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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FED3CD it is the complementary color #012C32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FED3CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FED3CD shade: #FFD3C8, #FFE5DB and #FFF7EE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FED3CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FED3CD shade: #FED3CD, #EDC1BA, #DCAFA7, #CB9D94 and #BA8B81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FED3CD shade: #FDD3CD and #FDCDCD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FED3CD shade: #FDD3CD, #FDE0CD, #FDEDCD, #FDFACD and #F4FDCD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FED3CD shade matches the following richer shades: #FDD3CD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FED3CD shade: #FDD3CD, #F9D6D1, #F5D9D5, #F1DCD9 and #EDDFDD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FED3CD shade: #FDCDE1, #FDCDD4, #FDD2CD, #FDDFCD and #FDECCD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FED3CD shade: #FC8B7C, #FDAFA4, #FDD3CD and #FEF6F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FED3CD shade: #FED3CD, #EEFDCD and #CDDAFD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FED3CD shade: #FED3CD, #CDFDD2 and #D2CDFD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FED3CD shade: #FED3CD, #EEFDCD, #CDF8FD and #DCCDFD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FED3CD shade: #FED3CD, #DFFDCD, #CDF8FD and #EBCDFD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 19 / 0

HEX #FED3CD

RGB 254 211 205

HSL 7.35, 0.96%, 0.9%

LAB 88, 14.14, 8.61

 

Complementary color

CMYK 98 / 12 / 0 / 80

HEX #012C32

RGB 1 44 50

HSL 187.35, 0.96%, 0.1%

LAB 15.69, -11.47, -7.93

 

CMYK 0 / 17 / 22 / 0

HEX #FFD3C8

RGB 255 211 200

HSL 12, 1%, 0.89%

LAB 87.98, 13.78, 11.22

 

CMYK 0 / 10 / 14 / 0

HEX #FFE5DB

RGB 255 229 219

HSL 16.67, 1%, 0.93%

LAB 92.76, 7.3, 8.1

 

CMYK 0 / 3 / 7 / 0

HEX #FFF7EE

RGB 255 247 238

HSL 31.76, 1%, 0.97%

LAB 97.61, 1.15, 5.26

 

CMYK 0 / 17 / 19 / 0

HEX #FED3CD

RGB 254 211 205

HSL 7.35, 0.96%, 0.9%

LAB 88, 14.14, 8.61

 

CMYK 0 / 19 / 22 / 7

HEX #EDC1BA

RGB 237 193 186

HSL 8.24, 0.59%, 0.83%

LAB 81.67, 14.63, 9.44

 

CMYK 0 / 20 / 24 / 14

HEX #DCAFA7

RGB 220 175 167

HSL 9.06, 0.43%, 0.76%

LAB 75.24, 15.18, 10.33

 

CMYK 0 / 23 / 27 / 20

HEX #CB9D94

RGB 203 157 148

HSL 9.82, 0.35%, 0.69%

LAB 68.71, 15.78, 11.28

 

CMYK 0 / 25 / 31 / 27

HEX #BA8B81

RGB 186 139 129

HSL 10.53, 0.29%, 0.62%

LAB 62.07, 16.47, 12.32

 

CMYK 0 / 17 / 19 / 1

HEX #FDD3CD

RGB 253 211 205

HSL 7.5, 0.92%, 0.9%

LAB 87.91, 13.78, 8.46

 

CMYK 0 / 19 / 19 / 1

HEX #FDCDCD

RGB 253 205 205

HSL 0, 0.92%, 0.9%

LAB 86.48, 16.92, 6.41

 

CMYK 0 / 17 / 19 / 1

HEX #FDD3CD

RGB 253 211 205

HSL 7.5, 0.92%, 0.9%

LAB 87.91, 13.78, 8.46

 

CMYK 0 / 11 / 19 / 1

HEX #FDE0CD

RGB 253 224 205

HSL 23.75, 0.92%, 0.9%

LAB 91.05, 7.05, 12.95

 

CMYK 0 / 6 / 19 / 1

HEX #FDEDCD

RGB 253 237 205

HSL 40, 0.92%, 0.9%

LAB 94.25, 0.4, 17.46

 

CMYK 0 / 1 / 19 / 1

HEX #FDFACD

RGB 253 250 205

HSL 56.25, 0.92%, 0.9%

LAB 97.5, -6.14, 21.99

 

CMYK 4 / 0 / 19 / 1

HEX #F4FDCD

RGB 244 253 205

HSL 71.25, 0.92%, 0.9%

LAB 97.59, -10.82, 22.02

 

CMYK 0 / 17 / 19 / 1

HEX #FDD3CD

RGB 253 211 205

HSL 7.5, 0.92%, 0.9%

LAB 87.91, 13.78, 8.46

 

CMYK 0 / 17 / 19 / 1

HEX #FDD3CD

RGB 253 211 205

HSL 7.5, 0.92%, 0.9%

LAB 87.91, 13.78, 8.46

 

CMYK 0 / 14 / 16 / 2

HEX #F9D6D1

RGB 249 214 209

HSL 7.5, 0.77%, 0.9%

LAB 88.37, 11.39, 6.97

 

