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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 42 151 204 it is the complementary color RGB 213 104 51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 42 151 204. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 42 151 204 shade: RGB 47 151 199, RGB 64 169 218, RGB 81 187 237, RGB 98 205 255 and RGB 115 223 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 42 151 204. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 42 151 204 shade: RGB 42 151 204, RGB 25 133 185, RGB 8 115 166, RGB 0 97 147 and RGB 0 79 128

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 42 151 204 shade: RGB 41 150 203, RGB 41 106 203, RGB 41 63 203, RGB 63 41 203 and RGB 107 41 203

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 42 151 204 shade: RGB 41 150 203, RGB 41 106 203, RGB 41 63 203 and RGB 41 41 203

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 42 151 204 shade matches the following richer shades: RGB 41 150 203, RGB 21 157 222 and RGB 2 164 242

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 42 151 204 shade: RGB 41 150 203, RGB 61 143 183, RGB 81 136 163, RGB 101 129 143 and RGB 120 122 123

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 42 151 204 shade: RGB 41 203 168, RGB 41 195 203, RGB 41 152 203, RGB 41 108 203 and RGB 41 65 203

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 42 151 204 shade: RGB 27 99 134, RGB 34 124 168, RGB 41 150 203, RGB 69 168 216 and RGB 103 184 223

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 42 151 204 shade: RGB 42 151 204, RGB 125 41 203 and RGB 203 189 41

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 42 151 204 shade: RGB 42 151 204, RGB 203 41 152 and RGB 152 203 41

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 42 151 204 shade: RGB 42 151 204, RGB 125 41 203, RGB 203 92 41 and RGB 119 203 41

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 42 151 204 shade: RGB 42 151 204, RGB 173 41 203, RGB 203 92 41 and RGB 71 203 41

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 26 / 0 / 20

HEX #2A97CC

RGB 42 151 204

HSL 199.63, 0.66%, 0.48%

LAB 58.96, -11.89, -35.75

 

Complementary color

CMYK 0 / 51 / 76 / 16

HEX #D56833

RGB 213 104 51

HSL 19.63, 0.66%, 0.52%

LAB 56.37, 39.43, 48.33

 

CMYK 76 / 24 / 0 / 22

HEX #2F97C7

RGB 47 151 199

HSL 198.95, 0.62%, 0.48%

LAB 58.85, -13.09, -33.11

 

CMYK 71 / 22 / 0 / 15

HEX #40A9DA

RGB 64 169 218

HSL 199.09, 0.68%, 0.55%

LAB 65.38, -14.33, -33.5

 

CMYK 66 / 21 / 0 / 7

HEX #51BBED

RGB 81 187 237

HSL 199.23, 0.81%, 0.62%

LAB 71.83, -15.31, -33.86

 

CMYK 62 / 20 / 0 / 0

HEX #62CDFF

RGB 98 205 255

HSL 199.11, 1%, 0.69%

LAB 78.16, -16.39, -33.71

 

CMYK 55 / 13 / 0 / 0

HEX #73DFFF

RGB 115 223 255

HSL 193.71, 1%, 0.73%

LAB 83.78, -22.43, -25.04

 

CMYK 79 / 26 / 0 / 20

HEX #2A97CC

RGB 42 151 204

HSL 199.63, 0.66%, 0.48%

LAB 58.96, -11.89, -35.75

 

CMYK 86 / 28 / 0 / 27

HEX #1985B9

RGB 25 133 185

HSL 199.5, 0.76%, 0.41%

LAB 52.38, -10.05, -35.29

 

CMYK 95 / 31 / 0 / 35

HEX #0873A6

RGB 8 115 166

HSL 199.37, 0.91%, 0.34%

LAB 45.72, -7.69, -34.75

 

CMYK 100 / 34 / 0 / 42

HEX #006193

RGB 0 97 147

HSL 200.41, 1%, 0.29%

LAB 38.99, -4.67, -34.09

 

CMYK 100 / 38 / 0 / 50

HEX #004F80

RGB 0 79 128

HSL 202.97, 1%, 0.25%

LAB 32.15, -1.06, -33.36

 

