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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FC40BC it is the complementary color #03BF43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FC40BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FC40BC shade: #FF40B7, #FF52CA, #FF64DD, #FF76F0 and #FF88FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FC40BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FC40BC shade: #FC40BC, #EB2EA9, #DA1C96, #C90A83 and #B80070

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FC40BC shade: #FC40BC, #FC4089, #FC4056 and #FC4040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FC40BC shade: #FC40BC, #FC40EE, #D640FC, #A440FC and #7140FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FC40BC shade matches the following richer shades: #FC40BC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FC40BC shade: #FC40BC, #EC4FB7, #DC5FB2, #CD6FAD and #BD7EA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FC40BC shade: #D640FC, #FC40EF, #FC40BD, #FC408B and #FC4059

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FC40BC shade: #E60398, #FB17AD, #FC40BC, #FC68CA and #FD91D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FC40BC shade: #FC40BC, #FCA440 and #40FCEF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FC40BC shade: #FC40BC, #BDFC40 and #40BDFC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FC40BC shade: #FC40BC, #FCA440, #40FC7E and #4097FC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FC40BC shade: #FC40BC, #FCDC40, #40FC7E and #405FFC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 25 / 1

HEX #FC40BC

RGB 252 64 188

HSL 320.43, 0.97%, 0.62%

LAB 59.88, 79.37, -23.77

 

Complementary color

CMYK 98 / 0 / 65 / 25

HEX #03BF43

RGB 3 191 67

HSL 140.43, 0.97%, 0.38%

LAB 67.79, -65.35, 49.8

 

CMYK 0 / 75 / 28 / 0

HEX #FF40B7

RGB 255 64 183

HSL 322.62, 1%, 0.63%

LAB 60.2, 79.49, -20.36

 

CMYK 0 / 68 / 21 / 0

HEX #FF52CA

RGB 255 82 202

HSL 318.38, 1%, 0.66%

LAB 62.98, 76.03, -26.95

 

CMYK 0 / 61 / 13 / 0

HEX #FF64DD

RGB 255 100 221

HSL 313.16, 1%, 0.7%

LAB 66.21, 71.81, -32.64

 

CMYK 0 / 54 / 6 / 0

HEX #FF76F0

RGB 255 118 240

HSL 306.57, 1%, 0.73%

LAB 69.83, 67.02, -37.54

 

CMYK 0 / 47 / 0 / 0

HEX #FF88FF

RGB 255 136 255

HSL 300, 1%, 0.77%

LAB 73.6, 61.18, -39.86

 

CMYK 0 / 75 / 25 / 1

HEX #FC40BC

RGB 252 64 188

HSL 320.43, 0.97%, 0.62%

LAB 59.88, 79.37, -23.77

 

CMYK 0 / 80 / 28 / 8

HEX #EB2EA9

RGB 235 46 169

HSL 320.95, 0.83%, 0.55%

LAB 54.53, 78.02, -21.2

 

CMYK 0 / 87 / 31 / 15

HEX #DA1C96

RGB 218 28 150

HSL 321.47, 0.77%, 0.48%

LAB 49.42, 75.83, -18.04

 

CMYK 0 / 95 / 35 / 21

HEX #C90A83

RGB 201 10 131

HSL 321.99, 0.91%, 0.41%

LAB 44.62, 72.54, -14.13

 

CMYK 0 / 100 / 39 / 28

HEX #B80070

RGB 184 0 112

HSL 323.48, 1%, 0.36%

LAB 40.18, 68.02, -9.39

 

CMYK 0 / 75 / 25 / 1

HEX #FC40BC

RGB 252 64 188

HSL 320.43, 0.97%, 0.62%

LAB 59.88, 79.37, -23.77

 

CMYK 0 / 75 / 46 / 1

HEX #FC4089

RGB 252 64 137

HSL 336.7, 0.97%, 0.62%

LAB 58.2, 74.15, 3.42

 

CMYK 0 / 75 / 66 / 1

HEX #FC4056

RGB 252 64 86

HSL 352.98, 0.97%, 0.62%

LAB 57.11, 70.66, 31.96

 

CMYK 0 / 75 / 75 / 1

HEX #FC4040

RGB 252 64 64

HSL 0, 0.97%, 0.62%

LAB 56.81, 69.7, 44.06

 

CMYK 0 / 75 / 25 / 1

HEX #FC40BC

RGB 252 64 188

HSL 320.43, 0.97%, 0.62%

LAB 59.88, 79.37, -23.77

 

CMYK 0 / 75 / 6 / 1

HEX #FC40EE

RGB 252 64 238

HSL 304.47, 0.97%, 0.62%

LAB 62.11, 85.96, -48.57

 

CMYK 15 / 75 / 0 / 1

HEX #D640FC

RGB 214 64 252

HSL 287.87, 0.97%, 0.62%

LAB 57.07, 80.82, -64.75

 

CMYK 35 / 75 / 0 / 1

HEX #A440FC

RGB 164 64 252

HSL 271.91, 0.97%, 0.62%

LAB 50.2, 72.05, -76.2

 

CMYK 55 / 75 / 0 / 1

HEX #7140FC

RGB 113 64 252

HSL 255.64, 0.97%, 0.62%

LAB 44.53, 64.57, -85.71

 

CMYK 0 / 75 / 25 / 1

HEX #FC40BC

RGB 252 64 188

HSL 320.43, 0.97%, 0.62%

LAB 59.88, 79.37, -23.77

 

CMYK 0 / 75 / 25 / 1

HEX #FC40BC

RGB 252 64 188

HSL 320.43, 0.97%, 0.62%

LAB 59.88, 79.37, -23.77

 

