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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5ADE57 it is the complementary color #A521A8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5ADE57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5ADE57 shade: #5FDE52, #70F065, #81FF78, #92FF8B and #A3FF9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5ADE57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5ADE57 shade: #5ADE57, #49CC44, #38BA31, #27A81E and #16960B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5ADE57 shade: #5BDE58, #7FDE58, #A3DE58, #C7DE58 and #DED058

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5ADE57 shade: #5BDE58, #58DE79, #58DE9D, #58DEC1 and #58D6DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5ADE57 shade matches the following richer shades: #5BDE58, #4CEE48 and #3DFE38

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5ADE57 shade: #5BDE58, #6BCE69, #7ABD79, #8AAD89 and #999D99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5ADE57 shade: #A4DE58, #80DE58, #5DDE58, #58DE78 and #58DE9B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5ADE57 shade: #29BE25, #3AD736, #5BDE58, #7DE47B and #9FEB9D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5ADE57 shade: #5ADE57, #58C7DE and #DE5892

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5ADE57 shade: #5ADE57, #585DDE and #DE585D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5ADE57 shade: #5ADE57, #58C7DE, #D958DE and #DE6F58

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5ADE57 shade: #5ADE57, #589FDE, #D958DE and #DE9758

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 61 / 13

HEX #5ADE57

RGB 90 222 87

HSL 118.67, 0.67%, 0.61%

LAB 79.1, -61.87, 54.28

 

Complementary color

CMYK 2 / 80 / 0 / 34

HEX #A521A8

RGB 165 33 168

HSL 298.67, 0.67%, 0.39%

LAB 41.08, 66.13, -42.55

 

CMYK 57 / 0 / 63 / 13

HEX #5FDE52

RGB 95 222 82

HSL 114.43, 0.68%, 0.6%

LAB 79.2, -61.22, 56.56

 

CMYK 53 / 0 / 58 / 6

HEX #70F065

RGB 112 240 101

HSL 115.25, 0.82%, 0.67%

LAB 85.35, -61.58, 55.52

 

CMYK 49 / 0 / 53 / 0

HEX #81FF78

RGB 129 255 120

HSL 116, 1%, 0.74%

LAB 90.57, -60.62, 53.32

 

CMYK 43 / 0 / 45 / 0

HEX #92FF8B

RGB 146 255 139

HSL 116.38, 1%, 0.77%

LAB 91.46, -53.52, 45.69

 

CMYK 36 / 0 / 38 / 0

HEX #A3FF9E

RGB 163 255 158

HSL 116.91, 1%, 0.81%

LAB 92.48, -45.83, 37.91

 

CMYK 59 / 0 / 61 / 13

HEX #5ADE57

RGB 90 222 87

HSL 118.67, 0.67%, 0.61%

LAB 79.1, -61.87, 54.28

 

CMYK 64 / 0 / 67 / 20

HEX #49CC44

RGB 73 204 68

HSL 117.79, 0.57%, 0.53%

LAB 72.9, -61.22, 55.26

 

CMYK 70 / 0 / 74 / 27

HEX #38BA31

RGB 56 186 49

HSL 116.93, 0.58%, 0.46%

LAB 66.66, -60.16, 55.88

 

CMYK 77 / 0 / 82 / 34

HEX #27A81E

RGB 39 168 30

HSL 116.09, 0.7%, 0.39%

LAB 60.36, -58.52, 55.81

 

CMYK 85 / 0 / 93 / 41

HEX #16960B

RGB 22 150 11

HSL 115.25, 0.86%, 0.32%

LAB 54.03, -56.03, 54.44

 

CMYK 59 / 0 / 60 / 13

HEX #5BDE58

RGB 91 222 88

HSL 118.66, 0.67%, 0.61%

LAB 79.14, -61.54, 53.89

 

CMYK 43 / 0 / 60 / 13

HEX #7FDE58

RGB 127 222 88

HSL 102.54, 0.67%, 0.61%

LAB 80.44, -51.8, 55.71

 

