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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 218 227 it is the complementary color RGB 202 37 28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 218 227. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 218 227 shade: RGB 58 218 222, RGB 75 236 241, RGB 92 254 255, RGB 109 255 255 and RGB 126 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 218 227. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 218 227 shade: RGB 53 218 227, RGB 36 200 208, RGB 19 182 189, RGB 2 164 170 and RGB 0 146 151

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 218 227 shade: RGB 53 218 227, RGB 53 171 227, RGB 53 124 227, RGB 53 77 227 and RGB 75 53 227

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 218 227 shade: RGB 53 218 227, RGB 53 171 227, RGB 53 124 227, RGB 53 77 227 and RGB 53 53 227

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 218 227 shade matches the following richer shades: RGB 53 218 227 and RGB 34 235 246

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 218 227 shade: RGB 53 218 227, RGB 71 201 208, RGB 90 185 190, RGB 108 168 171 and RGB 127 151 153

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 218 227 shade: RGB 53 227 143, RGB 53 227 189, RGB 53 218 227, RGB 53 172 227 and RGB 53 125 227

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 218 227 shade: RGB 23 166 174, RGB 28 201 210, RGB 53 218 227, RGB 89 225 232 and RGB 125 231 237

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 218 227 shade: RGB 53 218 227, RGB 96 53 227 and RGB 227 166 53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 218 227 shade: RGB 53 218 227, RGB 227 53 218 and RGB 218 227 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 218 227 shade: RGB 53 218 227, RGB 96 53 227, RGB 227 61 53 and RGB 183 227 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 218 227 shade: RGB 53 218 227, RGB 148 53 227, RGB 227 61 53 and RGB 131 227 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 4 / 0 / 11

HEX #35DAE3

RGB 53 218 227

HSL 183.1, 0.76%, 0.55%

LAB 79.87, -37.27, -16.26

 

Complementary color

CMYK 0 / 82 / 86 / 21

HEX #CA251C

RGB 202 37 28

HSL 3.1, 0.76%, 0.45%

LAB 44.18, 61.93, 47.19

 

CMYK 74 / 2 / 0 / 13

HEX #3ADADE

RGB 58 218 222

HSL 181.46, 0.71%, 0.55%

LAB 79.79, -38.2, -13.69

 

CMYK 69 / 2 / 0 / 5

HEX #4BECF1

RGB 75 236 241

HSL 181.81, 0.86%, 0.62%

LAB 85.93, -39.03, -14.53

 

CMYK 64 / 0 / 0 / 0

HEX #5CFEFF

RGB 92 254 255

HSL 180.37, 1%, 0.68%

LAB 91.85, -41.02, -12.93

 

CMYK 57 / 0 / 0 / 0

HEX #6DFFFF

RGB 109 255 255

HSL 180, 1%, 0.71%

LAB 92.57, -38.78, -11.81

 

CMYK 51 / 0 / 0 / 0

HEX #7EFFFF

RGB 126 255 255

HSL 180, 1%, 0.75%

LAB 93.09, -35.63, -10.98

 

CMYK 77 / 4 / 0 / 11

HEX #35DAE3

RGB 53 218 227

HSL 183.1, 0.76%, 0.55%

LAB 79.87, -37.27, -16.26

 

CMYK 83 / 4 / 0 / 18

HEX #24C8D0

RGB 36 200 208

HSL 182.79, 0.7%, 0.48%

LAB 73.7, -36.04, -15.35

 

CMYK 90 / 4 / 0 / 26

HEX #13B6BD

RGB 19 182 189

HSL 182.47, 0.82%, 0.41%

LAB 67.48, -34.49, -14.34

 

CMYK 99 / 4 / 0 / 33

HEX #02A4AA

RGB 2 164 170

HSL 182.14, 0.98%, 0.34%

LAB 61.19, -32.59, -13.23

 

CMYK 100 / 3 / 0 / 41

HEX #009297

RGB 0 146 151

HSL 181.99, 1%, 0.3%

LAB 54.86, -30.12, -11.96

 