CMYK 0 / 67 / 22 / 7

HEX #EC4FB7

RGB 236 79 183

HSL 320.25, 0.81%, 0.62%

LAB 58.83, 69.84, -22.73

 

CMYK 0 / 57 / 19 / 14

HEX #DC5FB2

RGB 220 95 178

HSL 320.16, 0.64%, 0.62%

LAB 58.62, 58.14, -20.4

 

CMYK 0 / 46 / 16 / 20

HEX #CD6FAD

RGB 205 111 173

HSL 320.43, 0.48%, 0.62%

LAB 59.31, 45.03, -16.65

 

CMYK 0 / 33 / 11 / 26

HEX #BD7EA8

RGB 189 126 168

HSL 320, 0.32%, 0.62%

LAB 60.4, 30.83, -12.34

 

CMYK 15 / 75 / 0 / 1

HEX #D640FC

RGB 214 64 252

HSL 287.87, 0.97%, 0.62%

LAB 57.07, 80.82, -64.75

 

CMYK 0 / 75 / 5 / 1

HEX #FC40EF

RGB 252 64 239

HSL 304.15, 0.97%, 0.62%

LAB 62.16, 86.11, -49.05

 

CMYK 0 / 75 / 25 / 1

HEX #FC40BD

RGB 252 64 189

HSL 320.11, 0.97%, 0.62%

LAB 59.92, 79.49, -24.28

 

CMYK 0 / 75 / 45 / 1

HEX #FC408B

RGB 252 64 139

HSL 336.06, 0.97%, 0.62%

LAB 58.25, 74.32, 2.32

 

CMYK 0 / 75 / 65 / 1

HEX #FC4059

RGB 252 64 89

HSL 352.02, 0.97%, 0.62%

LAB 57.16, 70.82, 30.28

 

CMYK 0 / 99 / 34 / 10

HEX #E60398

RGB 230 3 152

HSL 320.62, 0.97%, 0.46%

LAB 50.87, 81.19, -16.82

 

CMYK 0 / 91 / 31 / 2

HEX #FB17AD

RGB 251 23 173

HSL 320.53, 0.97%, 0.54%

LAB 56.23, 85.83, -20.69

 

CMYK 0 / 75 / 25 / 1

HEX #FC40BC

RGB 252 64 188

HSL 320.43, 0.97%, 0.62%

LAB 59.88, 79.37, -23.77

 

CMYK 0 / 59 / 20 / 1

HEX #FC68CA

RGB 252 104 202

HSL 320.27, 0.96%, 0.7%

LAB 65.64, 66.66, -22.91

 

CMYK 0 / 43 / 15 / 1

HEX #FD91D8

RGB 253 145 216

HSL 320.56, 0.96%, 0.78%

LAB 73.6, 49.79, -18.57

 

CMYK 0 / 75 / 25 / 1

HEX #FC40BC

RGB 252 64 188

HSL 320.43, 0.97%, 0.62%

LAB 59.88, 79.37, -23.77

 

CMYK 0 / 35 / 75 / 1

HEX #FCA440

RGB 252 164 64

HSL 31.91, 0.97%, 0.62%

LAB 74.58, 24.56, 62.53

 

CMYK 75 / 0 / 5 / 1

HEX #40FCEF

RGB 64 252 239

HSL 175.85, 0.97%, 0.62%

LAB 90.3, -47.91, -7

 

CMYK 0 / 75 / 25 / 1

HEX #FC40BC

RGB 252 64 188

HSL 320.43, 0.97%, 0.62%

LAB 59.88, 79.37, -23.77

 

CMYK 25 / 0 / 75 / 1

HEX #BDFC40

RGB 189 252 64

HSL 80.11, 0.97%, 0.62%

LAB 92.05, -44.76, 77.63

 

CMYK 75 / 25 / 0 / 1

HEX #40BDFC

RGB 64 189 252

HSL 200.11, 0.97%, 0.62%

LAB 72.57, -13.81, -40.85

 

CMYK 0 / 75 / 25 / 1

HEX #FC40BC

RGB 252 64 188

HSL 320.43, 0.97%, 0.62%

LAB 59.88, 79.37, -23.77

 

CMYK 0 / 35 / 75 / 1

HEX #FCA440

RGB 252 164 64

HSL 31.91, 0.97%, 0.62%

LAB 74.58, 24.56, 62.53

 

CMYK 75 / 0 / 50 / 1

HEX #40FC7E

RGB 64 252 126

HSL 139.79, 0.97%, 0.62%

LAB 88.07, -71.75, 47.11

 

CMYK 75 / 40 / 0 / 1

HEX #4097FC

RGB 64 151 252

HSL 212.23, 0.97%, 0.62%

LAB 61.87, 7.6, -57.73

 

CMYK 0 / 75 / 25 / 1

HEX #FC40BC

RGB 252 64 188

HSL 320.43, 0.97%, 0.62%

LAB 59.88, 79.37, -23.77

 

CMYK 0 / 13 / 75 / 1

HEX #FCDC40

RGB 252 220 64

HSL 49.79, 0.97%, 0.62%

LAB 88.09, -4.42, 75.53

 

CMYK 75 / 0 / 50 / 1

HEX #40FC7E

RGB 64 252 126

HSL 139.79, 0.97%, 0.62%

LAB 88.07, -71.75, 47.11

 

CMYK 75 / 62 / 0 / 1

HEX #405FFC

RGB 64 95 252

HSL 230.11, 0.97%, 0.62%

LAB 47.37, 41.91, -81.17

 

Description

Color code: HEX #FC40BC | qconv.com Color code: HEX #FC40BC | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 64 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 64 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 25 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 25% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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