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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 81 136 163 it is the complementary color RGB 174 119 92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 81 136 163. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 81 136 163 shade: RGB 86 136 158, RGB 103 154 177, RGB 120 172 196, RGB 137 190 215 and RGB 154 208 234

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 81 136 163. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 81 136 163 shade: RGB 81 136 163, RGB 64 118 144, RGB 47 100 125, RGB 30 82 106 and RGB 13 64 87

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 81 136 163 shade: RGB 80 136 164, RGB 80 114 164, RGB 80 91 164, RGB 92 80 164 and RGB 114 80 164

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 81 136 163 shade: RGB 80 136 164, RGB 80 114 164, RGB 80 91 164 and RGB 80 80 164

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 81 136 163 shade matches the following richer shades: RGB 80 136 164, RGB 60 143 183, RGB 41 150 203, RGB 21 156 223 and RGB 1 163 243

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 81 136 163 shade: RGB 80 136 164, RGB 100 129 144, RGB 120 123 124, RGB 140 116 104 and RGB 160 109 84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 81 136 163 shade: RGB 80 164 145, RGB 80 159 164, RGB 80 137 164, RGB 80 115 164 and RGB 80 93 164

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 81 136 163 shade: RGB 53 90 108, RGB 67 113 136, RGB 80 136 164, RGB 104 156 181 and RGB 132 174 194

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 81 136 163 shade: RGB 81 136 163, RGB 123 80 164 and RGB 164 157 80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 81 136 163 shade: RGB 81 136 163, RGB 164 80 137 and RGB 137 164 80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 81 136 163 shade: RGB 81 136 163, RGB 123 80 164, RGB 164 107 80 and RGB 121 164 80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 81 136 163 shade: RGB 81 136 163, RGB 148 80 164, RGB 164 107 80 and RGB 96 164 80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 17 / 0 / 36

HEX #5188A3

RGB 81 136 163

HSL 199.76, 0.34%, 0.48%

LAB 54.03, -10.48, -19.96

 

Complementary color

CMYK 0 / 32 / 47 / 32

HEX #AE775C

RGB 174 119 92

HSL 19.76, 0.34%, 0.52%

LAB 55.04, 18.32, 23.52

 

CMYK 46 / 14 / 0 / 38

HEX #56889E

RGB 86 136 158

HSL 198.33, 0.3%, 0.48%

LAB 54.09, -10.7, -16.96

 

CMYK 42 / 13 / 0 / 31

HEX #679AB1

RGB 103 154 177

HSL 198.65, 0.32%, 0.55%

LAB 60.93, -10.88, -17.33

 

CMYK 39 / 12 / 0 / 23

HEX #78ACC4

RGB 120 172 196

HSL 198.95, 0.39%, 0.62%

LAB 67.64, -11.01, -17.69

 

CMYK 36 / 12 / 0 / 16

HEX #89BED7

RGB 137 190 215

HSL 199.23, 0.49%, 0.69%

LAB 74.22, -11.11, -18.05

 

CMYK 34 / 11 / 0 / 8

HEX #9AD0EA

RGB 154 208 234

HSL 199.5, 0.66%, 0.76%

LAB 80.7, -11.2, -18.41

 

CMYK 50 / 17 / 0 / 36

HEX #5188A3

RGB 81 136 163

HSL 199.76, 0.34%, 0.48%

LAB 54.03, -10.48, -19.96

 

CMYK 56 / 18 / 0 / 44

HEX #407690

RGB 64 118 144

HSL 199.5, 0.38%, 0.41%

LAB 47.05, -10.09, -19.62

 

CMYK 62 / 20 / 0 / 51

HEX #2F647D

RGB 47 100 125

HSL 199.23, 0.45%, 0.34%

LAB 39.91, -9.53, -19.27

 

CMYK 72 / 23 / 0 / 58

HEX #1E526A

RGB 30 82 106

HSL 198.95, 0.56%, 0.27%

LAB 32.59, -8.68, -18.89

 

CMYK 85 / 26 / 0 / 66

HEX #0D4057

RGB 13 64 87

HSL 198.65, 0.74%, 0.2%

LAB 25.08, -7.3, -18.43

 

