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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 51 186 54 it is the complementary color RGB 204 69 201. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 51 186 54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 51 186 54 shade: RGB 56 186 49, RGB 73 204 68, RGB 90 222 87, RGB 107 240 106 and RGB 124 255 125

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 51 186 54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 51 186 54 shade: RGB 51 186 54, RGB 34 168 35, RGB 17 150 16, RGB 0 132 0 and RGB 0 114 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 51 186 54 shade: RGB 50 184 53, RGB 83 184 50, RGB 119 184 50, RGB 155 184 50 and RGB 184 176 50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 51 186 54 shade: RGB 50 184 53, RGB 50 184 89, RGB 50 184 125, RGB 50 184 161 and RGB 50 170 184

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 51 186 54 shade matches the following richer shades: RGB 50 184 53, RGB 31 203 35 and RGB 12 222 17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 51 186 54 shade: RGB 50 184 53, RGB 69 165 71, RGB 88 146 89, RGB 107 127 107 and RGB 126 108 125

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 51 186 54 shade: RGB 119 184 50, RGB 83 184 50, RGB 50 184 52, RGB 50 184 88 and RGB 50 184 123

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 51 186 54 shade: RGB 32 119 34, RGB 41 151 44, RGB 50 184 53, RGB 71 204 74 and RGB 103 213 106

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 51 186 54 shade: RGB 51 186 54, RGB 50 155 184 and RGB 184 50 101

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 51 186 54 shade: RGB 51 186 54, RGB 52 50 184 and RGB 184 52 50

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 51 186 54 shade: RGB 51 186 54, RGB 50 155 184, RGB 184 50 181 and RGB 184 79 50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 51 186 54 shade: RGB 51 186 54, RGB 50 115 184, RGB 184 50 181 and RGB 184 119 50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 71 / 27

HEX #33BA36

RGB 51 186 54

HSL 121.33, 0.57%, 0.46%

LAB 66.59, -60.63, 53.93

 

Complementary color

CMYK 0 / 66 / 1 / 20

HEX #CC45C9

RGB 204 69 201

HSL 301.33, 0.57%, 0.54%

LAB 53.29, 68.3, -42.1

 

CMYK 70 / 0 / 74 / 27

HEX #38BA31

RGB 56 186 49

HSL 116.93, 0.58%, 0.46%

LAB 66.66, -60.16, 55.88

 

CMYK 64 / 0 / 67 / 20

HEX #49CC44

RGB 73 204 68

HSL 117.79, 0.57%, 0.53%

LAB 72.9, -61.22, 55.26

 

CMYK 59 / 0 / 61 / 13

HEX #5ADE57

RGB 90 222 87

HSL 118.67, 0.67%, 0.61%

LAB 79.1, -61.87, 54.28

 

CMYK 55 / 0 / 56 / 6

HEX #6BF06A

RGB 107 240 106

HSL 119.55, 0.82%, 0.68%

LAB 85.24, -62.25, 53.13

 

CMYK 51 / 0 / 51 / 0

HEX #7CFF7D

RGB 124 255 125

HSL 120.46, 1%, 0.74%

LAB 90.45, -61.3, 50.84

 

CMYK 73 / 0 / 71 / 27

HEX #33BA36

RGB 51 186 54

HSL 121.33, 0.57%, 0.46%

LAB 66.59, -60.63, 53.93

 

CMYK 80 / 0 / 79 / 34

HEX #22A823

RGB 34 168 35

HSL 120.45, 0.66%, 0.4%

LAB 60.31, -58.92, 54.23

 

CMYK 89 / 0 / 89 / 41

HEX #119610

RGB 17 150 16

HSL 119.55, 0.81%, 0.33%

LAB 53.99, -56.34, 53.43

 

CMYK 100 / 0 / 100 / 48

HEX #008400

RGB 0 132 0

HSL 120, 1%, 0.26%

LAB 47.63, -52.86, 51.02

 

CMYK 100 / 0 / 100 / 55

HEX #007200

RGB 0 114 0

HSL 120, 1%, 0.22%

LAB 41.27, -47.58, 45.92

 