CMYK 0 / 11 / 13 / 4

HEX #F5D9D5

RGB 245 217 213

HSL 7.5, 0.62%, 0.9%

LAB 88.85, 9.04, 5.5

 

CMYK 0 / 9 / 10 / 5

HEX #F1DCD9

RGB 241 220 217

HSL 7.5, 0.46%, 0.9%

LAB 89.34, 6.72, 4.08

 

CMYK 0 / 6 / 7 / 7

HEX #EDDFDD

RGB 237 223 221

HSL 7.5, 0.31%, 0.9%

LAB 89.86, 4.44, 2.68

 

CMYK 0 / 19 / 11 / 1

HEX #FDCDE1

RGB 253 205 225

HSL 335, 0.92%, 0.9%

LAB 86.99, 20.03, -3.46

 

CMYK 0 / 19 / 16 / 1

HEX #FDCDD4

RGB 253 205 212

HSL 351.25, 0.92%, 0.9%

LAB 86.65, 17.97, 2.94

 

CMYK 0 / 17 / 19 / 1

HEX #FDD2CD

RGB 253 210 205

HSL 6.25, 0.92%, 0.9%

LAB 87.67, 14.3, 8.12

 

CMYK 0 / 12 / 19 / 1

HEX #FDDFCD

RGB 253 223 205

HSL 22.5, 0.92%, 0.9%

LAB 90.81, 7.56, 12.6

 

CMYK 0 / 7 / 19 / 1

HEX #FDECCD

RGB 253 236 205

HSL 38.75, 0.92%, 0.9%

LAB 94, 0.91, 17.11

 

CMYK 0 / 45 / 51 / 1

HEX #FC8B7C

RGB 252 139 124

HSL 7.03, 0.96%, 0.74%

LAB 69.91, 41.3, 27.11

 

CMYK 0 / 31 / 35 / 1

HEX #FDAFA4

RGB 253 175 164

HSL 7.42, 0.96%, 0.82%

LAB 78.59, 27.16, 17.16

 

CMYK 0 / 17 / 19 / 1

HEX #FDD3CD

RGB 253 211 205

HSL 7.5, 0.92%, 0.9%

LAB 87.91, 13.78, 8.46

 

CMYK 0 / 3 / 4 / 0

HEX #FEF6F5

RGB 254 246 245

HSL 6.67, 0.82%, 0.98%

LAB 97.46, 2.5, 1.42

 

CMYK 0 / 17 / 19 / 0

HEX #FED3CD

RGB 254 211 205

HSL 7.35, 0.96%, 0.9%

LAB 88, 14.14, 8.61

 

CMYK 6 / 0 / 19 / 1

HEX #EEFDCD

RGB 238 253 205

HSL 78.75, 0.92%, 0.9%

LAB 97.16, -12.93, 21.36

 

CMYK 19 / 14 / 0 / 1

HEX #CDDAFD

RGB 205 218 253

HSL 223.75, 0.92%, 0.9%

LAB 87.1, 2.74, -18.51

 

CMYK 0 / 17 / 19 / 0

HEX #FED3CD

RGB 254 211 205

HSL 7.35, 0.96%, 0.9%

LAB 88, 14.14, 8.61

 

CMYK 19 / 0 / 17 / 1

HEX #CDFDD2

RGB 205 253 210

HSL 126.25, 0.92%, 0.9%

LAB 95.11, -23.27, 15.62

 

CMYK 17 / 19 / 0 / 1

HEX #D2CDFD

RGB 210 205 253

HSL 246.25, 0.92%, 0.9%

LAB 84.2, 11.17, -22.86

 

CMYK 0 / 17 / 19 / 0

HEX #FED3CD

RGB 254 211 205

HSL 7.35, 0.96%, 0.9%

LAB 88, 14.14, 8.61

 

CMYK 6 / 0 / 19 / 1

HEX #EEFDCD

RGB 238 253 205

HSL 78.75, 0.92%, 0.9%

LAB 97.16, -12.93, 21.36

 

CMYK 19 / 2 / 0 / 1

HEX #CDF8FD

RGB 205 248 253

HSL 186.25, 0.92%, 0.9%

LAB 94.83, -12.65, -6.97

 

CMYK 13 / 19 / 0 / 1

HEX #DCCDFD

RGB 220 205 253

HSL 258.75, 0.92%, 0.9%

LAB 84.98, 14.27, -21.6

 

CMYK 0 / 17 / 19 / 0

HEX #FED3CD

RGB 254 211 205

HSL 7.35, 0.96%, 0.9%

LAB 88, 14.14, 8.61

 

CMYK 12 / 0 / 19 / 1

HEX #DFFDCD

RGB 223 253 205

HSL 97.5, 0.92%, 0.9%

LAB 96.14, -18.11, 19.78

 

CMYK 19 / 2 / 0 / 1

HEX #CDF8FD

RGB 205 248 253

HSL 186.25, 0.92%, 0.9%

LAB 94.83, -12.65, -6.97

 

CMYK 7 / 19 / 0 / 1

HEX #EBCDFD

RGB 235 205 253

HSL 277.5, 0.92%, 0.9%

LAB 86.21, 19.03, -19.62

 

Description

Color code: HEX #FED3CD | qconv.com Color code: HEX #FED3CD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 211 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 211 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 19 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 19% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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