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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FB18AE it is the complementary color #04E751. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FB18AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FB18AE shade: #FF18A9, #FF2ABC, #FF3CCF, #FF4EE2 and #FF60F5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FB18AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FB18AE shade: #FB18AE, #EA069B, #D90088, #C80075 and #B70062

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FB18AE shade: #FB17AE, #FB1770, #FB1733 and #FB1717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FB18AE shade: #FB17AE, #FB17EB, #CD17FB, #9017FB and #5317FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FB18AE shade matches the following richer shades: #FB17AE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FB18AE shade: #FB17AE, #E82AA8, #D53DA2, #C2509B and #AF6395

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FB18AE shade: #CD17FB, #FB17EC, #FB17AF, #FB1772 and #FB1736

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FB18AE shade: #BD027E, #E60399, #FB17AE, #FC40BC and #FC69CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FB18AE shade: #FB18AE, #FB9117 and #17FBEC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FB18AE shade: #FB18AE, #AFFB17 and #17AFFB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FB18AE shade: #FB18AE, #FB9117, #17FB63 and #1782FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FB18AE shade: #FB18AE, #FBD517, #17FB63 and #173DFB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 31 / 2

HEX #FB18AE

RGB 251 24 174

HSL 320.35, 0.97%, 0.54%

LAB 56.31, 85.82, -21.16

 

Complementary color

CMYK 98 / 0 / 65 / 9

HEX #04E751

RGB 4 231 81

HSL 140.35, 0.97%, 0.46%

LAB 80.61, -75.58, 58.15

 

CMYK 0 / 91 / 34 / 0

HEX #FF18A9

RGB 255 24 169

HSL 322.34, 1%, 0.55%

LAB 56.86, 86.13, -17.32

 

CMYK 0 / 84 / 26 / 0

HEX #FF2ABC

RGB 255 42 188

HSL 318.87, 1%, 0.58%

LAB 58.55, 85.34, -25.77

 

CMYK 0 / 76 / 19 / 0

HEX #FF3CCF

RGB 255 60 207

HSL 314.77, 1%, 0.62%

LAB 60.78, 83.48, -33.19

 

CMYK 0 / 69 / 11 / 0

HEX #FF4EE2

RGB 255 78 226

HSL 309.83, 1%, 0.65%

LAB 63.51, 80.64, -39.65

 

CMYK 0 / 62 / 4 / 0

HEX #FF60F5

RGB 255 96 245

HSL 303.77, 1%, 0.69%

LAB 66.69, 77, -45.21

 

CMYK 0 / 90 / 31 / 2

HEX #FB18AE

RGB 251 24 174

HSL 320.35, 0.97%, 0.54%

LAB 56.31, 85.82, -21.16

 

CMYK 0 / 97 / 34 / 8

HEX #EA069B

RGB 234 6 155

HSL 320.79, 0.95%, 0.47%

LAB 51.83, 82.07, -17.08

 

CMYK 0 / 100 / 37 / 15

HEX #D90088

RGB 217 0 136

HSL 322.4, 1%, 0.43%

LAB 47.66, 77.23, -12.28

 

CMYK 0 / 100 / 42 / 22

HEX #C80075

RGB 200 0 117

HSL 324.9, 1%, 0.39%

LAB 43.6, 71.91, -7.05

 

CMYK 0 / 100 / 46 / 28

HEX #B70062

RGB 183 0 98

HSL 327.87, 1%, 0.36%

LAB 39.49, 66.55, -1.58

 

CMYK 0 / 91 / 31 / 2

HEX #FB17AE

RGB 251 23 174

HSL 320.26, 0.97%, 0.54%

LAB 56.27, 85.93, -21.22

 

CMYK 0 / 91 / 55 / 2

HEX #FB1770

RGB 251 23 112

HSL 336.58, 0.97%, 0.54%

LAB 54.34, 80.71, 12.81

 

CMYK 0 / 91 / 80 / 2

HEX #FB1733

RGB 251 23 51

HSL 352.63, 0.97%, 0.54%

LAB 53.34, 77.94, 47.41

 

CMYK 0 / 91 / 91 / 2

HEX #FB1717

RGB 251 23 23

HSL 0, 0.97%, 0.54%

LAB 53.15, 77.4, 60.34

 

CMYK 0 / 91 / 31 / 2

HEX #FB17AE

RGB 251 23 174

HSL 320.26, 0.97%, 0.54%

LAB 56.27, 85.93, -21.22

 

CMYK 0 / 91 / 6 / 2

HEX #FB17EB

RGB 251 23 235

HSL 304.21, 0.97%, 0.54%

LAB 59.09, 93.23, -51.71

 

CMYK 18 / 91 / 0 / 2

HEX #CD17FB

RGB 205 23 251

HSL 287.89, 0.97%, 0.54%

LAB 52.46, 88.44, -71.71

 

CMYK 43 / 91 / 0 / 2

HEX #9017FB

RGB 144 23 251

HSL 271.84, 0.97%, 0.54%

LAB 43.52, 80.92, -86.69

 

CMYK 67 / 91 / 0 / 2

HEX #5317FB

RGB 83 23 251

HSL 255.79, 0.97%, 0.54%

LAB 36.77, 76.16, -98.06

 

CMYK 0 / 91 / 31 / 2

HEX #FB17AE

RGB 251 23 174

HSL 320.26, 0.97%, 0.54%

LAB 56.27, 85.93, -21.22

 

CMYK 0 / 91 / 31 / 2

HEX #FB17AE

RGB 251 23 174

HSL 320.26, 0.97%, 0.54%

LAB 56.27, 85.93, -21.22

 

