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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F9A66D it is the complementary color #065992. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F9A66D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F9A66D shade: #FEA668, #FFB87B, #FFCA8E, #FFDCA1 and #FFEEB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F9A66D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F9A66D shade: #F9A66D, #E8945A, #D78247, #C67034 and #B55E21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F9A66D shade: #F8A56C, #F87F6C and #F86C6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F9A66D shade: #F8A56C, #F8CB6C, #F8F16C, #DAF86C and #B4F86C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F9A66D shade matches the following richer shades: #F8A56C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F9A66D shade: #F8A56C, #ECA778, #E0AA84, #D3AC91 and #C7AE9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F9A66D shade: #F86C7E, #F87E6C, #F8A46C, #F8C96C and #F8EF6C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F9A66D shade: #F5751C, #F78D44, #F8A56C, #FABD93 and #FCD5BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F9A66D shade: #F9A66D, #A4F86C and #6C6CF8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F9A66D shade: #F9A66D, #6CF8A4 and #A46CF8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F9A66D shade: #F9A66D, #A4F86C, #6CC0F8 and #C06CF8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F9A66D shade: #F9A66D, #7AF86C, #6CC0F8 and #EA6CF8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 56 / 2

HEX #F9A66D

RGB 249 166 109

HSL 24.43, 0.92%, 0.7%

LAB 75.15, 24.94, 41.77

 

Complementary color

CMYK 96 / 39 / 0 / 43

HEX #065992

RGB 6 89 146

HSL 204.43, 0.92%, 0.3%

LAB 36.48, 0.3, -37.48

 

CMYK 0 / 35 / 59 / 0

HEX #FEA668

RGB 254 166 104

HSL 24.8, 0.99%, 0.7%

LAB 75.66, 26.56, 45.08

 

CMYK 0 / 28 / 52 / 0

HEX #FFB87B

RGB 255 184 123

HSL 27.73, 1%, 0.74%

LAB 80.16, 19.03, 40.98

 

CMYK 0 / 21 / 44 / 0

HEX #FFCA8E

RGB 255 202 142

HSL 31.86, 1%, 0.78%

LAB 84.72, 11.4, 37.06

 

CMYK 0 / 14 / 37 / 0

HEX #FFDCA1

RGB 255 220 161

HSL 37.66, 1%, 0.82%

LAB 89.4, 4.13, 33.49

 

CMYK 0 / 7 / 29 / 0

HEX #FFEEB4

RGB 255 238 180

HSL 46.4, 1%, 0.85%

LAB 94.19, -2.75, 30.21

 

CMYK 0 / 33 / 56 / 2

HEX #F9A66D

RGB 249 166 109

HSL 24.43, 0.92%, 0.7%

LAB 75.15, 24.94, 41.77

 

CMYK 0 / 36 / 61 / 9

HEX #E8945A

RGB 232 148 90

HSL 24.51, 0.76%, 0.63%

LAB 68.8, 26.21, 43.37

 

CMYK 0 / 40 / 67 / 16

HEX #D78247

RGB 215 130 71

HSL 24.58, 0.64%, 0.56%

LAB 62.4, 27.65, 45.05

 

CMYK 0 / 43 / 74 / 22

HEX #C67034

RGB 198 112 52

HSL 24.66, 0.58%, 0.49%

LAB 55.93, 29.26, 46.72

 

CMYK 0 / 48 / 82 / 29

HEX #B55E21

RGB 181 94 33

HSL 24.73, 0.69%, 0.42%

LAB 49.42, 31.08, 48.18

 

CMYK 0 / 33 / 56 / 3

HEX #F8A56C

RGB 248 165 108

HSL 24.43, 0.91%, 0.7%

LAB 74.79, 24.99, 41.82

 

CMYK 0 / 49 / 56 / 3

HEX #F87F6C

RGB 248 127 108

HSL 8.14, 0.91%, 0.7%

LAB 66.69, 44.53, 31.6

 

CMYK 0 / 56 / 56 / 3

HEX #F86C6C

RGB 248 108 108

HSL 0, 0.91%, 0.7%

LAB 63.15, 53.62, 27

 

CMYK 0 / 33 / 56 / 3

HEX #F8A56C

RGB 248 165 108

HSL 24.43, 0.91%, 0.7%

LAB 74.79, 24.99, 41.82

 

CMYK 0 / 18 / 56 / 3

HEX #F8CB6C

RGB 248 203 108

HSL 40.71, 0.91%, 0.7%

LAB 83.84, 5.1, 52.7

 

