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Color name
HEX #FC0CC2

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FC0CC2 it is the complementary color #03F33D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FC0CC2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FC0CC2 shade: #FF0CBD, #FF1ED0, #FF30E3, #FF42F6 and #FF54FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FC0CC2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FC0CC2 shade: #FC0CC2, #EB00AF, #DA009C, #C90089 and #B80076

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FC0CC2 shade: #FC0CC2, #FC0C81, #FC0C41 and #FC0C0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FC0CC2 shade: #FC0CC2, #F50CFC, #B50CFC, #740CFC and #330CFC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FC0CC2 shade matches the following richer shades: #FC0CC2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FC0CC2 shade: #FC0CC2, #E820B8, #D434AE, #C148A3 and #AD5B99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FC0CC2 shade: #B40CFC, #F40CFC, #FC0CC4, #FC0C84 and #FC0C44

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FC0CC2 shade: #B40189, #DD02A8, #FC0CC2, #FC35CC and #FD5ED6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FC0CC2 shade: #FC0CC2, #FC740C and #0CFCD4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FC0CC2 shade: #FC0CC2, #C4FC0C and #0CC4FC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FC0CC2 shade: #FC0CC2, #FC740C, #0CFC44 and #0C94FC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FC0CC2 shade: #FC0CC2, #FCBC0C, #0CFC44 and #0C4CFC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 95 / 23 / 1

HEX #FC0CC2

RGB 252 12 194

HSL 314.5, 0.98%, 0.52%

LAB 56.93, 89.3, -31.78

 

Complementary color

CMYK 99 / 0 / 75 / 5

HEX #03F33D

RGB 3 243 61

HSL 134.5, 0.98%, 0.48%

LAB 84.2, -80.74, 69.19

 

CMYK 0 / 95 / 26 / 0

HEX #FF0CBD

RGB 255 12 189

HSL 316.3, 1%, 0.52%

LAB 57.27, 89.31, -28.33

 

CMYK 0 / 88 / 18 / 0

HEX #FF1ED0

RGB 255 30 208

HSL 312.53, 1%, 0.56%

LAB 58.74, 89.64, -36.95

 

CMYK 0 / 81 / 11 / 0

HEX #FF30E3

RGB 255 48 227

HSL 308.12, 1%, 0.59%

LAB 60.71, 88.92, -44.6

 

CMYK 0 / 74 / 4 / 0

HEX #FF42F6

RGB 255 66 246

HSL 302.86, 1%, 0.63%

LAB 63.19, 87.18, -51.29

 

CMYK 0 / 67 / 0 / 0

HEX #FF54FF

RGB 255 84 255

HSL 300, 1%, 0.66%

LAB 65.61, 82.94, -52.42

 

CMYK 0 / 95 / 23 / 1

HEX #FC0CC2

RGB 252 12 194

HSL 314.5, 0.98%, 0.52%

LAB 56.93, 89.3, -31.78

 

CMYK 0 / 100 / 26 / 8

HEX #EB00AF

RGB 235 0 175

HSL 315.32, 1%, 0.46%

LAB 52.68, 84.79, -27.57

 

CMYK 0 / 100 / 28 / 15

HEX #DA009C

RGB 218 0 156

HSL 317.06, 1%, 0.43%

LAB 48.64, 79.46, -22.83

 

CMYK 0 / 100 / 32 / 21

HEX #C90089

RGB 201 0 137

HSL 319.1, 1%, 0.39%

LAB 44.55, 74.06, -17.91

 

CMYK 0 / 100 / 36 / 28

HEX #B80076

RGB 184 0 118

HSL 321.52, 1%, 0.36%

LAB 40.41, 68.61, -12.81

 

CMYK 0 / 95 / 23 / 1

HEX #FC0CC2

RGB 252 12 194

HSL 314.5, 0.98%, 0.52%

LAB 56.93, 89.3, -31.78

 

CMYK 0 / 95 / 49 / 1

HEX #FC0C81

RGB 252 12 129

HSL 330.75, 0.98%, 0.52%

LAB 54.6, 83.18, 2.98

 

CMYK 0 / 95 / 74 / 1

HEX #FC0C41

RGB 252 12 65

HSL 346.75, 0.98%, 0.52%

LAB 53.32, 79.71, 39.6

 

CMYK 0 / 95 / 95 / 1

HEX #FC0C0C

RGB 252 12 12

HSL 0, 0.98%, 0.52%

LAB 52.93, 78.64, 63.79

 

CMYK 0 / 95 / 23 / 1

HEX #FC0CC2

RGB 252 12 194

HSL 314.5, 0.98%, 0.52%

LAB 56.93, 89.3, -31.78

 

CMYK 3 / 95 / 0 / 1

HEX #F50CFC

RGB 245 12 252

HSL 298.25, 0.98%, 0.52%

LAB 58.7, 95.58, -61.87

 

CMYK 28 / 95 / 0 / 1

HEX #B50CFC

RGB 181 12 252

HSL 282.25, 0.98%, 0.52%

LAB 48.4, 86.68, -79.03

 

CMYK 54 / 95 / 0 / 1

HEX #740CFC

RGB 116 12 252

HSL 266, 0.98%, 0.52%

LAB 39.59, 80.35, -93.86

 

CMYK 80 / 95 / 0 / 1

HEX #330CFC

RGB 51 12 252

HSL 249.75, 0.98%, 0.52%

LAB 33.97, 77.3, -103.35

 

CMYK 0 / 95 / 23 / 1

HEX #FC0CC2

RGB 252 12 194

HSL 314.5, 0.98%, 0.52%

LAB 56.93, 89.3, -31.78

 

CMYK 0 / 95 / 23 / 1

HEX #FC0CC2

RGB 252 12 194

HSL 314.5, 0.98%, 0.52%

LAB 56.93, 89.3, -31.78

 

