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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 44 148 111 it is the complementary color RGB 211 107 144. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 44 148 111. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 44 148 111 shade: RGB 49 148 106, RGB 66 166 125, RGB 83 184 144, RGB 100 202 163 and RGB 117 220 182

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 44 148 111. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 44 148 111 shade: RGB 44 148 111, RGB 27 130 92, RGB 10 112 73, RGB 0 94 54 and RGB 0 76 35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 44 148 111 shade: RGB 44 149 111, RGB 44 149 83, RGB 44 149 55, RGB 61 149 44 and RGB 90 149 44

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 44 148 111 shade: RGB 44 149 111, RGB 44 149 140, RGB 44 130 149, RGB 44 101 149 and RGB 44 73 149

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 44 148 111 shade matches the following richer shades: RGB 44 149 111, RGB 28 164 116 and RGB 13 180 121

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 44 148 111 shade: RGB 44 149 111, RGB 60 133 107, RGB 75 117 102, RGB 91 102 98 and RGB 107 86 93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 44 148 111 shade: RGB 44 149 55, RGB 44 149 82, RGB 44 149 110, RGB 44 149 138 and RGB 44 131 149

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 44 148 111 shade: RGB 25 85 64, RGB 35 117 88, RGB 44 149 111, RGB 54 180 135 and RGB 75 201 156

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 44 148 111 shade: RGB 44 148 111, RGB 44 62 149 and RGB 149 68 44

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 44 148 111 shade: RGB 44 148 111, RGB 110 44 149 and RGB 149 110 44

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 44 148 111 shade: RGB 44 148 111, RGB 44 62 149, RGB 149 44 82 and RGB 149 131 44

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 44 148 111 shade: RGB 44 148 111, RGB 58 44 149, RGB 149 44 82 and RGB 135 149 44

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 25 / 42

HEX #2C946F

RGB 44 148 111

HSL 158.65, 0.54%, 0.38%

LAB 54.93, -38.58, 11.15

 

Complementary color

CMYK 0 / 49 / 32 / 17

HEX #D36B90

RGB 211 107 144

HSL 338.65, 0.54%, 0.62%

LAB 58.39, 44.93, -1.18

 

CMYK 67 / 0 / 28 / 42

HEX #31946A

RGB 49 148 106

HSL 154.55, 0.5%, 0.39%

LAB 54.94, -38.88, 14.01

 

CMYK 60 / 0 / 25 / 35

HEX #42A67D

RGB 66 166 125

HSL 155.4, 0.43%, 0.45%

LAB 61.58, -39.06, 12.7

 

CMYK 55 / 0 / 22 / 28

HEX #53B890

RGB 83 184 144

HSL 156.24, 0.42%, 0.52%

LAB 68.12, -39.08, 11.52

 

CMYK 50 / 0 / 19 / 21

HEX #64CAA3

RGB 100 202 163

HSL 157.06, 0.49%, 0.59%

LAB 74.57, -39.01, 10.45

 

CMYK 47 / 0 / 17 / 14

HEX #75DCB6

RGB 117 220 182

HSL 157.86, 0.6%, 0.66%

LAB 80.93, -38.87, 9.46

 

CMYK 70 / 0 / 25 / 42

HEX #2C946F

RGB 44 148 111

HSL 158.65, 0.54%, 0.38%

LAB 54.93, -38.58, 11.15

 

CMYK 79 / 0 / 29 / 49

HEX #1B825C

RGB 27 130 92

HSL 157.86, 0.66%, 0.31%

LAB 48.22, -37.93, 12.62

 

CMYK 91 / 0 / 35 / 56

HEX #0A7049

RGB 10 112 73

HSL 157.06, 0.84%, 0.24%

LAB 41.43, -36.74, 14.31

 

CMYK 100 / 0 / 43 / 63

HEX #005E36

RGB 0 94 54

HSL 154.47, 1%, 0.18%

LAB 34.54, -34.74, 16.29

 

CMYK 100 / 0 / 54 / 70

HEX #004C23

RGB 0 76 35

HSL 147.63, 1%, 0.15%

LAB 27.55, -31.68, 18.55

 

