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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD1BE8 it is the complementary color #32E417. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD1BE8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD1BE8 shade: #D21BE3, #E32DF6, #F43FFF, #FF51FF and #FF63FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD1BE8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD1BE8 shade: #CD1BE8, #BC09D5, #AB00C2, #9A00AF and #89009C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD1BE8 shade: #CD1BE8, #E81BCC, #E81B94, #E81B5D and #E81B26

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD1BE8 shade: #CD1BE8, #961BE8, #5F1BE8, #271BE8 and #1B1BE8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD1BE8 shade matches the following richer shades: #CD1BE8 and #DC07FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD1BE8 shade: #CD1BE8, #BE2FD4, #AF44C0, #A058AB and #916C97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD1BE8 shade: #5F1BE8, #961BE8, #CD1BE8, #E81BCD and #E81B96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD1BE8 shade: #8E0FA1, #AF13C7, #CD1BE8, #D541EC and #DD66EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD1BE8 shade: #CD1BE8, #E8291B and #1BE87B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD1BE8 shade: #CD1BE8, #E8CD1B and #1BE8CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD1BE8 shade: #CD1BE8, #E8291B, #36E81B and #1BDAE8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD1BE8 shade: #CD1BE8, #E8661B, #36E81B and #1B9DE8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 88 / 0 / 9

HEX #CD1BE8

RGB 205 27 232

HSL 292.1, 0.82%, 0.51%

LAB 51.37, 84.73, -62.81

 

Complementary color

CMYK 78 / 0 / 90 / 11

HEX #32E417

RGB 50 228 23

HSL 112.1, 0.82%, 0.49%

LAB 79.74, -75.25, 74.47

 

CMYK 7 / 88 / 0 / 11

HEX #D21BE3

RGB 210 27 227

HSL 294.9, 0.79%, 0.5%

LAB 51.87, 84.73, -59.13

 

CMYK 8 / 82 / 0 / 4

HEX #E32DF6

RGB 227 45 246

HSL 294.33, 0.92%, 0.57%

LAB 56.94, 87.21, -61.51

 

CMYK 4 / 75 / 0 / 0

HEX #F43FFF

RGB 244 63 255

HSL 296.56, 1%, 0.62%

LAB 61.66, 87.23, -58.8

 

CMYK 0 / 68 / 0 / 0

HEX #FF51FF

RGB 255 81 255

HSL 300, 1%, 0.66%

LAB 65.25, 83.95, -52.99

 

CMYK 0 / 61 / 0 / 0

HEX #FF63FF

RGB 255 99 255

HSL 300, 1%, 0.69%

LAB 67.58, 77.42, -49.31

 

CMYK 12 / 88 / 0 / 9

HEX #CD1BE8

RGB 205 27 232

HSL 292.1, 0.82%, 0.51%

LAB 51.37, 84.73, -62.81

 

CMYK 12 / 96 / 0 / 16

HEX #BC09D5

RGB 188 9 213

HSL 292.65, 0.92%, 0.44%

LAB 46.57, 81.2, -59.88

 

CMYK 12 / 100 / 0 / 24

HEX #AB00C2

RGB 171 0 194

HSL 292.89, 1%, 0.38%

LAB 42.08, 76.42, -56.25

 

CMYK 12 / 100 / 0 / 31

HEX #9A00AF

RGB 154 0 175

HSL 292.8, 1%, 0.34%

LAB 37.78, 70.77, -52.13

 

CMYK 12 / 100 / 0 / 39

HEX #89009C

RGB 137 0 156

HSL 292.69, 1%, 0.31%

LAB 33.39, 65, -47.93

 

CMYK 12 / 88 / 0 / 9

HEX #CD1BE8

RGB 205 27 232

HSL 292.1, 0.82%, 0.51%

LAB 51.37, 84.73, -62.81

 

CMYK 0 / 88 / 12 / 9

HEX #E81BCC

RGB 232 27 204

HSL 308.2, 0.82%, 0.51%

LAB 54.34, 85.25, -41.85

 

