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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC4BEA it is the complementary color #13B415. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC4BEA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC4BEA shade: #F14BE5, #FF5DF8, #FF6FFF, #FF81FF and #FF93FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC4BEA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC4BEA shade: #EC4BEA, #DB39D7, #CA27C4, #B915B1 and #A8039E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC4BEA shade: #EC4AEA, #EC4ABE, #EC4A93, #EC4A67 and #EC4A4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC4BEA shade: #EC4AEA, #C24AEC, #974AEC, #6B4AEC and #4A4AEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC4BEA shade matches the following richer shades: #EC4AEA and #FC3AF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC4BEA shade: #EC4AEA, #DC5BDA, #CB6BCA, #BB7BBB and #AB8BAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC4BEA shade: #964AEC, #C14AEC, #EC4AEC, #EC4AC1 and #EC4A96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC4BEA shade: #CE15CC, #E825E5, #EC4AEA, #F070EE and #F395F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC4BEA shade: #EC4BEA, #EC6B4A and #4AECAB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC4BEA shade: #EC4BEA, #ECEC4A and #4AECEC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC4BEA shade: #EC4BEA, #EC6B4A, #4AEC4A and #4ACBEC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC4BEA shade: #EC4BEA, #EC9B4A, #4AEC4A and #4A9BEC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 1 / 7

HEX #EC4BEA

RGB 236 75 234

HSL 300.75, 0.81%, 0.61%

LAB 60.61, 78.62, -48.88

 

Complementary color

CMYK 89 / 0 / 88 / 29

HEX #13B415

RGB 19 180 21

HSL 120.75, 0.81%, 0.39%

LAB 64.03, -64.76, 61.18

 

CMYK 0 / 69 / 5 / 5

HEX #F14BE5

RGB 241 75 229

HSL 304.34, 0.86%, 0.62%

LAB 61.12, 78.94, -45.22

 

CMYK 0 / 64 / 3 / 0

HEX #FF5DF8

RGB 255 93 248

HSL 302.59, 1%, 0.68%

LAB 66.42, 78.61, -47.29

 

CMYK 0 / 56 / 0 / 0

HEX #FF6FFF

RGB 255 111 255

HSL 300, 1%, 0.72%

LAB 69.36, 72.52, -46.5

 

CMYK 0 / 49 / 0 / 0

HEX #FF81FF

RGB 255 129 255

HSL 300, 1%, 0.75%

LAB 72.35, 64.48, -41.82

 

CMYK 0 / 42 / 0 / 0

HEX #FF93FF

RGB 255 147 255

HSL 300, 1%, 0.79%

LAB 75.67, 55.82, -36.66

 

CMYK 0 / 68 / 1 / 7

HEX #EC4BEA

RGB 236 75 234

HSL 300.75, 0.81%, 0.61%

LAB 60.61, 78.62, -48.88

 

CMYK 0 / 74 / 2 / 14

HEX #DB39D7

RGB 219 57 215

HSL 301.48, 0.69%, 0.54%

LAB 54.96, 77.8, -47.29

 

CMYK 0 / 81 / 3 / 21

HEX #CA27C4

RGB 202 39 196

HSL 302.21, 0.68%, 0.47%

LAB 49.49, 76.27, -45.25

 

CMYK 0 / 89 / 4 / 27

HEX #B915B1

RGB 185 21 177

HSL 302.93, 0.8%, 0.4%

LAB 44.27, 73.75, -42.61

 

CMYK 0 / 98 / 6 / 34

HEX #A8039E

RGB 168 3 158

HSL 303.64, 0.96%, 0.34%

LAB 39.34, 70.09, -39.29

 

CMYK 0 / 69 / 1 / 7

HEX #EC4AEA

RGB 236 74 234

HSL 300.74, 0.81%, 0.61%

LAB 60.49, 78.96, -49.07

 

CMYK 0 / 69 / 19 / 7

HEX #EC4ABE

RGB 236 74 190

HSL 317.04, 0.81%, 0.61%

LAB 58.46, 72.57, -27.33

 

