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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D1EFF it is the complementary color #92E100. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D1EFF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D1EFF shade: #721EFA, #8330FF, #9442FF, #A554FF and #B666FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D1EFF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D1EFF shade: #6D1EFF, #5C0CEC, #4B00D9, #3A00C6 and #2900B3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D1EFF shade: #6D1EFF, #A91EFF, #E61EFF, #FF1EDB and #FF1E9E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D1EFF shade: #6D1EFF, #301EFF and #1E1EFF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D1EFF shade matches the following richer shades: #6D1EFF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D1EFF shade: #6D1EFF, #7230EC, #7842DA, #7D55C8 and #8367B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D1EFF shade: #1E47FF, #311EFF, #6D1EFF, #A81EFF and #E41EFF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D1EFF shade: #4700CB, #5500F4, #6D1EFF, #8847FF and #A271FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D1EFF shade: #6D1EFF, #FF1E83 and #29FF1E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D1EFF shade: #6D1EFF, #FF6D1E and #1EFF6D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D1EFF shade: #6D1EFF, #FF1E83, #B0FF1E and #1EFF9A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D1EFF shade: #6D1EFF, #FF1E40, #B0FF1E and #1EFFDD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 88 / 0 / 0

HEX #6D1EFF

RGB 109 30 255

HSL 261.07, 1%, 0.56%

LAB 40.25, 77.15, -94.47

 

Complementary color

CMYK 35 / 0 / 100 / 12

HEX #92E100

RGB 146 225 0

HSL 81.07, 1%, 0.44%

LAB 81.82, -50.78, 79.85

 

CMYK 54 / 88 / 0 / 2

HEX #721EFA

RGB 114 30 250

HSL 262.91, 0.96%, 0.55%

LAB 40.26, 76.4, -91.63

 

CMYK 49 / 81 / 0 / 0

HEX #8330FF

RGB 131 48 255

HSL 264.06, 1%, 0.59%

LAB 44.46, 73.93, -87.43

 

CMYK 42 / 74 / 0 / 0

HEX #9442FF

RGB 148 66 255

HSL 266.03, 1%, 0.63%

LAB 48.78, 69.39, -80.28

 

CMYK 35 / 67 / 0 / 0

HEX #A554FF

RGB 165 84 255

HSL 268.42, 1%, 0.66%

LAB 53.56, 64.4, -72.41

 

CMYK 29 / 60 / 0 / 0

HEX #B666FF

RGB 182 102 255

HSL 271.37, 1%, 0.7%

LAB 58.67, 59.28, -64.06

 

CMYK 57 / 88 / 0 / 0

HEX #6D1EFF

RGB 109 30 255

HSL 261.07, 1%, 0.56%

LAB 40.25, 77.15, -94.47

 

CMYK 61 / 95 / 0 / 7

HEX #5C0CEC

RGB 92 12 236

HSL 261.43, 0.9%, 0.49%

LAB 35.19, 75.18, -92.19

 

CMYK 65 / 100 / 0 / 15

HEX #4B00D9

RGB 75 0 217

HSL 260.74, 1%, 0.43%

LAB 30.65, 71.64, -88.9

 

CMYK 71 / 100 / 0 / 22

HEX #3A00C6

RGB 58 0 198

HSL 257.58, 1%, 0.39%

LAB 26.67, 66.48, -84.51

 

CMYK 77 / 100 / 0 / 30

HEX #2900B3

RGB 41 0 179

HSL 253.74, 1%, 0.35%

LAB 22.74, 61.33, -79.81

 

CMYK 57 / 88 / 0 / 0

HEX #6D1EFF

RGB 109 30 255

HSL 261.07, 1%, 0.56%

LAB 40.25, 77.15, -94.47

 

CMYK 34 / 88 / 0 / 0

HEX #A91EFF

RGB 169 30 255

HSL 277.07, 1%, 0.56%

LAB 47.73, 83.26, -81.88

 

CMYK 10 / 88 / 0 / 0

HEX #E61EFF

RGB 230 30 255

HSL 293.33, 1%, 0.56%

LAB 57.05, 91.83, -66.32

 

CMYK 0 / 88 / 14 / 0

HEX #FF1EDB

RGB 255 30 219

HSL 309.6, 1%, 0.56%

LAB 59.25, 91, -42.38

 

CMYK 0 / 88 / 38 / 0

HEX #FF1E9E

RGB 255 30 158

HSL 325.87, 1%, 0.56%

LAB 56.74, 84.29, -11.04

 

CMYK 57 / 88 / 0 / 0

HEX #6D1EFF

RGB 109 30 255

HSL 261.07, 1%, 0.56%

LAB 40.25, 77.15, -94.47

 

CMYK 81 / 88 / 0 / 0

HEX #301EFF

RGB 48 30 255

HSL 244.8, 1%, 0.56%

LAB 35.55, 73.86, -102.4

 

CMYK 88 / 88 / 0 / 0

HEX #1E1EFF

RGB 30 30 255

HSL 240, 1%, 0.56%

LAB 34.85, 73.42, -103.59

 

CMYK 57 / 88 / 0 / 0

HEX #6D1EFF

RGB 109 30 255

HSL 261.07, 1%, 0.56%

LAB 40.25, 77.15, -94.47

 

CMYK 57 / 88 / 0 / 0

HEX #6D1EFF

RGB 109 30 255

HSL 261.07, 1%, 0.56%

LAB 40.25, 77.15, -94.47

 

