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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13B6BD it is the complementary color #EC4942. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13B6BD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13B6BD shade: #18B6B8, #29C8CB, #3ADADE, #4BECF1 and #5CFEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13B6BD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13B6BD shade: #13B6BD, #02A4AA, #009297, #008084 and #006E71

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13B6BD shade: #12B7BE, #1288BE, #125ABE, #122CBE and #2712BE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13B6BD shade: #12B7BE, #1288BE, #125ABE, #122CBE and #1212BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13B6BD shade matches the following richer shades: #12B7BE and #01C6CF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13B6BD shade: #12B7BE, #23A7AD, #34989C, #45888B and #56797A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13B6BD shade: #12BE68, #12BE96, #12B8BE, #128ABE and #125DBE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13B6BD shade: #0B6E73, #0F9398, #12B7BE, #16DBE3 and #38E3EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13B6BD shade: #13B6BD, #3A12BE and #BE7F12

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13B6BD shade: #13B6BD, #BE12B8 and #B8BE12

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13B6BD shade: #13B6BD, #3A12BE, #BE1812 and #96BE12

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13B6BD shade: #13B6BD, #6E12BE, #BE1812 and #62BE12

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 4 / 0 / 26

HEX #13B6BD

RGB 19 182 189

HSL 182.47, 0.82%, 0.41%

LAB 67.48, -34.49, -14.34

 

Complementary color

CMYK 0 / 69 / 72 / 7

HEX #EC4942

RGB 236 73 66

HSL 2.47, 0.82%, 0.59%

LAB 55.06, 61.9, 40.21

 

CMYK 87 / 1 / 0 / 28

HEX #18B6B8

RGB 24 182 184

HSL 180.75, 0.77%, 0.41%

LAB 67.36, -35.75, -11.75

 

CMYK 80 / 1 / 0 / 20

HEX #29C8CB

RGB 41 200 203

HSL 181.11, 0.66%, 0.48%

LAB 73.61, -37.14, -12.77

 

CMYK 74 / 2 / 0 / 13

HEX #3ADADE

RGB 58 218 222

HSL 181.46, 0.71%, 0.55%

LAB 79.79, -38.2, -13.69

 

CMYK 69 / 2 / 0 / 5

HEX #4BECF1

RGB 75 236 241

HSL 181.81, 0.86%, 0.62%

LAB 85.93, -39.03, -14.53

 

CMYK 64 / 0 / 0 / 0

HEX #5CFEFF

RGB 92 254 255

HSL 180.37, 1%, 0.68%

LAB 91.85, -41.02, -12.93

 

CMYK 90 / 4 / 0 / 26

HEX #13B6BD

RGB 19 182 189

HSL 182.47, 0.82%, 0.41%

LAB 67.48, -34.49, -14.34

 

CMYK 99 / 4 / 0 / 33

HEX #02A4AA

RGB 2 164 170

HSL 182.14, 0.98%, 0.34%

LAB 61.19, -32.59, -13.23

 

CMYK 100 / 3 / 0 / 41

HEX #009297

RGB 0 146 151

HSL 181.99, 1%, 0.3%

LAB 54.86, -30.12, -11.96

 

CMYK 100 / 3 / 0 / 48

HEX #008084

RGB 0 128 132

HSL 181.82, 1%, 0.26%

LAB 48.39, -27.53, -10.64

 

CMYK 100 / 3 / 0 / 56

HEX #006E71

RGB 0 110 113

HSL 181.59, 1%, 0.22%

LAB 41.76, -24.87, -9.27

 

CMYK 91 / 4 / 0 / 25

HEX #12B7BE

RGB 18 183 190

HSL 182.44, 0.83%, 0.41%

LAB 67.81, -34.7, -14.4

 

CMYK 91 / 28 / 0 / 25

HEX #1288BE

RGB 18 136 190

HSL 198.84, 0.83%, 0.41%

LAB 53.44, -10.36, -36.49

 

