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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 41 248 67 it is the complementary color RGB 214 7 188. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 41 248 67. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 41 248 67 shade: RGB 46 248 62, RGB 63 255 81, RGB 80 255 100, RGB 97 255 119 and RGB 114 255 138

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 41 248 67. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 41 248 67 shade: RGB 41 248 67, RGB 24 230 48, RGB 7 212 29, RGB 0 194 10 and RGB 0 176 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 41 248 67 shade: RGB 42 248 68, RGB 71 248 42, RGB 127 248 42, RGB 183 248 42 and RGB 238 248 42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 41 248 67 shade: RGB 42 248 68, RGB 42 248 123, RGB 42 248 179, RGB 42 248 234 and RGB 42 206 248

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 41 248 67 shade matches the following richer shades: RGB 42 248 68

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 41 248 67 shade: RGB 42 248 68, RGB 60 230 81, RGB 77 212 94, RGB 95 195 108 and RGB 113 177 121

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 41 248 67 shade: RGB 128 248 42, RGB 73 248 42, RGB 42 248 66, RGB 42 248 121 and RGB 42 248 176

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 41 248 67 shade: RGB 6 201 30, RGB 7 241 36, RGB 42 248 68, RGB 82 249 103 and RGB 122 250 138

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 41 248 67 shade: RGB 41 248 67, RGB 42 183 248 and RGB 248 42 100

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 41 248 67 shade: RGB 41 248 67, RGB 66 42 248 and RGB 248 66 42

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 41 248 67 shade: RGB 41 248 67, RGB 42 183 248, RGB 248 42 224 and RGB 248 107 42

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 41 248 67 shade: RGB 41 248 67, RGB 42 121 248, RGB 248 42 224 and RGB 248 169 42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 73 / 3

HEX #29F843

RGB 41 248 67

HSL 127.54, 0.94%, 0.57%

LAB 86.01, -79.64, 69.11

 

Complementary color

CMYK 0 / 97 / 12 / 16

HEX #D607BC

RGB 214 7 188

HSL 307.54, 0.94%, 0.43%

LAB 49.59, 81.98, -40.3

 

CMYK 81 / 0 / 75 / 3

HEX #2EF83E

RGB 46 248 62

HSL 124.75, 0.94%, 0.58%

LAB 86.04, -79.52, 70.78

 

CMYK 75 / 0 / 68 / 0

HEX #3FFF51

RGB 63 255 81

HSL 125.63, 1%, 0.62%

LAB 88.53, -78.08, 66.84

 

CMYK 69 / 0 / 61 / 0

HEX #50FF64

RGB 80 255 100

HSL 126.86, 1%, 0.66%

LAB 88.99, -73.63, 59.89

 

CMYK 62 / 0 / 53 / 0

HEX #61FF77

RGB 97 255 119

HSL 128.35, 1%, 0.69%

LAB 89.58, -68.23, 52.34

 

CMYK 55 / 0 / 46 / 0

HEX #72FF8A

RGB 114 255 138

HSL 130.21, 1%, 0.72%

LAB 90.29, -61.96, 44.45

 

CMYK 83 / 0 / 73 / 3

HEX #29F843

RGB 41 248 67

HSL 127.54, 0.94%, 0.57%

LAB 86.01, -79.64, 69.11

 

CMYK 90 / 0 / 79 / 10

HEX #18E630

RGB 24 230 48

HSL 126.99, 0.81%, 0.5%

LAB 80.18, -77.16, 69.25

 

CMYK 97 / 0 / 86 / 17

HEX #07D41D

RGB 7 212 29

HSL 126.44, 0.94%, 0.43%

LAB 74.33, -73.97, 68.56

 

CMYK 100 / 0 / 95 / 24

HEX #00C20A

RGB 0 194 10

HSL 123.09, 1%, 0.38%

LAB 68.46, -69.95, 66.59

 

CMYK 100 / 0 / 100 / 31

HEX #00B000

RGB 0 176 0

HSL 120, 1%, 0.35%

LAB 62.55, -65.26, 62.99

 

