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Color name
RGB 41 243 226

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 41 243 226 it is the complementary color RGB 214 12 29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 41 243 226. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 41 243 226 shade: RGB 46 243 221, RGB 63 255 240, RGB 80 255 255, RGB 97 255 255 and RGB 114 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 41 243 226. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 41 243 226 shade: RGB 41 243 226, RGB 24 225 207, RGB 7 207 188, RGB 0 189 169 and RGB 0 171 150

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 41 243 226 shade: RGB 42 242 225, RGB 42 242 171, RGB 42 242 118, RGB 42 242 64 and RGB 75 242 42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 41 243 226 shade: RGB 42 242 225, RGB 42 205 242, RGB 42 151 242, RGB 42 97 242 and RGB 42 44 242

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 41 243 226 shade matches the following richer shades: RGB 42 242 225

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 41 243 226 shade: RGB 42 242 225, RGB 61 224 210, RGB 79 206 195, RGB 97 188 180 and RGB 115 170 165

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 41 243 226 shade: RGB 42 242 116, RGB 42 242 169, RGB 42 242 222, RGB 42 209 242 and RGB 42 156 242

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 41 243 226 shade: RGB 11 191 176, RGB 13 230 212, RGB 42 242 225, RGB 81 244 231 and RGB 120 247 236

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 41 243 226 shade: RGB 41 243 226, RGB 62 42 242 and RGB 242 142 42

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 41 243 226 shade: RGB 41 243 226, RGB 222 42 242 and RGB 242 222 42

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 41 243 226 shade: RGB 41 243 226, RGB 62 42 242, RGB 242 42 62 and RGB 222 242 42

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 41 243 226 shade: RGB 41 243 226, RGB 122 42 242, RGB 242 42 62 and RGB 162 242 42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 7 / 5

HEX #29F3E2

RGB 41 243 226

HSL 174.95, 0.89%, 0.56%

LAB 87.03, -49.56, -5.07

 

Complementary color

CMYK 0 / 94 / 86 / 16

HEX #D60C1D

RGB 214 12 29

HSL 354.95, 0.89%, 0.44%

LAB 45.15, 69.46, 48.51

 

CMYK 81 / 0 / 9 / 5

HEX #2EF3DD

RGB 46 243 221

HSL 173.3, 0.89%, 0.57%

LAB 86.95, -50.53, -2.57

 

CMYK 75 / 0 / 6 / 0

HEX #3FFFF0

RGB 63 255 240

HSL 175.31, 1%, 0.62%

LAB 91.17, -49.03, -6.22

 

CMYK 69 / 0 / 0 / 0

HEX #50FFFF

RGB 80 255 255

HSL 180, 1%, 0.66%

LAB 91.88, -43.08, -12.91

 

CMYK 62 / 0 / 0 / 0

HEX #61FFFF

RGB 97 255 255

HSL 180, 1%, 0.69%

LAB 92.26, -40.73, -12.32

 

CMYK 55 / 0 / 0 / 0

HEX #72FFFF

RGB 114 255 255

HSL 180, 1%, 0.72%

LAB 92.71, -37.9, -11.58

 

CMYK 83 / 0 / 7 / 5

HEX #29F3E2

RGB 41 243 226

HSL 174.95, 0.89%, 0.56%

LAB 87.03, -49.56, -5.07

 

CMYK 89 / 0 / 8 / 12

HEX #18E1CF

RGB 24 225 207

HSL 174.63, 0.81%, 0.49%

LAB 81.04, -48.13, -3.89

 

CMYK 97 / 0 / 9 / 19

HEX #07CFBC

RGB 7 207 188

HSL 174.3, 0.93%, 0.42%

LAB 75.01, -46.37, -2.59

 

CMYK 100 / 0 / 11 / 26

HEX #00BDA9

RGB 0 189 169

HSL 173.65, 1%, 0.37%

LAB 68.94, -44.23, -1.17

 

CMYK 100 / 0 / 12 / 33

HEX #00AB96

RGB 0 171 150

HSL 172.63, 1%, 0.34%

LAB 62.78, -41.85, 0.36

 

