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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 238 253 205 it is the complementary color RGB 17 2 50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 238 253 205. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 238 253 205 shade: RGB 243 253 200, RGB 255 255 219 and RGB 255 255 238

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 238 253 205. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 238 253 205 shade: RGB 238 253 205, RGB 221 235 186, RGB 204 217 167, RGB 187 199 148 and RGB 170 181 129

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 238 253 205 shade: RGB 238 252 206, RGB 250 252 206, RGB 252 242 206, RGB 252 229 206 and RGB 252 217 206

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 238 253 205 shade: RGB 238 252 206, RGB 225 252 206, RGB 212 252 206, RGB 206 252 211 and RGB 206 252 224

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 238 253 205 shade matches the following richer shades: RGB 238 252 206

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 238 253 205 shade: RGB 238 252 206, RGB 236 248 210, RGB 235 244 214, RGB 233 240 218 and RGB 232 236 222

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 238 253 205 shade: RGB 252 242 206, RGB 251 252 206, RGB 238 252 206, RGB 226 252 206 and RGB 213 252 206

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 238 253 205 shade: RGB 211 249 126, RGB 224 251 166, RGB 238 252 206 and RGB 251 254 245

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 238 253 205 shade: RGB 238 253 205, RGB 206 252 229 and RGB 248 206 252

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 238 253 205 shade: RGB 238 253 205, RGB 206 238 252 and RGB 252 206 238

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 238 253 205 shade: RGB 238 253 205, RGB 206 252 229, RGB 220 206 252 and RGB 252 206 229

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 238 253 205 shade: RGB 238 253 205, RGB 206 252 243, RGB 220 206 252 and RGB 252 206 215

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 19 / 1

HEX #EEFDCD

RGB 238 253 205

HSL 78.75, 0.92%, 0.9%

LAB 97.16, -12.93, 21.36

 

Complementary color

CMYK 66 / 96 / 0 / 80

HEX #110232

RGB 17 2 50

HSL 258.75, 0.92%, 0.1%

LAB 3.55, 18.65, -27.03

 

CMYK 4 / 0 / 21 / 1

HEX #F3FDC8

RGB 243 253 200

HSL 71.32, 0.93%, 0.89%

LAB 97.42, -11.9, 24.32

 

CMYK 0 / 0 / 14 / 0

HEX #FFFFDB

RGB 255 255 219

HSL 60, 1%, 0.93%

LAB 99.18, -5.87, 17.23

 

CMYK 0 / 0 / 7 / 0

HEX #FFFFEE

RGB 255 255 238

HSL 60, 1%, 0.97%

LAB 99.59, -2.88, 8.11

 

CMYK 6 / 0 / 19 / 1

HEX #EEFDCD

RGB 238 253 205

HSL 78.75, 0.92%, 0.9%

LAB 97.16, -12.93, 21.36

 

CMYK 6 / 0 / 21 / 8

HEX #DDEBBA

RGB 221 235 186

HSL 77.14, 0.55%, 0.83%

LAB 90.93, -12.87, 22.27

 

CMYK 6 / 0 / 23 / 15

HEX #CCD9A7

RGB 204 217 167

HSL 75.6, 0.4%, 0.75%

LAB 84.61, -12.8, 23.22

 

CMYK 6 / 0 / 26 / 22

HEX #BBC794

RGB 187 199 148

HSL 74.12, 0.31%, 0.68%

LAB 78.2, -12.72, 24.22

 

CMYK 6 / 0 / 29 / 29

HEX #AAB581

RGB 170 181 129

HSL 72.69, 0.26%, 0.61%

LAB 71.68, -12.62, 25.28

 

CMYK 6 / 0 / 18 / 1

HEX #EEFCCE

RGB 238 252 206

HSL 78.26, 0.88%, 0.9%

LAB 96.92, -12.29, 20.52

 

CMYK 1 / 0 / 18 / 1

HEX #FAFCCE

RGB 250 252 206

HSL 62.61, 0.88%, 0.9%

LAB 97.79, -8.06, 21.86

 

CMYK 0 / 4 / 18 / 1

HEX #FCF2CE

RGB 252 242 206

HSL 46.96, 0.88%, 0.9%

LAB 95.44, -2.34, 18.6

 

CMYK 0 / 9 / 18 / 1

HEX #FCE5CE

RGB 252 229 206

HSL 30, 0.88%, 0.9%

LAB 92.22, 4.26, 14.06

 

CMYK 0 / 14 / 18 / 1

HEX #FCD9CE

RGB 252 217 206

HSL 14.35, 0.88%, 0.9%

LAB 89.29, 10.45, 9.9

 

CMYK 6 / 0 / 18 / 1

HEX #EEFCCE

RGB 238 252 206

HSL 78.26, 0.88%, 0.9%

LAB 96.92, -12.29, 20.52

 

CMYK 11 / 0 / 18 / 1

HEX #E1FCCE

RGB 225 252 206

HSL 95.22, 0.88%, 0.9%

LAB 96.03, -16.78, 19.14

 

CMYK 16 / 0 / 18 / 1

HEX #D4FCCE

RGB 212 252 206

HSL 112.17, 0.88%, 0.9%

LAB 95.19, -21.17, 17.84

 

CMYK 18 / 0 / 16 / 1

HEX #CEFCD3

RGB 206 252 211

HSL 126.52, 0.88%, 0.9%

LAB 94.93, -22.29, 14.85

 

CMYK 18 / 0 / 11 / 1

HEX #CEFCE0

RGB 206 252 224

HSL 143.48, 0.88%, 0.9%

LAB 95.21, -19.98, 8.58

 

CMYK 6 / 0 / 18 / 1

HEX #EEFCCE

RGB 238 252 206

HSL 78.26, 0.88%, 0.9%

LAB 96.92, -12.29, 20.52

 