CMYK 0 / 69 / 38 / 7

HEX #EC4A93

RGB 236 74 147

HSL 332.96, 0.81%, 0.61%

LAB 56.92, 67.47, -4.67

 

CMYK 0 / 69 / 56 / 7

HEX #EC4A67

RGB 236 74 103

HSL 349.26, 0.81%, 0.61%

LAB 55.8, 63.63, 19.75

 

CMYK 0 / 69 / 69 / 7

HEX #EC4A4A

RGB 236 74 74

HSL 0, 0.81%, 0.61%

LAB 55.3, 61.89, 36

 

CMYK 0 / 69 / 1 / 7

HEX #EC4AEA

RGB 236 74 234

HSL 300.74, 0.81%, 0.61%

LAB 60.49, 78.96, -49.07

 

CMYK 18 / 69 / 0 / 7

HEX #C24AEC

RGB 194 74 236

HSL 284.44, 0.81%, 0.61%

LAB 54.47, 70.42, -60.15

 

CMYK 36 / 69 / 0 / 7

HEX #974AEC

RGB 151 74 236

HSL 268.52, 0.81%, 0.61%

LAB 48.92, 61.91, -69.39

 

CMYK 55 / 69 / 0 / 7

HEX #6B4AEC

RGB 107 74 236

HSL 252.22, 0.81%, 0.61%

LAB 44.35, 54.38, -77.05

 

CMYK 69 / 69 / 0 / 7

HEX #4A4AEC

RGB 74 74 236

HSL 240, 0.81%, 0.61%

LAB 41.86, 50.03, -81.22

 

CMYK 0 / 69 / 1 / 7

HEX #EC4AEA

RGB 236 74 234

HSL 300.74, 0.81%, 0.61%

LAB 60.49, 78.96, -49.07

 

CMYK 0 / 77 / 1 / 1

HEX #FC3AF9

RGB 252 58 249

HSL 300.93, 0.97%, 0.61%

LAB 62.14, 89.14, -54.65

 

CMYK 0 / 69 / 1 / 7

HEX #EC4AEA

RGB 236 74 234

HSL 300.74, 0.81%, 0.61%

LAB 60.49, 78.96, -49.07

 

CMYK 0 / 59 / 1 / 14

HEX #DC5BDA

RGB 220 91 218

HSL 300.93, 0.65%, 0.61%

LAB 59.67, 66.14, -41.54

 

CMYK 0 / 47 / 0 / 20

HEX #CB6BCA

RGB 203 107 202

HSL 300.63, 0.48%, 0.61%

LAB 59.41, 51.34, -33.07

 

CMYK 0 / 34 / 0 / 27

HEX #BB7BBB

RGB 187 123 187

HSL 300, 0.32%, 0.61%

LAB 60.18, 35.24, -23.53

 

CMYK 0 / 19 / 0 / 33

HEX #AB8BAB

RGB 171 139 171

HSL 300, 0.16%, 0.61%

LAB 61.71, 17.81, -12.26

 

CMYK 36 / 69 / 0 / 7

HEX #964AEC

RGB 150 74 236

HSL 268.15, 0.81%, 0.61%

LAB 48.81, 61.72, -69.58

 

CMYK 18 / 69 / 0 / 7

HEX #C14AEC

RGB 193 74 236

HSL 284.07, 0.81%, 0.61%

LAB 54.33, 70.22, -60.38

 

CMYK 0 / 69 / 0 / 7

HEX #EC4AEC

RGB 236 74 236

HSL 300, 0.81%, 0.61%

LAB 60.59, 79.27, -50.03

 

CMYK 0 / 69 / 18 / 7

HEX #EC4AC1

RGB 236 74 193

HSL 315.93, 0.81%, 0.61%

LAB 58.58, 72.97, -28.85

 

CMYK 0 / 69 / 36 / 7

HEX #EC4A96

RGB 236 74 150

HSL 331.85, 0.81%, 0.61%

LAB 57.01, 67.78, -6.29

 