CMYK 70 / 0 / 26 / 42

HEX #2C956F

RGB 44 149 111

HSL 158.29, 0.54%, 0.38%

LAB 55.26, -39.02, 11.6

 

CMYK 70 / 0 / 44 / 42

HEX #2C9553

RGB 44 149 83

HSL 142.29, 0.54%, 0.38%

LAB 54.72, -44.92, 26.43

 

CMYK 70 / 0 / 63 / 42

HEX #2C9537

RGB 44 149 55

HSL 126.29, 0.54%, 0.38%

LAB 54.35, -49.13, 40.18

 

CMYK 59 / 0 / 70 / 42

HEX #3D952C

RGB 61 149 44

HSL 110.29, 0.54%, 0.38%

LAB 54.73, -46.42, 45.56

 

CMYK 40 / 0 / 70 / 42

HEX #5A952C

RGB 90 149 44

HSL 93.71, 0.54%, 0.38%

LAB 55.94, -37.38, 47.2

 

CMYK 70 / 0 / 26 / 42

HEX #2C956F

RGB 44 149 111

HSL 158.29, 0.54%, 0.38%

LAB 55.26, -39.02, 11.6

 

CMYK 70 / 0 / 6 / 42

HEX #2C958C

RGB 44 149 140

HSL 174.86, 0.54%, 0.38%

LAB 56.01, -31.36, -3.86

 

CMYK 70 / 13 / 0 / 42

HEX #2C8295

RGB 44 130 149

HSL 190.86, 0.54%, 0.38%

LAB 50.3, -18.94, -17.65

 

CMYK 70 / 32 / 0 / 42

HEX #2C6595

RGB 44 101 149

HSL 207.43, 0.54%, 0.38%

LAB 41.24, -2.18, -31.7

 

CMYK 70 / 51 / 0 / 42

HEX #2C4995

RGB 44 73 149

HSL 223.43, 0.54%, 0.38%

LAB 32.85, 16.01, -45.05

 

CMYK 70 / 0 / 26 / 42

HEX #2C956F

RGB 44 149 111

HSL 158.29, 0.54%, 0.38%

LAB 55.26, -39.02, 11.6

 

CMYK 83 / 0 / 29 / 36

HEX #1CA474

RGB 28 164 116

HSL 158.82, 0.71%, 0.38%

LAB 59.94, -46.14, 15.29

 

CMYK 93 / 0 / 33 / 29

HEX #0DB479

RGB 13 180 121

HSL 158.8, 0.87%, 0.38%

LAB 65.05, -52.26, 19.56

 

CMYK 70 / 0 / 26 / 42

HEX #2C956F

RGB 44 149 111

HSL 158.29, 0.54%, 0.38%

LAB 55.26, -39.02, 11.6

 

CMYK 55 / 0 / 20 / 48

HEX #3C856B

RGB 60 133 107

HSL 158.63, 0.38%, 0.38%

LAB 50.45, -29.43, 7.17

 

CMYK 36 / 0 / 13 / 54

HEX #4B7566

RGB 75 117 102

HSL 158.57, 0.22%, 0.38%

LAB 45.88, -18.26, 3.65

 

CMYK 11 / 0 / 4 / 60

HEX #5B6662

RGB 91 102 98

HSL 158.18, 0.06%, 0.38%

LAB 42.17, -5.08, 0.82

 

CMYK 0 / 20 / 13 / 58

HEX #6B565D

RGB 107 86 93

HSL 340, 0.11%, 0.38%

LAB 38.85, 9.92, -0.78

 

CMYK 70 / 0 / 63 / 42

HEX #2C9537

RGB 44 149 55

HSL 126.29, 0.54%, 0.38%

LAB 54.35, -49.13, 40.18

 

CMYK 70 / 0 / 45 / 42

HEX #2C9552

RGB 44 149 82

HSL 141.71, 0.54%, 0.38%

LAB 54.7, -45.1, 26.94

 

CMYK 70 / 0 / 26 / 42

HEX #2C956E

RGB 44 149 110

HSL 157.71, 0.54%, 0.38%

LAB 55.23, -39.26, 12.14

 

