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Color name
RGB 109 214 156

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 109 214 156 it is the complementary color RGB 146 41 99. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 109 214 156. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 109 214 156 shade: RGB 114 214 151, RGB 131 232 170, RGB 148 250 189, RGB 165 255 208 and RGB 182 255 227

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 109 214 156. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 109 214 156 shade: RGB 109 214 156, RGB 92 196 137, RGB 75 178 118, RGB 58 160 99 and RGB 41 142 80

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 109 214 156 shade: RGB 107 213 155, RGB 107 213 126, RGB 117 213 107, RGB 145 213 107 and RGB 174 213 107

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 109 214 156 shade: RGB 107 213 155, RGB 107 213 183, RGB 107 213 212, RGB 107 186 213 and RGB 107 157 213

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 109 214 156 shade matches the following richer shades: RGB 107 213 155, RGB 92 228 153 and RGB 77 244 151

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 109 214 156 shade: RGB 107 213 155, RGB 123 198 156, RGB 138 182 158, RGB 153 167 159 and RGB 168 152 161

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 109 214 156 shade: RGB 118 213 107, RGB 107 213 125, RGB 107 213 153, RGB 107 213 181 and RGB 107 213 209

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 109 214 156 shade: RGB 52 186 112, RGB 75 204 133, RGB 107 213 155, RGB 139 222 176 and RGB 172 231 198

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 109 214 156 shade: RGB 109 214 156, RGB 107 146 213 and RGB 213 111 107

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 109 214 156 shade: RGB 109 214 156, RGB 153 107 213 and RGB 213 153 107

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 109 214 156 shade: RGB 109 214 156, RGB 107 146 213, RGB 213 107 167 and RGB 213 174 107

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 109 214 156 shade: RGB 109 214 156, RGB 107 114 213, RGB 213 107 167 and RGB 213 206 107

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 27 / 16

HEX #6DD69C

RGB 109 214 156

HSL 146.86, 0.56%, 0.63%

LAB 78.31, -43.57, 19.48

 

Complementary color

CMYK 0 / 72 / 32 / 43

HEX #922963

RGB 146 41 99

HSL 326.86, 0.56%, 0.37%

LAB 35.2, 48.91, -9.39

 

CMYK 47 / 0 / 29 / 16

HEX #72D697

RGB 114 214 151

HSL 142.2, 0.55%, 0.64%

LAB 78.41, -43.25, 22.26

 

CMYK 44 / 0 / 27 / 9

HEX #83E8AA

RGB 131 232 170

HSL 143.17, 0.69%, 0.71%

LAB 84.71, -43.04, 21.14

 

CMYK 41 / 0 / 24 / 2

HEX #94FABD

RGB 148 250 189

HSL 144.12, 0.91%, 0.78%

LAB 90.94, -42.8, 20.1

 

CMYK 35 / 0 / 18 / 0

HEX #A5FFD0

RGB 165 255 208

HSL 148.67, 1%, 0.82%

LAB 93.48, -36.74, 14.04

 

CMYK 29 / 0 / 11 / 0

HEX #B6FFE3

RGB 182 255 227

HSL 156.99, 1%, 0.86%

LAB 94.74, -28.15, 6.18

 

CMYK 49 / 0 / 27 / 16

HEX #6DD69C

RGB 109 214 156

HSL 146.86, 0.56%, 0.63%

LAB 78.31, -43.57, 19.48

 

CMYK 53 / 0 / 30 / 23

HEX #5CC489

RGB 92 196 137

HSL 145.96, 0.47%, 0.56%

LAB 71.93, -43.71, 20.66

 

CMYK 58 / 0 / 34 / 30

HEX #4BB276

RGB 75 178 118

HSL 145.05, 0.41%, 0.5%

LAB 65.47, -43.75, 21.94

 

CMYK 64 / 0 / 38 / 37

HEX #3AA063

RGB 58 160 99

HSL 144.12, 0.47%, 0.43%

LAB 58.92, -43.63, 23.35

 

CMYK 71 / 0 / 44 / 44

HEX #298E50

RGB 41 142 80

HSL 143.17, 0.55%, 0.36%

LAB 52.28, -43.24, 24.89

 

