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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 52 232 28 it is the complementary color RGB 203 23 227. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 52 232 28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 52 232 28 shade: RGB 57 232 23, RGB 74 250 42, RGB 91 255 61, RGB 108 255 80 and RGB 125 255 99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 52 232 28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 52 232 28 shade: RGB 52 232 28, RGB 35 214 9, RGB 18 196 0, RGB 1 178 0 and RGB 0 160 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 52 232 28 shade: RGB 51 232 27, RGB 106 232 27, RGB 162 232 27, RGB 217 232 27 and RGB 232 192 27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 52 232 28 shade: RGB 51 232 27, RGB 27 232 58, RGB 27 232 113, RGB 27 232 169 and RGB 27 232 224

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 52 232 28 shade matches the following richer shades: RGB 51 232 27 and RGB 36 252 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 52 232 28 shade: RGB 51 232 27, RGB 67 212 47, RGB 82 192 68, RGB 98 171 88 and RGB 113 151 108

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 52 232 28 shade: RGB 164 232 27, RGB 109 232 27, RGB 54 232 27, RGB 27 232 54 and RGB 27 232 109

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 52 232 28 shade: RGB 33 161 15, RGB 40 199 19, RGB 51 232 27, RGB 85 236 65 and RGB 118 239 102

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 52 232 28 shade: RGB 52 232 28, RGB 27 218 232 and RGB 232 27 136

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 52 232 28 shade: RGB 52 232 28, RGB 27 54 232 and RGB 232 27 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 52 232 28 shade: RGB 52 232 28, RGB 27 218 232, RGB 205 27 232 and RGB 232 41 27

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 52 232 28 shade: RGB 52 232 28, RGB 27 157 232, RGB 205 27 232 and RGB 232 102 27

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 88 / 9

HEX #34E81C

RGB 52 232 28

HSL 112.94, 0.82%, 0.51%

LAB 81.03, -75.99, 74.75

 

Complementary color

CMYK 11 / 90 / 0 / 11

HEX #CB17E3

RGB 203 23 227

HSL 292.94, 0.82%, 0.49%

LAB 50.52, 84.2, -61.37

 

CMYK 75 / 0 / 90 / 9

HEX #39E817

RGB 57 232 23

HSL 110.24, 0.82%, 0.5%

LAB 81.1, -75.46, 75.66

 

CMYK 70 / 0 / 83 / 2

HEX #4AFA2A

RGB 74 250 42

HSL 110.77, 0.95%, 0.57%

LAB 86.99, -77.46, 77.29

 

CMYK 64 / 0 / 76 / 0

HEX #5BFF3D

RGB 91 255 61

HSL 110.72, 1%, 0.62%

LAB 88.96, -74.88, 74.22

 

CMYK 58 / 0 / 69 / 0

HEX #6CFF50

RGB 108 255 80

HSL 110.4, 1%, 0.66%

LAB 89.53, -69.86, 68.57

 

CMYK 51 / 0 / 61 / 0

HEX #7DFF63

RGB 125 255 99

HSL 110, 1%, 0.69%

LAB 90.22, -63.95, 62.03

 

CMYK 78 / 0 / 88 / 9

HEX #34E81C

RGB 52 232 28

HSL 112.94, 0.82%, 0.51%

LAB 81.03, -75.99, 74.75

 

CMYK 84 / 0 / 96 / 16

HEX #23D609

RGB 35 214 9

HSL 112.39, 0.92%, 0.44%

LAB 75.12, -73.31, 72.28

 

CMYK 91 / 0 / 100 / 23

HEX #12C400

RGB 18 196 0

HSL 114.49, 1%, 0.38%

LAB 69.19, -69.85, 68.35

 

CMYK 99 / 0 / 100 / 30

HEX #01B200

RGB 1 178 0

HSL 119.66, 1%, 0.35%

LAB 63.22, -65.76, 63.52

 

CMYK 100 / 0 / 100 / 37

HEX #00A000

RGB 0 160 0

HSL 120, 1%, 0.31%

LAB 57.21, -60.83, 58.71

 