CMYK 83 / 0 / 73 / 3

HEX #2AF844

RGB 42 248 68

HSL 127.57, 0.94%, 0.57%

LAB 86.03, -79.48, 68.79

 

CMYK 71 / 0 / 83 / 3

HEX #47F82A

RGB 71 248 42

HSL 111.55, 0.94%, 0.57%

LAB 86.33, -77.35, 76.67

 

CMYK 49 / 0 / 83 / 3

HEX #7FF82A

RGB 127 248 42

HSL 95.24, 0.94%, 0.57%

LAB 87.88, -64.7, 78.64

 

CMYK 26 / 0 / 83 / 3

HEX #B7F82A

RGB 183 248 42

HSL 78.93, 0.94%, 0.57%

LAB 90.49, -46.15, 81.94

 

CMYK 4 / 0 / 83 / 3

HEX #EEF82A

RGB 238 248 42

HSL 62.91, 0.94%, 0.57%

LAB 94.09, -24.62, 86.42

 

CMYK 83 / 0 / 73 / 3

HEX #2AF844

RGB 42 248 68

HSL 127.57, 0.94%, 0.57%

LAB 86.03, -79.48, 68.79

 

CMYK 83 / 0 / 50 / 3

HEX #2AF87B

RGB 42 248 123

HSL 143.59, 0.94%, 0.57%

LAB 86.53, -73.29, 46.55

 

CMYK 83 / 0 / 28 / 3

HEX #2AF8B3

RGB 42 248 179

HSL 159.9, 0.94%, 0.57%

LAB 87.43, -62.99, 19.93

 

CMYK 83 / 0 / 6 / 3

HEX #2AF8EA

RGB 42 248 234

HSL 175.92, 0.94%, 0.57%

LAB 88.72, -49.43, -6.76

 

CMYK 83 / 17 / 0 / 3

HEX #2ACEF8

RGB 42 206 248

HSL 192.23, 0.94%, 0.57%

LAB 76.93, -25.95, -31.97

 

CMYK 83 / 0 / 73 / 3

HEX #2AF844

RGB 42 248 68

HSL 127.57, 0.94%, 0.57%

LAB 86.03, -79.48, 68.79

 

CMYK 83 / 0 / 73 / 3

HEX #2AF844

RGB 42 248 68

HSL 127.57, 0.94%, 0.57%

LAB 86.03, -79.48, 68.79

 

CMYK 74 / 0 / 65 / 10

HEX #3CE651

RGB 60 230 81

HSL 127.41, 0.77%, 0.57%

LAB 80.82, -70.79, 58.52

 

CMYK 64 / 0 / 56 / 17

HEX #4DD45E

RGB 77 212 94

HSL 127.56, 0.61%, 0.57%

LAB 75.74, -60.3, 47.15

 

CMYK 51 / 0 / 45 / 24

HEX #5FC36C

RGB 95 195 108

HSL 127.8, 0.45%, 0.57%

LAB 71.25, -47.61, 34.91

 

CMYK 36 / 0 / 32 / 31

HEX #71B179

RGB 113 177 121

HSL 127.5, 0.29%, 0.57%

LAB 66.78, -32.28, 22.35

 

CMYK 48 / 0 / 83 / 3

HEX #80F82A

RGB 128 248 42

HSL 94.95, 0.94%, 0.57%

LAB 87.92, -64.41, 78.69

 

CMYK 71 / 0 / 83 / 3

HEX #49F82A

RGB 73 248 42

HSL 110.97, 0.94%, 0.57%

LAB 86.36, -77.02, 76.72

 

CMYK 83 / 0 / 73 / 3

HEX #2AF842

RGB 42 248 66

HSL 126.99, 0.94%, 0.57%

LAB 86.02, -79.63, 69.45

 

CMYK 83 / 0 / 51 / 3

HEX #2AF879

RGB 42 248 121

HSL 143.01, 0.94%, 0.57%

LAB 86.51, -73.59, 47.46

 

