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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #398D7E it is the complementary color #C67281. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #398D7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #398D7E shade: #3E8D79, #4F9F8C, #60B19F, #71C3B2 and #82D5C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #398D7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #398D7E shade: #398D7E, #287B6B, #176958, #065745 and #004532

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #398D7E shade: #398D7E, #398D67, #398D51, #398D3A and #4F8D39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #398D7E shade: #398D7E, #39858D, #396F8D, #39588D and #39428D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #398D7E shade matches the following richer shades: #398D7E, #299D88, #19AD93 and #09BD9D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #398D7E shade: #398D7E, #497D73, #596D69, #695C5F and #7A4C54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #398D7E shade: #398D51, #398D67, #398D7D, #39868D and #396F8D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #398D7E shade: #215249, #2D6F64, #398D7E, #45AA98 and #5CBCAB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #398D7E shade: #398D7E, #3B398D and #8D5C39

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #398D7E shade: #398D7E, #7D398D and #8D7D39

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #398D7E shade: #398D7E, #3B398D, #8D3948 and #8B8D39

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #398D7E shade: #398D7E, #54398D, #8D3948 and #728D39

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 11 / 45

HEX #398D7E

RGB 57 141 126

HSL 169.29, 0.42%, 0.39%

LAB 53.41, -29.12, 0.42

 

Complementary color

CMYK 0 / 42 / 35 / 22

HEX #C67281

RGB 198 114 129

HSL 349.29, 0.42%, 0.61%

LAB 57.68, 34.79, 6.29

 

CMYK 56 / 0 / 14 / 45

HEX #3E8D79

RGB 62 141 121

HSL 164.81, 0.39%, 0.4%

LAB 53.44, -29.35, 3.37

 

CMYK 50 / 0 / 12 / 38

HEX #4F9F8C

RGB 79 159 140

HSL 165.75, 0.34%, 0.47%

LAB 60.21, -29.32, 2.4

 

CMYK 46 / 0 / 10 / 31

HEX #60B19F

RGB 96 177 159

HSL 166.67, 0.34%, 0.54%

LAB 66.85, -29.23, 1.52

 

CMYK 42 / 0 / 9 / 24

HEX #71C3B2

RGB 113 195 178

HSL 167.56, 0.41%, 0.6%

LAB 73.39, -29.1, 0.7

 

CMYK 39 / 0 / 8 / 16

HEX #82D5C5

RGB 130 213 197

HSL 168.43, 0.5%, 0.67%

LAB 79.82, -28.95, -0.05

 

CMYK 60 / 0 / 11 / 45

HEX #398D7E

RGB 57 141 126

HSL 169.29, 0.42%, 0.39%

LAB 53.41, -29.12, 0.42

 

CMYK 67 / 0 / 13 / 52

HEX #287B6B

RGB 40 123 107

HSL 168.43, 0.51%, 0.32%

LAB 46.55, -28.85, 1.48

 

CMYK 78 / 0 / 16 / 59

HEX #176958

RGB 23 105 88

HSL 167.56, 0.64%, 0.25%

LAB 39.56, -28.27, 2.72

 

CMYK 93 / 0 / 21 / 66

HEX #065745

RGB 6 87 69

HSL 166.67, 0.87%, 0.18%

LAB 32.45, -27.17, 4.19

 

CMYK 100 / 0 / 28 / 73

HEX #004532

RGB 0 69 50

HSL 163.48, 1%, 0.14%

LAB 25.22, -25.03, 6.05

 

CMYK 60 / 0 / 11 / 45

HEX #398D7E

RGB 57 141 126

HSL 169.29, 0.42%, 0.39%

LAB 53.41, -29.12, 0.42

 

CMYK 60 / 0 / 27 / 45

HEX #398D67

RGB 57 141 103

HSL 152.86, 0.42%, 0.39%

LAB 52.84, -34.81, 12.83

 

CMYK 60 / 0 / 43 / 45

HEX #398D51

RGB 57 141 81

HSL 137.14, 0.42%, 0.39%

LAB 52.41, -39.28, 24.59

 