CMYK 91 / 53 / 0 / 25

HEX #125ABE

RGB 18 90 190

HSL 214.88, 0.83%, 0.41%

LAB 39.85, 18.21, -58.19

 

CMYK 91 / 77 / 0 / 25

HEX #122CBE

RGB 18 44 190

HSL 230.93, 0.83%, 0.41%

LAB 28.51, 47.65, -76.8

 

CMYK 79 / 91 / 0 / 25

HEX #2712BE

RGB 39 18 190

HSL 247.33, 0.83%, 0.41%

LAB 25.51, 59.83, -81.76

 

CMYK 91 / 4 / 0 / 25

HEX #12B7BE

RGB 18 183 190

HSL 182.44, 0.83%, 0.41%

LAB 67.81, -34.7, -14.4

 

CMYK 91 / 28 / 0 / 25

HEX #1288BE

RGB 18 136 190

HSL 198.84, 0.83%, 0.41%

LAB 53.44, -10.36, -36.49

 

CMYK 91 / 53 / 0 / 25

HEX #125ABE

RGB 18 90 190

HSL 214.88, 0.83%, 0.41%

LAB 39.85, 18.21, -58.19

 

CMYK 91 / 77 / 0 / 25

HEX #122CBE

RGB 18 44 190

HSL 230.93, 0.83%, 0.41%

LAB 28.51, 47.65, -76.8

 

CMYK 91 / 91 / 0 / 25

HEX #1212BE

RGB 18 18 190

HSL 240, 0.83%, 0.41%

LAB 24.57, 59.26, -83.34

 

CMYK 91 / 4 / 0 / 25

HEX #12B7BE

RGB 18 183 190

HSL 182.44, 0.83%, 0.41%

LAB 67.81, -34.7, -14.4

 

CMYK 100 / 4 / 0 / 19

HEX #01C6CF

RGB 1 198 207

HSL 182.62, 0.99%, 0.41%

LAB 72.83, -36.97, -16.15

 

CMYK 91 / 4 / 0 / 25

HEX #12B7BE

RGB 18 183 190

HSL 182.44, 0.83%, 0.41%

LAB 67.81, -34.7, -14.4

 

CMYK 80 / 3 / 0 / 32

HEX #23A7AD

RGB 35 167 173

HSL 182.61, 0.66%, 0.41%

LAB 62.52, -31.19, -12.89

 

CMYK 67 / 3 / 0 / 39

HEX #34989C

RGB 52 152 156

HSL 182.31, 0.5%, 0.41%

LAB 57.64, -26.9, -10.56

 

CMYK 50 / 2 / 0 / 45

HEX #45888B

RGB 69 136 139

HSL 182.57, 0.34%, 0.41%

LAB 52.66, -20.34, -8.18

 

CMYK 30 / 1 / 0 / 52

HEX #56797A

RGB 86 121 122

HSL 181.67, 0.17%, 0.41%

LAB 48.33, -12.06, -4.56

 

CMYK 91 / 0 / 45 / 25

HEX #12BE68

RGB 18 190 104

HSL 150, 0.83%, 0.41%

LAB 67.99, -58.97, 32.44

 

CMYK 91 / 0 / 21 / 25

HEX #12BE96

RGB 18 190 150

HSL 166.05, 0.83%, 0.41%

LAB 68.87, -49.03, 9.13

 

CMYK 91 / 3 / 0 / 25

HEX #12B8BE

RGB 18 184 190

HSL 182.09, 0.83%, 0.41%

LAB 68.11, -35.16, -13.94

 

CMYK 91 / 27 / 0 / 25

HEX #128ABE

RGB 18 138 190

HSL 198.14, 0.83%, 0.41%

LAB 54.05, -11.49, -35.54

 

CMYK 91 / 51 / 0 / 25

HEX #125DBE

RGB 18 93 190

HSL 213.84, 0.83%, 0.41%

LAB 40.69, 16.23, -56.82

 