CMYK 51 / 17 / 0 / 36

HEX #5088A4

RGB 80 136 164

HSL 200, 0.34%, 0.48%

LAB 54.02, -10.42, -20.55

 

CMYK 51 / 30 / 0 / 36

HEX #5072A4

RGB 80 114 164

HSL 215.71, 0.34%, 0.48%

LAB 47.52, 2.43, -30.61

 

CMYK 51 / 45 / 0 / 36

HEX #505BA4

RGB 80 91 164

HSL 232.14, 0.34%, 0.48%

LAB 41.01, 16.76, -40.89

 

CMYK 44 / 51 / 0 / 36

HEX #5C50A4

RGB 92 80 164

HSL 248.57, 0.34%, 0.48%

LAB 39.06, 26.63, -43.94

 

CMYK 30 / 51 / 0 / 36

HEX #7250A4

RGB 114 80 164

HSL 264.29, 0.34%, 0.48%

LAB 41.21, 32.39, -40.38

 

CMYK 51 / 17 / 0 / 36

HEX #5088A4

RGB 80 136 164

HSL 200, 0.34%, 0.48%

LAB 54.02, -10.42, -20.55

 

CMYK 51 / 30 / 0 / 36

HEX #5072A4

RGB 80 114 164

HSL 215.71, 0.34%, 0.48%

LAB 47.52, 2.43, -30.61

 

CMYK 51 / 45 / 0 / 36

HEX #505BA4

RGB 80 91 164

HSL 232.14, 0.34%, 0.48%

LAB 41.01, 16.76, -40.89

 

CMYK 51 / 51 / 0 / 36

HEX #5050A4

RGB 80 80 164

HSL 240, 0.34%, 0.48%

LAB 38.06, 23.78, -45.59

 

CMYK 51 / 17 / 0 / 36

HEX #5088A4

RGB 80 136 164

HSL 200, 0.34%, 0.48%

LAB 54.02, -10.42, -20.55

 

CMYK 67 / 22 / 0 / 28

HEX #3C8FB7

RGB 60 143 183

HSL 199.51, 0.51%, 0.48%

LAB 56.11, -12.28, -28.27

 

CMYK 80 / 26 / 0 / 20

HEX #2996CB

RGB 41 150 203

HSL 199.63, 0.66%, 0.48%

LAB 58.6, -11.78, -35.75

 

CMYK 91 / 30 / 0 / 13

HEX #159CDF

RGB 21 156 223

HSL 199.9, 0.83%, 0.48%

LAB 61.01, -9.4, -43.15

 

CMYK 100 / 33 / 0 / 5

HEX #01A3F3

RGB 1 163 243

HSL 199.83, 0.99%, 0.48%

LAB 63.89, -6.66, -49.64

 

CMYK 51 / 17 / 0 / 36

HEX #5088A4

RGB 80 136 164

HSL 200, 0.34%, 0.48%

LAB 54.02, -10.42, -20.55

 

CMYK 31 / 10 / 0 / 44

HEX #648190

RGB 100 129 144

HSL 200.45, 0.18%, 0.48%

LAB 52.31, -6.58, -11.45

 

CMYK 3 / 1 / 0 / 51

HEX #787B7C

RGB 120 123 124

HSL 195, 0.02%, 0.48%

LAB 51.4, -0.92, -0.94

 

CMYK 0 / 17 / 26 / 45

HEX #8C7468

RGB 140 116 104

HSL 20, 0.15%, 0.48%

LAB 50.76, 7.42, 10.13

 

CMYK 0 / 32 / 48 / 37

HEX #A06D54

RGB 160 109 84

HSL 19.74, 0.31%, 0.48%

LAB 50.75, 17.26, 22.14

 

CMYK 51 / 0 / 12 / 36

HEX #50A491

RGB 80 164 145

HSL 166.43, 0.34%, 0.48%

LAB 61.91, -30.26, 2.07

 

CMYK 51 / 3 / 0 / 36

HEX #509FA4

RGB 80 159 164

HSL 183.57, 0.34%, 0.48%

LAB 60.94, -22.77, -10.07

 

CMYK 51 / 16 / 0 / 36

HEX #5089A4

RGB 80 137 164

HSL 199.29, 0.34%, 0.48%

LAB 54.32, -10.98, -20.09

 