CMYK 83 / 0 / 7 / 5

HEX #2AF2E1

RGB 42 242 225

HSL 174.9, 0.88%, 0.56%

LAB 86.72, -49.34, -5.01

 

CMYK 83 / 0 / 29 / 5

HEX #2AF2AB

RGB 42 242 171

HSL 158.7, 0.88%, 0.56%

LAB 85.47, -62.5, 21.34

 

CMYK 83 / 0 / 51 / 5

HEX #2AF276

RGB 42 242 118

HSL 142.8, 0.88%, 0.56%

LAB 84.64, -72.11, 46.56

 

CMYK 83 / 0 / 74 / 5

HEX #2AF240

RGB 42 242 64

HSL 126.6, 0.88%, 0.56%

LAB 84.16, -78.06, 68.25

 

CMYK 69 / 0 / 83 / 5

HEX #4BF22A

RGB 75 242 42

HSL 110.1, 0.88%, 0.56%

LAB 84.57, -74.86, 75.12

 

CMYK 83 / 0 / 7 / 5

HEX #2AF2E1

RGB 42 242 225

HSL 174.9, 0.88%, 0.56%

LAB 86.72, -49.34, -5.01

 

CMYK 83 / 15 / 0 / 5

HEX #2ACDF2

RGB 42 205 242

HSL 191.1, 0.88%, 0.56%

LAB 76.42, -27.39, -29.55

 

CMYK 83 / 38 / 0 / 5

HEX #2A97F2

RGB 42 151 242

HSL 207.3, 0.88%, 0.56%

LAB 60.81, 1.79, -53.95

 

CMYK 83 / 60 / 0 / 5

HEX #2A61F2

RGB 42 97 242

HSL 223.5, 0.88%, 0.56%

LAB 46.25, 35.19, -77.45

 

CMYK 83 / 82 / 0 / 5

HEX #2A2CF2

RGB 42 44 242

HSL 239.4, 0.88%, 0.56%

LAB 35.41, 64.92, -95.33

 

CMYK 83 / 0 / 7 / 5

HEX #2AF2E1

RGB 42 242 225

HSL 174.9, 0.88%, 0.56%

LAB 86.72, -49.34, -5.01

 

CMYK 83 / 0 / 7 / 5

HEX #2AF2E1

RGB 42 242 225

HSL 174.9, 0.88%, 0.56%

LAB 86.72, -49.34, -5.01

 

CMYK 73 / 0 / 6 / 12

HEX #3DE0D2

RGB 61 224 210

HSL 174.85, 0.72%, 0.56%

LAB 81.27, -43.9, -5.1

 

CMYK 62 / 0 / 5 / 19

HEX #4FCEC3

RGB 79 206 195

HSL 174.8, 0.56%, 0.56%

LAB 75.91, -37.29, -4.93

 

CMYK 48 / 0 / 4 / 26

HEX #61BCB4

RGB 97 188 180

HSL 174.73, 0.4%, 0.56%

LAB 70.73, -29.13, -4.35

 

CMYK 32 / 0 / 3 / 33

HEX #73AAA5

RGB 115 170 165

HSL 174.55, 0.24%, 0.56%

LAB 65.83, -19.11, -3.2

 

CMYK 83 / 0 / 52 / 5

HEX #2AF274

RGB 42 242 116

HSL 142.2, 0.88%, 0.56%

LAB 84.62, -72.4, 47.47

 

CMYK 83 / 0 / 30 / 5

HEX #2AF2A9

RGB 42 242 169

HSL 158.1, 0.88%, 0.56%

LAB 85.43, -62.93, 22.31

 

CMYK 83 / 0 / 8 / 5

HEX #2AF2DE

RGB 42 242 222

HSL 174, 0.88%, 0.56%

LAB 86.64, -50.15, -3.55

 

CMYK 83 / 14 / 0 / 5

HEX #2AD1F2

RGB 42 209 242

HSL 189.9, 0.88%, 0.56%

LAB 77.58, -29.35, -27.76

 

