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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA5BE2 it is the complementary color #35A41D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA5BE2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA5BE2 shade: #CF5BDD, #E06DF0, #F17FFF, #FF91FF and #FFA3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA5BE2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA5BE2 shade: #CA5BE2, #B949CF, #A837BC, #9725A9 and #861396

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA5BE2 shade: #C95AE1, #E15AD5, #E15AB0, #E15A8C and #E15A67

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA5BE2 shade: #C95AE1, #A55AE1, #805AE1, #5C5AE1 and #5A5AE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA5BE2 shade matches the following richer shades: #C95AE1 and #D34AF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA5BE2 shade: #C95AE1, #BF69D2, #B579C2, #AB89B2 and #A198A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA5BE2 shade: #805AE1, #A45AE1, #C95AE1, #E15AD6 and #E15AB2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA5BE2 shade: #A923C6, #BE37DB, #C95AE1, #D57DE8 and #E0A0EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA5BE2 shade: #CA5BE2, #E15C5A and #5AE192

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA5BE2 shade: #CA5BE2, #E1C95A and #5AE1C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA5BE2 shade: #CA5BE2, #E15C5A, #73E15A and #5ADFE1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA5BE2 shade: #CA5BE2, #E1855A, #73E15A and #5AB6E1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 60 / 0 / 11

HEX #CA5BE2

RGB 202 91 226

HSL 289.33, 0.7%, 0.62%

LAB 57.59, 63.12, -49.5

 

Complementary color

CMYK 68 / 0 / 82 / 36

HEX #35A41D

RGB 53 164 29

HSL 109.33, 0.7%, 0.38%

LAB 59.34, -54.75, 55.25

 

CMYK 6 / 59 / 0 / 13

HEX #CF5BDD

RGB 207 91 221

HSL 293.54, 0.66%, 0.61%

LAB 58.01, 63.42, -45.98

 

CMYK 7 / 55 / 0 / 6

HEX #E06DF0

RGB 224 109 240

HSL 292.67, 0.81%, 0.68%

LAB 64.22, 62.99, -46.62

 

CMYK 5 / 50 / 0 / 0

HEX #F17FFF

RGB 241 127 255

HSL 293.44, 1%, 0.75%

LAB 70.25, 61.69, -45.24

 

CMYK 0 / 43 / 0 / 0

HEX #FF91FF

RGB 255 145 255

HSL 300, 1%, 0.78%

LAB 75.28, 56.81, -37.25

 

CMYK 0 / 36 / 0 / 0

HEX #FFA3FF

RGB 255 163 255

HSL 300, 1%, 0.82%

LAB 78.85, 47.76, -31.73

 

CMYK 11 / 60 / 0 / 11

HEX #CA5BE2

RGB 202 91 226

HSL 289.33, 0.7%, 0.62%

LAB 57.59, 63.12, -49.5

 

CMYK 11 / 65 / 0 / 19

HEX #B949CF

RGB 185 73 207

HSL 290.15, 0.58%, 0.55%

LAB 51.36, 63.36, -48.76

 

CMYK 11 / 71 / 0 / 26

HEX #A837BC

RGB 168 55 188

HSL 290.98, 0.55%, 0.48%

LAB 45.2, 63.21, -47.75

 

CMYK 11 / 78 / 0 / 34

HEX #9725A9

RGB 151 37 169

HSL 291.82, 0.64%, 0.4%

LAB 39.19, 62.4, -46.32

 

CMYK 11 / 87 / 0 / 41

HEX #861396

RGB 134 19 150

HSL 292.67, 0.78%, 0.33%

LAB 33.43, 60.53, -44.23

 

CMYK 11 / 60 / 0 / 12

HEX #C95AE1

RGB 201 90 225

HSL 289.33, 0.69%, 0.62%

LAB 57.24, 63.14, -49.5

 

CMYK 0 / 60 / 5 / 12

HEX #E15AD5

RGB 225 90 213

HSL 305.33, 0.69%, 0.62%

LAB 60, 67.01, -38.15

 

