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Color name
RGB 52 140 109

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 52 140 109 it is the complementary color RGB 203 115 146. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 52 140 109. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 52 140 109 shade: RGB 57 140 104, RGB 74 158 123, RGB 91 176 142, RGB 108 194 161 and RGB 125 212 180

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 52 140 109. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 52 140 109 shade: RGB 52 140 109, RGB 35 122 90, RGB 18 104 71, RGB 1 86 52 and RGB 0 68 33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 52 140 109 shade: RGB 52 141 110, RGB 52 141 86, RGB 52 141 61, RGB 66 141 52 and RGB 90 141 52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 52 140 109 shade: RGB 52 141 110, RGB 52 141 134, RGB 52 124 141, RGB 52 100 141 and RGB 52 76 141

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 52 140 109 shade matches the following richer shades: RGB 52 141 110, RGB 36 157 114, RGB 20 172 119 and RGB 5 188 123

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 52 140 109 shade: RGB 52 141 110, RGB 68 125 105, RGB 83 110 100, RGB 99 94 96 and RGB 115 78 91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 52 140 109 shade: RGB 52 141 61, RGB 52 141 85, RGB 52 141 108, RGB 52 141 132 and RGB 52 126 141

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 52 140 109 shade: RGB 30 81 63, RGB 41 111 86, RGB 52 141 110, RGB 63 171 133 and RGB 84 191 154

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 52 140 109 shade: RGB 52 140 109, RGB 52 67 141 and RGB 141 73 52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 52 140 109 shade: RGB 52 140 109, RGB 108 52 141 and RGB 141 108 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 52 140 109 shade: RGB 52 140 109, RGB 52 67 141, RGB 141 52 85 and RGB 141 126 52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 52 140 109 shade: RGB 52 140 109, RGB 64 52 141, RGB 141 52 85 and RGB 129 141 52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 22 / 45

HEX #348C6D

RGB 52 140 109

HSL 158.86, 0.46%, 0.38%

LAB 52.5, -34.02, 8.89

 

Complementary color

CMYK 0 / 43 / 28 / 20

HEX #CB7392

RGB 203 115 146

HSL 338.86, 0.46%, 0.62%

LAB 59.01, 38.29, -1.57

 

CMYK 59 / 0 / 26 / 45

HEX #398C68

RGB 57 140 104

HSL 153.98, 0.42%, 0.39%

LAB 52.54, -34.13, 11.84

 

CMYK 53 / 0 / 22 / 38

HEX #4A9E7B

RGB 74 158 123

HSL 155, 0.36%, 0.45%

LAB 59.29, -34.09, 10.64

 

CMYK 48 / 0 / 19 / 31

HEX #5BB08E

RGB 91 176 142

HSL 156, 0.35%, 0.52%

LAB 65.93, -33.96, 9.55

 

CMYK 44 / 0 / 17 / 24

HEX #6CC2A1

RGB 108 194 161

HSL 156.98, 0.41%, 0.59%

LAB 72.46, -33.78, 8.57

 

CMYK 41 / 0 / 15 / 17

HEX #7DD4B4

RGB 125 212 180

HSL 157.93, 0.5%, 0.66%

LAB 78.89, -33.58, 7.65

 

CMYK 63 / 0 / 22 / 45

HEX #348C6D

RGB 52 140 109

HSL 158.86, 0.46%, 0.38%

LAB 52.5, -34.02, 8.89

 

CMYK 71 / 0 / 26 / 52

HEX #237A5A

RGB 35 122 90

HSL 157.93, 0.55%, 0.31%

LAB 45.65, -33.72, 10.22

 

CMYK 83 / 0 / 32 / 59

HEX #126847

RGB 18 104 71

HSL 156.98, 0.7%, 0.24%

LAB 38.7, -33.02, 11.78

 

CMYK 99 / 0 / 40 / 66

HEX #015634

RGB 1 86 52

HSL 156, 0.98%, 0.17%

LAB 31.6, -31.84, 13.57

 

CMYK 100 / 0 / 51 / 73

HEX #004421

RGB 0 68 33

HSL 149.12, 1%, 0.13%

LAB 24.46, -28.92, 15.83

 

