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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 42 242 64 it is the complementary color RGB 213 13 191. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 42 242 64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 42 242 64 shade: RGB 47 242 59, RGB 64 255 78, RGB 81 255 97, RGB 98 255 116 and RGB 115 255 135

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 42 242 64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 42 242 64 shade: RGB 42 242 64, RGB 25 224 45, RGB 8 206 26, RGB 0 188 7 and RGB 0 170 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 42 242 64 shade: RGB 44 241 65, RGB 75 241 44, RGB 128 241 44, RGB 182 241 44 and RGB 235 241 44

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 42 242 64 shade: RGB 44 241 65, RGB 44 241 119, RGB 44 241 172, RGB 44 241 225 and RGB 44 204 241

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 42 242 64 shade matches the following richer shades: RGB 44 241 65

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 42 242 64 shade: RGB 44 241 65, RGB 62 223 79, RGB 80 205 94, RGB 98 187 108 and RGB 116 168 122

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 42 242 64 shade: RGB 129 241 44, RGB 76 241 44, RGB 44 241 63, RGB 44 241 116 and RGB 44 241 169

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 42 242 64 shade: RGB 12 190 31, RGB 14 229 38, RGB 44 241 65, RGB 82 244 100 and RGB 121 246 135

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 42 242 64 shade: RGB 42 242 64, RGB 44 182 241 and RGB 241 44 103

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 42 242 64 shade: RGB 42 242 64, RGB 63 44 241 and RGB 241 63 44

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 42 242 64 shade: RGB 42 242 64, RGB 44 182 241, RGB 241 44 221 and RGB 241 103 44

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 42 242 64 shade: RGB 42 242 64, RGB 44 123 241, RGB 241 44 221 and RGB 241 162 44

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 74 / 5

HEX #2AF240

RGB 42 242 64

HSL 126.6, 0.88%, 0.56%

LAB 84.16, -78.06, 68.25

 

Complementary color

CMYK 0 / 94 / 10 / 16

HEX #D50DBF

RGB 213 13 191

HSL 306.6, 0.88%, 0.44%

LAB 49.73, 81.72, -41.84

 

CMYK 81 / 0 / 76 / 5

HEX #2FF23B

RGB 47 242 59

HSL 123.69, 0.88%, 0.57%

LAB 84.19, -77.9, 69.91

 

CMYK 75 / 0 / 69 / 0

HEX #40FF4E

RGB 64 255 78

HSL 124.4, 1%, 0.63%

LAB 88.52, -78.2, 67.94

 

CMYK 68 / 0 / 62 / 0

HEX #51FF61

RGB 81 255 97

HSL 125.52, 1%, 0.66%

LAB 88.99, -73.78, 61.14

 

CMYK 62 / 0 / 55 / 0

HEX #62FF74

RGB 98 255 116

HSL 126.88, 1%, 0.69%

LAB 89.57, -68.4, 53.7

 

CMYK 55 / 0 / 47 / 0

HEX #73FF87

RGB 115 255 135

HSL 128.57, 1%, 0.73%

LAB 90.28, -62.16, 45.88

 

CMYK 83 / 0 / 74 / 5

HEX #2AF240

RGB 42 242 64

HSL 126.6, 0.88%, 0.56%

LAB 84.16, -78.06, 68.25

 

CMYK 89 / 0 / 80 / 12

HEX #19E02D

RGB 25 224 45

HSL 126.03, 0.8%, 0.49%

LAB 78.29, -75.6, 68.31

 

CMYK 96 / 0 / 87 / 19

HEX #08CE1A

RGB 8 206 26

HSL 125.45, 0.93%, 0.42%

LAB 72.41, -72.42, 67.48

 

CMYK 100 / 0 / 96 / 26

HEX #00BC07

RGB 0 188 7

HSL 122.23, 1%, 0.37%

LAB 66.51, -68.38, 65.32

 

CMYK 100 / 0 / 100 / 33

HEX #00AA00

RGB 0 170 0

HSL 120, 1%, 0.33%

LAB 60.56, -63.61, 61.39

 