CMYK 90 / 4 / 0 / 55

HEX #0B6E73

RGB 11 110 115

HSL 182.88, 0.83%, 0.25%

LAB 41.94, -23.47, -10.2

 

CMYK 90 / 3 / 0 / 40

HEX #0F9398

RGB 15 147 152

HSL 182.19, 0.82%, 0.33%

LAB 55.31, -29.61, -11.84

 

CMYK 91 / 4 / 0 / 25

HEX #12B7BE

RGB 18 183 190

HSL 182.44, 0.83%, 0.41%

LAB 67.81, -34.7, -14.4

 

CMYK 90 / 4 / 0 / 11

HEX #16DBE3

RGB 22 219 227

HSL 182.34, 0.82%, 0.49%

LAB 79.83, -39.84, -16.35

 

CMYK 76 / 3 / 0 / 8

HEX #38E3EB

RGB 56 227 235

HSL 182.68, 0.82%, 0.57%

LAB 82.79, -38.77, -16.1

 

CMYK 90 / 4 / 0 / 26

HEX #13B6BD

RGB 19 182 189

HSL 182.47, 0.82%, 0.41%

LAB 67.48, -34.49, -14.34

 

CMYK 69 / 91 / 0 / 25

HEX #3A12BE

RGB 58 18 190

HSL 253.95, 0.83%, 0.41%

LAB 26.88, 60.72, -79.44

 

CMYK 0 / 33 / 91 / 25

HEX #BE7F12

RGB 190 127 18

HSL 38.02, 0.83%, 0.41%

LAB 58.2, 16.53, 60.9

 

CMYK 90 / 4 / 0 / 26

HEX #13B6BD

RGB 19 182 189

HSL 182.47, 0.82%, 0.41%

LAB 67.48, -34.49, -14.34

 

CMYK 0 / 91 / 3 / 25

HEX #BE12B8

RGB 190 18 184

HSL 302.09, 0.83%, 0.41%

LAB 45.41, 76.1, -44.86

 

CMYK 3 / 0 / 91 / 25

HEX #B8BE12

RGB 184 190 18

HSL 62.09, 0.83%, 0.41%

LAB 74.23, -19.64, 73.08

 

CMYK 90 / 4 / 0 / 26

HEX #13B6BD

RGB 19 182 189

HSL 182.47, 0.82%, 0.41%

LAB 67.48, -34.49, -14.34

 

CMYK 69 / 91 / 0 / 25

HEX #3A12BE

RGB 58 18 190

HSL 253.95, 0.83%, 0.41%

LAB 26.88, 60.72, -79.44

 

CMYK 0 / 87 / 91 / 25

HEX #BE1812

RGB 190 24 18

HSL 2.09, 0.83%, 0.41%

LAB 40.64, 61.3, 47.9

 

CMYK 21 / 0 / 91 / 25

HEX #96BE12

RGB 150 190 18

HSL 73.95, 0.83%, 0.41%

LAB 71.79, -33.88, 70.12

 

CMYK 90 / 4 / 0 / 26

HEX #13B6BD

RGB 19 182 189

HSL 182.47, 0.82%, 0.41%

LAB 67.48, -34.49, -14.34

 

CMYK 42 / 91 / 0 / 25

HEX #6E12BE

RGB 110 18 190

HSL 272.09, 0.83%, 0.41%

LAB 32.84, 65.2, -69.38

 

CMYK 0 / 87 / 91 / 25

HEX #BE1812

RGB 190 24 18

HSL 2.09, 0.83%, 0.41%

LAB 40.64, 61.3, 47.9

 

CMYK 48 / 0 / 91 / 25

HEX #62BE12

RGB 98 190 18

HSL 92.09, 0.83%, 0.41%

LAB 69.09, -52.68, 66.78

 

Description

Color code: HEX #13B6BD | qconv.com Color code: HEX #13B6BD | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 182 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 182 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, 4 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 4% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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