CMYK 63 / 0 / 22 / 45

HEX #348D6E

RGB 52 141 110

HSL 159.1, 0.46%, 0.38%

LAB 52.85, -34.24, 8.81

 

CMYK 63 / 0 / 39 / 45

HEX #348D56

RGB 52 141 86

HSL 142.92, 0.46%, 0.38%

LAB 52.34, -39.5, 21.72

 

CMYK 63 / 0 / 57 / 45

HEX #348D3D

RGB 52 141 61

HSL 126.07, 0.46%, 0.38%

LAB 51.97, -43.66, 34.56

 

CMYK 53 / 0 / 63 / 45

HEX #428D34

RGB 66 141 52

HSL 110.56, 0.46%, 0.38%

LAB 52.35, -41.08, 39.5

 

CMYK 36 / 0 / 63 / 45

HEX #5A8D34

RGB 90 141 52

HSL 94.38, 0.46%, 0.38%

LAB 53.46, -33.09, 41.05

 

CMYK 63 / 0 / 22 / 45

HEX #348D6E

RGB 52 141 110

HSL 159.1, 0.46%, 0.38%

LAB 52.85, -34.24, 8.81

 

CMYK 63 / 0 / 5 / 45

HEX #348D86

RGB 52 141 134

HSL 175.28, 0.46%, 0.38%

LAB 53.49, -27.88, -4.11

 

CMYK 63 / 12 / 0 / 45

HEX #347C8D

RGB 52 124 141

HSL 191.46, 0.46%, 0.38%

LAB 48.35, -16.92, -15.92

 

CMYK 63 / 29 / 0 / 45

HEX #34648D

RGB 52 100 141

HSL 207.64, 0.46%, 0.38%

LAB 40.84, -2.98, -27.49

 

CMYK 63 / 46 / 0 / 45

HEX #344C8D

RGB 52 76 141

HSL 223.82, 0.46%, 0.38%

LAB 33.61, 12.43, -38.93

 

CMYK 63 / 0 / 22 / 45

HEX #348D6E

RGB 52 141 110

HSL 159.1, 0.46%, 0.38%

LAB 52.85, -34.24, 8.81

 

CMYK 77 / 0 / 27 / 38

HEX #249D72

RGB 36 157 114

HSL 158.68, 0.63%, 0.38%

LAB 57.75, -42.86, 13.39

 

CMYK 88 / 0 / 31 / 33

HEX #14AC77

RGB 20 172 119

HSL 159.08, 0.79%, 0.38%

LAB 62.5, -49.25, 17.16

 

CMYK 97 / 0 / 35 / 26

HEX #05BC7B

RGB 5 188 123

HSL 158.69, 0.95%, 0.38%

LAB 67.6, -55.11, 21.95

 

CMYK 63 / 0 / 22 / 45

HEX #348D6E

RGB 52 141 110

HSL 159.1, 0.46%, 0.38%

LAB 52.85, -34.24, 8.81

 

CMYK 46 / 0 / 16 / 51

HEX #447D69

RGB 68 125 105

HSL 158.95, 0.3%, 0.38%

LAB 48.15, -23.84, 5.11

 

CMYK 25 / 0 / 9 / 57

HEX #536E64

RGB 83 110 100

HSL 157.78, 0.14%, 0.38%

LAB 44.1, -12.18, 2.35

 

CMYK 0 / 5 / 3 / 61

HEX #635E60

RGB 99 94 96

HSL 336, 0.03%, 0.38%

LAB 40.41, 2.4, -0.43

 

CMYK 0 / 32 / 21 / 55

HEX #734E5B

RGB 115 78 91

HSL 338.92, 0.19%, 0.38%

LAB 37.57, 17.7, -1.3

 

CMYK 63 / 0 / 57 / 45

HEX #348D3D

RGB 52 141 61

HSL 126.07, 0.46%, 0.38%

LAB 51.97, -43.66, 34.56

 

CMYK 63 / 0 / 40 / 45

HEX #348D55

RGB 52 141 85

HSL 142.25, 0.46%, 0.38%

LAB 52.33, -39.69, 22.25

 

CMYK 63 / 0 / 23 / 45

HEX #348D6C

RGB 52 141 108

HSL 157.75, 0.46%, 0.38%

LAB 52.8, -34.72, 9.89

 

