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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0DB479 it is the complementary color #F24B86. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0DB479. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0DB479 shade: #12B474, #23C687, #34D89A, #45EAAD and #56FCC0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0DB479. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0DB479 shade: #0DB479, #00A266, #009053, #007E40 and #006C2D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0DB479 shade: #0CB579, #0CB54C, #0CB51E, #27B50C and #55B50C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0DB479 shade: #0CB579, #0CB5A7, #0C95B5, #0C68B5 and #0C3AB5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0DB479 shade matches the following richer shades: #0CB579

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0DB479 shade: #0CB579, #1CA575, #2B9570, #3B866B and #4B7667

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0DB479 shade: #0CB51D, #0CB54A, #0CB577, #0CB5A4 and #0C99B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0DB479 shade: #076845, #098E5F, #0CB579, #0FDB93 and #24EFA7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0DB479 shade: #0DB479, #0C28B5 and #B5330C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0DB479 shade: #0DB479, #770CB5 and #B5770C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0DB479 shade: #0DB479, #0C28B5, #B50C4A and #B5990C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0DB479 shade: #0DB479, #230CB5, #B50C4A and #9EB50C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 33 / 29

HEX #0DB479

RGB 13 180 121

HSL 158.8, 0.87%, 0.38%

LAB 65.05, -52.26, 19.56

 

Complementary color

CMYK 0 / 69 / 45 / 5

HEX #F24B86

RGB 242 75 134

HSL 338.8, 0.87%, 0.62%

LAB 57.68, 67.53, 4.23

 

CMYK 90 / 0 / 36 / 29

HEX #12B474

RGB 18 180 116

HSL 156.3, 0.82%, 0.39%

LAB 64.99, -53.07, 22.18

 

CMYK 82 / 0 / 32 / 22

HEX #23C687

RGB 35 198 135

HSL 156.81, 0.7%, 0.46%

LAB 71.21, -54.44, 20.52

 

CMYK 76 / 0 / 29 / 15

HEX #34D89A

RGB 52 216 154

HSL 157.32, 0.68%, 0.53%

LAB 77.39, -55.4, 19.01

 

CMYK 71 / 0 / 26 / 8

HEX #45EAAD

RGB 69 234 173

HSL 157.82, 0.8%, 0.59%

LAB 83.51, -56.05, 17.64

 

CMYK 66 / 0 / 24 / 1

HEX #56FCC0

RGB 86 252 192

HSL 158.31, 0.97%, 0.66%

LAB 89.58, -56.48, 16.37

 

CMYK 93 / 0 / 33 / 29

HEX #0DB479

RGB 13 180 121

HSL 158.8, 0.87%, 0.38%

LAB 65.05, -52.26, 19.56

 

CMYK 100 / 0 / 37 / 36

HEX #00A266

RGB 0 162 102

HSL 157.78, 1%, 0.32%

LAB 58.79, -50.26, 21.39

 

CMYK 100 / 0 / 42 / 44

HEX #009053

RGB 0 144 83

HSL 154.58, 1%, 0.28%

LAB 52.48, -47.61, 23.4

 

CMYK 100 / 0 / 49 / 51

HEX #007E40

RGB 0 126 64

HSL 150.48, 1%, 0.25%

LAB 46.03, -44.78, 25.48

 

CMYK 100 / 0 / 58 / 58

HEX #006C2D

RGB 0 108 45

HSL 145, 1%, 0.21%

LAB 39.44, -41.69, 27.57

 

CMYK 93 / 0 / 33 / 29

HEX #0CB579

RGB 12 181 121

HSL 158.7, 0.88%, 0.38%

LAB 65.36, -52.68, 19.99

 

CMYK 93 / 0 / 58 / 29

HEX #0CB54C

RGB 12 181 76

HSL 142.72, 0.88%, 0.38%

LAB 64.68, -60.74, 42.2

 

CMYK 93 / 0 / 83 / 29

HEX #0CB51E

RGB 12 181 30

HSL 126.39, 0.88%, 0.38%

LAB 64.34, -65.07, 59.36

 

CMYK 78 / 0 / 93 / 29

HEX #27B50C

RGB 39 181 12

HSL 110.41, 0.88%, 0.38%

LAB 64.57, -63.23, 63.24

 

CMYK 53 / 0 / 93 / 29

HEX #55B50C

RGB 85 181 12

HSL 94.08, 0.88%, 0.38%

LAB 65.75, -53.33, 64.71

 

CMYK 93 / 0 / 33 / 29

HEX #0CB579

RGB 12 181 121

HSL 158.7, 0.88%, 0.38%

LAB 65.36, -52.68, 19.99

 

CMYK 93 / 0 / 8 / 29

HEX #0CB5A7

RGB 12 181 167

HSL 175.03, 0.88%, 0.38%

LAB 66.46, -40.92, -3.71

 

CMYK 93 / 18 / 0 / 29

HEX #0C95B5

RGB 12 149 181

HSL 191.36, 0.88%, 0.38%

LAB 56.99, -21.02, -25.86

 

CMYK 93 / 43 / 0 / 29

HEX #0C68B5

RGB 12 104 181

HSL 207.34, 0.88%, 0.38%

LAB 43.23, 5.19, -47.48

 

CMYK 93 / 68 / 0 / 29

HEX #0C3AB5

RGB 12 58 181

HSL 223.67, 0.88%, 0.38%

LAB 30.5, 35.66, -68.18

 

CMYK 93 / 0 / 33 / 29

HEX #0CB579

RGB 12 181 121

HSL 158.7, 0.88%, 0.38%

LAB 65.36, -52.68, 19.99

 

CMYK 93 / 0 / 33 / 29

HEX #0CB579

RGB 12 181 121

HSL 158.7, 0.88%, 0.38%

LAB 65.36, -52.68, 19.99

 

