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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FF1F3D it is the complementary color #00E0C2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FF1F3D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FF1F3D shade: #FF1F38, #FF314B, #FF435E, #FF5571 and #FF6784

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FF1F3D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FF1F3D shade: #FF1F3D, #EE0D2A, #DD0017, #CC0004 and #BB0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FF1F3D shade: #FF1E3C and #FF1E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FF1F3D shade: #FF1E3C, #FF1E79, #FF1EB5, #FF1EF2 and #CF1EFF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FF1F3D shade matches the following richer shades: #FF1E3C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FF1F3D shade: #FF1E3C, #EC3049, #DA4257, #C85564 and #B66771

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FF1F3D shade: #FF1EB7, #FF1E7C, #FF1E40, #FF381E and #FF741E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FF1F3D shade: #CB001B, #F40020, #FF1E3C, #FF4760 and #FF7184

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FF1F3D shade: #FF1F3D, #F3FF1E and #1E9AFF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FF1F3D shade: #FF1F3D, #40FF1E and #1E40FF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FF1F3D shade: #FF1F3D, #F3FF1E, #1EFFDD and #291EFF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FF1F3D shade: #FF1F3D, #B0FF1E, #1EFFDD and #6D1EFF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 76 / 0

HEX #FF1F3D

RGB 255 31 61

HSL 351.96, 1%, 0.56%

LAB 54.63, 78.1, 43.5

 

Complementary color

CMYK 100 / 0 / 13 / 12

HEX #00E0C2

RGB 0 224 194

HSL 171.96, 1%, 0.44%

LAB 80.3, -51.99, 1.91

 

CMYK 0 / 88 / 78 / 0

HEX #FF1F38

RGB 255 31 56

HSL 353.3, 1%, 0.56%

LAB 54.58, 77.95, 46.21

 

CMYK 0 / 81 / 71 / 0

HEX #FF314B

RGB 255 49 75

HSL 352.43, 1%, 0.6%

LAB 56.05, 75.07, 37.16

 

CMYK 0 / 74 / 63 / 0

HEX #FF435E

RGB 255 67 94

HSL 351.38, 1%, 0.63%

LAB 58.12, 71.01, 28.7

 

CMYK 0 / 67 / 56 / 0

HEX #FF5571

RGB 255 85 113

HSL 350.12, 1%, 0.67%

LAB 60.74, 65.94, 21.12

 

CMYK 0 / 60 / 48 / 0

HEX #FF6784

RGB 255 103 132

HSL 348.55, 1%, 0.7%

LAB 63.86, 60.1, 14.44

 

CMYK 0 / 88 / 76 / 0

HEX #FF1F3D

RGB 255 31 61

HSL 351.96, 1%, 0.56%

LAB 54.63, 78.1, 43.5

 

CMYK 0 / 95 / 82 / 7

HEX #EE0D2A

RGB 238 13 42

HSL 352.27, 0.9%, 0.49%

LAB 50.25, 75.59, 48.31

 

CMYK 0 / 100 / 90 / 13

HEX #DD0017

RGB 221 0 23

HSL 353.76, 1%, 0.43%

LAB 46.22, 72.13, 52.73

 

CMYK 0 / 100 / 98 / 20

HEX #CC0004

RGB 204 0 4

HSL 358.82, 1%, 0.4%

LAB 42.53, 67.75, 55.43

 

CMYK 0 / 100 / 100 / 27

HEX #BB0000

RGB 187 0 0

HSL 0, 1%, 0.37%

LAB 38.84, 63.45, 53.24

 

CMYK 0 / 88 / 76 / 0

HEX #FF1E3C

RGB 255 30 60

HSL 352, 1%, 0.56%

LAB 54.57, 78.23, 43.99

 

CMYK 0 / 88 / 88 / 0

HEX #FF1E1E

RGB 255 30 30

HSL 0, 1%, 0.56%

LAB 54.33, 77.53, 58.78

 

CMYK 0 / 88 / 76 / 0

HEX #FF1E3C

RGB 255 30 60

HSL 352, 1%, 0.56%

LAB 54.57, 78.23, 43.99

 

CMYK 0 / 88 / 53 / 0

HEX #FF1E79

RGB 255 30 121

HSL 335.73, 1%, 0.56%

LAB 55.65, 81.29, 9.36

 

CMYK 0 / 88 / 29 / 0

HEX #FF1EB5

RGB 255 30 181

HSL 319.73, 1%, 0.56%

LAB 57.58, 86.58, -23.21

 

CMYK 0 / 88 / 5 / 0

HEX #FF1EF2

RGB 255 30 242

HSL 303.47, 1%, 0.56%

LAB 60.43, 94.02, -53.45

 

CMYK 19 / 88 / 0 / 0

HEX #CF1EFF

RGB 207 30 255

HSL 287.2, 1%, 0.56%

LAB 53.4, 88.37, -72.4

 

CMYK 0 / 88 / 76 / 0

HEX #FF1E3C

RGB 255 30 60

HSL 352, 1%, 0.56%

LAB 54.57, 78.23, 43.99

 

CMYK 0 / 88 / 76 / 0

HEX #FF1E3C

RGB 255 30 60

HSL 352, 1%, 0.56%

LAB 54.57, 78.23, 43.99

 

CMYK 0 / 80 / 69 / 7

HEX #EC3049

RGB 236 48 73

HSL 352.02, 0.83%, 0.56%

LAB 52.32, 70.12, 32.97

 

