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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FECCD5 it is the complementary color #01332A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FECCD5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FECCD5 shade: #FFCCD0, #FFDEE3 and #FFF0F6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FECCD5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FECCD5 shade: #FECCD5, #EDBAC2, #DCA8AF, #CB969C and #BA8489

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FECCD5 shade: #FDCDD5 and #FDCDCD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FECCD5 shade: #FDCDD5, #FDCDE3, #FDCDF0, #FDCDFD and #F1CDFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FECCD5 shade matches the following richer shades: #FDCDD5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FECCD5 shade: #FDCDD5, #F9D1D8, #F5D5DB, #F1D9DD and #EDDDE0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FECCD5 shade: #FDCDF0, #FDCDE3, #FDCDD5, #FDD1CD and #FDDECD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FECCD5 shade: #FC7C93, #FDA4B4, #FDCDD5 and #FEF5F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FECCD5 shade: #FECCD5, #FDFDCD and #CDE9FD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FECCD5 shade: #FECCD5, #D5FDCD and #CDD5FD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FECCD5 shade: #FECCD5, #FDFDCD, #CDFDF5 and #CDCDFD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FECCD5 shade: #FECCD5, #EEFDCD, #CDFDF5 and #DCCDFD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 16 / 0

HEX #FECCD5

RGB 254 204 213

HSL 349.2, 0.96%, 0.9%

LAB 86.53, 19, 2.25

 

Complementary color

CMYK 98 / 0 / 18 / 80

HEX #01332A

RGB 1 51 42

HSL 169.2, 0.96%, 0.1%

LAB 18.1, -18.48, 1.24

 

CMYK 0 / 20 / 18 / 0

HEX #FFCCD0

RGB 255 204 208

HSL 355.29, 1%, 0.9%

LAB 86.5, 18.6, 4.88

 

CMYK 0 / 13 / 11 / 0

HEX #FFDEE3

RGB 255 222 227

HSL 350.91, 1%, 0.94%

LAB 91.26, 12.17, 1.75

 

CMYK 0 / 6 / 4 / 0

HEX #FFF0F6

RGB 255 240 246

HSL 336, 1%, 0.97%

LAB 96.09, 6.06, -1.08

 

CMYK 0 / 20 / 16 / 0

HEX #FECCD5

RGB 254 204 213

HSL 349.2, 0.96%, 0.9%

LAB 86.53, 19, 2.25

 

CMYK 0 / 22 / 18 / 7

HEX #EDBAC2

RGB 237 186 194

HSL 350.59, 0.59%, 0.83%

LAB 80.19, 19.54, 3.01

 

CMYK 0 / 24 / 20 / 14

HEX #DCA8AF

RGB 220 168 175

HSL 351.92, 0.43%, 0.76%

LAB 73.75, 20.12, 3.81

 

CMYK 0 / 26 / 23 / 20

HEX #CB969C

RGB 203 150 156

HSL 353.21, 0.34%, 0.69%

LAB 67.21, 20.77, 4.67

 

CMYK 0 / 29 / 26 / 27

HEX #BA8489

RGB 186 132 137

HSL 354.44, 0.28%, 0.62%

LAB 60.56, 21.49, 5.61

 

CMYK 0 / 19 / 16 / 1

HEX #FDCDD5

RGB 253 205 213

HSL 350, 0.92%, 0.9%

LAB 86.68, 18.13, 2.45

 

CMYK 0 / 19 / 19 / 1

HEX #FDCDCD

RGB 253 205 205

HSL 0, 0.92%, 0.9%

LAB 86.48, 16.92, 6.41

 

CMYK 0 / 19 / 16 / 1

HEX #FDCDD5

RGB 253 205 213

HSL 350, 0.92%, 0.9%

LAB 86.68, 18.13, 2.45

 

CMYK 0 / 19 / 10 / 1

HEX #FDCDE3

RGB 253 205 227

HSL 332.5, 0.92%, 0.9%

LAB 87.04, 20.35, -4.44

 

CMYK 0 / 19 / 5 / 1

HEX #FDCDF0

RGB 253 205 240

HSL 316.25, 0.92%, 0.9%

LAB 87.41, 22.54, -10.79

 

CMYK 0 / 19 / 0 / 1

HEX #FDCDFD

RGB 253 205 253

HSL 300, 0.92%, 0.9%

LAB 87.79, 24.83, -17.08

 

CMYK 5 / 19 / 0 / 1

HEX #F1CDFD

RGB 241 205 253

HSL 285, 0.92%, 0.9%

LAB 86.73, 20.95, -18.79

 

CMYK 0 / 19 / 16 / 1

HEX #FDCDD5

RGB 253 205 213

HSL 350, 0.92%, 0.9%

LAB 86.68, 18.13, 2.45

 

CMYK 0 / 19 / 16 / 1

HEX #FDCDD5

RGB 253 205 213

HSL 350, 0.92%, 0.9%

LAB 86.68, 18.13, 2.45

 

CMYK 0 / 16 / 13 / 2

HEX #F9D1D8

RGB 249 209 216

HSL 349.5, 0.77%, 0.9%

LAB 87.34, 15.09, 1.78

 