CMYK 83 / 36 / 0 / 5

HEX #2A9CF2

RGB 42 156 242

HSL 205.8, 0.88%, 0.56%

LAB 62.24, -1.12, -51.69

 

CMYK 94 / 0 / 8 / 25

HEX #0BBFB0

RGB 11 191 176

HSL 175, 0.89%, 0.4%

LAB 69.8, -42.76, -3.73

 

CMYK 94 / 0 / 8 / 10

HEX #0DE6D4

RGB 13 230 212

HSL 175.02, 0.89%, 0.48%

LAB 82.61, -49.27, -4.24

 

CMYK 83 / 0 / 7 / 5

HEX #2AF2E1

RGB 42 242 225

HSL 174.9, 0.88%, 0.56%

LAB 86.72, -49.34, -5.01

 

CMYK 67 / 0 / 5 / 4

HEX #51F4E7

RGB 81 244 231

HSL 175.21, 0.88%, 0.64%

LAB 88.07, -44.52, -6.08

 

CMYK 51 / 0 / 4 / 3

HEX #78F7EC

RGB 120 247 236

HSL 174.8, 0.89%, 0.72%

LAB 90.12, -37.9, -5.54

 

CMYK 83 / 0 / 7 / 5

HEX #29F3E2

RGB 41 243 226

HSL 174.95, 0.89%, 0.56%

LAB 87.03, -49.56, -5.07

 

CMYK 74 / 83 / 0 / 5

HEX #3E2AF2

RGB 62 42 242

HSL 246, 0.88%, 0.56%

LAB 36.16, 66.72, -94.06

 

CMYK 0 / 41 / 83 / 5

HEX #F28E2A

RGB 242 142 42

HSL 30, 0.88%, 0.56%

LAB 68.31, 31.18, 64.71

 

CMYK 83 / 0 / 7 / 5

HEX #29F3E2

RGB 41 243 226

HSL 174.95, 0.89%, 0.56%

LAB 87.03, -49.56, -5.07

 

CMYK 8 / 83 / 0 / 5

HEX #DE2AF2

RGB 222 42 242

HSL 294, 0.88%, 0.56%

LAB 55.68, 86.36, -61.34

 

CMYK 0 / 8 / 83 / 5

HEX #F2DE2A

RGB 242 222 42

HSL 54, 0.88%, 0.56%

LAB 87.62, -10.34, 81.15

 

CMYK 83 / 0 / 7 / 5

HEX #29F3E2

RGB 41 243 226

HSL 174.95, 0.89%, 0.56%

LAB 87.03, -49.56, -5.07

 

CMYK 74 / 83 / 0 / 5

HEX #3E2AF2

RGB 62 42 242

HSL 246, 0.88%, 0.56%

LAB 36.16, 66.72, -94.06

 

CMYK 0 / 83 / 74 / 5

HEX #F22A3E

RGB 242 42 62

HSL 354, 0.88%, 0.56%

LAB 52.82, 72.73, 40.21

 

CMYK 8 / 0 / 83 / 5

HEX #DEF22A

RGB 222 242 42

HSL 66, 0.88%, 0.56%

LAB 91.33, -28.29, 83.63

 

CMYK 83 / 0 / 7 / 5

HEX #29F3E2

RGB 41 243 226

HSL 174.95, 0.89%, 0.56%

LAB 87.03, -49.56, -5.07

 

CMYK 50 / 83 / 0 / 5

HEX #7A2AF2

RGB 122 42 242

HSL 264, 0.88%, 0.56%

LAB 41.54, 71.84, -84.98

 

CMYK 0 / 83 / 74 / 5

HEX #F22A3E

RGB 242 42 62

HSL 354, 0.88%, 0.56%

LAB 52.82, 72.73, 40.21

 

CMYK 33 / 0 / 83 / 5

HEX #A2F22A

RGB 162 242 42

HSL 84, 0.88%, 0.56%

LAB 87.66, -51.21, 79.03

 

Description

Color code: RGB 41 243 226 | qconv.com Color code: RGB 41 243 226 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 243 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 243 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 7 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 7% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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