CMYK 50 / 0 / 27 / 16

HEX #6BD59B

RGB 107 213 155

HSL 147.17, 0.56%, 0.63%

LAB 77.92, -43.83, 19.45

 

CMYK 50 / 0 / 41 / 16

HEX #6BD57E

RGB 107 213 126

HSL 130.75, 0.56%, 0.63%

LAB 77.41, -49.02, 33.8

 

CMYK 45 / 0 / 50 / 16

HEX #75D56B

RGB 117 213 107

HSL 114.34, 0.56%, 0.63%

LAB 77.54, -49, 43.47

 

CMYK 32 / 0 / 50 / 16

HEX #91D56B

RGB 145 213 107

HSL 98.49, 0.56%, 0.63%

LAB 78.85, -40.09, 45.38

 

CMYK 18 / 0 / 50 / 16

HEX #AED56B

RGB 174 213 107

HSL 82.08, 0.56%, 0.63%

LAB 80.54, -29.63, 47.82

 

CMYK 50 / 0 / 27 / 16

HEX #6BD59B

RGB 107 213 155

HSL 147.17, 0.56%, 0.63%

LAB 77.92, -43.83, 19.45

 

CMYK 50 / 0 / 14 / 16

HEX #6BD5B7

RGB 107 213 183

HSL 163.02, 0.56%, 0.63%

LAB 78.54, -37.85, 5.45

 

CMYK 50 / 0 / 0 / 16

HEX #6BD5D4

RGB 107 213 212

HSL 179.43, 0.56%, 0.63%

LAB 79.31, -30.76, -8.94

 

CMYK 50 / 13 / 0 / 16

HEX #6BBAD5

RGB 107 186 213

HSL 195.28, 0.56%, 0.63%

LAB 71.59, -17, -21.09

 

CMYK 50 / 26 / 0 / 16

HEX #6B9DD5

RGB 107 157 213

HSL 211.7, 0.56%, 0.63%

LAB 63.38, -1.23, -33.71

 

CMYK 50 / 0 / 27 / 16

HEX #6BD59B

RGB 107 213 155

HSL 147.17, 0.56%, 0.63%

LAB 77.92, -43.83, 19.45

 

CMYK 60 / 0 / 33 / 11

HEX #5CE499

RGB 92 228 153

HSL 146.91, 0.72%, 0.63%

LAB 81.87, -53.82, 25.83

 

CMYK 68 / 0 / 38 / 4

HEX #4DF497

RGB 77 244 151

HSL 146.59, 0.88%, 0.63%

LAB 86.26, -63, 32.67

 

CMYK 50 / 0 / 27 / 16

HEX #6BD59B

RGB 107 213 155

HSL 147.17, 0.56%, 0.63%

LAB 77.92, -43.83, 19.45

 

CMYK 38 / 0 / 21 / 22

HEX #7BC69C

RGB 123 198 156

HSL 146.4, 0.4%, 0.63%

LAB 74.19, -32.55, 13.81

 

CMYK 24 / 0 / 13 / 29

HEX #8AB69E

RGB 138 182 158

HSL 147.27, 0.23%, 0.63%

LAB 70.4, -19.67, 7.47

 

CMYK 8 / 0 / 5 / 35

HEX #99A79F

RGB 153 167 159

HSL 145.71, 0.07%, 0.63%

LAB 67.21, -6.49, 2.44

 

CMYK 0 / 10 / 4 / 34

HEX #A898A1

RGB 168 152 161

HSL 326.25, 0.08%, 0.63%

LAB 64.45, 7.52, -2.57

 

CMYK 45 / 0 / 50 / 16

HEX #76D56B

RGB 118 213 107

HSL 113.77, 0.56%, 0.63%

LAB 77.58, -48.71, 43.53

 

CMYK 50 / 0 / 41 / 16

HEX #6BD57D

RGB 107 213 125

HSL 130.19, 0.56%, 0.63%

LAB 77.4, -49.18, 34.29

 

CMYK 50 / 0 / 28 / 16

HEX #6BD599

RGB 107 213 153

HSL 146.04, 0.56%, 0.63%

LAB 77.88, -44.23, 20.45

 

CMYK 50 / 0 / 15 / 16

HEX #6BD5B5

RGB 107 213 181

HSL 161.89, 0.56%, 0.63%

LAB 78.49, -38.31, 6.45

 