CMYK 52 / 80 / 0 / 7

HEX #7230EC

RGB 114 48 236

HSL 261.06, 0.83%, 0.56%

LAB 40.81, 67.32, -82.82

 

CMYK 45 / 70 / 0 / 15

HEX #7842DA

RGB 120 66 218

HSL 261.32, 0.67%, 0.56%

LAB 42.69, 55.63, -69.47

 

CMYK 38 / 58 / 0 / 22

HEX #7D55C8

RGB 125 85 200

HSL 260.87, 0.51%, 0.56%

LAB 45.67, 41.78, -54.27

 

CMYK 28 / 43 / 0 / 29

HEX #8367B6

RGB 131 103 182

HSL 261.27, 0.35%, 0.56%

LAB 49.38, 28.2, -37.91

 

CMYK 88 / 72 / 0 / 0

HEX #1E47FF

RGB 30 71 255

HSL 229.07, 1%, 0.56%

LAB 41.22, 54.86, -93.01

 

CMYK 81 / 88 / 0 / 0

HEX #311EFF

RGB 49 30 255

HSL 245.07, 1%, 0.56%

LAB 35.6, 73.89, -102.32

 

CMYK 57 / 88 / 0 / 0

HEX #6D1EFF

RGB 109 30 255

HSL 261.07, 1%, 0.56%

LAB 40.25, 77.15, -94.47

 

CMYK 34 / 88 / 0 / 0

HEX #A81EFF

RGB 168 30 255

HSL 276.8, 1%, 0.56%

LAB 47.59, 83.13, -82.12

 

CMYK 11 / 88 / 0 / 0

HEX #E41EFF

RGB 228 30 255

HSL 292.8, 1%, 0.56%

LAB 56.73, 91.52, -66.86

 

CMYK 65 / 100 / 0 / 20

HEX #4700CB

RGB 71 0 203

HSL 260.99, 1%, 0.4%

LAB 28.52, 68.21, -84.33

 

CMYK 65 / 100 / 0 / 4

HEX #5500F4

RGB 85 0 244

HSL 260.9, 1%, 0.48%

LAB 34.93, 78.25, -97.18

 

CMYK 57 / 88 / 0 / 0

HEX #6D1EFF

RGB 109 30 255

HSL 261.07, 1%, 0.56%

LAB 40.25, 77.15, -94.47

 

CMYK 47 / 72 / 0 / 0

HEX #8847FF

RGB 136 71 255

HSL 261.2, 1%, 0.64%

LAB 48.21, 65.38, -81.25

 

CMYK 36 / 56 / 0 / 0

HEX #A271FF

RGB 162 113 255

HSL 260.7, 1%, 0.72%

LAB 58.71, 49.08, -64.11

 

CMYK 57 / 88 / 0 / 0

HEX #6D1EFF

RGB 109 30 255

HSL 261.07, 1%, 0.56%

LAB 40.25, 77.15, -94.47

 

CMYK 0 / 88 / 49 / 0

HEX #FF1E83

RGB 255 30 131

HSL 333.07, 1%, 0.56%

LAB 55.91, 82.02, 3.75

 

CMYK 84 / 0 / 88 / 0

HEX #29FF1E

RGB 41 255 30

HSL 117.07, 1%, 0.56%

LAB 88.01, -83.53, 80.35

 

CMYK 57 / 88 / 0 / 0

HEX #6D1EFF

RGB 109 30 255

HSL 261.07, 1%, 0.56%

LAB 40.25, 77.15, -94.47

 

CMYK 0 / 57 / 88 / 0

HEX #FF6D1E

RGB 255 109 30

HSL 21.07, 1%, 0.56%

LAB 63.58, 52.2, 65.65

 

CMYK 88 / 0 / 57 / 0

HEX #1EFF6D

RGB 30 255 109

HSL 141.07, 1%, 0.56%

LAB 88.4, -78.28, 55.16

 

CMYK 57 / 88 / 0 / 0

HEX #6D1EFF

RGB 109 30 255

HSL 261.07, 1%, 0.56%

LAB 40.25, 77.15, -94.47

 

CMYK 0 / 88 / 49 / 0

HEX #FF1E83

RGB 255 30 131

HSL 333.07, 1%, 0.56%

LAB 55.91, 82.02, 3.75

 

CMYK 31 / 0 / 88 / 0

HEX #B0FF1E

RGB 176 255 30

HSL 81.07, 1%, 0.56%

LAB 92.06, -51.93, 85.39

 

CMYK 88 / 0 / 40 / 0

HEX #1EFF9A

RGB 30 255 154

HSL 153.07, 1%, 0.56%

LAB 88.98, -71.29, 34.66

 

CMYK 57 / 88 / 0 / 0

HEX #6D1EFF

RGB 109 30 255

HSL 261.07, 1%, 0.56%

LAB 40.25, 77.15, -94.47

 

CMYK 0 / 88 / 75 / 0

HEX #FF1E40

RGB 255 30 64

HSL 350.93, 1%, 0.56%

LAB 54.61, 78.36, 41.79

 

CMYK 31 / 0 / 88 / 0

HEX #B0FF1E

RGB 176 255 30

HSL 81.07, 1%, 0.56%

LAB 92.06, -51.93, 85.39

 

CMYK 88 / 0 / 13 / 0

HEX #1EFFDD

RGB 30 255 221

HSL 170.93, 1%, 0.56%

LAB 90.33, -56.45, 2.35

 

Description

Color code: HEX #6D1EFF | qconv.com Color code: HEX #6D1EFF | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 30 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 30 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 88 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 88% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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