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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8D3455 it is the complementary color #72CBAA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8D3455. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8D3455 shade: #923450, #A34663, #B45876, #C56A89 and #D67C9C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8D3455. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8D3455 shade: #8D3455, #7C2242, #6B102F, #5A001C and #490009

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8D3455 shade: #8D3455, #8D343D and #8D3434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8D3455 shade: #8D3455, #8D346D, #8D3485, #7D348D and #65348D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8D3455 shade matches the following richer shades: #8D3455, #9D2451, #AC144D and #BC0549

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8D3455 shade: #8D3455, #7D4459, #6E535D, #5E6361 and #4E7365

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8D3455 shade: #8D3486, #8D346E, #8D3456, #8D343E and #8D4134

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8D3455 shade: #511E31, #6F2943, #8D3455, #AB3F67 and #BF547C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8D3455 shade: #8D3455, #8D7D34 and #347A8D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8D3455 shade: #8D3455, #568D34 and #34568D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8D3455 shade: #8D3455, #8D7D34, #348D6B and #34448D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8D3455 shade: #8D3455, #838D34, #348D6B and #3E348D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 40 / 45

HEX #8D3455

RGB 141 52 85

HSL 337.75, 0.46%, 0.38%

LAB 35.55, 40.94, -0.01

 

Complementary color

CMYK 44 / 0 / 16 / 20

HEX #72CBAA

RGB 114 203 170

HSL 157.75, 0.46%, 0.62%

LAB 75.57, -34.45, 8.19

 

CMYK 0 / 64 / 45 / 43

HEX #923450

RGB 146 52 80

HSL 342.13, 0.47%, 0.39%

LAB 36.26, 42.07, 4.34

 

CMYK 0 / 57 / 39 / 36

HEX #A34663

RGB 163 70 99

HSL 341.29, 0.4%, 0.46%

LAB 42.87, 41.4, 2.27

 

CMYK 0 / 51 / 34 / 29

HEX #B45876

RGB 180 88 118

HSL 340.43, 0.38%, 0.53%

LAB 49.48, 40.56, 0.63

 

CMYK 0 / 46 / 30 / 23

HEX #C56A89

RGB 197 106 137

HSL 339.56, 0.44%, 0.59%

LAB 56.07, 39.68, -0.72

 

CMYK 0 / 42 / 27 / 16

HEX #D67C9C

RGB 214 124 156

HSL 338.67, 0.52%, 0.66%

LAB 62.6, 38.81, -1.87

 

CMYK 0 / 63 / 40 / 45

HEX #8D3455

RGB 141 52 85

HSL 337.75, 0.46%, 0.38%

LAB 35.55, 40.94, -0.01

 

CMYK 0 / 73 / 47 / 51

HEX #7C2242

RGB 124 34 66

HSL 338.67, 0.57%, 0.31%

LAB 28.96, 41.2, 2.45

 

CMYK 0 / 85 / 56 / 58

HEX #6B102F

RGB 107 16 47

HSL 339.56, 0.74%, 0.24%

LAB 22.66, 40.54, 5.93

 

CMYK 0 / 100 / 69 / 65

HEX #5A001C

RGB 90 0 28

HSL 341.33, 1%, 0.18%

LAB 16.78, 38.57, 10.8

 

CMYK 0 / 100 / 88 / 71

HEX #490009

RGB 73 0 9

HSL 352.6, 1%, 0.14%

LAB 12.2, 32.83, 15.48

 

CMYK 0 / 63 / 40 / 45

HEX #8D3455

RGB 141 52 85

HSL 337.75, 0.46%, 0.38%

LAB 35.55, 40.94, -0.01

 

CMYK 0 / 63 / 57 / 45

HEX #8D343D

RGB 141 52 61

HSL 353.93, 0.46%, 0.38%

LAB 34.91, 38.52, 14.49

 