CMYK 27 / 0 / 60 / 13

HEX #A3DE58

RGB 163 222 88

HSL 86.42, 0.67%, 0.61%

LAB 82.24, -39.63, 58.22

 

CMYK 10 / 0 / 60 / 13

HEX #C7DE58

RGB 199 222 88

HSL 70.3, 0.67%, 0.61%

LAB 84.53, -25.86, 61.4

 

CMYK 0 / 6 / 60 / 13

HEX #DED058

RGB 222 208 88

HSL 53.73, 0.67%, 0.61%

LAB 82.56, -9.6, 59.76

 

CMYK 59 / 0 / 60 / 13

HEX #5BDE58

RGB 91 222 88

HSL 118.66, 0.67%, 0.61%

LAB 79.14, -61.54, 53.89

 

CMYK 60 / 0 / 45 / 13

HEX #58DE79

RGB 88 222 121

HSL 134.78, 0.67%, 0.61%

LAB 79.44, -57.86, 38.8

 

CMYK 60 / 0 / 29 / 13

HEX #58DE9D

RGB 88 222 157

HSL 150.9, 0.67%, 0.61%

LAB 80.04, -51.43, 21.23

 

CMYK 60 / 0 / 13 / 13

HEX #58DEC1

RGB 88 222 193

HSL 167.01, 0.67%, 0.61%

LAB 80.83, -43.4, 3.36

 

CMYK 60 / 4 / 0 / 13

HEX #58D6DE

RGB 88 214 222

HSL 183.58, 0.67%, 0.61%

LAB 79.3, -32.18, -14.37

 

CMYK 59 / 0 / 60 / 13

HEX #5BDE58

RGB 91 222 88

HSL 118.66, 0.67%, 0.61%

LAB 79.14, -61.54, 53.89

 

CMYK 68 / 0 / 70 / 7

HEX #4CEE48

RGB 76 238 72

HSL 118.55, 0.83%, 0.61%

LAB 83.52, -71.54, 64.98

 

CMYK 76 / 0 / 78 / 0

HEX #3DFE38

RGB 61 254 56

HSL 118.48, 0.99%, 0.61%

LAB 88.05, -79.87, 74.6

 

CMYK 59 / 0 / 60 / 13

HEX #5BDE58

RGB 91 222 88

HSL 118.66, 0.67%, 0.61%

LAB 79.14, -61.54, 53.89

 

CMYK 48 / 0 / 49 / 19

HEX #6BCE69

RGB 107 206 105

HSL 118.81, 0.51%, 0.61%

LAB 75.01, -49.27, 41.23

 

CMYK 35 / 0 / 36 / 26

HEX #7ABD79

RGB 122 189 121

HSL 119.12, 0.34%, 0.61%

LAB 70.81, -34.99, 27.84

 

CMYK 20 / 0 / 21 / 32

HEX #8AAD89

RGB 138 173 137

HSL 118.33, 0.18%, 0.61%

LAB 67.35, -19.06, 14.66

 

CMYK 3 / 0 / 3 / 38

HEX #999D99

RGB 153 157 153

HSL 120, 0.02%, 0.61%

LAB 64.31, -2.2, 1.58

 

CMYK 26 / 0 / 60 / 13

HEX #A4DE58

RGB 164 222 88

HSL 85.97, 0.67%, 0.61%

LAB 82.29, -39.27, 58.3

 

CMYK 42 / 0 / 60 / 13

HEX #80DE58

RGB 128 222 88

HSL 102.09, 0.67%, 0.61%

LAB 80.48, -51.49, 55.77

 

CMYK 58 / 0 / 60 / 13

HEX #5DDE58

RGB 93 222 88

HSL 117.76, 0.67%, 0.61%

LAB 79.2, -61.07, 53.98

 

CMYK 60 / 0 / 46 / 13

HEX #58DE78

RGB 88 222 120

HSL 134.33, 0.67%, 0.61%

LAB 79.43, -58.01, 39.27

 