CMYK 0 / 82 / 28 / 9

HEX #E82AA8

RGB 232 42 168

HSL 320.21, 0.81%, 0.54%

LAB 53.64, 78.15, -22.03

 

CMYK 0 / 71 / 24 / 16

HEX #D53DA2

RGB 213 61 162

HSL 320.13, 0.64%, 0.54%

LAB 51.94, 67.67, -21.39

 

CMYK 0 / 59 / 20 / 24

HEX #C2509B

RGB 194 80 155

HSL 320.53, 0.48%, 0.54%

LAB 51.35, 53.99, -18.43

 

CMYK 0 / 43 / 15 / 31

HEX #AF6395

RGB 175 99 149

HSL 320.53, 0.32%, 0.54%

LAB 52.07, 37.55, -14.04

 

CMYK 18 / 91 / 0 / 2

HEX #CD17FB

RGB 205 23 251

HSL 287.89, 0.97%, 0.54%

LAB 52.46, 88.44, -71.71

 

CMYK 0 / 91 / 6 / 2

HEX #FB17EC

RGB 251 23 236

HSL 303.95, 0.97%, 0.54%

LAB 59.14, 93.36, -52.18

 

CMYK 0 / 91 / 30 / 2

HEX #FB17AF

RGB 251 23 175

HSL 320, 0.97%, 0.54%

LAB 56.3, 86.04, -21.74

 

CMYK 0 / 91 / 55 / 2

HEX #FB1772

RGB 251 23 114

HSL 336.05, 0.97%, 0.54%

LAB 54.38, 80.84, 11.67

 

CMYK 0 / 91 / 78 / 2

HEX #FB1736

RGB 251 23 54

HSL 351.84, 0.97%, 0.54%

LAB 53.37, 78.02, 45.81

 

CMYK 0 / 99 / 33 / 26

HEX #BD027E

RGB 189 2 126

HSL 320.21, 0.98%, 0.37%

LAB 41.8, 70.27, -15.57

 

CMYK 0 / 99 / 33 / 10

HEX #E60399

RGB 230 3 153

HSL 320.35, 0.97%, 0.46%

LAB 50.91, 81.29, -17.36

 

CMYK 0 / 91 / 31 / 2

HEX #FB17AE

RGB 251 23 174

HSL 320.26, 0.97%, 0.54%

LAB 56.27, 85.93, -21.22

 

CMYK 0 / 75 / 25 / 1

HEX #FC40BC

RGB 252 64 188

HSL 320.43, 0.97%, 0.62%

LAB 59.88, 79.37, -23.77

 

CMYK 0 / 58 / 20 / 1

HEX #FC69CA

RGB 252 105 202

HSL 320.41, 0.96%, 0.7%

LAB 65.8, 66.23, -22.67

 

CMYK 0 / 90 / 31 / 2

HEX #FB18AE

RGB 251 24 174

HSL 320.35, 0.97%, 0.54%

LAB 56.31, 85.82, -21.16

 

CMYK 0 / 42 / 91 / 2

HEX #FB9117

RGB 251 145 23

HSL 32.11, 0.97%, 0.54%

LAB 70.05, 32.89, 72.04

 

CMYK 91 / 0 / 6 / 2

HEX #17FBEC

RGB 23 251 236

HSL 176.05, 0.97%, 0.54%

LAB 89.5, -51.15, -6.66

 

CMYK 0 / 90 / 31 / 2

HEX #FB18AE

RGB 251 24 174

HSL 320.35, 0.97%, 0.54%

LAB 56.31, 85.82, -21.16

 

CMYK 30 / 0 / 91 / 2

HEX #AFFB17

RGB 175 251 23

HSL 80, 0.97%, 0.54%

LAB 90.86, -50.79, 85.4

 

CMYK 91 / 30 / 0 / 2

HEX #17AFFB

RGB 23 175 251

HSL 200, 0.97%, 0.54%

LAB 67.88, -9.78, -47.71

 

CMYK 0 / 90 / 31 / 2

HEX #FB18AE

RGB 251 24 174

HSL 320.35, 0.97%, 0.54%

LAB 56.31, 85.82, -21.16

 

CMYK 0 / 42 / 91 / 2

HEX #FB9117

RGB 251 145 23

HSL 32.11, 0.97%, 0.54%

LAB 70.05, 32.89, 72.04

 

CMYK 91 / 0 / 61 / 2

HEX #17FB63

RGB 23 251 99

HSL 140, 0.97%, 0.54%

LAB 87.03, -78.7, 57.89

 

CMYK 91 / 48 / 0 / 2

HEX #1782FB

RGB 23 130 251

HSL 211.84, 0.97%, 0.54%

LAB 55.19, 16.68, -67.95

 

CMYK 0 / 90 / 31 / 2

HEX #FB18AE

RGB 251 24 174

HSL 320.35, 0.97%, 0.54%

LAB 56.31, 85.82, -21.16

 

CMYK 0 / 15 / 91 / 2

HEX #FBD517

RGB 251 213 23

HSL 50, 0.97%, 0.54%

LAB 86.09, -2.39, 83.98

 

CMYK 91 / 0 / 61 / 2

HEX #17FB63

RGB 23 251 99

HSL 140, 0.97%, 0.54%

LAB 87.03, -78.7, 57.89

 

CMYK 91 / 76 / 0 / 2

HEX #173DFB

RGB 23 61 251

HSL 230, 0.97%, 0.54%

LAB 38.7, 58.8, -94.95

 

Description

Color code: HEX #FB18AE | qconv.com Color code: HEX #FB18AE | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 24 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 24 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 31 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 31% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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