CMYK 77 / 4 / 0 / 11

HEX #35DAE3

RGB 53 218 227

HSL 183.1, 0.76%, 0.55%

LAB 79.87, -37.27, -16.26

 

CMYK 77 / 25 / 0 / 11

HEX #35ABE3

RGB 53 171 227

HSL 199.31, 0.76%, 0.55%

LAB 66.08, -13.76, -37.39

 

CMYK 77 / 45 / 0 / 11

HEX #357CE3

RGB 53 124 227

HSL 215.52, 0.76%, 0.55%

LAB 52.64, 13.63, -58.66

 

CMYK 77 / 66 / 0 / 11

HEX #354DE3

RGB 53 77 227

HSL 231.72, 0.76%, 0.55%

LAB 40.59, 43.14, -78.24

 

CMYK 67 / 77 / 0 / 11

HEX #4B35E3

RGB 75 53 227

HSL 247.59, 0.76%, 0.55%

LAB 37.09, 58.5, -83.96

 

CMYK 77 / 4 / 0 / 11

HEX #35DAE3

RGB 53 218 227

HSL 183.1, 0.76%, 0.55%

LAB 79.87, -37.27, -16.26

 

CMYK 77 / 25 / 0 / 11

HEX #35ABE3

RGB 53 171 227

HSL 199.31, 0.76%, 0.55%

LAB 66.08, -13.76, -37.39

 

CMYK 77 / 45 / 0 / 11

HEX #357CE3

RGB 53 124 227

HSL 215.52, 0.76%, 0.55%

LAB 52.64, 13.63, -58.66

 

CMYK 77 / 66 / 0 / 11

HEX #354DE3

RGB 53 77 227

HSL 231.72, 0.76%, 0.55%

LAB 40.59, 43.14, -78.24

 

CMYK 77 / 77 / 0 / 11

HEX #3535E3

RGB 53 53 227

HSL 240, 0.76%, 0.55%

LAB 35.69, 56.71, -86.32

 

CMYK 77 / 4 / 0 / 11

HEX #35DAE3

RGB 53 218 227

HSL 183.1, 0.76%, 0.55%

LAB 79.87, -37.27, -16.26

 

CMYK 86 / 4 / 0 / 4

HEX #22EBF6

RGB 34 235 246

HSL 183.11, 0.92%, 0.55%

LAB 85.21, -40.84, -18.3

 

CMYK 77 / 4 / 0 / 11

HEX #35DAE3

RGB 53 218 227

HSL 183.1, 0.76%, 0.55%

LAB 79.87, -37.27, -16.26

 

CMYK 66 / 3 / 0 / 18

HEX #47C9D0

RGB 71 201 208

HSL 183.07, 0.59%, 0.55%

LAB 74.61, -32.64, -13.91

 

CMYK 53 / 3 / 0 / 25

HEX #5AB9BE

RGB 90 185 190

HSL 183, 0.43%, 0.55%

LAB 69.89, -26.55, -11.13

 

CMYK 37 / 2 / 0 / 33

HEX #6CA8AB

RGB 108 168 171

HSL 182.86, 0.27%, 0.55%

LAB 65.07, -18.58, -7.71

 

CMYK 17 / 1 / 0 / 40

HEX #7F9799

RGB 127 151 153

HSL 184.62, 0.11%, 0.55%

LAB 60.73, -7.98, -3.89

 

CMYK 77 / 0 / 37 / 11

HEX #35E38F

RGB 53 227 143

HSL 151.03, 0.76%, 0.55%

LAB 80.56, -61.63, 29.04

 

CMYK 77 / 0 / 17 / 11

HEX #35E3BD

RGB 53 227 189

HSL 166.9, 0.76%, 0.55%

LAB 81.49, -51.5, 6.35

 

CMYK 77 / 4 / 0 / 11

HEX #35DAE3

RGB 53 218 227

HSL 183.1, 0.76%, 0.55%

LAB 79.87, -37.27, -16.26

 

CMYK 77 / 24 / 0 / 11

HEX #35ACE3

RGB 53 172 227

HSL 198.97, 0.76%, 0.55%

LAB 66.37, -14.3, -36.93

 

