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Color name
RGB 53 160 104

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 160 104 it is the complementary color RGB 202 95 151. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 160 104. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 160 104 shade: RGB 58 160 99, RGB 75 178 118, RGB 92 196 137, RGB 109 214 156 and RGB 126 232 175

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 160 104. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 160 104 shade: RGB 53 160 104, RGB 36 142 85, RGB 19 124 66, RGB 2 106 47 and RGB 0 88 28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 160 104 shade: RGB 53 160 104, RGB 53 160 75, RGB 60 160 53, RGB 89 160 53 and RGB 118 160 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 160 104 shade: RGB 53 160 104, RGB 53 160 133, RGB 53 158 160, RGB 53 130 160 and RGB 53 101 160

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 160 104 shade matches the following richer shades: RGB 53 160 104, RGB 36 177 103, RGB 18 195 102 and RGB 1 212 102

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 160 104 shade: RGB 53 160 104, RGB 70 143 105, RGB 88 125 106, RGB 105 108 107 and RGB 122 91 107

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 160 104 shade: RGB 60 160 53, RGB 53 160 74, RGB 53 160 103, RGB 53 160 132 and RGB 53 160 160

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 160 104 shade: RGB 32 98 64, RGB 43 129 84, RGB 53 160 104, RGB 64 191 124 and RGB 95 201 145

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 160 104 shade: RGB 53 160 104, RGB 53 89 160 and RGB 160 60 53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 160 104 shade: RGB 53 160 104, RGB 103 53 160 and RGB 160 103 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 160 104 shade: RGB 53 160 104, RGB 53 89 160, RGB 160 53 110 and RGB 160 124 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 160 104 shade: RGB 53 160 104, RGB 53 57 160, RGB 160 53 110 and RGB 160 157 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 35 / 37

HEX #35A068

RGB 53 160 104

HSL 148.6, 0.5%, 0.42%

LAB 58.88, -43.62, 20.54

 

Complementary color

CMYK 0 / 53 / 25 / 21

HEX #CA5F97

RGB 202 95 151

HSL 328.6, 0.5%, 0.58%

LAB 55.05, 48.82, -10.36

 

CMYK 64 / 0 / 38 / 37

HEX #3AA063

RGB 58 160 99

HSL 144.12, 0.47%, 0.43%

LAB 58.92, -43.63, 23.35

 

CMYK 58 / 0 / 34 / 30

HEX #4BB276

RGB 75 178 118

HSL 145.05, 0.41%, 0.5%

LAB 65.47, -43.75, 21.94

 

CMYK 53 / 0 / 30 / 23

HEX #5CC489

RGB 92 196 137

HSL 145.96, 0.47%, 0.56%

LAB 71.93, -43.71, 20.66

 

CMYK 49 / 0 / 27 / 16

HEX #6DD69C

RGB 109 214 156

HSL 146.86, 0.56%, 0.63%

LAB 78.31, -43.57, 19.48

 

CMYK 46 / 0 / 25 / 9

HEX #7EE8AF

RGB 126 232 175

HSL 147.74, 0.7%, 0.7%

LAB 84.61, -43.39, 18.38

 

CMYK 67 / 0 / 35 / 37

HEX #35A068

RGB 53 160 104

HSL 148.6, 0.5%, 0.42%

LAB 58.88, -43.62, 20.54

 

CMYK 75 / 0 / 40 / 44

HEX #248E55

RGB 36 142 85

HSL 147.74, 0.6%, 0.35%

LAB 52.26, -43.11, 22.09

 

CMYK 85 / 0 / 47 / 51

HEX #137C42

RGB 19 124 66

HSL 146.86, 0.73%, 0.28%

LAB 45.56, -42.11, 23.82

 

CMYK 98 / 0 / 56 / 58

HEX #026A2F

RGB 2 106 47

HSL 145.96, 0.96%, 0.21%

LAB 38.77, -40.46, 25.69

 

CMYK 100 / 0 / 68 / 65

HEX #00581C

RGB 0 88 28

HSL 139.09, 1%, 0.17%

LAB 31.95, -37.24, 27.65

 

CMYK 67 / 0 / 35 / 37

HEX #35A068

RGB 53 160 104

HSL 148.6, 0.5%, 0.42%

LAB 58.88, -43.62, 20.54

 