CMYK 51 / 30 / 0 / 36

HEX #5073A4

RGB 80 115 164

HSL 215, 0.34%, 0.48%

LAB 47.81, 1.83, -30.15

 

CMYK 51 / 43 / 0 / 36

HEX #505DA4

RGB 80 93 164

HSL 230.71, 0.34%, 0.48%

LAB 41.56, 15.49, -40.01

 

CMYK 51 / 17 / 0 / 58

HEX #355A6C

RGB 53 90 108

HSL 199.64, 0.34%, 0.32%

LAB 36.28, -7.75, -14.39

 

CMYK 51 / 17 / 0 / 47

HEX #437188

RGB 67 113 136

HSL 200, 0.34%, 0.4%

LAB 45.33, -8.99, -17.5

 

CMYK 51 / 17 / 0 / 36

HEX #5088A4

RGB 80 136 164

HSL 200, 0.34%, 0.48%

LAB 54.02, -10.42, -20.55

 

CMYK 43 / 14 / 0 / 29

HEX #689CB5

RGB 104 156 181

HSL 199.48, 0.34%, 0.56%

LAB 61.7, -10.61, -18.4

 

CMYK 32 / 10 / 0 / 24

HEX #84AEC2

RGB 132 174 194

HSL 199.35, 0.34%, 0.64%

LAB 68.8, -9.25, -14.76

 

CMYK 50 / 17 / 0 / 36

HEX #5188A3

RGB 81 136 163

HSL 199.76, 0.34%, 0.48%

LAB 54.03, -10.48, -19.96

 

CMYK 25 / 51 / 0 / 36

HEX #7B50A4

RGB 123 80 164

HSL 270.71, 0.34%, 0.48%

LAB 42.2, 34.88, -38.75

 

CMYK 0 / 4 / 51 / 36

HEX #A49D50

RGB 164 157 80

HSL 55, 0.34%, 0.48%

LAB 63.82, -8.18, 40.79

 

CMYK 50 / 17 / 0 / 36

HEX #5188A3

RGB 81 136 163

HSL 199.76, 0.34%, 0.48%

LAB 54.03, -10.48, -19.96

 

CMYK 0 / 51 / 16 / 36

HEX #A45089

RGB 164 80 137

HSL 319.29, 0.34%, 0.48%

LAB 46.23, 41.98, -15.91

 

CMYK 16 / 0 / 51 / 36

HEX #89A450

RGB 137 164 80

HSL 79.29, 0.34%, 0.48%

LAB 63.71, -23.06, 40.15

 

CMYK 50 / 17 / 0 / 36

HEX #5188A3

RGB 81 136 163

HSL 199.76, 0.34%, 0.48%

LAB 54.03, -10.48, -19.96

 

CMYK 25 / 51 / 0 / 36

HEX #7B50A4

RGB 123 80 164

HSL 270.71, 0.34%, 0.48%

LAB 42.2, 34.88, -38.75

 

CMYK 0 / 35 / 51 / 36

HEX #A46B50

RGB 164 107 80

HSL 19.29, 0.34%, 0.48%

LAB 50.67, 19.69, 24.43

 

CMYK 26 / 0 / 51 / 36

HEX #79A450

RGB 121 164 80

HSL 90.71, 0.34%, 0.48%

LAB 62.67, -29.3, 38.65

 

CMYK 50 / 17 / 0 / 36

HEX #5188A3

RGB 81 136 163

HSL 199.76, 0.34%, 0.48%

LAB 54.03, -10.48, -19.96

 

CMYK 10 / 51 / 0 / 36

HEX #9450A4

RGB 148 80 164

HSL 288.57, 0.34%, 0.48%

LAB 45.24, 42.02, -33.75

 

CMYK 0 / 35 / 51 / 36

HEX #A46B50

RGB 164 107 80

HSL 19.29, 0.34%, 0.48%

LAB 50.67, 19.69, 24.43

 

CMYK 41 / 0 / 51 / 36

HEX #60A450

RGB 96 164 80

HSL 108.57, 0.34%, 0.48%

LAB 61.32, -38.15, 36.7

 

Description

Color code: RGB 81 136 163 | qconv.com Color code: RGB 81 136 163 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 136 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 136 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 17 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 17% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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