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Color name
RGB 53 164 29

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 164 29 it is the complementary color RGB 202 91 226. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 164 29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 164 29 shade: RGB 58 164 24, RGB 75 182 43, RGB 92 200 62, RGB 109 218 81 and RGB 126 236 100

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 164 29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 164 29 shade: RGB 53 164 29, RGB 36 146 10, RGB 19 128 0, RGB 2 110 0 and RGB 0 92 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 164 29 shade: RGB 53 164 29, RGB 89 164 29, RGB 126 164 29, RGB 162 164 29 and RGB 164 129 29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 164 29 shade: RGB 53 164 29, RGB 29 164 41, RGB 29 164 78, RGB 29 164 114 and RGB 29 164 151

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 164 29 shade matches the following richer shades: RGB 53 164 29 and RGB 43 180 13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 164 29 shade: RGB 53 164 29, RGB 63 149 44, RGB 73 133 60, RGB 83 117 76 and RGB 93 102 91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 164 29 shade: RGB 126 164 29, RGB 90 164 29, RGB 53 164 29, RGB 29 164 40 and RGB 29 164 76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 164 29 shade: RGB 30 94 16, RGB 41 129 22, RGB 53 164 29, RGB 64 199 35 and RGB 85 219 56

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 164 29 shade: RGB 53 164 29, RGB 29 162 164 and RGB 164 29 108

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 164 29 shade: RGB 53 164 29, RGB 29 53 164 and RGB 164 29 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 164 29 shade: RGB 53 164 29, RGB 29 162 164, RGB 139 29 164 and RGB 164 31 29

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 164 29 shade: RGB 53 164 29, RGB 29 121 164, RGB 139 29 164 and RGB 164 72 29

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 82 / 36

HEX #35A41D

RGB 53 164 29

HSL 109.33, 0.7%, 0.38%

LAB 59.34, -54.75, 55.25

 

Complementary color

CMYK 11 / 60 / 0 / 11

HEX #CA5BE2

RGB 202 91 226

HSL 289.33, 0.7%, 0.62%

LAB 57.59, 63.12, -49.5

 

CMYK 65 / 0 / 85 / 36

HEX #3AA418

RGB 58 164 24

HSL 105.43, 0.74%, 0.37%

LAB 59.45, -53.9, 56.72

 

CMYK 59 / 0 / 76 / 29

HEX #4BB62B

RGB 75 182 43

HSL 106.19, 0.62%, 0.44%

LAB 65.85, -55.07, 57.32

 

CMYK 54 / 0 / 69 / 22

HEX #5CC83E

RGB 92 200 62

HSL 106.96, 0.56%, 0.51%

LAB 72.18, -55.78, 57.04

 

CMYK 50 / 0 / 63 / 15

HEX #6DDA51

RGB 109 218 81

HSL 107.74, 0.65%, 0.59%

LAB 78.45, -56.2, 56.28

 

CMYK 47 / 0 / 58 / 7

HEX #7EEC64

RGB 126 236 100

HSL 108.53, 0.78%, 0.66%

LAB 84.66, -56.4, 55.29

 

CMYK 68 / 0 / 82 / 36

HEX #35A41D

RGB 53 164 29

HSL 109.33, 0.7%, 0.38%

LAB 59.34, -54.75, 55.25

 

CMYK 75 / 0 / 93 / 43

HEX #24920A

RGB 36 146 10

HSL 108.53, 0.87%, 0.31%

LAB 52.9, -52.87, 53.73

 

CMYK 85 / 0 / 100 / 50

HEX #138000

RGB 19 128 0

HSL 111.09, 1%, 0.25%

LAB 46.41, -50.02, 50.12

 

CMYK 98 / 0 / 100 / 57

HEX #026E00

RGB 2 110 0

HSL 118.91, 1%, 0.22%

LAB 39.86, -46.19, 44.8

 

CMYK 100 / 0 / 100 / 64

HEX #005C00

RGB 0 92 0

HSL 120, 1%, 0.18%

LAB 33.25, -40.92, 39.49

 