CMYK 60 / 0 / 30 / 13

HEX #58DE9B

RGB 88 222 155

HSL 150, 0.67%, 0.61%

LAB 80, -51.83, 22.22

 

CMYK 78 / 0 / 81 / 25

HEX #29BE25

RGB 41 190 37

HSL 118.43, 0.67%, 0.45%

LAB 67.6, -64.63, 60.58

 

CMYK 73 / 0 / 75 / 16

HEX #3AD736

RGB 58 215 54

HSL 118.51, 0.67%, 0.53%

LAB 75.93, -68.72, 63.44

 

CMYK 59 / 0 / 60 / 13

HEX #5BDE58

RGB 91 222 88

HSL 118.66, 0.67%, 0.61%

LAB 79.14, -61.54, 53.89

 

CMYK 45 / 0 / 46 / 11

HEX #7DE47B

RGB 125 228 123

HSL 118.86, 0.66%, 0.69%

LAB 82.53, -50.69, 41.98

 

CMYK 32 / 0 / 33 / 8

HEX #9FEB9D

RGB 159 235 157

HSL 118.46, 0.66%, 0.77%

LAB 86.61, -38.43, 30.62

 

CMYK 59 / 0 / 61 / 13

HEX #5ADE57

RGB 90 222 87

HSL 118.67, 0.67%, 0.61%

LAB 79.1, -61.87, 54.28

 

CMYK 60 / 10 / 0 / 13

HEX #58C7DE

RGB 88 199 222

HSL 190.3, 0.67%, 0.61%

LAB 74.95, -24.87, -20.94

 

CMYK 0 / 60 / 34 / 13

HEX #DE5892

RGB 222 88 146

HSL 334.03, 0.67%, 0.61%

LAB 56.67, 57.69, -4.7

 

CMYK 59 / 0 / 61 / 13

HEX #5ADE57

RGB 90 222 87

HSL 118.67, 0.67%, 0.61%

LAB 79.1, -61.87, 54.28

 

CMYK 60 / 58 / 0 / 13

HEX #585DDE

RGB 88 93 222

HSL 237.76, 0.67%, 0.61%

LAB 45.88, 36.16, -66.69

 

CMYK 0 / 60 / 58 / 13

HEX #DE585D

RGB 222 88 93

HSL 357.76, 0.67%, 0.61%

LAB 55.38, 52.71, 24.64

 

CMYK 59 / 0 / 61 / 13

HEX #5ADE57

RGB 90 222 87

HSL 118.67, 0.67%, 0.61%

LAB 79.1, -61.87, 54.28

 

CMYK 60 / 10 / 0 / 13

HEX #58C7DE

RGB 88 199 222

HSL 190.3, 0.67%, 0.61%

LAB 74.95, -24.87, -20.94

 

CMYK 2 / 60 / 0 / 13

HEX #D958DE

RGB 217 88 222

HSL 297.76, 0.67%, 0.61%

LAB 58.98, 67.35, -44.91

 

CMYK 0 / 50 / 60 / 13

HEX #DE6F58

RGB 222 111 88

HSL 10.3, 0.67%, 0.61%

LAB 59.53, 41.39, 32.81

 

CMYK 59 / 0 / 61 / 13

HEX #5ADE57

RGB 90 222 87

HSL 118.67, 0.67%, 0.61%

LAB 79.1, -61.87, 54.28

 

CMYK 60 / 28 / 0 / 13

HEX #589FDE

RGB 88 159 222

HSL 208.21, 0.67%, 0.61%

LAB 63.46, -3.57, -38.64

 

CMYK 2 / 60 / 0 / 13

HEX #D958DE

RGB 217 88 222

HSL 297.76, 0.67%, 0.61%

LAB 58.98, 67.35, -44.91

 

CMYK 0 / 32 / 60 / 13

HEX #DE9758

RGB 222 151 88

HSL 28.21, 0.67%, 0.61%

LAB 68.29, 20.37, 43.49

 

Description

Color code: HEX #5ADE57 | qconv.com Color code: HEX #5ADE57 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 222 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 222 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 61 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 61% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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