CMYK 80 / 26 / 0 / 20

HEX #2996CB

RGB 41 150 203

HSL 199.63, 0.66%, 0.48%

LAB 58.6, -11.78, -35.75

 

CMYK 80 / 48 / 0 / 20

HEX #296ACB

RGB 41 106 203

HSL 215.93, 0.66%, 0.48%

LAB 45.76, 14.67, -56.13

 

CMYK 80 / 69 / 0 / 20

HEX #293FCB

RGB 41 63 203

HSL 231.85, 0.66%, 0.48%

LAB 34.68, 42.25, -74.19

 

CMYK 69 / 80 / 0 / 20

HEX #3F29CB

RGB 63 41 203

HSL 248.15, 0.66%, 0.48%

LAB 31.7, 56.05, -79.06

 

CMYK 47 / 80 / 0 / 20

HEX #6B29CB

RGB 107 41 203

HSL 264.44, 0.66%, 0.48%

LAB 36.03, 60.92, -71.78

 

CMYK 80 / 26 / 0 / 20

HEX #2996CB

RGB 41 150 203

HSL 199.63, 0.66%, 0.48%

LAB 58.6, -11.78, -35.75

 

CMYK 80 / 48 / 0 / 20

HEX #296ACB

RGB 41 106 203

HSL 215.93, 0.66%, 0.48%

LAB 45.76, 14.67, -56.13

 

CMYK 80 / 69 / 0 / 20

HEX #293FCB

RGB 41 63 203

HSL 231.85, 0.66%, 0.48%

LAB 34.68, 42.25, -74.19

 

CMYK 80 / 80 / 0 / 20

HEX #2929CB

RGB 41 41 203

HSL 240, 0.66%, 0.48%

LAB 30.33, 54.5, -81.38

 

CMYK 80 / 26 / 0 / 20

HEX #2996CB

RGB 41 150 203

HSL 199.63, 0.66%, 0.48%

LAB 58.6, -11.78, -35.75

 

CMYK 91 / 29 / 0 / 13

HEX #159DDE

RGB 21 157 222

HSL 199.4, 0.83%, 0.48%

LAB 61.26, -10.33, -42.21

 

CMYK 99 / 32 / 0 / 5

HEX #02A4F2

RGB 2 164 242

HSL 199.5, 0.98%, 0.48%

LAB 64.14, -7.56, -48.7

 

CMYK 80 / 26 / 0 / 20

HEX #2996CB

RGB 41 150 203

HSL 199.63, 0.66%, 0.48%

LAB 58.6, -11.78, -35.75

 

CMYK 67 / 22 / 0 / 28

HEX #3D8FB7

RGB 61 143 183

HSL 199.67, 0.5%, 0.48%

LAB 56.14, -12.12, -28.22

 

CMYK 50 / 17 / 0 / 36

HEX #5188A3

RGB 81 136 163

HSL 199.76, 0.34%, 0.48%

LAB 54.03, -10.48, -19.96

 

CMYK 29 / 10 / 0 / 44

HEX #65818F

RGB 101 129 143

HSL 200, 0.17%, 0.48%

LAB 52.34, -6.52, -10.81

 

CMYK 2 / 1 / 0 / 52

HEX #787A7B

RGB 120 122 123

HSL 200, 0.01%, 0.48%

LAB 51.09, -0.55, -0.82

 

CMYK 80 / 0 / 17 / 20

HEX #29CBA8

RGB 41 203 168

HSL 167.04, 0.66%, 0.48%

LAB 73.55, -48.09, 6.11

 

CMYK 80 / 4 / 0 / 20

HEX #29C3CB

RGB 41 195 203

HSL 182.96, 0.66%, 0.48%

LAB 72.1, -34.81, -15.03

 

CMYK 80 / 25 / 0 / 20

HEX #2998CB

RGB 41 152 203

HSL 198.89, 0.66%, 0.48%

LAB 59.2, -12.89, -34.82

 

CMYK 80 / 47 / 0 / 20

HEX #296CCB

RGB 41 108 203

HSL 215.19, 0.66%, 0.48%

LAB 46.32, 13.39, -55.22

 