CMYK 78 / 0 / 88 / 9

HEX #33E81B

RGB 51 232 27

HSL 112.98, 0.82%, 0.51%

LAB 81.01, -76.15, 74.9

 

CMYK 54 / 0 / 88 / 9

HEX #6AE81B

RGB 106 232 27

HSL 96.88, 0.82%, 0.51%

LAB 82.3, -65.34, 76.51

 

CMYK 30 / 0 / 88 / 9

HEX #A2E81B

RGB 162 232 27

HSL 80.49, 0.82%, 0.51%

LAB 84.73, -47.51, 79.52

 

CMYK 6 / 0 / 88 / 9

HEX #D9E81B

RGB 217 232 27

HSL 64.39, 0.82%, 0.51%

LAB 88.23, -25.97, 83.82

 

CMYK 0 / 17 / 88 / 9

HEX #E8C01B

RGB 232 192 27

HSL 48.29, 0.82%, 0.51%

LAB 79, 0.29, 77.06

 

CMYK 78 / 0 / 88 / 9

HEX #33E81B

RGB 51 232 27

HSL 112.98, 0.82%, 0.51%

LAB 81.01, -76.15, 74.9

 

CMYK 88 / 0 / 75 / 9

HEX #1BE83A

RGB 27 232 58

HSL 129.07, 0.82%, 0.51%

LAB 80.88, -76.87, 66.91

 

CMYK 88 / 0 / 51 / 9

HEX #1BE871

RGB 27 232 113

HSL 145.17, 0.82%, 0.51%

LAB 81.37, -70.81, 44.86

 

CMYK 88 / 0 / 27 / 9

HEX #1BE8A9

RGB 27 232 169

HSL 161.56, 0.82%, 0.51%

LAB 82.28, -60.28, 17.92

 

CMYK 88 / 0 / 3 / 9

HEX #1BE8E0

RGB 27 232 224

HSL 177.66, 0.82%, 0.51%

LAB 83.61, -46.24, -9.09

 

CMYK 78 / 0 / 88 / 9

HEX #33E81B

RGB 51 232 27

HSL 112.98, 0.82%, 0.51%

LAB 81.01, -76.15, 74.9

 

CMYK 86 / 0 / 97 / 1

HEX #24FC07

RGB 36 252 7

HSL 112.9, 0.98%, 0.51%

LAB 87, -83.64, 82.13

 

CMYK 78 / 0 / 88 / 9

HEX #33E81B

RGB 51 232 27

HSL 112.98, 0.82%, 0.51%

LAB 81.01, -76.15, 74.9

 

CMYK 68 / 0 / 78 / 17

HEX #43D42F

RGB 67 212 47

HSL 112.73, 0.66%, 0.51%

LAB 75.13, -66.69, 64.95

 

CMYK 57 / 0 / 65 / 25

HEX #52C044

RGB 82 192 68

HSL 113.23, 0.5%, 0.51%

LAB 69.41, -54.88, 51.52

 

CMYK 43 / 0 / 49 / 33

HEX #62AB58

RGB 98 171 88

HSL 112.77, 0.33%, 0.51%

LAB 63.69, -39.51, 35.59

 

CMYK 25 / 0 / 28 / 41

HEX #71976C

RGB 113 151 108

HSL 113.02, 0.17%, 0.51%

LAB 58.72, -21.81, 18.53

 

CMYK 29 / 0 / 88 / 9

HEX #A4E81B

RGB 164 232 27

HSL 79.9, 0.82%, 0.51%

LAB 84.84, -46.78, 79.65

 

CMYK 53 / 0 / 88 / 9

HEX #6DE81B

RGB 109 232 27

HSL 96, 0.82%, 0.51%

LAB 82.4, -64.54, 76.64

 

CMYK 77 / 0 / 88 / 9

HEX #36E81B

RGB 54 232 27

HSL 112.1, 0.82%, 0.51%

LAB 81.06, -75.76, 74.96

 

CMYK 88 / 0 / 77 / 9

HEX #1BE836

RGB 27 232 54

HSL 127.9, 0.82%, 0.51%

LAB 80.86, -77.15, 68.14

 