CMYK 0 / 63 / 63 / 45

HEX #8D3434

RGB 141 52 52

HSL 0, 0.46%, 0.38%

LAB 34.74, 37.82, 19.97

 

CMYK 0 / 63 / 40 / 45

HEX #8D3455

RGB 141 52 85

HSL 337.75, 0.46%, 0.38%

LAB 35.55, 40.94, -0.01

 

CMYK 0 / 63 / 23 / 45

HEX #8D346D

RGB 141 52 109

HSL 321.57, 0.46%, 0.38%

LAB 36.41, 44.13, -13.97

 

CMYK 0 / 63 / 6 / 45

HEX #8D3485

RGB 141 52 133

HSL 305.39, 0.46%, 0.38%

LAB 37.5, 48, -27.24

 

CMYK 11 / 63 / 0 / 45

HEX #7D348D

RGB 125 52 141

HSL 289.21, 0.46%, 0.38%

LAB 35.48, 45.24, -35.52

 

CMYK 28 / 63 / 0 / 45

HEX #65348D

RGB 101 52 141

HSL 273.03, 0.46%, 0.38%

LAB 32.14, 39.11, -41.05

 

CMYK 0 / 63 / 40 / 45

HEX #8D3455

RGB 141 52 85

HSL 337.75, 0.46%, 0.38%

LAB 35.55, 40.94, -0.01

 

CMYK 0 / 77 / 48 / 38

HEX #9D2451

RGB 157 36 81

HSL 337.69, 0.63%, 0.38%

LAB 36.03, 51.93, 3.62

 

CMYK 0 / 88 / 55 / 33

HEX #AC144D

RGB 172 20 77

HSL 337.5, 0.79%, 0.38%

LAB 37.49, 59.73, 8.7

 

CMYK 0 / 97 / 61 / 26

HEX #BC0549

RGB 188 5 73

HSL 337.7, 0.95%, 0.38%

LAB 40.05, 65.38, 15.31

 

CMYK 0 / 63 / 40 / 45

HEX #8D3455

RGB 141 52 85

HSL 337.75, 0.46%, 0.38%

LAB 35.55, 40.94, -0.01

 

CMYK 0 / 46 / 29 / 51

HEX #7D4459

RGB 125 68 89

HSL 337.89, 0.3%, 0.38%

LAB 36.4, 27.25, -1.61

 

CMYK 0 / 25 / 15 / 57

HEX #6E535D

RGB 110 83 93

HSL 337.78, 0.14%, 0.38%

LAB 38.36, 12.98, -1.46

 

CMYK 5 / 0 / 2 / 61

HEX #5E6361

RGB 94 99 97

HSL 156, 0.03%, 0.38%

LAB 41.48, -2.37, 0.46

 

CMYK 32 / 0 / 12 / 55

HEX #4E7365

RGB 78 115 101

HSL 157.3, 0.19%, 0.38%

LAB 45.39, -16.43, 3.57

 

CMYK 0 / 63 / 5 / 45

HEX #8D3486

RGB 141 52 134

HSL 304.72, 0.46%, 0.38%

LAB 37.55, 48.18, -27.78

 

CMYK 0 / 63 / 22 / 45

HEX #8D346E

RGB 141 52 110

HSL 320.9, 0.46%, 0.38%

LAB 36.45, 44.28, -14.54

 

CMYK 0 / 63 / 39 / 45

HEX #8D3456

RGB 141 52 86

HSL 337.08, 0.46%, 0.38%

LAB 35.58, 41.06, -0.61

 

CMYK 0 / 63 / 56 / 45

HEX #8D343E

RGB 141 52 62

HSL 353.26, 0.46%, 0.38%

LAB 34.94, 38.6, 13.88

 

CMYK 0 / 54 / 63 / 45

HEX #8D4134

RGB 141 65 52

HSL 8.76, 0.46%, 0.38%

LAB 37.28, 31.18, 23.19

 