CMYK 6 / 0 / 18 / 1

HEX #EEFCCE

RGB 238 252 206

HSL 78.26, 0.88%, 0.9%

LAB 96.92, -12.29, 20.52

 

CMYK 5 / 0 / 15 / 3

HEX #ECF8D2

RGB 236 248 210

HSL 78.95, 0.73%, 0.9%

LAB 95.84, -10.39, 16.93

 

CMYK 4 / 0 / 12 / 4

HEX #EBF4D6

RGB 235 244 214

HSL 78, 0.58%, 0.9%

LAB 94.83, -8.11, 13.44

 

CMYK 3 / 0 / 9 / 6

HEX #E9F0DA

RGB 233 240 218

HSL 79.09, 0.42%, 0.9%

LAB 93.76, -6.13, 9.82

 

CMYK 2 / 0 / 6 / 7

HEX #E8ECDE

RGB 232 236 222

HSL 77.14, 0.27%, 0.9%

LAB 92.76, -3.78, 6.31

 

CMYK 0 / 4 / 18 / 1

HEX #FCF2CE

RGB 252 242 206

HSL 46.96, 0.88%, 0.9%

LAB 95.44, -2.34, 18.6

 

CMYK 0 / 0 / 18 / 1

HEX #FBFCCE

RGB 251 252 206

HSL 61.3, 0.88%, 0.9%

LAB 97.87, -7.7, 21.98

 

CMYK 6 / 0 / 18 / 1

HEX #EEFCCE

RGB 238 252 206

HSL 78.26, 0.88%, 0.9%

LAB 96.92, -12.29, 20.52

 

CMYK 10 / 0 / 18 / 1

HEX #E2FCCE

RGB 226 252 206

HSL 93.91, 0.88%, 0.9%

LAB 96.1, -16.44, 19.24

 

CMYK 15 / 0 / 18 / 1

HEX #D5FCCE

RGB 213 252 206

HSL 110.87, 0.88%, 0.9%

LAB 95.25, -20.84, 17.94

 

CMYK 15 / 0 / 49 / 2

HEX #D3F97E

RGB 211 249 126

HSL 78.54, 0.91%, 0.74%

LAB 93.06, -30.69, 54.54

 

CMYK 11 / 0 / 34 / 2

HEX #E0FBA6

RGB 224 251 166

HSL 79.06, 0.91%, 0.82%

LAB 94.99, -22.36, 37.91

 

CMYK 6 / 0 / 18 / 1

HEX #EEFCCE

RGB 238 252 206

HSL 78.26, 0.88%, 0.9%

LAB 96.92, -12.29, 20.52

 

CMYK 1 / 0 / 4 / 0

HEX #FBFEF5

RGB 251 254 245

HSL 80, 0.82%, 0.98%

LAB 99.22, -2.55, 3.94

 

CMYK 6 / 0 / 19 / 1

HEX #EEFDCD

RGB 238 253 205

HSL 78.75, 0.92%, 0.9%

LAB 97.16, -12.93, 21.36

 

CMYK 18 / 0 / 9 / 1

HEX #CEFCE5

RGB 206 252 229

HSL 150, 0.88%, 0.9%

LAB 95.33, -19.05, 6.17

 

CMYK 2 / 18 / 0 / 1

HEX #F8CEFC

RGB 248 206 252

HSL 294.78, 0.88%, 0.9%

LAB 87.55, 22.5, -16.97

 

CMYK 6 / 0 / 19 / 1

HEX #EEFDCD

RGB 238 253 205

HSL 78.75, 0.92%, 0.9%

LAB 97.16, -12.93, 21.36

 

CMYK 18 / 6 / 0 / 1

HEX #CEEEFC

RGB 206 238 252

HSL 198.26, 0.88%, 0.9%

LAB 92.26, -7.52, -10.24

 

CMYK 0 / 18 / 6 / 1

HEX #FCCEEE

RGB 252 206 238

HSL 318.26, 0.88%, 0.9%

LAB 87.49, 21.34, -9.61

 

CMYK 6 / 0 / 19 / 1

HEX #EEFDCD

RGB 238 253 205

HSL 78.75, 0.92%, 0.9%

LAB 97.16, -12.93, 21.36

 

CMYK 18 / 0 / 9 / 1

HEX #CEFCE5

RGB 206 252 229

HSL 150, 0.88%, 0.9%

LAB 95.33, -19.05, 6.17

 

CMYK 13 / 18 / 0 / 1

HEX #DCCEFC

RGB 220 206 252

HSL 258.26, 0.88%, 0.9%

LAB 85.19, 13.54, -20.75

 

CMYK 0 / 18 / 9 / 1

HEX #FCCEE5

RGB 252 206 229

HSL 330, 0.88%, 0.9%

LAB 87.24, 19.82, -5.22

 

CMYK 6 / 0 / 19 / 1

HEX #EEFDCD

RGB 238 253 205

HSL 78.75, 0.92%, 0.9%

LAB 97.16, -12.93, 21.36

 

CMYK 18 / 0 / 4 / 1

HEX #CEFCF3

RGB 206 252 243

HSL 168.26, 0.88%, 0.9%

LAB 95.67, -16.36, -0.56

 

CMYK 13 / 18 / 0 / 1

HEX #DCCEFC

RGB 220 206 252

HSL 258.26, 0.88%, 0.9%

LAB 85.19, 13.54, -20.75

 

CMYK 0 / 18 / 15 / 1

HEX #FCCED7

RGB 252 206 215

HSL 348.26, 0.88%, 0.9%

LAB 86.87, 17.56, 1.66

 

Description

Color code: RGB 238 253 205 | qconv.com Color code: RGB 238 253 205 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 253 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 253 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 19 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 19% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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