CMYK 70 / 0 / 7 / 42

HEX #2C958A

RGB 44 149 138

HSL 173.71, 0.54%, 0.38%

LAB 55.95, -31.93, -2.81

 

CMYK 70 / 12 / 0 / 42

HEX #2C8395

RGB 44 131 149

HSL 190.29, 0.54%, 0.38%

LAB 50.61, -19.48, -17.17

 

CMYK 71 / 0 / 25 / 67

HEX #195540

RGB 25 85 64

HSL 159, 0.55%, 0.22%

LAB 31.97, -24.91, 6.71

 

CMYK 70 / 0 / 25 / 54

HEX #237558

RGB 35 117 88

HSL 158.78, 0.54%, 0.3%

LAB 43.92, -31.95, 8.97

 

CMYK 70 / 0 / 26 / 42

HEX #2C956F

RGB 44 149 111

HSL 158.29, 0.54%, 0.38%

LAB 55.26, -39.02, 11.6

 

CMYK 70 / 0 / 25 / 29

HEX #36B487

RGB 54 180 135

HSL 158.57, 0.54%, 0.46%

LAB 65.89, -44.96, 13.19

 

CMYK 63 / 0 / 22 / 21

HEX #4BC99C

RGB 75 201 156

HSL 158.57, 0.54%, 0.54%

LAB 73.33, -45.41, 12.35

 

CMYK 70 / 0 / 25 / 42

HEX #2C946F

RGB 44 148 111

HSL 158.65, 0.54%, 0.38%

LAB 54.93, -38.58, 11.15

 

CMYK 70 / 58 / 0 / 42

HEX #2C3E95

RGB 44 62 149

HSL 229.71, 0.54%, 0.38%

LAB 29.79, 23.44, -50.01

 

CMYK 0 / 54 / 70 / 42

HEX #95442C

RGB 149 68 44

HSL 13.71, 0.54%, 0.38%

LAB 39.08, 32.28, 30.4

 

CMYK 70 / 0 / 25 / 42

HEX #2C946F

RGB 44 148 111

HSL 158.65, 0.54%, 0.38%

LAB 54.93, -38.58, 11.15

 

CMYK 26 / 70 / 0 / 42

HEX #6E2C95

RGB 110 44 149

HSL 277.71, 0.54%, 0.38%

LAB 32.45, 47.16, -45.39

 

CMYK 0 / 26 / 70 / 42

HEX #956E2C

RGB 149 110 44

HSL 37.71, 0.54%, 0.38%

LAB 49.16, 8.52, 41.53

 

CMYK 70 / 0 / 25 / 42

HEX #2C946F

RGB 44 148 111

HSL 158.65, 0.54%, 0.38%

LAB 54.93, -38.58, 11.15

 

CMYK 70 / 58 / 0 / 42

HEX #2C3E95

RGB 44 62 149

HSL 229.71, 0.54%, 0.38%

LAB 29.79, 23.44, -50.01

 

CMYK 0 / 70 / 45 / 42

HEX #952C52

RGB 149 44 82

HSL 338.29, 0.54%, 0.38%

LAB 35.6, 46.71, 2.16

 

CMYK 0 / 12 / 70 / 42

HEX #95832C

RGB 149 131 44

HSL 49.71, 0.54%, 0.38%

LAB 54.87, -3.37, 47.46

 

CMYK 70 / 0 / 25 / 42

HEX #2C946F

RGB 44 148 111

HSL 158.65, 0.54%, 0.38%

LAB 54.93, -38.58, 11.15

 

CMYK 61 / 70 / 0 / 42

HEX #3A2C95

RGB 58 44 149

HSL 248, 0.54%, 0.38%

LAB 26.36, 37.16, -55.56

 

CMYK 0 / 70 / 45 / 42

HEX #952C52

RGB 149 44 82

HSL 338.29, 0.54%, 0.38%

LAB 35.6, 46.71, 2.16

 

CMYK 9 / 0 / 70 / 42

HEX #87952C

RGB 135 149 44

HSL 68, 0.54%, 0.38%

LAB 58.81, -19.28, 51.05

 

Description

Color code: RGB 44 148 111 | qconv.com Color code: RGB 44 148 111 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 148 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 148 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 25 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 25% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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