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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #61FF77 it is the complementary color #9E0088. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #61FF77. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #61FF77 shade: #66FF72, #77FF85, #88FF98, #99FFAB and #AAFFBE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #61FF77. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #61FF77 shade: #61FF77, #50ED64, #3FDB51, #2EC93E and #1DB72B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #61FF77 shade: #60FF76, #75FF60, #A0FF60, #CAFF60 and #F5FF60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #61FF77 shade: #60FF76, #60FFA1, #60FFCC, #60FFF6 and #60DCFF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #61FF77 shade matches the following richer shades: #60FF76

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #61FF77 shade: #60FF76, #6DF280, #7AE589, #87D892 and #94CB9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #61FF77 shade: #A0FF60, #75FF60, #60FF75, #60FFA0 and #60FFCA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #61FF77 shade: #0EFF2F, #37FF53, #60FF76, #8AFF9A and #B3FFBD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #61FF77 shade: #61FF77, #60CAFF and #FF608B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #61FF77 shade: #61FF77, #7560FF and #FF7560

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #61FF77 shade: #61FF77, #60CAFF, #FF60E9 and #FF9560

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #61FF77 shade: #61FF77, #609AFF, #FF60E9 and #FFC560

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 53 / 0

HEX #61FF77

RGB 97 255 119

HSL 128.35, 1%, 0.69%

LAB 89.58, -68.23, 52.34

 

Complementary color

CMYK 0 / 100 / 14 / 38

HEX #9E0088

RGB 158 0 136

HSL 308.35, 1%, 0.31%

LAB 36.07, 65.54, -31.13

 

CMYK 60 / 0 / 55 / 0

HEX #66FF72

RGB 102 255 114

HSL 124.71, 1%, 0.7%

LAB 89.65, -67.81, 54.72

 

CMYK 53 / 0 / 48 / 0

HEX #77FF85

RGB 119 255 133

HSL 126.18, 1%, 0.73%

LAB 90.38, -61.48, 46.98

 

CMYK 47 / 0 / 40 / 0

HEX #88FF98

RGB 136 255 152

HSL 128.07, 1%, 0.77%

LAB 91.24, -54.42, 39.04

 

CMYK 40 / 0 / 33 / 0

HEX #99FFAB

RGB 153 255 171

HSL 130.59, 1%, 0.8%

LAB 92.24, -46.75, 31.04

 

CMYK 33 / 0 / 25 / 0

HEX #AAFFBE

RGB 170 255 190

HSL 134.12, 1%, 0.83%

LAB 93.36, -38.59, 23.1

 

CMYK 62 / 0 / 53 / 0

HEX #61FF77

RGB 97 255 119

HSL 128.35, 1%, 0.69%

LAB 89.58, -68.23, 52.34

 

CMYK 66 / 0 / 58 / 7

HEX #50ED64

RGB 80 237 100

HSL 127.64, 0.81%, 0.62%

LAB 83.54, -67.67, 53.63

 

CMYK 71 / 0 / 63 / 14

HEX #3FDB51

RGB 63 219 81

HSL 126.92, 0.68%, 0.55%

LAB 77.47, -66.79, 54.82

 

CMYK 77 / 0 / 69 / 21

HEX #2EC93E

RGB 46 201 62

HSL 126.19, 0.63%, 0.48%

LAB 71.35, -65.47, 55.81

 

CMYK 84 / 0 / 77 / 28

HEX #1DB72B

RGB 29 183 43

HSL 125.45, 0.73%, 0.42%

LAB 65.2, -63.54, 56.36

 

CMYK 62 / 0 / 54 / 0

HEX #60FF76

RGB 96 255 118

HSL 128.3, 1%, 0.69%

LAB 89.54, -68.55, 52.75

 

CMYK 54 / 0 / 62 / 0

HEX #75FF60

RGB 117 255 96

HSL 112.08, 1%, 0.69%

LAB 89.93, -66.29, 62.87

 

CMYK 37 / 0 / 62 / 0

HEX #A0FF60

RGB 160 255 96

HSL 95.85, 1%, 0.69%

LAB 91.61, -53.94, 65.2

 

CMYK 21 / 0 / 62 / 0

HEX #CAFF60

RGB 202 255 96

HSL 80, 1%, 0.69%

LAB 93.85, -39.32, 68.28

 

CMYK 4 / 0 / 62 / 0

HEX #F5FF60

RGB 245 255 96

HSL 63.77, 1%, 0.69%

LAB 96.73, -22.78, 72.22

 

CMYK 62 / 0 / 54 / 0

HEX #60FF76

RGB 96 255 118

HSL 128.3, 1%, 0.69%

LAB 89.54, -68.55, 52.75

 

CMYK 62 / 0 / 37 / 0

HEX #60FFA1

RGB 96 255 161

HSL 144.53, 1%, 0.69%

LAB 90.13, -62.01, 32.89

 

CMYK 62 / 0 / 20 / 0

HEX #60FFCC

RGB 96 255 204

HSL 160.75, 1%, 0.69%

LAB 90.95, -53.4, 12.16

 

CMYK 62 / 0 / 4 / 0

HEX #60FFF6

RGB 96 255 246

HSL 176.6, 1%, 0.69%

LAB 91.98, -43.25, -8.07

 

CMYK 62 / 14 / 0 / 0

HEX #60DCFF

RGB 96 220 255

HSL 193.21, 1%, 0.69%

LAB 82.32, -24.34, -27.32

 

CMYK 62 / 0 / 54 / 0

HEX #60FF76

RGB 96 255 118

HSL 128.3, 1%, 0.69%

LAB 89.54, -68.55, 52.75

 