CMYK 63 / 0 / 6 / 45

HEX #348D84

RGB 52 141 132

HSL 173.93, 0.46%, 0.38%

LAB 53.43, -28.45, -3.04

 

CMYK 63 / 11 / 0 / 45

HEX #347E8D

RGB 52 126 141

HSL 190.11, 0.46%, 0.38%

LAB 48.98, -18.01, -14.96

 

CMYK 63 / 0 / 22 / 68

HEX #1E513F

RGB 30 81 63

HSL 158.82, 0.46%, 0.22%

LAB 30.69, -22.05, 5.55

 

CMYK 63 / 0 / 23 / 56

HEX #296F56

RGB 41 111 86

HSL 158.57, 0.46%, 0.3%

LAB 42.02, -28.44, 7.5

 

CMYK 63 / 0 / 22 / 45

HEX #348D6E

RGB 52 141 110

HSL 159.1, 0.46%, 0.38%

LAB 52.85, -34.24, 8.81

 

CMYK 63 / 0 / 22 / 33

HEX #3FAB85

RGB 63 171 133

HSL 158.89, 0.46%, 0.46%

LAB 63.24, -40.02, 10.59

 

CMYK 56 / 0 / 19 / 25

HEX #54BF9A

RGB 84 191 154

HSL 159.25, 0.46%, 0.54%

LAB 70.51, -39.72, 9.47

 

CMYK 63 / 0 / 22 / 45

HEX #348C6D

RGB 52 140 109

HSL 158.86, 0.46%, 0.38%

LAB 52.5, -34.02, 8.89

 

CMYK 63 / 52 / 0 / 45

HEX #34438D

RGB 52 67 141

HSL 229.89, 0.46%, 0.38%

LAB 31.04, 18.46, -43.06

 

CMYK 0 / 48 / 63 / 45

HEX #8D4934

RGB 141 73 52

HSL 14.16, 0.46%, 0.38%

LAB 39.03, 26.78, 25.36

 

CMYK 63 / 0 / 22 / 45

HEX #348C6D

RGB 52 140 109

HSL 158.86, 0.46%, 0.38%

LAB 52.5, -34.02, 8.89

 

CMYK 23 / 63 / 0 / 45

HEX #6C348D

RGB 108 52 141

HSL 277.75, 0.46%, 0.38%

LAB 33.06, 40.87, -39.51

 

CMYK 0 / 23 / 63 / 45

HEX #8D6C34

RGB 141 108 52

HSL 37.75, 0.46%, 0.38%

LAB 47.8, 6.54, 35.77

 

CMYK 63 / 0 / 22 / 45

HEX #348C6D

RGB 52 140 109

HSL 158.86, 0.46%, 0.38%

LAB 52.5, -34.02, 8.89

 

CMYK 63 / 52 / 0 / 45

HEX #34438D

RGB 52 67 141

HSL 229.89, 0.46%, 0.38%

LAB 31.04, 18.46, -43.06

 

CMYK 0 / 63 / 40 / 45

HEX #8D3455

RGB 141 52 85

HSL 337.75, 0.46%, 0.38%

LAB 35.55, 40.94, -0.01

 

CMYK 0 / 11 / 63 / 45

HEX #8D7E34

RGB 141 126 52

HSL 49.89, 0.46%, 0.38%

LAB 52.77, -3.72, 41.35

 

CMYK 63 / 0 / 22 / 45

HEX #348C6D

RGB 52 140 109

HSL 158.86, 0.46%, 0.38%

LAB 52.5, -34.02, 8.89

 

CMYK 55 / 63 / 0 / 45

HEX #40348D

RGB 64 52 141

HSL 248.09, 0.46%, 0.38%

LAB 28.03, 30.69, -47.89

 

CMYK 0 / 63 / 40 / 45

HEX #8D3455

RGB 141 52 85

HSL 337.75, 0.46%, 0.38%

LAB 35.55, 40.94, -0.01

 

CMYK 9 / 0 / 63 / 45

HEX #818D34

RGB 129 141 52

HSL 68.09, 0.46%, 0.38%

LAB 56.05, -17.21, 44.64

 

Description

Color code: RGB 52 140 109 | qconv.com Color code: RGB 52 140 109 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 140 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 140 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 22 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 22% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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