CMYK 67 / 0 / 53 / 37

HEX #35A04B

RGB 53 160 75

HSL 132.34, 0.5%, 0.42%

LAB 58.42, -48.74, 35.31

 

CMYK 63 / 0 / 67 / 37

HEX #3CA035

RGB 60 160 53

HSL 116.07, 0.5%, 0.42%

LAB 58.38, -49.93, 45.67

 

CMYK 44 / 0 / 67 / 37

HEX #59A035

RGB 89 160 53

HSL 99.81, 0.5%, 0.42%

LAB 59.45, -41.69, 47.15

 

CMYK 26 / 0 / 67 / 37

HEX #76A035

RGB 118 160 53

HSL 83.55, 0.5%, 0.42%

LAB 61, -31.15, 49.26

 

CMYK 67 / 0 / 35 / 37

HEX #35A068

RGB 53 160 104

HSL 148.6, 0.5%, 0.42%

LAB 58.88, -43.62, 20.54

 

CMYK 67 / 0 / 17 / 37

HEX #35A085

RGB 53 160 133

HSL 164.86, 0.5%, 0.42%

LAB 59.52, -36.94, 5.25

 

CMYK 67 / 1 / 0 / 37

HEX #359EA0

RGB 53 158 160

HSL 181.12, 0.5%, 0.42%

LAB 59.66, -28.53, -9.81

 

CMYK 67 / 19 / 0 / 37

HEX #3582A0

RGB 53 130 160

HSL 196.82, 0.5%, 0.42%

LAB 50.99, -13.85, -22.98

 

CMYK 67 / 37 / 0 / 37

HEX #3565A0

RGB 53 101 160

HSL 213.08, 0.5%, 0.42%

LAB 42.16, 3.37, -36.77

 

CMYK 67 / 0 / 35 / 37

HEX #35A068

RGB 53 160 104

HSL 148.6, 0.5%, 0.42%

LAB 58.88, -43.62, 20.54

 

CMYK 80 / 0 / 42 / 31

HEX #24B167

RGB 36 177 103

HSL 148.51, 0.66%, 0.42%

LAB 64, -52.99, 27.82

 

CMYK 91 / 0 / 48 / 24

HEX #12C366

RGB 18 195 102

HSL 148.47, 0.83%, 0.42%

LAB 69.55, -61.01, 35.46

 

CMYK 100 / 0 / 52 / 17

HEX #01D466

RGB 1 212 102

HSL 148.72, 0.99%, 0.42%

LAB 74.86, -67.25, 42.06

 

CMYK 67 / 0 / 35 / 37

HEX #35A068

RGB 53 160 104

HSL 148.6, 0.5%, 0.42%

LAB 58.88, -43.62, 20.54

 

CMYK 51 / 0 / 27 / 44

HEX #468F69

RGB 70 143 105

HSL 148.77, 0.34%, 0.42%

LAB 53.99, -32.1, 13.36

 

CMYK 30 / 0 / 15 / 51

HEX #587D6A

RGB 88 125 106

HSL 149.19, 0.17%, 0.42%

LAB 49.23, -17.37, 6.2

 

CMYK 3 / 0 / 1 / 58

HEX #696C6B

RGB 105 108 107

HSL 160, 0.01%, 0.42%

LAB 45.35, -1.36, 0.15

 

CMYK 0 / 25 / 12 / 52

HEX #7A5B6B

RGB 122 91 107

HSL 329.03, 0.15%, 0.42%

LAB 42.28, 15.48, -4.17

 

CMYK 63 / 0 / 67 / 37

HEX #3CA035

RGB 60 160 53

HSL 116.07, 0.5%, 0.42%

LAB 58.38, -49.93, 45.67

 

CMYK 67 / 0 / 54 / 37

HEX #35A04A

RGB 53 160 74

HSL 131.78, 0.5%, 0.42%

LAB 58.41, -48.88, 35.8

 

CMYK 67 / 0 / 36 / 37

HEX #35A067

RGB 53 160 103

HSL 148.04, 0.5%, 0.42%

LAB 58.86, -43.83, 21.06

 