CMYK 82 / 0 / 73 / 5

HEX #2CF141

RGB 44 241 65

HSL 126.4, 0.88%, 0.56%

LAB 83.88, -77.49, 67.64

 

CMYK 69 / 0 / 82 / 5

HEX #4BF12C

RGB 75 241 44

HSL 110.56, 0.88%, 0.56%

LAB 84.27, -74.47, 74.36

 

CMYK 47 / 0 / 82 / 5

HEX #80F12C

RGB 128 241 44

HSL 94.42, 0.88%, 0.56%

LAB 85.85, -61.78, 76.37

 

CMYK 24 / 0 / 82 / 5

HEX #B6F12C

RGB 182 241 44

HSL 77.97, 0.88%, 0.56%

LAB 88.47, -43.45, 79.69

 

CMYK 2 / 0 / 82 / 5

HEX #EBF12C

RGB 235 241 44

HSL 61.83, 0.88%, 0.56%

LAB 92.02, -22.47, 84.15

 

CMYK 82 / 0 / 73 / 5

HEX #2CF141

RGB 44 241 65

HSL 126.4, 0.88%, 0.56%

LAB 83.88, -77.49, 67.64

 

CMYK 82 / 0 / 51 / 5

HEX #2CF177

RGB 44 241 119

HSL 142.84, 0.88%, 0.56%

LAB 84.37, -71.45, 45.76

 

CMYK 82 / 0 / 29 / 5

HEX #2CF1AC

RGB 44 241 172

HSL 158.98, 0.88%, 0.56%

LAB 85.21, -61.75, 20.47

 

CMYK 82 / 0 / 7 / 5

HEX #2CF1E1

RGB 44 241 225

HSL 175.13, 0.88%, 0.56%

LAB 86.45, -48.77, -5.41

 

CMYK 82 / 15 / 0 / 5

HEX #2CCCF1

RGB 44 204 241

HSL 191.27, 0.88%, 0.56%

LAB 76.11, -27.06, -29.47

 

CMYK 82 / 0 / 73 / 5

HEX #2CF141

RGB 44 241 65

HSL 126.4, 0.88%, 0.56%

LAB 83.88, -77.49, 67.64

 

CMYK 82 / 0 / 73 / 5

HEX #2CF141

RGB 44 241 65

HSL 126.4, 0.88%, 0.56%

LAB 83.88, -77.49, 67.64

 

CMYK 72 / 0 / 65 / 13

HEX #3EDF4F

RGB 62 223 79

HSL 126.34, 0.72%, 0.56%

LAB 78.67, -68.46, 56.99

 

CMYK 61 / 0 / 54 / 20

HEX #50CD5E

RGB 80 205 94

HSL 126.72, 0.56%, 0.56%

LAB 73.66, -57.13, 44.68

 

CMYK 48 / 0 / 42 / 27

HEX #62BB6C

RGB 98 187 108

HSL 126.74, 0.4%, 0.56%

LAB 68.91, -43.45, 31.93

 

CMYK 31 / 0 / 27 / 34

HEX #74A87A

RGB 116 168 122

HSL 126.92, 0.23%, 0.56%

LAB 64.26, -26.8, 18.41

 

CMYK 46 / 0 / 82 / 5

HEX #81F12C

RGB 129 241 44

HSL 94.11, 0.88%, 0.56%

LAB 85.89, -61.49, 76.42

 

CMYK 68 / 0 / 82 / 5

HEX #4CF12C

RGB 76 241 44

HSL 110.25, 0.88%, 0.56%

LAB 84.29, -74.29, 74.39

 

CMYK 82 / 0 / 74 / 5

HEX #2CF13F

RGB 44 241 63

HSL 125.79, 0.88%, 0.56%

LAB 83.86, -77.64, 68.3

 

CMYK 82 / 0 / 52 / 5

HEX #2CF174

RGB 44 241 116

HSL 141.93, 0.88%, 0.56%

LAB 84.33, -71.89, 47.13

 