CMYK 62 / 0 / 54 / 0

HEX #60FF76

RGB 96 255 118

HSL 128.3, 1%, 0.69%

LAB 89.54, -68.55, 52.75

 

CMYK 55 / 0 / 47 / 5

HEX #6DF280

RGB 109 242 128

HSL 128.57, 0.84%, 0.69%

LAB 86.16, -59.66, 44.01

 

CMYK 47 / 0 / 40 / 10

HEX #7AE589

RGB 122 229 137

HSL 128.41, 0.67%, 0.69%

LAB 82.9, -49.87, 35.52

 

CMYK 38 / 0 / 32 / 15

HEX #87D892

RGB 135 216 146

HSL 128.15, 0.51%, 0.69%

LAB 79.81, -39.09, 26.92

 

CMYK 27 / 0 / 24 / 20

HEX #94CB9B

RGB 148 203 155

HSL 127.64, 0.35%, 0.69%

LAB 76.91, -27.37, 18.33

 

CMYK 37 / 0 / 62 / 0

HEX #A0FF60

RGB 160 255 96

HSL 95.85, 1%, 0.69%

LAB 91.61, -53.94, 65.2

 

CMYK 54 / 0 / 62 / 0

HEX #75FF60

RGB 117 255 96

HSL 112.08, 1%, 0.69%

LAB 89.93, -66.29, 62.87

 

CMYK 62 / 0 / 54 / 0

HEX #60FF75

RGB 96 255 117

HSL 127.92, 1%, 0.69%

LAB 89.53, -68.68, 53.19

 

CMYK 62 / 0 / 37 / 0

HEX #60FFA0

RGB 96 255 160

HSL 144.15, 1%, 0.69%

LAB 90.11, -62.19, 33.36

 

CMYK 62 / 0 / 21 / 0

HEX #60FFCA

RGB 96 255 202

HSL 160, 1%, 0.69%

LAB 90.9, -53.84, 13.12

 

CMYK 95 / 0 / 82 / 0

HEX #0EFF2F

RGB 14 255 47

HSL 128.22, 1%, 0.53%

LAB 87.88, -84.49, 76.67

 

CMYK 78 / 0 / 67 / 0

HEX #37FF53

RGB 55 255 83

HSL 128.4, 1%, 0.61%

LAB 88.43, -78.9, 65.95

 

CMYK 62 / 0 / 54 / 0

HEX #60FF76

RGB 96 255 118

HSL 128.3, 1%, 0.69%

LAB 89.54, -68.55, 52.75

 

CMYK 46 / 0 / 40 / 0

HEX #8AFF9A

RGB 138 255 154

HSL 128.21, 1%, 0.77%

LAB 91.35, -53.58, 38.21

 

CMYK 30 / 0 / 26 / 0

HEX #B3FFBD

RGB 179 255 189

HSL 127.89, 1%, 0.85%

LAB 93.79, -36.04, 24.27

 

CMYK 62 / 0 / 53 / 0

HEX #61FF77

RGB 97 255 119

HSL 128.35, 1%, 0.69%

LAB 89.58, -68.23, 52.34

 

CMYK 62 / 21 / 0 / 0

HEX #60CAFF

RGB 96 202 255

HSL 200, 1%, 0.69%

LAB 77.25, -15.16, -35.12

 

CMYK 0 / 62 / 45 / 0

HEX #FF608B

RGB 255 96 139

HSL 343.77, 1%, 0.69%

LAB 62.92, 63.68, 9.09

 

CMYK 62 / 0 / 53 / 0

HEX #61FF77

RGB 97 255 119

HSL 128.35, 1%, 0.69%

LAB 89.58, -68.23, 52.34

 

CMYK 54 / 62 / 0 / 0

HEX #7560FF

RGB 117 96 255

HSL 247.92, 1%, 0.69%

LAB 51.11, 49.51, -76.59

 

CMYK 0 / 54 / 62 / 0

HEX #FF7560

RGB 255 117 96

HSL 7.92, 1%, 0.69%

LAB 65.61, 51.07, 37.03

 

CMYK 62 / 0 / 53 / 0

HEX #61FF77

RGB 97 255 119

HSL 128.35, 1%, 0.69%

LAB 89.58, -68.23, 52.34

 

CMYK 62 / 21 / 0 / 0

HEX #60CAFF

RGB 96 202 255

HSL 200, 1%, 0.69%

LAB 77.25, -15.16, -35.12

 

CMYK 0 / 62 / 9 / 0

HEX #FF60E9

RGB 255 96 233

HSL 308.3, 1%, 0.69%

LAB 66.14, 75.16, -39.43

 

CMYK 0 / 42 / 62 / 0

HEX #FF9560

RGB 255 149 96

HSL 20, 1%, 0.69%

LAB 71.96, 35.23, 44.75

 

CMYK 62 / 0 / 53 / 0

HEX #61FF77

RGB 97 255 119

HSL 128.35, 1%, 0.69%

LAB 89.58, -68.23, 52.34

 

CMYK 62 / 40 / 0 / 0

HEX #609AFF

RGB 96 154 255

HSL 218.11, 1%, 0.69%

LAB 64.01, 11.54, -55.89

 

CMYK 0 / 62 / 9 / 0

HEX #FF60E9

RGB 255 96 233

HSL 308.3, 1%, 0.69%

LAB 66.14, 75.16, -39.43

 

CMYK 0 / 23 / 62 / 0

HEX #FFC560

RGB 255 197 96

HSL 38.11, 1%, 0.69%

LAB 82.93, 10.25, 57.45

 

Description

Color code: HEX #61FF77 | qconv.com Color code: HEX #61FF77 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 255 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 255 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 53 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 53% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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