CMYK 83 / 0 / 29 / 3

HEX #2AF8B0

RGB 42 248 176

HSL 159.03, 0.94%, 0.57%

LAB 87.37, -63.64, 21.39

 

CMYK 97 / 0 / 85 / 21

HEX #06C91E

RGB 6 201 30

HSL 127.38, 0.94%, 0.41%

LAB 70.81, -70.95, 65.21

 

CMYK 97 / 0 / 85 / 5

HEX #07F124

RGB 7 241 36

HSL 127.44, 0.94%, 0.49%

LAB 83.49, -81.49, 75.2

 

CMYK 83 / 0 / 73 / 3

HEX #2AF844

RGB 42 248 68

HSL 127.57, 0.94%, 0.57%

LAB 86.03, -79.48, 68.79

 

CMYK 67 / 0 / 59 / 2

HEX #52F967

RGB 82 249 103

HSL 127.54, 0.93%, 0.65%

LAB 87.25, -70.98, 56.63

 

CMYK 51 / 0 / 45 / 2

HEX #7AFA8A

RGB 122 250 138

HSL 127.5, 0.93%, 0.73%

LAB 89.08, -58.13, 42.98

 

CMYK 83 / 0 / 73 / 3

HEX #29F843

RGB 41 248 67

HSL 127.54, 0.94%, 0.57%

LAB 86.01, -79.64, 69.11

 

CMYK 83 / 26 / 0 / 3

HEX #2AB7F8

RGB 42 183 248

HSL 198.93, 0.94%, 0.57%

LAB 70.27, -14.05, -42.31

 

CMYK 0 / 83 / 60 / 3

HEX #F82A64

RGB 248 42 100

HSL 343.11, 0.94%, 0.57%

LAB 54.59, 76.1, 20.28

 

CMYK 83 / 0 / 73 / 3

HEX #29F843

RGB 41 248 67

HSL 127.54, 0.94%, 0.57%

LAB 86.01, -79.64, 69.11

 

CMYK 73 / 83 / 0 / 3

HEX #422AF8

RGB 66 42 248

HSL 246.99, 0.94%, 0.57%

LAB 37.1, 68.61, -95.87

 

CMYK 0 / 73 / 83 / 3

HEX #F8422A

RGB 248 66 42

HSL 6.99, 0.94%, 0.57%

LAB 56.11, 67.22, 54.36

 

CMYK 83 / 0 / 73 / 3

HEX #29F843

RGB 41 248 67

HSL 127.54, 0.94%, 0.57%

LAB 86.01, -79.64, 69.11

 

CMYK 83 / 26 / 0 / 3

HEX #2AB7F8

RGB 42 183 248

HSL 198.93, 0.94%, 0.57%

LAB 70.27, -14.05, -42.31

 

CMYK 0 / 83 / 10 / 3

HEX #F82AE0

RGB 248 42 224

HSL 306.99, 0.94%, 0.57%

LAB 58.97, 88.39, -45.74

 

CMYK 0 / 57 / 83 / 3

HEX #F86B2A

RGB 248 107 42

HSL 18.93, 0.94%, 0.57%

LAB 62.2, 50.84, 59.73

 

CMYK 83 / 0 / 73 / 3

HEX #29F843

RGB 41 248 67

HSL 127.54, 0.94%, 0.57%

LAB 86.01, -79.64, 69.11

 

CMYK 83 / 51 / 0 / 3

HEX #2A79F8

RGB 42 121 248

HSL 216.99, 0.94%, 0.57%

LAB 52.89, 22.29, -69.99

 

CMYK 0 / 83 / 10 / 3

HEX #F82AE0

RGB 248 42 224

HSL 306.99, 0.94%, 0.57%

LAB 58.97, 88.39, -45.74

 

CMYK 0 / 32 / 83 / 3

HEX #F8A92A

RGB 248 169 42

HSL 36.99, 0.94%, 0.57%

LAB 75.14, 19.52, 70.86

 

Description

Color code: RGB 41 248 67 | qconv.com Color code: RGB 41 248 67 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 248 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 248 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 73 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 73% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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