CMYK 0 / 86 / 21 / 9

HEX #E820B8

RGB 232 32 184

HSL 314.4, 0.81%, 0.52%

LAB 53.65, 81.96, -31.37

 

CMYK 0 / 75 / 18 / 17

HEX #D434AE

RGB 212 52 174

HSL 314.25, 0.65%, 0.52%

LAB 51.28, 71.84, -29.49

 

CMYK 0 / 63 / 16 / 24

HEX #C148A3

RGB 193 72 163

HSL 314.88, 0.49%, 0.52%

LAB 50.24, 58.38, -24.88

 

CMYK 0 / 47 / 12 / 32

HEX #AD5B99

RGB 173 91 153

HSL 314.63, 0.33%, 0.52%

LAB 50.29, 41.81, -19.13

 

CMYK 29 / 95 / 0 / 1

HEX #B40CFC

RGB 180 12 252

HSL 282, 0.98%, 0.52%

LAB 48.25, 86.56, -79.28

 

CMYK 3 / 95 / 0 / 1

HEX #F40CFC

RGB 244 12 252

HSL 298, 0.98%, 0.52%

LAB 58.53, 95.43, -62.15

 

CMYK 0 / 95 / 22 / 1

HEX #FC0CC4

RGB 252 12 196

HSL 314, 0.98%, 0.52%

LAB 57.02, 89.53, -32.79

 

CMYK 0 / 95 / 48 / 1

HEX #FC0C84

RGB 252 12 132

HSL 330, 0.98%, 0.52%

LAB 54.68, 83.41, 1.3

 

CMYK 0 / 95 / 73 / 1

HEX #FC0C44

RGB 252 12 68

HSL 346, 0.98%, 0.52%

LAB 53.36, 79.81, 37.9

 

CMYK 0 / 99 / 24 / 29

HEX #B40189

RGB 180 1 137

HSL 314.41, 0.99%, 0.35%

LAB 40.46, 69.78, -24.57

 

CMYK 0 / 99 / 24 / 13

HEX #DD02A8

RGB 221 2 168

HSL 314.52, 0.98%, 0.44%

LAB 49.79, 81.21, -28.15

 

CMYK 0 / 95 / 23 / 1

HEX #FC0CC2

RGB 252 12 194

HSL 314.5, 0.98%, 0.52%

LAB 56.93, 89.3, -31.78

 

CMYK 0 / 79 / 19 / 1

HEX #FC35CC

RGB 252 53 204

HSL 314.47, 0.97%, 0.6%

LAB 59.53, 84.22, -33.47

 

CMYK 0 / 63 / 15 / 1

HEX #FD5ED6

RGB 253 94 214

HSL 314.72, 0.98%, 0.68%

LAB 64.76, 72.68, -31

 

CMYK 0 / 95 / 23 / 1

HEX #FC0CC2

RGB 252 12 194

HSL 314.5, 0.98%, 0.52%

LAB 56.93, 89.3, -31.78

 

CMYK 0 / 54 / 95 / 1

HEX #FC740C

RGB 252 116 12

HSL 26, 0.98%, 0.52%

LAB 64.33, 47.6, 70.34

 

CMYK 95 / 0 / 16 / 1

HEX #0CFCD4

RGB 12 252 212

HSL 170, 0.98%, 0.52%

LAB 89.14, -58.22, 5.28

 

CMYK 0 / 95 / 23 / 1

HEX #FC0CC2

RGB 252 12 194

HSL 314.5, 0.98%, 0.52%

LAB 56.93, 89.3, -31.78

 

CMYK 22 / 0 / 95 / 1

HEX #C4FC0C

RGB 196 252 12

HSL 74, 0.98%, 0.52%

LAB 92.3, -43.6, 88.2

 

CMYK 95 / 22 / 0 / 1

HEX #0CC4FC

RGB 12 196 252

HSL 194, 0.98%, 0.52%

LAB 73.92, -21.01, -38.79

 

CMYK 0 / 95 / 23 / 1

HEX #FC0CC2

RGB 252 12 194

HSL 314.5, 0.98%, 0.52%

LAB 56.93, 89.3, -31.78

 

CMYK 0 / 54 / 95 / 1

HEX #FC740C

RGB 252 116 12

HSL 26, 0.98%, 0.52%

LAB 64.33, 47.6, 70.34

 

CMYK 95 / 0 / 73 / 1

HEX #0CFC44

RGB 12 252 68

HSL 134, 0.98%, 0.52%

LAB 87.05, -82.42, 69.76

 

CMYK 95 / 41 / 0 / 1

HEX #0C94FC

RGB 12 148 252

HSL 206, 0.98%, 0.52%

LAB 60.15, 5.71, -60.53

 

CMYK 0 / 95 / 23 / 1

HEX #FC0CC2

RGB 252 12 194

HSL 314.5, 0.98%, 0.52%

LAB 56.93, 89.3, -31.78

 

CMYK 0 / 25 / 95 / 1

HEX #FCBC0C

RGB 252 188 12

HSL 44, 0.98%, 0.52%

LAB 80, 10.76, 80.99

 

CMYK 95 / 0 / 73 / 1

HEX #0CFC44

RGB 12 252 68

HSL 134, 0.98%, 0.52%

LAB 87.05, -82.42, 69.76

 

CMYK 95 / 70 / 0 / 1

HEX #0C4CFC

RGB 12 76 252

HSL 224, 0.98%, 0.52%

LAB 41.65, 50.41, -90.63

 

Description

Color code: HEX #FC0CC2 | qconv.com Color code: HEX #FC0CC2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 12 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 12 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 95 magenta, 23 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 95% 23% 1% C M Y K

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