CMYK 60 / 0 / 59 / 45

HEX #398D3A

RGB 57 141 58

HSL 120.71, 0.42%, 0.39%

LAB 52.09, -42.83, 36.24

 

CMYK 44 / 0 / 60 / 45

HEX #4F8D39

RGB 79 141 57

HSL 104.29, 0.42%, 0.39%

LAB 52.96, -36.43, 37.96

 

CMYK 60 / 0 / 11 / 45

HEX #398D7E

RGB 57 141 126

HSL 169.29, 0.42%, 0.39%

LAB 53.41, -29.12, 0.42

 

CMYK 60 / 6 / 0 / 45

HEX #39858D

RGB 57 133 141

HSL 185.71, 0.42%, 0.39%

LAB 51.35, -20.79, -11.36

 

CMYK 60 / 21 / 0 / 45

HEX #396F8D

RGB 57 111 141

HSL 201.43, 0.42%, 0.39%

LAB 44.46, -8.54, -21.85

 

CMYK 60 / 38 / 0 / 45

HEX #39588D

RGB 57 88 141

HSL 217.86, 0.42%, 0.39%

LAB 37.43, 5.62, -32.84

 

CMYK 60 / 53 / 0 / 45

HEX #39428D

RGB 57 66 141

HSL 233.57, 0.42%, 0.39%

LAB 31.09, 20.13, -42.96

 

CMYK 60 / 0 / 11 / 45

HEX #398D7E

RGB 57 141 126

HSL 169.29, 0.42%, 0.39%

LAB 53.41, -29.12, 0.42

 

CMYK 74 / 0 / 13 / 38

HEX #299D88

RGB 41 157 136

HSL 169.14, 0.59%, 0.39%

LAB 58.38, -36.61, 1.88

 

CMYK 86 / 0 / 15 / 32

HEX #19AD93

RGB 25 173 147

HSL 169.46, 0.75%, 0.39%

LAB 63.51, -42.31, 3.1

 

CMYK 95 / 0 / 17 / 26

HEX #09BD9D

RGB 9 189 157

HSL 169.33, 0.91%, 0.39%

LAB 68.67, -47.2, 5.02

 

CMYK 60 / 0 / 11 / 45

HEX #398D7E

RGB 57 141 126

HSL 169.29, 0.42%, 0.39%

LAB 53.41, -29.12, 0.42

 

CMYK 42 / 0 / 8 / 51

HEX #497D73

RGB 73 125 115

HSL 168.46, 0.26%, 0.39%

LAB 48.66, -19.95, -0.02

 

CMYK 18 / 0 / 4 / 57

HEX #596D69

RGB 89 109 105

HSL 168, 0.1%, 0.39%

LAB 44.35, -8.33, -0.25

 

CMYK 0 / 12 / 10 / 59

HEX #695C5F

RGB 105 92 95

HSL 346.15, 0.07%, 0.39%

LAB 40.38, 5.82, 0.2

 

CMYK 0 / 38 / 31 / 52

HEX #7A4C54

RGB 122 76 84

HSL 349.57, 0.23%, 0.39%

LAB 37.75, 20.63, 3.45

 

CMYK 60 / 0 / 43 / 45

HEX #398D51

RGB 57 141 81

HSL 137.14, 0.42%, 0.39%

LAB 52.41, -39.28, 24.59

 

CMYK 60 / 0 / 27 / 45

HEX #398D67

RGB 57 141 103

HSL 152.86, 0.42%, 0.39%

LAB 52.84, -34.81, 12.83

 

CMYK 60 / 0 / 11 / 45

HEX #398D7D

RGB 57 141 125

HSL 168.57, 0.42%, 0.39%

LAB 53.38, -29.39, 0.96

 

CMYK 60 / 5 / 0 / 45

HEX #39868D

RGB 57 134 141

HSL 185, 0.42%, 0.39%

LAB 51.66, -21.31, -10.89

 