CMYK 68 / 0 / 82 / 36

HEX #35A41D

RGB 53 164 29

HSL 109.33, 0.7%, 0.38%

LAB 59.34, -54.75, 55.25

 

CMYK 46 / 0 / 82 / 36

HEX #59A41D

RGB 89 164 29

HSL 93.33, 0.7%, 0.38%

LAB 60.57, -44.97, 56.83

 

CMYK 23 / 0 / 82 / 36

HEX #7EA41D

RGB 126 164 29

HSL 76.89, 0.7%, 0.38%

LAB 62.57, -31.2, 59.38

 

CMYK 1 / 0 / 82 / 36

HEX #A2A41D

RGB 162 164 29

HSL 60.89, 0.7%, 0.38%

LAB 65.22, -15.81, 62.71

 

CMYK 0 / 21 / 82 / 36

HEX #A4811D

RGB 164 129 29

HSL 44.44, 0.7%, 0.38%

LAB 55.77, 3.95, 54.58

 

CMYK 68 / 0 / 82 / 36

HEX #35A41D

RGB 53 164 29

HSL 109.33, 0.7%, 0.38%

LAB 59.34, -54.75, 55.25

 

CMYK 82 / 0 / 75 / 36

HEX #1DA429

RGB 29 164 41

HSL 125.33, 0.7%, 0.38%

LAB 58.95, -57.85, 50.83

 

CMYK 82 / 0 / 52 / 36

HEX #1DA44E

RGB 29 164 78

HSL 141.78, 0.7%, 0.38%

LAB 59.31, -53.46, 34.78

 

CMYK 82 / 0 / 30 / 36

HEX #1DA472

RGB 29 164 114

HSL 157.78, 0.7%, 0.38%

LAB 59.91, -46.5, 16.36

 

CMYK 82 / 0 / 8 / 36

HEX #1DA497

RGB 29 164 151

HSL 174.22, 0.7%, 0.38%

LAB 60.82, -36.9, -3.05

 

CMYK 68 / 0 / 82 / 36

HEX #35A41D

RGB 53 164 29

HSL 109.33, 0.7%, 0.38%

LAB 59.34, -54.75, 55.25

 

CMYK 76 / 0 / 93 / 29

HEX #2BB40D

RGB 43 180 13

HSL 109.22, 0.87%, 0.38%

LAB 64.31, -62.31, 62.91

 

CMYK 68 / 0 / 82 / 36

HEX #35A41D

RGB 53 164 29

HSL 109.33, 0.7%, 0.38%

LAB 59.34, -54.75, 55.25

 

CMYK 58 / 0 / 70 / 42

HEX #3F952C

RGB 63 149 44

HSL 109.14, 0.54%, 0.38%

LAB 54.8, -45.89, 45.65

 

CMYK 45 / 0 / 55 / 48

HEX #49853C

RGB 73 133 60

HSL 109.32, 0.38%, 0.38%

LAB 50.12, -34.5, 33.05

 

CMYK 29 / 0 / 35 / 54

HEX #53754C

RGB 83 117 76

HSL 109.76, 0.21%, 0.38%

LAB 45.75, -20.78, 18.84

 

CMYK 9 / 0 / 11 / 60

HEX #5D665B

RGB 93 102 91

HSL 109.09, 0.06%, 0.38%

LAB 42.13, -5.77, 5.04

 

CMYK 23 / 0 / 82 / 36

HEX #7EA41D

RGB 126 164 29

HSL 76.89, 0.7%, 0.38%

LAB 62.57, -31.2, 59.38

 

CMYK 45 / 0 / 82 / 36

HEX #5AA41D

RGB 90 164 29

HSL 92.89, 0.7%, 0.38%

LAB 60.62, -44.64, 56.89

 

CMYK 68 / 0 / 82 / 36

HEX #35A41D

RGB 53 164 29

HSL 109.33, 0.7%, 0.38%

LAB 59.34, -54.75, 55.25

 

CMYK 82 / 0 / 76 / 36

HEX #1DA428

RGB 29 164 40

HSL 124.89, 0.7%, 0.38%

LAB 58.94, -57.93, 51.18

 

