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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FC0C81 it is the complementary color #03F37E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FC0C81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FC0C81 shade: #FF0C7C, #FF1E8F, #FF30A2, #FF42B5 and #FF54C8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FC0C81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FC0C81 shade: #FC0C81, #EB006E, #DA005B, #C90048 and #B80035

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FC0C81 shade: #FC0C81, #FC0C40 and #FC0C0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FC0C81 shade: #FC0C81, #FC0CC2, #F60CFC, #B50CFC and #740CFC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FC0C81 shade matches the following richer shades: #FC0C81

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FC0C81 shade: #FC0C81, #E82082, #D43482, #C14883 and #AD5B83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FC0C81 shade: #F40CFC, #FC0CC4, #FC0C84, #FC0C44 and #FC140C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FC0C81 shade: #B40159, #DD026D, #FC0C81, #FC3596 and #FD5EAB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FC0C81 shade: #FC0C81, #FCB40C and #0CE4FC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FC0C81 shade: #FC0C81, #84FC0C and #0C84FC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FC0C81 shade: #FC0C81, #FCB40C, #0CFC84 and #0C54FC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FC0C81 shade: #FC0C81, #FCFC0C, #0CFC84 and #0C0CFC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 95 / 49 / 1

HEX #FC0C81

RGB 252 12 129

HSL 330.75, 0.98%, 0.52%

LAB 54.6, 83.18, 2.98

 

Complementary color

CMYK 99 / 0 / 48 / 5

HEX #03F37E

RGB 3 243 126

HSL 150.75, 0.98%, 0.48%

LAB 84.81, -73.23, 42.92

 

CMYK 0 / 95 / 51 / 0

HEX #FF0C7C

RGB 255 12 124

HSL 332.35, 1%, 0.52%

LAB 55.05, 83.48, 6.71

 

CMYK 0 / 88 / 44 / 0

HEX #FF1E8F

RGB 255 30 143

HSL 329.87, 1%, 0.56%

LAB 56.26, 82.98, -2.89

 

CMYK 0 / 81 / 36 / 0

HEX #FF30A2

RGB 255 48 162

HSL 326.96, 1%, 0.59%

LAB 58.02, 81.37, -11.47

 

CMYK 0 / 74 / 29 / 0

HEX #FF42B5

RGB 255 66 181

HSL 323.49, 1%, 0.63%

LAB 60.33, 78.69, -19.01

 

CMYK 0 / 67 / 22 / 0

HEX #FF54C8

RGB 255 84 200

HSL 319.3, 1%, 0.66%

LAB 63.15, 75.06, -25.55

 

CMYK 0 / 95 / 49 / 1

HEX #FC0C81

RGB 252 12 129

HSL 330.75, 0.98%, 0.52%

LAB 54.6, 83.18, 2.98

 

CMYK 0 / 100 / 53 / 8

HEX #EB006E

RGB 235 0 110

HSL 331.91, 1%, 0.46%

LAB 50.44, 78.96, 8.08

 

CMYK 0 / 100 / 58 / 15

HEX #DA005B

RGB 218 0 91

HSL 334.95, 1%, 0.43%

LAB 46.53, 73.93, 13.83

 

CMYK 0 / 100 / 64 / 21

HEX #C90048

RGB 201 0 72

HSL 338.51, 1%, 0.39%

LAB 42.59, 68.91, 19.82

 

CMYK 0 / 100 / 71 / 28

HEX #B80035

RGB 184 0 53

HSL 342.72, 1%, 0.36%

LAB 38.63, 63.92, 26.04

 

CMYK 0 / 95 / 49 / 1

HEX #FC0C81

RGB 252 12 129

HSL 330.75, 0.98%, 0.52%

LAB 54.6, 83.18, 2.98

 

CMYK 0 / 95 / 75 / 1

HEX #FC0C40

RGB 252 12 64

HSL 347, 0.98%, 0.52%

LAB 53.31, 79.67, 40.16

 

CMYK 0 / 95 / 95 / 1

HEX #FC0C0C

RGB 252 12 12

HSL 0, 0.98%, 0.52%

LAB 52.93, 78.64, 63.79

 

CMYK 0 / 95 / 49 / 1

HEX #FC0C81

RGB 252 12 129

HSL 330.75, 0.98%, 0.52%

LAB 54.6, 83.18, 2.98

 

CMYK 0 / 95 / 23 / 1

HEX #FC0CC2

RGB 252 12 194

HSL 314.5, 0.98%, 0.52%

LAB 56.93, 89.3, -31.78

 

CMYK 2 / 95 / 0 / 1

HEX #F60CFC

RGB 246 12 252

HSL 298.5, 0.98%, 0.52%

LAB 58.87, 95.74, -61.59

 

CMYK 28 / 95 / 0 / 1

HEX #B50CFC

RGB 181 12 252

HSL 282.25, 0.98%, 0.52%

LAB 48.4, 86.68, -79.03

 

CMYK 54 / 95 / 0 / 1

HEX #740CFC

RGB 116 12 252

HSL 266, 0.98%, 0.52%

LAB 39.59, 80.35, -93.86

 

CMYK 0 / 95 / 49 / 1

HEX #FC0C81

RGB 252 12 129

HSL 330.75, 0.98%, 0.52%

LAB 54.6, 83.18, 2.98

 

CMYK 0 / 95 / 49 / 1

HEX #FC0C81

RGB 252 12 129

HSL 330.75, 0.98%, 0.52%

LAB 54.6, 83.18, 2.98

 