CMYK 73 / 0 / 71 / 28

HEX #32B835

RGB 50 184 53

HSL 121.34, 0.57%, 0.46%

LAB 65.92, -60.23, 53.6

 

CMYK 55 / 0 / 73 / 28

HEX #53B832

RGB 83 184 50

HSL 105.22, 0.57%, 0.46%

LAB 66.79, -53.21, 55.9

 

CMYK 35 / 0 / 73 / 28

HEX #77B832

RGB 119 184 50

HSL 89.1, 0.57%, 0.46%

LAB 68.34, -41.79, 57.96

 

CMYK 16 / 0 / 73 / 28

HEX #9BB832

RGB 155 184 50

HSL 72.99, 0.57%, 0.46%

LAB 70.51, -27.85, 60.83

 

CMYK 0 / 4 / 73 / 28

HEX #B8B032

RGB 184 176 50

HSL 56.42, 0.57%, 0.46%

LAB 70.5, -11.54, 61.6

 

CMYK 73 / 0 / 71 / 28

HEX #32B835

RGB 50 184 53

HSL 121.34, 0.57%, 0.46%

LAB 65.92, -60.23, 53.6

 

CMYK 73 / 0 / 52 / 28

HEX #32B859

RGB 50 184 89

HSL 137.46, 0.57%, 0.46%

LAB 66.27, -55.96, 37.94

 

CMYK 73 / 0 / 32 / 28

HEX #32B87D

RGB 50 184 125

HSL 153.58, 0.57%, 0.46%

LAB 66.85, -49.41, 19.95

 

CMYK 73 / 0 / 13 / 28

HEX #32B8A1

RGB 50 184 161

HSL 169.7, 0.57%, 0.46%

LAB 67.67, -40.78, 1.44

 

CMYK 73 / 8 / 0 / 28

HEX #32AAB8

RGB 50 170 184

HSL 186.27, 0.57%, 0.46%

LAB 64.07, -27.61, -16.67

 

CMYK 73 / 0 / 71 / 28

HEX #32B835

RGB 50 184 53

HSL 121.34, 0.57%, 0.46%

LAB 65.92, -60.23, 53.6

 

CMYK 85 / 0 / 83 / 20

HEX #1FCB23

RGB 31 203 35

HSL 121.4, 0.74%, 0.46%

LAB 71.64, -69.72, 64.82

 

CMYK 95 / 0 / 92 / 13

HEX #0CDE11

RGB 12 222 17

HSL 121.43, 0.9%, 0.46%

LAB 77.5, -76.88, 73.29

 

CMYK 73 / 0 / 71 / 28

HEX #32B835

RGB 50 184 53

HSL 121.34, 0.57%, 0.46%

LAB 65.92, -60.23, 53.6

 

CMYK 58 / 0 / 57 / 35

HEX #45A547

RGB 69 165 71

HSL 121.25, 0.41%, 0.46%

LAB 60.45, -47.57, 39.84

 

CMYK 40 / 0 / 39 / 43

HEX #589259

RGB 88 146 89

HSL 121.03, 0.25%, 0.46%

LAB 55.43, -31.22, 24.4

 

CMYK 16 / 0 / 16 / 50

HEX #6B7F6B

RGB 107 127 107

HSL 120, 0.09%, 0.46%

LAB 51.11, -11.45, 8.47

 

CMYK 0 / 14 / 1 / 51

HEX #7E6C7D

RGB 126 108 125

HSL 303.33, 0.08%, 0.46%

LAB 47.81, 10.34, -6.78

 

CMYK 35 / 0 / 73 / 28

HEX #77B832

RGB 119 184 50

HSL 89.1, 0.57%, 0.46%

LAB 68.34, -41.79, 57.96

 

CMYK 55 / 0 / 73 / 28

HEX #53B832

RGB 83 184 50

HSL 105.22, 0.57%, 0.46%

LAB 66.79, -53.21, 55.9

 

CMYK 73 / 0 / 72 / 28

HEX #32B834

RGB 50 184 52

HSL 120.9, 0.57%, 0.46%

LAB 65.91, -60.32, 53.98

 

CMYK 73 / 0 / 52 / 28

HEX #32B858

RGB 50 184 88

HSL 137.01, 0.57%, 0.46%

LAB 66.26, -56.11, 38.42

 