CMYK 80 / 68 / 0 / 20

HEX #2941CB

RGB 41 65 203

HSL 231.11, 0.66%, 0.48%

LAB 35.13, 41.03, -73.44

 

CMYK 80 / 26 / 0 / 47

HEX #1B6386

RGB 27 99 134

HSL 199.63, 0.66%, 0.32%

LAB 39.37, -8.97, -25.62

 

CMYK 80 / 26 / 0 / 34

HEX #227CA8

RGB 34 124 168

HSL 199.7, 0.66%, 0.4%

LAB 48.99, -10.3, -30.78

 

CMYK 80 / 26 / 0 / 20

HEX #2996CB

RGB 41 150 203

HSL 199.63, 0.66%, 0.48%

LAB 58.6, -11.78, -35.75

 

CMYK 68 / 22 / 0 / 15

HEX #45A8D8

RGB 69 168 216

HSL 199.59, 0.65%, 0.56%

LAB 65.14, -13.72, -32.75

 

CMYK 54 / 17 / 0 / 13

HEX #67B8DF

RGB 103 184 223

HSL 199.5, 0.65%, 0.64%

LAB 71.21, -13.96, -27.14

 

CMYK 79 / 26 / 0 / 20

HEX #2A97CC

RGB 42 151 204

HSL 199.63, 0.66%, 0.48%

LAB 58.96, -11.89, -35.75

 

CMYK 38 / 80 / 0 / 20

HEX #7D29CB

RGB 125 41 203

HSL 271.11, 0.66%, 0.48%

LAB 38.3, 63.49, -67.97

 

CMYK 0 / 7 / 80 / 20

HEX #CBBD29

RGB 203 189 41

HSL 54.81, 0.66%, 0.48%

LAB 75.61, -10.35, 69.78

 

CMYK 79 / 26 / 0 / 20

HEX #2A97CC

RGB 42 151 204

HSL 199.63, 0.66%, 0.48%

LAB 58.96, -11.89, -35.75

 

CMYK 0 / 80 / 25 / 20

HEX #CB2998

RGB 203 41 152

HSL 318.89, 0.66%, 0.48%

LAB 47.69, 69.99, -22.14

 

CMYK 25 / 0 / 80 / 20

HEX #98CB29

RGB 152 203 41

HSL 78.89, 0.66%, 0.48%

LAB 75.79, -38.28, 68.53

 

CMYK 79 / 26 / 0 / 20

HEX #2A97CC

RGB 42 151 204

HSL 199.63, 0.66%, 0.48%

LAB 58.96, -11.89, -35.75

 

CMYK 38 / 80 / 0 / 20

HEX #7D29CB

RGB 125 41 203

HSL 271.11, 0.66%, 0.48%

LAB 38.3, 63.49, -67.97

 

CMYK 0 / 55 / 80 / 20

HEX #CB5C29

RGB 203 92 41

HSL 18.89, 0.66%, 0.48%

LAB 52.41, 41.18, 48.62

 

CMYK 41 / 0 / 80 / 20

HEX #77CB29

RGB 119 203 41

HSL 91.11, 0.66%, 0.48%

LAB 74.06, -50.17, 66.31

 

CMYK 79 / 26 / 0 / 20

HEX #2A97CC

RGB 42 151 204

HSL 199.63, 0.66%, 0.48%

LAB 58.96, -11.89, -35.75

 

CMYK 15 / 80 / 0 / 20

HEX #AD29CB

RGB 173 41 203

HSL 288.89, 0.66%, 0.48%

LAB 45.33, 71.48, -56.22

 

CMYK 0 / 55 / 80 / 20

HEX #CB5C29

RGB 203 92 41

HSL 18.89, 0.66%, 0.48%

LAB 52.41, 41.18, 48.62

 

CMYK 65 / 0 / 80 / 20

HEX #47CB29

RGB 71 203 41

HSL 108.89, 0.66%, 0.48%

LAB 72.37, -63.32, 64.13

 

Description

Color code: RGB 42 151 204 | qconv.com Color code: RGB 42 151 204 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 151 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 151 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 26 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 26% 0% 20% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

16% - Barenbrug //...
Link: http://www.barenbrug.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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