CMYK 0 / 63 / 40 / 68

HEX #511E31

RGB 81 30 49

HSL 337.65, 0.46%, 0.22%

LAB 19.64, 26.09, -0.49

 

CMYK 0 / 63 / 40 / 56

HEX #6F2943

RGB 111 41 67

HSL 337.71, 0.46%, 0.3%

LAB 27.77, 33.73, -0.25

 

CMYK 0 / 63 / 40 / 45

HEX #8D3455

RGB 141 52 85

HSL 337.75, 0.46%, 0.38%

LAB 35.55, 40.94, -0.01

 

CMYK 0 / 63 / 40 / 33

HEX #AB3F67

RGB 171 63 103

HSL 337.78, 0.46%, 0.46%

LAB 43.05, 47.84, 0.22

 

CMYK 0 / 56 / 35 / 25

HEX #BF547C

RGB 191 84 124

HSL 337.57, 0.46%, 0.54%

LAB 50.54, 47.05, -1.24

 

CMYK 0 / 63 / 40 / 45

HEX #8D3455

RGB 141 52 85

HSL 337.75, 0.46%, 0.38%

LAB 35.55, 40.94, -0.01

 

CMYK 0 / 11 / 63 / 45

HEX #8D7D34

RGB 141 125 52

HSL 49.21, 0.46%, 0.38%

LAB 52.48, -3.16, 41.04

 

CMYK 63 / 13 / 0 / 45

HEX #347A8D

RGB 52 122 141

HSL 192.81, 0.46%, 0.38%

LAB 47.72, -15.82, -16.88

 

CMYK 0 / 63 / 40 / 45

HEX #8D3455

RGB 141 52 85

HSL 337.75, 0.46%, 0.38%

LAB 35.55, 40.94, -0.01

 

CMYK 39 / 0 / 63 / 45

HEX #568D34

RGB 86 141 52

HSL 97.08, 0.46%, 0.38%

LAB 53.25, -34.54, 40.76

 

CMYK 63 / 39 / 0 / 45

HEX #34568D

RGB 52 86 141

HSL 217.08, 0.46%, 0.38%

LAB 36.57, 5.86, -34.22

 

CMYK 0 / 63 / 40 / 45

HEX #8D3455

RGB 141 52 85

HSL 337.75, 0.46%, 0.38%

LAB 35.55, 40.94, -0.01

 

CMYK 0 / 11 / 63 / 45

HEX #8D7D34

RGB 141 125 52

HSL 49.21, 0.46%, 0.38%

LAB 52.48, -3.16, 41.04

 

CMYK 63 / 0 / 24 / 45

HEX #348D6B

RGB 52 141 107

HSL 157.08, 0.46%, 0.38%

LAB 52.78, -34.96, 10.43

 

CMYK 63 / 52 / 0 / 45

HEX #34448D

RGB 52 68 141

HSL 229.21, 0.46%, 0.38%

LAB 31.32, 17.79, -42.61

 

CMYK 0 / 63 / 40 / 45

HEX #8D3455

RGB 141 52 85

HSL 337.75, 0.46%, 0.38%

LAB 35.55, 40.94, -0.01

 

CMYK 7 / 0 / 63 / 45

HEX #838D34

RGB 131 141 52

HSL 66.74, 0.46%, 0.38%

LAB 56.21, -16.33, 44.85

 

CMYK 63 / 0 / 24 / 45

HEX #348D6B

RGB 52 141 107

HSL 157.08, 0.46%, 0.38%

LAB 52.78, -34.96, 10.43

 

CMYK 56 / 63 / 0 / 45

HEX #3E348D

RGB 62 52 141

HSL 246.74, 0.46%, 0.38%

LAB 27.85, 30.3, -48.18

 

Description

Color code: HEX #8D3455 | qconv.com Color code: HEX #8D3455 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 52 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 52 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 40 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 40% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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