CMYK 83 / 0 / 29 / 35

HEX #1CA575

RGB 28 165 117

HSL 158.98, 0.71%, 0.38%

LAB 60.29, -46.31, 15.22

 

CMYK 71 / 0 / 25 / 42

HEX #2B9570

RGB 43 149 112

HSL 159.06, 0.55%, 0.38%

LAB 55.26, -38.94, 11.03

 

CMYK 56 / 0 / 20 / 47

HEX #3B866B

RGB 59 134 107

HSL 158.4, 0.39%, 0.38%

LAB 50.74, -30.15, 7.58

 

CMYK 36 / 0 / 13 / 54

HEX #4B7667

RGB 75 118 103

HSL 159.07, 0.22%, 0.38%

LAB 46.22, -18.56, 3.55

 

CMYK 93 / 0 / 84 / 29

HEX #0CB51D

RGB 12 181 29

HSL 126.04, 0.88%, 0.38%

LAB 64.33, -65.12, 59.62

 

CMYK 93 / 0 / 59 / 29

HEX #0CB54A

RGB 12 181 74

HSL 142.01, 0.88%, 0.38%

LAB 64.66, -61.01, 43.12

 

CMYK 93 / 0 / 34 / 29

HEX #0CB577

RGB 12 181 119

HSL 157.99, 0.88%, 0.38%

LAB 65.32, -53.11, 21.02

 

CMYK 93 / 0 / 9 / 29

HEX #0CB5A4

RGB 12 181 164

HSL 173.96, 0.88%, 0.38%

LAB 66.37, -41.78, -2.17

 

CMYK 93 / 15 / 0 / 29

HEX #0C99B5

RGB 12 153 181

HSL 189.94, 0.88%, 0.38%

LAB 58.22, -23.11, -23.95

 

CMYK 93 / 0 / 34 / 59

HEX #076845

RGB 7 104 69

HSL 158.35, 0.87%, 0.22%

LAB 38.51, -34.63, 12.69

 

CMYK 94 / 0 / 33 / 44

HEX #098E5F

RGB 9 142 95

HSL 158.8, 0.88%, 0.3%

LAB 52.1, -43.73, 16.21

 

CMYK 93 / 0 / 33 / 29

HEX #0CB579

RGB 12 181 121

HSL 158.7, 0.88%, 0.38%

LAB 65.36, -52.68, 19.99

 

CMYK 93 / 0 / 33 / 14

HEX #0FDB93

RGB 15 219 147

HSL 158.82, 0.87%, 0.46%

LAB 77.8, -60.89, 23.19

 

CMYK 85 / 0 / 30 / 6

HEX #24EFA7

RGB 36 239 167

HSL 158.72, 0.86%, 0.54%

LAB 84.43, -62.72, 21.95

 

CMYK 93 / 0 / 33 / 29

HEX #0DB479

RGB 13 180 121

HSL 158.8, 0.87%, 0.38%

LAB 65.05, -52.26, 19.56

 

CMYK 93 / 78 / 0 / 29

HEX #0C28B5

RGB 12 40 181

HSL 230.06, 0.88%, 0.38%

LAB 26.54, 46.63, -74.72

 

CMYK 0 / 72 / 93 / 29

HEX #B5330C

RGB 181 51 12

HSL 13.85, 0.88%, 0.38%

LAB 41.56, 50.8, 49.89

 

CMYK 93 / 0 / 33 / 29

HEX #0DB479

RGB 13 180 121

HSL 158.8, 0.87%, 0.38%

LAB 65.05, -52.26, 19.56

 

CMYK 34 / 93 / 0 / 29

HEX #770CB5

RGB 119 12 181

HSL 277.99, 0.88%, 0.38%

LAB 32.96, 65.48, -63.8

 

CMYK 0 / 34 / 93 / 29

HEX #B5770C

RGB 181 119 12

HSL 37.99, 0.88%, 0.38%

LAB 55.12, 16.86, 59.39

 

CMYK 93 / 0 / 33 / 29

HEX #0DB479

RGB 13 180 121

HSL 158.8, 0.87%, 0.38%

LAB 65.05, -52.26, 19.56

 

CMYK 93 / 78 / 0 / 29

HEX #0C28B5

RGB 12 40 181

HSL 230.06, 0.88%, 0.38%

LAB 26.54, 46.63, -74.72

 

CMYK 0 / 93 / 59 / 29

HEX #B50C4A

RGB 181 12 74

HSL 337.99, 0.88%, 0.38%

LAB 38.87, 62.99, 12.81

 

CMYK 0 / 15 / 93 / 29

HEX #B5990C

RGB 181 153 12

HSL 50.06, 0.88%, 0.38%

LAB 63.86, -1.87, 65.89

 

CMYK 93 / 0 / 33 / 29

HEX #0DB479

RGB 13 180 121

HSL 158.8, 0.87%, 0.38%

LAB 65.05, -52.26, 19.56

 

CMYK 81 / 93 / 0 / 29

HEX #230CB5

RGB 35 12 181

HSL 248.17, 0.88%, 0.38%

LAB 23.53, 58.91, -79.71

 

CMYK 0 / 93 / 59 / 29

HEX #B50C4A

RGB 181 12 74

HSL 337.99, 0.88%, 0.38%

LAB 38.87, 62.99, 12.81

 

CMYK 13 / 0 / 93 / 29

HEX #9EB50C

RGB 158 181 12

HSL 68.17, 0.88%, 0.38%

LAB 69.71, -26.43, 69.55

 

Description

Color code: HEX #0DB479 | qconv.com Color code: HEX #0DB479 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 180 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 180 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 33 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 33% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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