CMYK 60 / 21 / 0 / 45

HEX #396F8D

RGB 57 111 141

HSL 201.43, 0.42%, 0.39%

LAB 44.46, -8.54, -21.85

 

CMYK 60 / 0 / 11 / 68

HEX #215249

RGB 33 82 73

HSL 168.98, 0.43%, 0.23%

LAB 31.44, -19.05, 0.29

 

CMYK 59 / 0 / 10 / 56

HEX #2D6F64

RGB 45 111 100

HSL 170, 0.42%, 0.31%

LAB 42.53, -23.83, -0.17

 

CMYK 60 / 0 / 11 / 45

HEX #398D7E

RGB 57 141 126

HSL 169.29, 0.42%, 0.39%

LAB 53.41, -29.12, 0.42

 

CMYK 59 / 0 / 11 / 33

HEX #45AA98

RGB 69 170 152

HSL 169.31, 0.42%, 0.47%

LAB 63.57, -33.71, 0.52

 

CMYK 51 / 0 / 9 / 26

HEX #5CBCAB

RGB 92 188 171

HSL 169.38, 0.42%, 0.55%

LAB 70.3, -32.52, -0.08

 

CMYK 60 / 0 / 11 / 45

HEX #398D7E

RGB 57 141 126

HSL 169.29, 0.42%, 0.39%

LAB 53.41, -29.12, 0.42

 

CMYK 58 / 60 / 0 / 45

HEX #3B398D

RGB 59 57 141

HSL 241.43, 0.42%, 0.39%

LAB 28.85, 26.49, -46.58

 

CMYK 0 / 35 / 60 / 45

HEX #8D5C39

RGB 141 92 57

HSL 25, 0.42%, 0.39%

LAB 43.67, 16.26, 28.16

 

CMYK 60 / 0 / 11 / 45

HEX #398D7E

RGB 57 141 126

HSL 169.29, 0.42%, 0.39%

LAB 53.41, -29.12, 0.42

 

CMYK 11 / 60 / 0 / 45

HEX #7D398D

RGB 125 57 141

HSL 288.57, 0.42%, 0.39%

LAB 36.38, 42.77, -34.08

 

CMYK 0 / 11 / 60 / 45

HEX #8D7D39

RGB 141 125 57

HSL 48.57, 0.42%, 0.39%

LAB 52.54, -2.77, 38.63

 

CMYK 60 / 0 / 11 / 45

HEX #398D7E

RGB 57 141 126

HSL 169.29, 0.42%, 0.39%

LAB 53.41, -29.12, 0.42

 

CMYK 58 / 60 / 0 / 45

HEX #3B398D

RGB 59 57 141

HSL 241.43, 0.42%, 0.39%

LAB 28.85, 26.49, -46.58

 

CMYK 0 / 60 / 49 / 45

HEX #8D3948

RGB 141 57 72

HSL 349.29, 0.42%, 0.39%

LAB 36.09, 37.09, 9.09

 

CMYK 1 / 0 / 60 / 45

HEX #8B8D39

RGB 139 141 57

HSL 61.43, 0.42%, 0.39%

LAB 56.91, -12.44, 43.5

 

CMYK 60 / 0 / 11 / 45

HEX #398D7E

RGB 57 141 126

HSL 169.29, 0.42%, 0.39%

LAB 53.41, -29.12, 0.42

 

CMYK 40 / 60 / 0 / 45

HEX #54398D

RGB 84 57 141

HSL 259.29, 0.42%, 0.39%

LAB 31.19, 32.04, -42.67

 

CMYK 0 / 60 / 49 / 45

HEX #8D3948

RGB 141 57 72

HSL 349.29, 0.42%, 0.39%

LAB 36.09, 37.09, 9.09

 

CMYK 19 / 0 / 60 / 45

HEX #728D39

RGB 114 141 57

HSL 79.29, 0.42%, 0.39%

LAB 54.99, -23.17, 40.82

 

Description

Color code: HEX #398D7E | qconv.com Color code: HEX #398D7E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 141 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 141 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 11 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 11% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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