CMYK 73 / 0 / 33 / 28

HEX #32B87B

RGB 50 184 123

HSL 152.69, 0.57%, 0.46%

LAB 66.82, -49.83, 20.97

 

CMYK 73 / 0 / 71 / 53

HEX #207722

RGB 32 119 34

HSL 121.38, 0.58%, 0.3%

LAB 43.68, -42.95, 37.84

 

CMYK 73 / 0 / 71 / 41

HEX #29972C

RGB 41 151 44

HSL 121.64, 0.57%, 0.38%

LAB 54.85, -51.56, 45.52

 

CMYK 73 / 0 / 71 / 28

HEX #32B835

RGB 50 184 53

HSL 121.34, 0.57%, 0.46%

LAB 65.92, -60.23, 53.6

 

CMYK 65 / 0 / 64 / 20

HEX #47CC4A

RGB 71 204 74

HSL 121.35, 0.57%, 0.54%

LAB 72.9, -61.04, 52.75

 

CMYK 52 / 0 / 50 / 16

HEX #67D56A

RGB 103 213 106

HSL 121.64, 0.57%, 0.62%

LAB 76.99, -53.02, 43.16

 

CMYK 73 / 0 / 71 / 27

HEX #33BA36

RGB 51 186 54

HSL 121.33, 0.57%, 0.46%

LAB 66.59, -60.63, 53.93

 

CMYK 73 / 16 / 0 / 28

HEX #329BB8

RGB 50 155 184

HSL 192.99, 0.57%, 0.46%

LAB 59.51, -19.93, -23.63

 

CMYK 0 / 73 / 45 / 28

HEX #B83265

RGB 184 50 101

HSL 337.16, 0.57%, 0.46%

LAB 43.38, 56.8, 2.22

 

CMYK 73 / 0 / 71 / 27

HEX #33BA36

RGB 51 186 54

HSL 121.33, 0.57%, 0.46%

LAB 66.59, -60.63, 53.93

 

CMYK 72 / 73 / 0 / 28

HEX #3432B8

RGB 52 50 184

HSL 240.9, 0.57%, 0.46%

LAB 30.57, 44.45, -69.78

 

CMYK 0 / 72 / 73 / 28

HEX #B83432

RGB 184 52 50

HSL 0.9, 0.57%, 0.46%

LAB 42.58, 52.5, 32.54

 

CMYK 73 / 0 / 71 / 27

HEX #33BA36

RGB 51 186 54

HSL 121.33, 0.57%, 0.46%

LAB 66.59, -60.63, 53.93

 

CMYK 73 / 16 / 0 / 28

HEX #329BB8

RGB 50 155 184

HSL 192.99, 0.57%, 0.46%

LAB 59.51, -19.93, -23.63

 

CMYK 0 / 73 / 2 / 28

HEX #B832B5

RGB 184 50 181

HSL 301.34, 0.57%, 0.46%

LAB 46.72, 67.21, -41.08

 

CMYK 0 / 57 / 73 / 28

HEX #B84F32

RGB 184 79 50

HSL 12.99, 0.57%, 0.46%

LAB 46.99, 40.69, 37.52

 

CMYK 73 / 0 / 71 / 27

HEX #33BA36

RGB 51 186 54

HSL 121.33, 0.57%, 0.46%

LAB 66.59, -60.63, 53.93

 

CMYK 73 / 38 / 0 / 28

HEX #3273B8

RGB 50 115 184

HSL 210.9, 0.57%, 0.46%

LAB 47.5, 2.95, -42.38

 

CMYK 0 / 73 / 2 / 28

HEX #B832B5

RGB 184 50 181

HSL 301.34, 0.57%, 0.46%

LAB 46.72, 67.21, -41.08

 

CMYK 0 / 35 / 73 / 28

HEX #B87732

RGB 184 119 50

HSL 30.9, 0.57%, 0.46%

LAB 55.7, 19.39, 46.86

 

Description

Color code: RGB 51 186 54 | qconv.com Color code: RGB 51 186 54 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 186 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 186 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 71 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 71% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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