CMYK 0 / 86 / 44 / 9

HEX #E82082

RGB 232 32 130

HSL 330.6, 0.81%, 0.52%

LAB 51.61, 76.35, -2.45

 

CMYK 0 / 75 / 39 / 17

HEX #D43482

RGB 212 52 130

HSL 330.75, 0.65%, 0.52%

LAB 49.57, 66.66, -5.87

 

CMYK 0 / 63 / 32 / 24

HEX #C14883

RGB 193 72 131

HSL 330.74, 0.49%, 0.52%

LAB 49.02, 54.03, -7.65

 

CMYK 0 / 47 / 24 / 32

HEX #AD5B83

RGB 173 91 131

HSL 330.73, 0.33%, 0.52%

LAB 49.5, 38.33, -7.25

 

CMYK 3 / 95 / 0 / 1

HEX #F40CFC

RGB 244 12 252

HSL 298, 0.98%, 0.52%

LAB 58.53, 95.43, -62.15

 

CMYK 0 / 95 / 22 / 1

HEX #FC0CC4

RGB 252 12 196

HSL 314, 0.98%, 0.52%

LAB 57.02, 89.53, -32.79

 

CMYK 0 / 95 / 48 / 1

HEX #FC0C84

RGB 252 12 132

HSL 330, 0.98%, 0.52%

LAB 54.68, 83.41, 1.3

 

CMYK 0 / 95 / 73 / 1

HEX #FC0C44

RGB 252 12 68

HSL 346, 0.98%, 0.52%

LAB 53.36, 79.81, 37.9

 

CMYK 0 / 92 / 95 / 1

HEX #FC140C

RGB 252 20 12

HSL 2, 0.98%, 0.52%

LAB 53.19, 77.89, 63.92

 

CMYK 0 / 99 / 51 / 29

HEX #B40159

RGB 180 1 89

HSL 330.5, 0.99%, 0.35%

LAB 38.63, 65.04, 2.83

 

CMYK 0 / 99 / 51 / 13

HEX #DD026D

RGB 221 2 109

HSL 330.68, 0.98%, 0.44%

LAB 47.65, 75.65, 4.34

 

CMYK 0 / 95 / 49 / 1

HEX #FC0C81

RGB 252 12 129

HSL 330.75, 0.98%, 0.52%

LAB 54.6, 83.18, 2.98

 

CMYK 0 / 79 / 40 / 1

HEX #FC3596

RGB 252 53 150

HSL 330.75, 0.97%, 0.6%

LAB 57.51, 78.34, -5.25

 

CMYK 0 / 63 / 32 / 1

HEX #FD5EAB

RGB 253 94 171

HSL 330.94, 0.98%, 0.68%

LAB 63.2, 67.19, -8.96

 

CMYK 0 / 95 / 49 / 1

HEX #FC0C81

RGB 252 12 129

HSL 330.75, 0.98%, 0.52%

LAB 54.6, 83.18, 2.98

 

CMYK 0 / 29 / 95 / 1

HEX #FCB40C

RGB 252 180 12

HSL 42, 0.98%, 0.52%

LAB 78.09, 14.93, 79.63

 

CMYK 95 / 10 / 0 / 1

HEX #0CE4FC

RGB 12 228 252

HSL 186, 0.98%, 0.52%

LAB 83.23, -36.67, -24.47

 

CMYK 0 / 95 / 49 / 1

HEX #FC0C81

RGB 252 12 129

HSL 330.75, 0.98%, 0.52%

LAB 54.6, 83.18, 2.98

 

CMYK 48 / 0 / 95 / 1

HEX #84FC0C

RGB 132 252 12

HSL 90, 0.98%, 0.52%

LAB 89.18, -65.44, 84.41

 

CMYK 95 / 48 / 0 / 1

HEX #0C84FC

RGB 12 132 252

HSL 210, 0.98%, 0.52%

LAB 55.69, 15.44, -67.69

 

CMYK 0 / 95 / 49 / 1

HEX #FC0C81

RGB 252 12 129

HSL 330.75, 0.98%, 0.52%

LAB 54.6, 83.18, 2.98

 

CMYK 0 / 29 / 95 / 1

HEX #FCB40C

RGB 252 180 12

HSL 42, 0.98%, 0.52%

LAB 78.09, 14.93, 79.63

 

CMYK 95 / 0 / 48 / 1

HEX #0CFC84

RGB 12 252 132

HSL 150, 0.98%, 0.52%

LAB 87.66, -74.87, 43.65

 

CMYK 95 / 67 / 0 / 1

HEX #0C54FC

RGB 12 84 252

HSL 222, 0.98%, 0.52%

LAB 43.43, 45.59, -87.7

 

CMYK 0 / 95 / 49 / 1

HEX #FC0C81

RGB 252 12 129

HSL 330.75, 0.98%, 0.52%

LAB 54.6, 83.18, 2.98

 

CMYK 0 / 0 / 95 / 1

HEX #FCFC0C

RGB 252 252 12

HSL 60, 0.98%, 0.52%

LAB 96.14, -21.27, 92.8

 

CMYK 95 / 0 / 48 / 1

HEX #0CFC84

RGB 12 252 132

HSL 150, 0.98%, 0.52%

LAB 87.66, -74.87, 43.65

 

CMYK 95 / 95 / 0 / 1

HEX #0C0CFC

RGB 12 12 252

HSL 240, 0.98%, 0.52%

LAB 32.63, 76.73, -105.62

 

Description

Color code: HEX #FC0C81 | qconv.com Color code: HEX #FC0C81 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 12 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 12 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 95 magenta, 49 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 95% 49% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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