CMYK 0 / 90 / 1 / 19

HEX #CE15CC

RGB 206 21 204

HSL 300.65, 0.81%, 0.45%

LAB 49.52, 81.43, -49.79

 

CMYK 0 / 84 / 1 / 9

HEX #E825E5

RGB 232 37 229

HSL 300.92, 0.81%, 0.53%

LAB 56.22, 87.09, -53.08

 

CMYK 0 / 69 / 1 / 7

HEX #EC4AEA

RGB 236 74 234

HSL 300.74, 0.81%, 0.61%

LAB 60.49, 78.96, -49.07

 

CMYK 0 / 53 / 1 / 6

HEX #F070EE

RGB 240 112 238

HSL 300.94, 0.81%, 0.69%

LAB 66.74, 65.41, -41.42

 

CMYK 0 / 39 / 0 / 5

HEX #F395F2

RGB 243 149 242

HSL 300.64, 0.8%, 0.77%

LAB 74.16, 49, -32.04

 

CMYK 0 / 68 / 1 / 7

HEX #EC4BEA

RGB 236 75 234

HSL 300.75, 0.81%, 0.61%

LAB 60.61, 78.62, -48.88

 

CMYK 0 / 55 / 69 / 7

HEX #EC6B4A

RGB 236 107 74

HSL 12.22, 0.81%, 0.61%

LAB 60.64, 47.7, 42.27

 

CMYK 69 / 0 / 28 / 7

HEX #4AECAB

RGB 74 236 171

HSL 155.93, 0.81%, 0.61%

LAB 84.17, -56.53, 19.61

 

CMYK 0 / 68 / 1 / 7

HEX #EC4BEA

RGB 236 75 234

HSL 300.75, 0.81%, 0.61%

LAB 60.61, 78.62, -48.88

 

CMYK 0 / 0 / 69 / 7

HEX #ECEC4A

RGB 236 236 74

HSL 60, 0.81%, 0.61%

LAB 90.92, -18.51, 74.33

 

CMYK 69 / 0 / 0 / 7

HEX #4AECEC

RGB 74 236 236

HSL 180, 0.81%, 0.61%

LAB 85.76, -40.55, -12.16

 

CMYK 0 / 68 / 1 / 7

HEX #EC4BEA

RGB 236 75 234

HSL 300.75, 0.81%, 0.61%

LAB 60.61, 78.62, -48.88

 

CMYK 0 / 55 / 69 / 7

HEX #EC6B4A

RGB 236 107 74

HSL 12.22, 0.81%, 0.61%

LAB 60.64, 47.7, 42.27

 

CMYK 69 / 0 / 69 / 7

HEX #4AEC4A

RGB 74 236 74

HSL 120, 0.81%, 0.61%

LAB 82.88, -71.09, 63.56

 

CMYK 69 / 14 / 0 / 7

HEX #4ACBEC

RGB 74 203 236

HSL 192.22, 0.81%, 0.61%

LAB 76.21, -24.88, -26.6

 

CMYK 0 / 68 / 1 / 7

HEX #EC4BEA

RGB 236 75 234

HSL 300.75, 0.81%, 0.61%

LAB 60.61, 78.62, -48.88

 

CMYK 0 / 34 / 69 / 7

HEX #EC9B4A

RGB 236 155 74

HSL 30, 0.81%, 0.61%

LAB 70.71, 23.16, 53.52

 

CMYK 69 / 0 / 69 / 7

HEX #4AEC4A

RGB 74 236 74

HSL 120, 0.81%, 0.61%

LAB 82.88, -71.09, 63.56

 

CMYK 69 / 34 / 0 / 7

HEX #4A9BEC

RGB 74 155 236

HSL 210, 0.81%, 0.61%

LAB 62.47, 1.01, -47.97

 

Description

Color code: HEX #EC4BEA | qconv.com Color code: HEX #EC4BEA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 75 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 75 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 1 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 1% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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