CMYK 0 / 60 / 22 / 12

HEX #E15AB0

RGB 225 90 176

HSL 321.78, 0.69%, 0.62%

LAB 58.47, 61.5, -19.4

 

CMYK 0 / 60 / 38 / 12

HEX #E15A8C

RGB 225 90 140

HSL 337.78, 0.69%, 0.62%

LAB 57.28, 57.07, -0.22

 

CMYK 0 / 60 / 54 / 12

HEX #E15A67

RGB 225 90 103

HSL 354.22, 0.69%, 0.62%

LAB 56.39, 53.58, 20.23

 

CMYK 11 / 60 / 0 / 12

HEX #C95AE1

RGB 201 90 225

HSL 289.33, 0.69%, 0.62%

LAB 57.24, 63.14, -49.5

 

CMYK 27 / 60 / 0 / 12

HEX #A55AE1

RGB 165 90 225

HSL 273.33, 0.69%, 0.62%

LAB 52.67, 54.58, -57.05

 

CMYK 43 / 60 / 0 / 12

HEX #805AE1

RGB 128 90 225

HSL 256.89, 0.69%, 0.62%

LAB 48.68, 46.39, -63.69

 

CMYK 59 / 60 / 0 / 12

HEX #5C5AE1

RGB 92 90 225

HSL 240.89, 0.69%, 0.62%

LAB 45.67, 39.6, -68.72

 

CMYK 60 / 60 / 0 / 12

HEX #5A5AE1

RGB 90 90 225

HSL 240, 0.69%, 0.62%

LAB 45.53, 39.27, -68.95

 

CMYK 11 / 60 / 0 / 12

HEX #C95AE1

RGB 201 90 225

HSL 289.33, 0.69%, 0.62%

LAB 57.24, 63.14, -49.5

 

CMYK 12 / 69 / 0 / 5

HEX #D34AF1

RGB 211 74 241

HSL 289.22, 0.86%, 0.62%

LAB 57.17, 74.86, -58.49

 

CMYK 11 / 60 / 0 / 12

HEX #C95AE1

RGB 201 90 225

HSL 289.33, 0.69%, 0.62%

LAB 57.24, 63.14, -49.5

 

CMYK 9 / 50 / 0 / 18

HEX #BF69D2

RGB 191 105 210

HSL 289.14, 0.54%, 0.62%

LAB 57.88, 50.45, -40.11

 

CMYK 7 / 38 / 0 / 24

HEX #B579C2

RGB 181 121 194

HSL 289.32, 0.37%, 0.62%

LAB 59.34, 35.8, -28.86

 

CMYK 4 / 23 / 0 / 30

HEX #AB89B2

RGB 171 137 178

HSL 289.76, 0.21%, 0.62%

LAB 61.45, 20.32, -16.63

 

CMYK 1 / 7 / 0 / 36

HEX #A198A3

RGB 161 152 163

HSL 289.09, 0.06%, 0.62%

LAB 63.9, 5.38, -4.57

 

CMYK 43 / 60 / 0 / 12

HEX #805AE1

RGB 128 90 225

HSL 256.89, 0.69%, 0.62%

LAB 48.68, 46.39, -63.69

 

CMYK 27 / 60 / 0 / 12

HEX #A45AE1

RGB 164 90 225

HSL 272.89, 0.69%, 0.62%

LAB 52.55, 54.35, -57.25

 

CMYK 11 / 60 / 0 / 12

HEX #C95AE1

RGB 201 90 225

HSL 289.33, 0.69%, 0.62%

LAB 57.24, 63.14, -49.5

 

CMYK 0 / 60 / 5 / 12

HEX #E15AD6

RGB 225 90 214

HSL 304.89, 0.69%, 0.62%

LAB 60.05, 67.17, -38.65

 

CMYK 0 / 60 / 21 / 12

HEX #E15AB2

RGB 225 90 178

HSL 320.89, 0.69%, 0.62%

LAB 58.54, 61.78, -20.44

 