CMYK 82 / 0 / 30 / 5

HEX #2CF1A9

RGB 44 241 169

HSL 158.07, 0.88%, 0.56%

LAB 85.15, -62.4, 21.93

 

CMYK 94 / 0 / 84 / 25

HEX #0CBE1F

RGB 12 190 31

HSL 126.4, 0.88%, 0.4%

LAB 67.28, -67.58, 61.79

 

CMYK 94 / 0 / 83 / 10

HEX #0EE526

RGB 14 229 38

HSL 126.7, 0.88%, 0.48%

LAB 79.77, -77.94, 71.43

 

CMYK 82 / 0 / 73 / 5

HEX #2CF141

RGB 44 241 65

HSL 126.4, 0.88%, 0.56%

LAB 83.88, -77.49, 67.64

 

CMYK 66 / 0 / 59 / 4

HEX #52F464

RGB 82 244 100

HSL 126.67, 0.88%, 0.64%

LAB 85.71, -69.66, 56.15

 

CMYK 51 / 0 / 45 / 4

HEX #79F687

RGB 121 246 135

HSL 126.72, 0.87%, 0.72%

LAB 87.84, -57.26, 42.83

 

CMYK 83 / 0 / 74 / 5

HEX #2AF240

RGB 42 242 64

HSL 126.6, 0.88%, 0.56%

LAB 84.16, -78.06, 68.25

 

CMYK 82 / 24 / 0 / 5

HEX #2CB6F1

RGB 44 182 241

HSL 197.97, 0.88%, 0.56%

LAB 69.71, -15.76, -39.38

 

CMYK 0 / 82 / 57 / 5

HEX #F12C67

RGB 241 44 103

HSL 342.03, 0.88%, 0.56%

LAB 53.47, 74.07, 16.74

 

CMYK 83 / 0 / 74 / 5

HEX #2AF240

RGB 42 242 64

HSL 126.6, 0.88%, 0.56%

LAB 84.16, -78.06, 68.25

 

CMYK 74 / 82 / 0 / 5

HEX #3F2CF1

RGB 63 44 241

HSL 245.79, 0.88%, 0.56%

LAB 36.38, 65.68, -93.12

 

CMYK 0 / 74 / 82 / 5

HEX #F13F2C

RGB 241 63 44

HSL 5.79, 0.88%, 0.56%

LAB 54.49, 66.15, 51.45

 

CMYK 83 / 0 / 74 / 5

HEX #2AF240

RGB 42 242 64

HSL 126.6, 0.88%, 0.56%

LAB 84.16, -78.06, 68.25

 

CMYK 82 / 24 / 0 / 5

HEX #2CB6F1

RGB 44 182 241

HSL 197.97, 0.88%, 0.56%

LAB 69.71, -15.76, -39.38

 

CMYK 0 / 82 / 8 / 5

HEX #F12CDD

RGB 241 44 221

HSL 306.09, 0.88%, 0.56%

LAB 57.77, 86.25, -46.01

 

CMYK 0 / 57 / 82 / 5

HEX #F1672C

RGB 241 103 44

HSL 17.97, 0.88%, 0.56%

LAB 60.41, 50.2, 56.89

 

CMYK 83 / 0 / 74 / 5

HEX #2AF240

RGB 42 242 64

HSL 126.6, 0.88%, 0.56%

LAB 84.16, -78.06, 68.25

 

CMYK 82 / 49 / 0 / 5

HEX #2C7BF1

RGB 44 123 241

HSL 215.94, 0.88%, 0.56%

LAB 53.01, 18.58, -65.91

 

CMYK 0 / 82 / 8 / 5

HEX #F12CDD

RGB 241 44 221

HSL 306.09, 0.88%, 0.56%

LAB 57.77, 86.25, -46.01

 

CMYK 0 / 33 / 82 / 5

HEX #F1A22C

RGB 241 162 44

HSL 35.94, 0.88%, 0.56%

LAB 72.71, 20.32, 67.81

 

Description

Color code: RGB 42 242 64 | qconv.com Color code: RGB 42 242 64 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 242 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 242 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 74 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 74% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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