CMYK 77 / 45 / 0 / 11

HEX #357DE3

RGB 53 125 227

HSL 215.17, 0.76%, 0.55%

LAB 52.92, 13.01, -58.22

 

CMYK 87 / 5 / 0 / 32

HEX #17A6AE

RGB 23 166 174

HSL 183.18, 0.77%, 0.39%

LAB 62.09, -31.34, -14.11

 

CMYK 87 / 4 / 0 / 18

HEX #1CC9D2

RGB 28 201 210

HSL 182.97, 0.76%, 0.47%

LAB 73.98, -36.43, -16.02

 

CMYK 77 / 4 / 0 / 11

HEX #35DAE3

RGB 53 218 227

HSL 183.1, 0.76%, 0.55%

LAB 79.87, -37.27, -16.26

 

CMYK 62 / 3 / 0 / 9

HEX #59E1E8

RGB 89 225 232

HSL 182.94, 0.76%, 0.63%

LAB 82.81, -34.44, -14.42

 

CMYK 47 / 3 / 0 / 7

HEX #7DE7ED

RGB 125 231 237

HSL 183.21, 0.76%, 0.71%

LAB 85.82, -29.1, -12.44

 

CMYK 77 / 4 / 0 / 11

HEX #35DAE3

RGB 53 218 227

HSL 183.1, 0.76%, 0.55%

LAB 79.87, -37.27, -16.26

 

CMYK 58 / 77 / 0 / 11

HEX #6035E3

RGB 96 53 227

HSL 254.83, 0.76%, 0.55%

LAB 38.86, 60.73, -80.98

 

CMYK 0 / 27 / 77 / 11

HEX #E3A635

RGB 227 166 53

HSL 38.97, 0.76%, 0.55%

LAB 72.14, 12.55, 63.53

 

CMYK 77 / 4 / 0 / 11

HEX #35DAE3

RGB 53 218 227

HSL 183.1, 0.76%, 0.55%

LAB 79.87, -37.27, -16.26

 

CMYK 0 / 77 / 4 / 11

HEX #E335DA

RGB 227 53 218

HSL 303.1, 0.76%, 0.55%

LAB 56.03, 80.98, -47.23

 

CMYK 4 / 0 / 77 / 11

HEX #DAE335

RGB 218 227 53

HSL 63.1, 0.76%, 0.55%

LAB 87.05, -22.46, 76.98

 

CMYK 77 / 4 / 0 / 11

HEX #35DAE3

RGB 53 218 227

HSL 183.1, 0.76%, 0.55%

LAB 79.87, -37.27, -16.26

 

CMYK 58 / 77 / 0 / 11

HEX #6035E3

RGB 96 53 227

HSL 254.83, 0.76%, 0.55%

LAB 38.86, 60.73, -80.98

 

CMYK 0 / 73 / 77 / 11

HEX #E33D35

RGB 227 61 53

HSL 2.76, 0.76%, 0.55%

LAB 51.75, 62.86, 43.23

 

CMYK 19 / 0 / 77 / 11

HEX #B7E335

RGB 183 227 53

HSL 75.17, 0.76%, 0.55%

LAB 84.62, -36.53, 73.86

 

CMYK 77 / 4 / 0 / 11

HEX #35DAE3

RGB 53 218 227

HSL 183.1, 0.76%, 0.55%

LAB 79.87, -37.27, -16.26

 

CMYK 35 / 77 / 0 / 11

HEX #9435E3

RGB 148 53 227

HSL 272.76, 0.76%, 0.55%

LAB 44.78, 68.1, -71.05

 

CMYK 0 / 73 / 77 / 11

HEX #E33D35

RGB 227 61 53

HSL 2.76, 0.76%, 0.55%

LAB 51.75, 62.86, 43.23

 

CMYK 42 / 0 / 77 / 11

HEX #83E335

RGB 131 227 53

HSL 93.1, 0.76%, 0.55%

LAB 81.85, -55.14, 70.28

 

Description

Color code: RGB 53 218 227 | qconv.com Color code: RGB 53 218 227 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 218 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 218 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 4 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 4% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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