CMYK 0 / 88 / 36 / 9

HEX #E81B94

RGB 232 27 148

HSL 324.59, 0.82%, 0.51%

LAB 51.93, 78.82, -12.79

 

CMYK 0 / 88 / 60 / 9

HEX #E81B5D

RGB 232 27 93

HSL 340.68, 0.82%, 0.51%

LAB 50.37, 74.5, 18.3

 

CMYK 0 / 88 / 84 / 9

HEX #E81B26

RGB 232 27 38

HSL 356.78, 0.82%, 0.51%

LAB 49.59, 72.28, 49.32

 

CMYK 12 / 88 / 0 / 9

HEX #CD1BE8

RGB 205 27 232

HSL 292.1, 0.82%, 0.51%

LAB 51.37, 84.73, -62.81

 

CMYK 35 / 88 / 0 / 9

HEX #961BE8

RGB 150 27 232

HSL 276, 0.82%, 0.51%

LAB 42.9, 76.94, -76.95

 

CMYK 59 / 88 / 0 / 9

HEX #5F1BE8

RGB 95 27 232

HSL 259.9, 0.82%, 0.51%

LAB 36.07, 71.36, -88.46

 

CMYK 83 / 88 / 0 / 9

HEX #271BE8

RGB 39 27 232

HSL 243.51, 0.82%, 0.51%

LAB 31.9, 68.42, -95.5

 

CMYK 88 / 88 / 0 / 9

HEX #1B1BE8

RGB 27 27 232

HSL 240, 0.82%, 0.51%

LAB 31.45, 68.12, -96.27

 

CMYK 12 / 88 / 0 / 9

HEX #CD1BE8

RGB 205 27 232

HSL 292.1, 0.82%, 0.51%

LAB 51.37, 84.73, -62.81

 

CMYK 13 / 97 / 0 / 1

HEX #DC07FC

RGB 220 7 252

HSL 292.16, 0.98%, 0.51%

LAB 54.44, 92.2, -68.94

 

CMYK 12 / 88 / 0 / 9

HEX #CD1BE8

RGB 205 27 232

HSL 292.1, 0.82%, 0.51%

LAB 51.37, 84.73, -62.81

 

CMYK 10 / 78 / 0 / 17

HEX #BE2FD4

RGB 190 47 212

HSL 292, 0.66%, 0.51%

LAB 49.17, 74.5, -55.09

 

CMYK 9 / 65 / 0 / 25

HEX #AF44C0

RGB 175 68 192

HSL 291.77, 0.5%, 0.51%

LAB 48.33, 60.34, -45.04

 

CMYK 6 / 49 / 0 / 33

HEX #A058AB

RGB 160 88 171

HSL 292.05, 0.33%, 0.51%

LAB 48.75, 42.69, -32.25

 

CMYK 4 / 28 / 0 / 41

HEX #916C97

RGB 145 108 151

HSL 291.63, 0.17%, 0.51%

LAB 50.66, 22.54, -17.69

 

CMYK 59 / 88 / 0 / 9

HEX #5F1BE8

RGB 95 27 232

HSL 259.9, 0.82%, 0.51%

LAB 36.07, 71.36, -88.46

 

CMYK 35 / 88 / 0 / 9

HEX #961BE8

RGB 150 27 232

HSL 276, 0.82%, 0.51%

LAB 42.9, 76.94, -76.95

 

CMYK 12 / 88 / 0 / 9

HEX #CD1BE8

RGB 205 27 232

HSL 292.1, 0.82%, 0.51%

LAB 51.37, 84.73, -62.81

 

CMYK 0 / 88 / 12 / 9

HEX #E81BCD

RGB 232 27 205

HSL 307.9, 0.82%, 0.51%

LAB 54.39, 85.38, -42.34

 

CMYK 0 / 88 / 35 / 9

HEX #E81B96

RGB 232 27 150

HSL 324, 0.82%, 0.51%

LAB 52, 79.01, -13.88

 