CMYK 50 / 0 / 2 / 16

HEX #6BD5D1

RGB 107 213 209

HSL 177.74, 0.56%, 0.63%

LAB 79.22, -31.54, -7.46

 

CMYK 72 / 0 / 40 / 27

HEX #34BA70

RGB 52 186 112

HSL 146.87, 0.56%, 0.47%

LAB 67.29, -52.48, 27.47

 

CMYK 63 / 0 / 35 / 20

HEX #4BCC85

RGB 75 204 133

HSL 146.98, 0.56%, 0.55%

LAB 73.79, -51.47, 25.21

 

CMYK 50 / 0 / 27 / 16

HEX #6BD59B

RGB 107 213 155

HSL 147.17, 0.56%, 0.63%

LAB 77.92, -43.83, 19.45

 

CMYK 37 / 0 / 21 / 13

HEX #8BDEB0

RGB 139 222 176

HSL 146.75, 0.56%, 0.71%

LAB 82.31, -35.18, 14.71

 

CMYK 26 / 0 / 14 / 9

HEX #ACE7C6

RGB 172 231 198

HSL 146.44, 0.55%, 0.79%

LAB 87, -25.33, 10.05

 

CMYK 49 / 0 / 27 / 16

HEX #6DD69C

RGB 109 214 156

HSL 146.86, 0.56%, 0.63%

LAB 78.31, -43.57, 19.48

 

CMYK 50 / 31 / 0 / 16

HEX #6B92D5

RGB 107 146 213

HSL 217.92, 0.56%, 0.63%

LAB 60.33, 5.09, -38.48

 

CMYK 0 / 48 / 50 / 16

HEX #D56F6B

RGB 213 111 107

HSL 2.26, 0.56%, 0.63%

LAB 58.58, 39.55, 20.57

 

CMYK 49 / 0 / 27 / 16

HEX #6DD69C

RGB 109 214 156

HSL 146.86, 0.56%, 0.63%

LAB 78.31, -43.57, 19.48

 

CMYK 28 / 50 / 0 / 16

HEX #996BD5

RGB 153 107 213

HSL 266.04, 0.56%, 0.63%

LAB 54.12, 39.7, -48.03

 

CMYK 0 / 28 / 50 / 16

HEX #D5996B

RGB 213 153 107

HSL 26.04, 0.56%, 0.63%

LAB 68.01, 17.15, 32.98

 

CMYK 49 / 0 / 27 / 16

HEX #6DD69C

RGB 109 214 156

HSL 146.86, 0.56%, 0.63%

LAB 78.31, -43.57, 19.48

 

CMYK 50 / 31 / 0 / 16

HEX #6B92D5

RGB 107 146 213

HSL 217.92, 0.56%, 0.63%

LAB 60.33, 5.09, -38.48

 

CMYK 0 / 50 / 22 / 16

HEX #D56BA7

RGB 213 107 167

HSL 326.04, 0.56%, 0.63%

LAB 59.39, 48.71, -12.98

 

CMYK 0 / 18 / 50 / 16

HEX #D5AE6B

RGB 213 174 107

HSL 37.92, 0.56%, 0.63%

LAB 73.21, 5.85, 39.54

 

CMYK 49 / 0 / 27 / 16

HEX #6DD69C

RGB 109 214 156

HSL 146.86, 0.56%, 0.63%

LAB 78.31, -43.57, 19.48

 

CMYK 50 / 46 / 0 / 16

HEX #6B72D5

RGB 107 114 213

HSL 236.04, 0.56%, 0.63%

LAB 51.8, 24.2, -51.97

 

CMYK 0 / 50 / 22 / 16

HEX #D56BA7

RGB 213 107 167

HSL 326.04, 0.56%, 0.63%

LAB 59.39, 48.71, -12.98

 

CMYK 0 / 3 / 50 / 16

HEX #D5CE6B

RGB 213 206 107

HSL 56.04, 0.56%, 0.63%

LAB 81.48, -10.82, 49.63

 

Description

Color code: RGB 109 214 156 | qconv.com Color code: RGB 109 214 156 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 214 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 214 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 27 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 27% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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