CMYK 82 / 0 / 54 / 36

HEX #1DA44C

RGB 29 164 76

HSL 140.89, 0.7%, 0.38%

LAB 59.28, -53.77, 35.76

 

CMYK 68 / 0 / 83 / 63

HEX #1E5E10

RGB 30 94 16

HSL 109.23, 0.71%, 0.22%

LAB 34.64, -35.64, 35.87

 

CMYK 68 / 0 / 83 / 49

HEX #298116

RGB 41 129 22

HSL 109.35, 0.71%, 0.3%

LAB 47.27, -45.6, 45.98

 

CMYK 68 / 0 / 82 / 36

HEX #35A41D

RGB 53 164 29

HSL 109.33, 0.7%, 0.38%

LAB 59.34, -54.75, 55.25

 

CMYK 68 / 0 / 82 / 22

HEX #40C723

RGB 64 199 35

HSL 109.39, 0.7%, 0.46%

LAB 70.91, -63.76, 64.36

 

CMYK 61 / 0 / 74 / 14

HEX #55DB38

RGB 85 219 56

HSL 109.33, 0.69%, 0.54%

LAB 77.8, -64.69, 64.85

 

CMYK 68 / 0 / 82 / 36

HEX #35A41D

RGB 53 164 29

HSL 109.33, 0.7%, 0.38%

LAB 59.34, -54.75, 55.25

 

CMYK 82 / 1 / 0 / 36

HEX #1DA2A4

RGB 29 162 164

HSL 180.89, 0.7%, 0.38%

LAB 60.59, -32.1, -10.73

 

CMYK 0 / 82 / 34 / 36

HEX #A41D6C

RGB 164 29 108

HSL 324.89, 0.7%, 0.38%

LAB 37.58, 58.59, -11.18

 

CMYK 68 / 0 / 82 / 36

HEX #35A41D

RGB 53 164 29

HSL 109.33, 0.7%, 0.38%

LAB 59.34, -54.75, 55.25

 

CMYK 82 / 68 / 0 / 36

HEX #1D35A4

RGB 29 53 164

HSL 229.33, 0.7%, 0.38%

LAB 28.08, 33.42, -61.95

 

CMYK 0 / 82 / 68 / 36

HEX #A41D35

RGB 164 29 53

HSL 349.33, 0.7%, 0.38%

LAB 36.04, 54.01, 21.9

 

CMYK 68 / 0 / 82 / 36

HEX #35A41D

RGB 53 164 29

HSL 109.33, 0.7%, 0.38%

LAB 59.34, -54.75, 55.25

 

CMYK 82 / 1 / 0 / 36

HEX #1DA2A4

RGB 29 162 164

HSL 180.89, 0.7%, 0.38%

LAB 60.59, -32.1, -10.73

 

CMYK 15 / 82 / 0 / 36

HEX #8B1DA4

RGB 139 29 164

HSL 288.89, 0.7%, 0.38%

LAB 36.08, 61.53, -48.42

 

CMYK 0 / 81 / 82 / 36

HEX #A41F1D

RGB 164 31 29

HSL 0.89, 0.7%, 0.38%

LAB 35.91, 52.45, 36.31

 

CMYK 68 / 0 / 82 / 36

HEX #35A41D

RGB 53 164 29

HSL 109.33, 0.7%, 0.38%

LAB 59.34, -54.75, 55.25

 

CMYK 82 / 26 / 0 / 36

HEX #1D79A4

RGB 29 121 164

HSL 199.11, 0.7%, 0.38%

LAB 47.77, -10.54, -30.35

 

CMYK 15 / 82 / 0 / 36

HEX #8B1DA4

RGB 139 29 164

HSL 288.89, 0.7%, 0.38%

LAB 36.08, 61.53, -48.42

 

CMYK 0 / 56 / 82 / 36

HEX #A4481D

RGB 164 72 29

HSL 19.11, 0.7%, 0.38%

LAB 42.18, 35.56, 42.3

 

Description

Color code: RGB 53 164 29 | qconv.com Color code: RGB 53 164 29 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 164 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 164 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 82 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 82% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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