CMYK 0 / 13 / 11 / 4

HEX #F5D5DB

RGB 245 213 219

HSL 348.75, 0.62%, 0.9%

LAB 88.02, 12.09, 1.15

 

CMYK 0 / 10 / 8 / 5

HEX #F1D9DD

RGB 241 217 221

HSL 350, 0.46%, 0.9%

LAB 88.71, 8.94, 1.05

 

CMYK 0 / 7 / 5 / 7

HEX #EDDDE0

RGB 237 221 224

HSL 348.75, 0.31%, 0.9%

LAB 89.44, 5.98, 0.5

 

CMYK 0 / 19 / 5 / 1

HEX #FDCDF0

RGB 253 205 240

HSL 316.25, 0.92%, 0.9%

LAB 87.41, 22.54, -10.79

 

CMYK 0 / 19 / 10 / 1

HEX #FDCDE3

RGB 253 205 227

HSL 332.5, 0.92%, 0.9%

LAB 87.04, 20.35, -4.44

 

CMYK 0 / 19 / 16 / 1

HEX #FDCDD5

RGB 253 205 213

HSL 350, 0.92%, 0.9%

LAB 86.68, 18.13, 2.45

 

CMYK 0 / 17 / 19 / 1

HEX #FDD1CD

RGB 253 209 205

HSL 5, 0.92%, 0.9%

LAB 87.43, 14.83, 7.78

 

CMYK 0 / 12 / 19 / 1

HEX #FDDECD

RGB 253 222 205

HSL 21.25, 0.92%, 0.9%

LAB 90.57, 8.08, 12.25

 

CMYK 0 / 51 / 42 / 1

HEX #FC7C93

RGB 252 124 147

HSL 349.22, 0.96%, 0.74%

LAB 67.44, 50.9, 10.87

 

CMYK 0 / 35 / 29 / 1

HEX #FDA4B4

RGB 253 164 180

HSL 349.21, 0.96%, 0.82%

LAB 76.51, 34.91, 5.51

 

CMYK 0 / 19 / 16 / 1

HEX #FDCDD5

RGB 253 205 213

HSL 350, 0.92%, 0.9%

LAB 86.68, 18.13, 2.45

 

CMYK 0 / 4 / 3 / 0

HEX #FEF5F7

RGB 254 245 247

HSL 346.67, 0.82%, 0.98%

LAB 97.26, 3.35, 0.1

 

CMYK 0 / 20 / 16 / 0

HEX #FECCD5

RGB 254 204 213

HSL 349.2, 0.96%, 0.9%

LAB 86.53, 19, 2.25

 

CMYK 0 / 0 / 19 / 1

HEX #FDFDCD

RGB 253 253 205

HSL 60, 0.92%, 0.9%

LAB 98.25, -7.63, 23.04

 

CMYK 19 / 8 / 0 / 1

HEX #CDE9FD

RGB 205 233 253

HSL 205, 0.92%, 0.9%

LAB 90.94, -5.05, -12.75

 

CMYK 0 / 20 / 16 / 0

HEX #FECCD5

RGB 254 204 213

HSL 349.2, 0.96%, 0.9%

LAB 86.53, 19, 2.25

 

CMYK 16 / 0 / 19 / 1

HEX #D5FDCD

RGB 213 253 205

HSL 110, 0.92%, 0.9%

LAB 95.5, -21.48, 18.79

 

CMYK 19 / 16 / 0 / 1

HEX #CDD5FD

RGB 205 213 253

HSL 230, 0.92%, 0.9%

LAB 85.84, 5.38, -20.42

 

CMYK 0 / 20 / 16 / 0

HEX #FECCD5

RGB 254 204 213

HSL 349.2, 0.96%, 0.9%

LAB 86.53, 19, 2.25

 

CMYK 0 / 0 / 19 / 1

HEX #FDFDCD

RGB 253 253 205

HSL 60, 0.92%, 0.9%

LAB 98.25, -7.63, 23.04

 

CMYK 19 / 0 / 3 / 1

HEX #CDFDF5

RGB 205 253 245

HSL 170, 0.92%, 0.9%

LAB 95.92, -16.75, -1.23

 

CMYK 19 / 19 / 0 / 1

HEX #CDCDFD

RGB 205 205 253

HSL 240, 0.92%, 0.9%

LAB 83.83, 9.63, -23.46

 

CMYK 0 / 20 / 16 / 0

HEX #FECCD5

RGB 254 204 213

HSL 349.2, 0.96%, 0.9%

LAB 86.53, 19, 2.25

 

CMYK 6 / 0 / 19 / 1

HEX #EEFDCD

RGB 238 253 205

HSL 78.75, 0.92%, 0.9%

LAB 97.16, -12.93, 21.36

 

CMYK 19 / 0 / 3 / 1

HEX #CDFDF5

RGB 205 253 245

HSL 170, 0.92%, 0.9%

LAB 95.92, -16.75, -1.23

 

CMYK 13 / 19 / 0 / 1

HEX #DCCDFD

RGB 220 205 253

HSL 258.75, 0.92%, 0.9%

LAB 84.98, 14.27, -21.6

 

Description

Color code: HEX #FECCD5 | qconv.com Color code: HEX #FECCD5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 204 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 204 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 16 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 16% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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