CMYK 12 / 91 / 0 / 37

HEX #8E0FA1

RGB 142 15 161

HSL 292.19, 0.83%, 0.35%

LAB 35.33, 64.59, -47.78

 

CMYK 12 / 90 / 0 / 22

HEX #AF13C7

RGB 175 19 199

HSL 292, 0.83%, 0.43%

LAB 43.8, 75.79, -56.35

 

CMYK 12 / 88 / 0 / 9

HEX #CD1BE8

RGB 205 27 232

HSL 292.1, 0.82%, 0.51%

LAB 51.37, 84.73, -62.81

 

CMYK 10 / 72 / 0 / 7

HEX #D541EC

RGB 213 65 236

HSL 291.93, 0.82%, 0.59%

LAB 56.07, 77.52, -57.44

 

CMYK 8 / 57 / 0 / 6

HEX #DD66EF

RGB 221 102 239

HSL 292.12, 0.81%, 0.67%

LAB 62.6, 65.25, -48.66

 

CMYK 12 / 88 / 0 / 9

HEX #CD1BE8

RGB 205 27 232

HSL 292.1, 0.82%, 0.51%

LAB 51.37, 84.73, -62.81

 

CMYK 0 / 82 / 88 / 9

HEX #E8291B

RGB 232 41 27

HSL 4.1, 0.82%, 0.51%

LAB 50.48, 69.33, 55.14

 

CMYK 88 / 0 / 47 / 9

HEX #1BE87B

RGB 27 232 123

HSL 148.1, 0.82%, 0.51%

LAB 81.5, -69.24, 40.21

 

CMYK 12 / 88 / 0 / 9

HEX #CD1BE8

RGB 205 27 232

HSL 292.1, 0.82%, 0.51%

LAB 51.37, 84.73, -62.81

 

CMYK 0 / 12 / 88 / 9

HEX #E8CD1B

RGB 232 205 27

HSL 52.1, 0.82%, 0.51%

LAB 82.32, -6.38, 79.66

 

CMYK 88 / 0 / 12 / 9

HEX #1BE8CD

RGB 27 232 205

HSL 172.1, 0.82%, 0.51%

LAB 83.1, -51.44, 0.19

 

CMYK 12 / 88 / 0 / 9

HEX #CD1BE8

RGB 205 27 232

HSL 292.1, 0.82%, 0.51%

LAB 51.37, 84.73, -62.81

 

CMYK 0 / 82 / 88 / 9

HEX #E8291B

RGB 232 41 27

HSL 4.1, 0.82%, 0.51%

LAB 50.48, 69.33, 55.14

 

CMYK 77 / 0 / 88 / 9

HEX #36E81B

RGB 54 232 27

HSL 112.1, 0.82%, 0.51%

LAB 81.06, -75.76, 74.96

 

CMYK 88 / 6 / 0 / 9

HEX #1BDAE8

RGB 27 218 232

HSL 184.1, 0.82%, 0.51%

LAB 79.73, -37.65, -19.16

 

CMYK 12 / 88 / 0 / 9

HEX #CD1BE8

RGB 205 27 232

HSL 292.1, 0.82%, 0.51%

LAB 51.37, 84.73, -62.81

 

CMYK 0 / 56 / 88 / 9

HEX #E8661B

RGB 232 102 27

HSL 21.95, 0.82%, 0.51%

LAB 58.73, 46.96, 61.36

 

CMYK 77 / 0 / 88 / 9

HEX #36E81B

RGB 54 232 27

HSL 112.1, 0.82%, 0.51%

LAB 81.06, -75.76, 74.96

 

CMYK 88 / 32 / 0 / 9

HEX #1B9DE8

RGB 27 157 232

HSL 201.95, 0.82%, 0.51%

LAB 61.8, -6.37, -46.88

 

Description

Color code: HEX #CD1BE8 | qconv.com Color code: HEX #CD1BE8 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 27 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 27 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 88 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 88% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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