CMYK 15 / 82 / 0 / 22

HEX #A923C6

RGB 169 35 198

HSL 289.33, 0.7%, 0.46%

LAB 43.82, 71.47, -55.8

 

CMYK 13 / 75 / 0 / 14

HEX #BE37DB

RGB 190 55 219

HSL 289.39, 0.69%, 0.54%

LAB 50.45, 73.3, -57.04

 

CMYK 11 / 60 / 0 / 12

HEX #C95AE1

RGB 201 90 225

HSL 289.33, 0.69%, 0.62%

LAB 57.24, 63.14, -49.5

 

CMYK 8 / 46 / 0 / 9

HEX #D57DE8

RGB 213 125 232

HSL 289.35, 0.7%, 0.7%

LAB 65.47, 50.69, -40.33

 

CMYK 6 / 33 / 0 / 7

HEX #E0A0EE

RGB 224 160 238

HSL 289.23, 0.7%, 0.78%

LAB 74.29, 36.71, -29.84

 

CMYK 11 / 60 / 0 / 11

HEX #CA5BE2

RGB 202 91 226

HSL 289.33, 0.7%, 0.62%

LAB 57.59, 63.12, -49.5

 

CMYK 0 / 59 / 60 / 12

HEX #E15C5A

RGB 225 92 90

HSL 0.89, 0.69%, 0.62%

LAB 56.49, 51.73, 27.91

 

CMYK 60 / 0 / 35 / 12

HEX #5AE192

RGB 90 225 146

HSL 144.89, 0.69%, 0.62%

LAB 80.79, -54.35, 27.96

 

CMYK 11 / 60 / 0 / 11

HEX #CA5BE2

RGB 202 91 226

HSL 289.33, 0.7%, 0.62%

LAB 57.59, 63.12, -49.5

 

CMYK 0 / 11 / 60 / 12

HEX #E1C95A

RGB 225 201 90

HSL 49.33, 0.69%, 0.62%

LAB 81.03, -4.66, 57.25

 

CMYK 60 / 0 / 11 / 12

HEX #5AE1C9

RGB 90 225 201

HSL 169.33, 0.69%, 0.62%

LAB 81.97, -42.4, 0.78

 

CMYK 11 / 60 / 0 / 11

HEX #CA5BE2

RGB 202 91 226

HSL 289.33, 0.7%, 0.62%

LAB 57.59, 63.12, -49.5

 

CMYK 0 / 59 / 60 / 12

HEX #E15C5A

RGB 225 92 90

HSL 0.89, 0.69%, 0.62%

LAB 56.49, 51.73, 27.91

 

CMYK 49 / 0 / 60 / 12

HEX #73E15A

RGB 115 225 90

HSL 108.89, 0.69%, 0.62%

LAB 80.87, -56.31, 55.21

 

CMYK 60 / 1 / 0 / 12

HEX #5ADFE1

RGB 90 223 225

HSL 180.89, 0.69%, 0.62%

LAB 82.05, -35.26, -11.84

 

CMYK 11 / 60 / 0 / 11

HEX #CA5BE2

RGB 202 91 226

HSL 289.33, 0.7%, 0.62%

LAB 57.59, 63.12, -49.5

 

CMYK 0 / 41 / 60 / 12

HEX #E1855A

RGB 225 133 90

HSL 19.11, 0.69%, 0.62%

LAB 64.58, 31.33, 38.07

 

CMYK 49 / 0 / 60 / 12

HEX #73E15A

RGB 115 225 90

HSL 108.89, 0.69%, 0.62%

LAB 80.87, -56.31, 55.21

 

CMYK 60 / 19 / 0 / 12

HEX #5AB6E1

RGB 90 182 225

HSL 199.11, 0.69%, 0.62%

LAB 70.22, -14.86, -29.79

 

Description

Color code: HEX #CA5BE2 | qconv.com Color code: HEX #CA5BE2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 91 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 91 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 60 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 60% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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