CMYK 0 / 70 / 60 / 15

HEX #DA4257

RGB 218 66 87

HSL 351.71, 0.67%, 0.56%

LAB 51.26, 60.04, 22.64

 

CMYK 0 / 58 / 50 / 22

HEX #C85564

RGB 200 85 100

HSL 352.17, 0.51%, 0.56%

LAB 51.49, 47.11, 14.68

 

CMYK 0 / 43 / 38 / 29

HEX #B66771

RGB 182 103 113

HSL 352.41, 0.35%, 0.56%

LAB 52.77, 32.75, 8.37

 

CMYK 0 / 88 / 28 / 0

HEX #FF1EB7

RGB 255 30 183

HSL 319.2, 1%, 0.56%

LAB 57.66, 86.79, -24.25

 

CMYK 0 / 88 / 51 / 0

HEX #FF1E7C

RGB 255 30 124

HSL 334.93, 1%, 0.56%

LAB 55.73, 81.51, 7.67

 

CMYK 0 / 88 / 75 / 0

HEX #FF1E40

RGB 255 30 64

HSL 350.93, 1%, 0.56%

LAB 54.61, 78.36, 41.79

 

CMYK 0 / 78 / 88 / 0

HEX #FF381E

RGB 255 56 30

HSL 6.93, 1%, 0.56%

LAB 56.27, 72, 60.2

 

CMYK 0 / 55 / 88 / 0

HEX #FF741E

RGB 255 116 30

HSL 22.93, 1%, 0.56%

LAB 64.84, 48.95, 66.6

 

CMYK 0 / 100 / 87 / 20

HEX #CB001B

RGB 203 0 27

HSL 352.02, 1%, 0.4%

LAB 42.42, 67.79, 46.3

 

CMYK 0 / 100 / 87 / 4

HEX #F40020

RGB 244 0 32

HSL 352.13, 1%, 0.48%

LAB 51.08, 77.81, 54.46

 

CMYK 0 / 88 / 76 / 0

HEX #FF1E3C

RGB 255 30 60

HSL 352, 1%, 0.56%

LAB 54.57, 78.23, 43.99

 

CMYK 0 / 72 / 62 / 0

HEX #FF4760

RGB 255 71 96

HSL 351.85, 1%, 0.64%

LAB 58.61, 69.83, 28.18

 

CMYK 0 / 56 / 48 / 0

HEX #FF7184

RGB 255 113 132

HSL 351.97, 1%, 0.72%

LAB 65.54, 55.64, 16.78

 

CMYK 0 / 88 / 76 / 0

HEX #FF1F3D

RGB 255 31 61

HSL 351.96, 1%, 0.56%

LAB 54.63, 78.1, 43.5

 

CMYK 5 / 0 / 88 / 0

HEX #F3FF1E

RGB 243 255 30

HSL 63.2, 1%, 0.56%

LAB 96.27, -26.13, 90.55

 

CMYK 88 / 40 / 0 / 0

HEX #1E9AFF

RGB 30 154 255

HSL 206.93, 1%, 0.56%

LAB 62.17, 4.01, -58.92

 

CMYK 0 / 88 / 76 / 0

HEX #FF1F3D

RGB 255 31 61

HSL 351.96, 1%, 0.56%

LAB 54.63, 78.1, 43.5

 

CMYK 75 / 0 / 88 / 0

HEX #40FF1E

RGB 64 255 30

HSL 110.93, 1%, 0.56%

LAB 88.31, -80.9, 80.72

 

CMYK 88 / 75 / 0 / 0

HEX #1E40FF

RGB 30 64 255

HSL 230.93, 1%, 0.56%

LAB 39.85, 58.71, -95.27

 

CMYK 0 / 88 / 76 / 0

HEX #FF1F3D

RGB 255 31 61

HSL 351.96, 1%, 0.56%

LAB 54.63, 78.1, 43.5

 

CMYK 5 / 0 / 88 / 0

HEX #F3FF1E

RGB 243 255 30

HSL 63.2, 1%, 0.56%

LAB 96.27, -26.13, 90.55

 

CMYK 88 / 0 / 13 / 0

HEX #1EFFDD

RGB 30 255 221

HSL 170.93, 1%, 0.56%

LAB 90.33, -56.45, 2.35

 

CMYK 84 / 88 / 0 / 0

HEX #291EFF

RGB 41 30 255

HSL 242.93, 1%, 0.56%

LAB 35.24, 73.67, -102.93

 

CMYK 0 / 88 / 76 / 0

HEX #FF1F3D

RGB 255 31 61

HSL 351.96, 1%, 0.56%

LAB 54.63, 78.1, 43.5

 

CMYK 31 / 0 / 88 / 0

HEX #B0FF1E

RGB 176 255 30

HSL 81.07, 1%, 0.56%

LAB 92.06, -51.93, 85.39

 

CMYK 88 / 0 / 13 / 0

HEX #1EFFDD

RGB 30 255 221

HSL 170.93, 1%, 0.56%

LAB 90.33, -56.45, 2.35

 

CMYK 57 / 88 / 0 / 0

HEX #6D1EFF

RGB 109 30 255

HSL 261.07, 1%, 0.56%

LAB 40.25, 77.15, -94.47

 

Description

Color code: HEX #FF1F3D | qconv.com Color code: HEX #FF1F3D | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 31 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 31 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 76 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 76% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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