

HEX #5CBC5D

RGB 92 188 93

HSL 120.63, 0.42%, 0.55%

LAB 68.77, -47.75, 39.31

 

CMYK 60 / 0 / 59 / 45

HEX #398D3A

RGB 57 141 58

HSL 120.71, 0.42%, 0.39%

LAB 52.09, -42.83, 36.24

 

CMYK 60 / 12 / 0 / 45

HEX #397C8D

RGB 57 124 141

HSL 192.14, 0.42%, 0.39%

LAB 48.52, -15.93, -15.63

 

CMYK 0 / 60 / 35 / 45

HEX #8D395B

RGB 141 57 91

HSL 335.71, 0.42%, 0.39%

LAB 36.64, 39.26, -2.24

 

CMYK 60 / 0 / 59 / 45

HEX #398D3A

RGB 57 141 58

HSL 120.71, 0.42%, 0.39%

LAB 52.09, -42.83, 36.24

 

CMYK 60 / 60 / 0 / 45

HEX #39398D

RGB 57 57 141

HSL 240, 0.42%, 0.39%

LAB 28.69, 26.1, -46.84

 

CMYK 0 / 60 / 60 / 45

HEX #8D3939

RGB 141 57 57

HSL 0, 0.42%, 0.39%

LAB 35.76, 35.73, 18.15

 

CMYK 60 / 0 / 59 / 45

HEX #398D3A

RGB 57 141 58

HSL 120.71, 0.42%, 0.39%

LAB 52.09, -42.83, 36.24

 

CMYK 60 / 12 / 0 / 45

HEX #397C8D

RGB 57 124 141

HSL 192.14, 0.42%, 0.39%

LAB 48.52, -15.93, -15.63

 

CMYK 0 / 60 / 0 / 45

HEX #8D398D

RGB 141 57 141

HSL 300, 0.42%, 0.39%

LAB 38.75, 47.14, -30.19

 

CMYK 0 / 48 / 60 / 45

HEX #8D4A39

RGB 141 74 57

HSL 12.14, 0.42%, 0.39%

LAB 39.34, 26.62, 22.76

 

CMYK 60 / 0 / 59 / 45

HEX #398D3A

RGB 57 141 58

HSL 120.71, 0.42%, 0.39%

LAB 52.09, -42.83, 36.24

 

CMYK 60 / 30 / 0 / 45

HEX #39638D

RGB 57 99 141

HSL 210, 0.42%, 0.39%

LAB 40.76, -1.32, -27.6

 

CMYK 0 / 60 / 0 / 45

HEX #8D398D

RGB 141 57 141

HSL 300, 0.42%, 0.39%

LAB 38.75, 47.14, -30.19

 

CMYK 0 / 30 / 60 / 45

HEX #8D6339

RGB 141 99 57

HSL 30, 0.42%, 0.39%

LAB 45.47, 12.17, 30.35

 

Description

Color code: RGB 57 141 58 | qconv.com Color code: RGB 57 141 58 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 141 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 141 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 59 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 59% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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