CMYK 88 / 0 / 53 / 9

HEX #1BE86D

RGB 27 232 109

HSL 144, 0.82%, 0.51%

LAB 81.32, -71.39, 46.68

 

CMYK 80 / 0 / 91 / 37

HEX #21A10F

RGB 33 161 15

HSL 112.6, 0.83%, 0.35%

LAB 57.89, -57.89, 57.08

 

CMYK 80 / 0 / 90 / 22

HEX #28C713

RGB 40 199 19

HSL 113, 0.83%, 0.43%

LAB 70.42, -68.23, 67.13

 

CMYK 78 / 0 / 88 / 9

HEX #33E81B

RGB 51 232 27

HSL 112.98, 0.82%, 0.51%

LAB 81.01, -76.15, 74.9

 

CMYK 64 / 0 / 72 / 7

HEX #55EC41

RGB 85 236 65

HSL 112.98, 0.82%, 0.59%

LAB 83.07, -69.7, 67.07

 

CMYK 51 / 0 / 57 / 6

HEX #76EF66

RGB 118 239 102

HSL 112.99, 0.81%, 0.67%

LAB 85.27, -59.54, 55.04

 

CMYK 78 / 0 / 88 / 9

HEX #34E81C

RGB 52 232 28

HSL 112.94, 0.82%, 0.51%

LAB 81.03, -75.99, 74.75

 

CMYK 88 / 6 / 0 / 9

HEX #1BDAE8

RGB 27 218 232

HSL 184.1, 0.82%, 0.51%

LAB 79.73, -37.65, -19.16

 

CMYK 0 / 88 / 41 / 9

HEX #E81B88

RGB 232 27 136

HSL 328.1, 0.82%, 0.51%

LAB 51.52, 77.69, -6.21

 

CMYK 78 / 0 / 88 / 9

HEX #34E81C

RGB 52 232 28

HSL 112.94, 0.82%, 0.51%

LAB 81.03, -75.99, 74.75

 

CMYK 88 / 77 / 0 / 9

HEX #1B36E8

RGB 27 54 232

HSL 232.1, 0.82%, 0.51%

LAB 35.4, 56.47, -89.7

 

CMYK 0 / 88 / 77 / 9

HEX #E81B36

RGB 232 27 54

HSL 352.1, 0.82%, 0.51%

LAB 49.75, 72.72, 40.82

 

CMYK 78 / 0 / 88 / 9

HEX #34E81C

RGB 52 232 28

HSL 112.94, 0.82%, 0.51%

LAB 81.03, -75.99, 74.75

 

CMYK 88 / 6 / 0 / 9

HEX #1BDAE8

RGB 27 218 232

HSL 184.1, 0.82%, 0.51%

LAB 79.73, -37.65, -19.16

 

CMYK 12 / 88 / 0 / 9

HEX #CD1BE8

RGB 205 27 232

HSL 292.1, 0.82%, 0.51%

LAB 51.37, 84.73, -62.81

 

CMYK 0 / 82 / 88 / 9

HEX #E8291B

RGB 232 41 27

HSL 4.1, 0.82%, 0.51%

LAB 50.48, 69.33, 55.14

 

CMYK 78 / 0 / 88 / 9

HEX #34E81C

RGB 52 232 28

HSL 112.94, 0.82%, 0.51%

LAB 81.03, -75.99, 74.75

 

CMYK 88 / 32 / 0 / 9

HEX #1B9DE8

RGB 27 157 232

HSL 201.95, 0.82%, 0.51%

LAB 61.8, -6.37, -46.88

 

CMYK 12 / 88 / 0 / 9

HEX #CD1BE8

RGB 205 27 232

HSL 292.1, 0.82%, 0.51%

LAB 51.37, 84.73, -62.81

 

CMYK 0 / 56 / 88 / 9

HEX #E8661B

RGB 232 102 27

HSL 21.95, 0.82%, 0.51%

LAB 58.73, 46.96, 61.36

 

Description

Color code: RGB 52 232 28 | qconv.com Color code: RGB 52 232 28 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 232 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 232 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 88 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 88% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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