CMYK 67 / 0 / 18 / 37

HEX #35A084

RGB 53 160 132

HSL 164.3, 0.5%, 0.42%

LAB 59.49, -37.19, 5.78

 

CMYK 67 / 0 / 0 / 37

HEX #35A0A0

RGB 53 160 160

HSL 180, 0.5%, 0.42%

LAB 60.28, -29.51, -8.89

 

CMYK 67 / 0 / 35 / 62

HEX #206240

RGB 32 98 64

HSL 149.09, 0.51%, 0.25%

LAB 36.77, -29.6, 13.39

 

CMYK 67 / 0 / 35 / 49

HEX #2B8154

RGB 43 129 84

HSL 148.6, 0.5%, 0.34%

LAB 48.08, -36.68, 17.07

 

CMYK 67 / 0 / 35 / 37

HEX #35A068

RGB 53 160 104

HSL 148.6, 0.5%, 0.42%

LAB 58.88, -43.62, 20.54

 

CMYK 66 / 0 / 35 / 25

HEX #40BF7C

RGB 64 191 124

HSL 148.35, 0.5%, 0.5%

LAB 69.33, -50.11, 23.9

 

CMYK 53 / 0 / 28 / 21

HEX #5FC991

RGB 95 201 145

HSL 148.3, 0.5%, 0.58%

LAB 73.71, -43.55, 18.85

 

CMYK 67 / 0 / 35 / 37

HEX #35A068

RGB 53 160 104

HSL 148.6, 0.5%, 0.42%

LAB 58.88, -43.62, 20.54

 

CMYK 67 / 44 / 0 / 37

HEX #3559A0

RGB 53 89 160

HSL 219.81, 0.5%, 0.42%

LAB 38.62, 11.05, -42.4

 

CMYK 0 / 63 / 67 / 37

HEX #A03C35

RGB 160 60 53

HSL 3.93, 0.5%, 0.42%

LAB 39.52, 41.06, 26.06

 

CMYK 67 / 0 / 35 / 37

HEX #35A068

RGB 53 160 104

HSL 148.6, 0.5%, 0.42%

LAB 58.88, -43.62, 20.54

 

CMYK 36 / 67 / 0 / 37

HEX #6735A0

RGB 103 53 160

HSL 268.04, 0.5%, 0.42%

LAB 33.92, 43.85, -49.76

 

CMYK 0 / 36 / 67 / 37

HEX #A06735

RGB 160 103 53

HSL 28.04, 0.5%, 0.42%

LAB 48.8, 18.04, 37

 

CMYK 67 / 0 / 35 / 37

HEX #35A068

RGB 53 160 104

HSL 148.6, 0.5%, 0.42%

LAB 58.88, -43.62, 20.54

 

CMYK 67 / 44 / 0 / 37

HEX #3559A0

RGB 53 89 160

HSL 219.81, 0.5%, 0.42%

LAB 38.62, 11.05, -42.4

 

CMYK 0 / 67 / 31 / 37

HEX #A0356E

RGB 160 53 110

HSL 328.04, 0.5%, 0.42%

LAB 39.82, 49.58, -9.12

 

CMYK 0 / 23 / 67 / 37

HEX #A07C35

RGB 160 124 53

HSL 39.81, 0.5%, 0.42%

LAB 54.18, 6.1, 42.98

 

CMYK 67 / 0 / 35 / 37

HEX #35A068

RGB 53 160 104

HSL 148.6, 0.5%, 0.42%

LAB 58.88, -43.62, 20.54

 

CMYK 67 / 64 / 0 / 37

HEX #3539A0

RGB 53 57 160

HSL 237.76, 0.5%, 0.42%

LAB 29.96, 32.09, -56.4

 

CMYK 0 / 67 / 31 / 37

HEX #A0356E

RGB 160 53 110

HSL 328.04, 0.5%, 0.42%

LAB 39.82, 49.58, -9.12

 

CMYK 0 / 2 / 67 / 37

HEX #A09D35

RGB 160 157 53

HSL 58.32, 0.5%, 0.42%

LAB 63.21, -11.96, 52.53

 

Description

Color code: RGB 53 160 104 | qconv.com Color code: RGB 53 160 104 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 160 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 160 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 35 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 35% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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