CMYK 0 / 3 / 56 / 3

HEX #F8F16C

RGB 248 241 108

HSL 57, 0.91%, 0.7%

LAB 93.43, -14.05, 63.72

 

CMYK 12 / 0 / 56 / 3

HEX #DAF86C

RGB 218 248 108

HSL 72.86, 0.91%, 0.7%

LAB 93.07, -29.18, 62.72

 

CMYK 27 / 0 / 56 / 3

HEX #B4F86C

RGB 180 248 108

HSL 89.14, 0.91%, 0.7%

LAB 90.74, -43.2, 59.45

 

CMYK 0 / 33 / 56 / 3

HEX #F8A56C

RGB 248 165 108

HSL 24.43, 0.91%, 0.7%

LAB 74.79, 24.99, 41.82

 

CMYK 0 / 33 / 56 / 3

HEX #F8A56C

RGB 248 165 108

HSL 24.43, 0.91%, 0.7%

LAB 74.79, 24.99, 41.82

 

CMYK 0 / 29 / 49 / 7

HEX #ECA778

RGB 236 167 120

HSL 24.31, 0.75%, 0.7%

LAB 74.08, 20.15, 34.36

 

CMYK 0 / 24 / 41 / 12

HEX #E0AA84

RGB 224 170 132

HSL 24.78, 0.6%, 0.7%

LAB 73.72, 14.98, 27.25

 

CMYK 0 / 18 / 31 / 17

HEX #D3AC91

RGB 211 172 145

HSL 24.55, 0.43%, 0.7%

LAB 73.15, 10.34, 19.25

 

CMYK 0 / 13 / 21 / 22

HEX #C7AE9D

RGB 199 174 157

HSL 24.29, 0.27%, 0.7%

LAB 72.79, 6.32, 12.04

 

CMYK 0 / 56 / 49 / 3

HEX #F86C7E

RGB 248 108 126

HSL 352.29, 0.91%, 0.7%

LAB 63.5, 55.07, 17.22

 

CMYK 0 / 49 / 56 / 3

HEX #F87E6C

RGB 248 126 108

HSL 7.71, 0.91%, 0.7%

LAB 66.49, 45.03, 31.35

 

CMYK 0 / 34 / 56 / 3

HEX #F8A46C

RGB 248 164 108

HSL 24, 0.91%, 0.7%

LAB 74.57, 25.51, 41.54

 

CMYK 0 / 19 / 56 / 3

HEX #F8C96C

RGB 248 201 108

HSL 39.86, 0.91%, 0.7%

LAB 83.34, 6.14, 52.12

 

CMYK 0 / 4 / 56 / 3

HEX #F8EF6C

RGB 248 239 108

HSL 56.14, 0.91%, 0.7%

LAB 92.91, -13.07, 63.14

 

CMYK 0 / 52 / 89 / 4

HEX #F5751C

RGB 245 117 28

HSL 24.61, 0.92%, 0.54%

LAB 63.52, 44.68, 65.55

 

CMYK 0 / 43 / 72 / 3

HEX #F78D44

RGB 247 141 68

HSL 24.47, 0.92%, 0.62%

LAB 68.93, 34.66, 54.81

 

CMYK 0 / 33 / 56 / 3

HEX #F8A56C

RGB 248 165 108

HSL 24.43, 0.91%, 0.7%

LAB 74.79, 24.99, 41.82

 

CMYK 0 / 24 / 41 / 2

HEX #FABD93

RGB 250 189 147

HSL 24.47, 0.91%, 0.78%

LAB 81.2, 16.75, 29.74

 

CMYK 0 / 15 / 26 / 1

HEX #FCD5BB

RGB 252 213 187

HSL 24, 0.92%, 0.86%

LAB 87.91, 9.83, 17.92

 

CMYK 0 / 33 / 56 / 2

HEX #F9A66D

RGB 249 166 109

HSL 24.43, 0.92%, 0.7%

LAB 75.15, 24.94, 41.77

 

CMYK 34 / 0 / 56 / 3

HEX #A4F86C

RGB 164 248 108

HSL 96, 0.91%, 0.7%

LAB 89.91, -48.66, 58.27

 

CMYK 56 / 56 / 0 / 3

HEX #6C6CF8

RGB 108 108 248

HSL 240, 0.91%, 0.7%

LAB 52.61, 38.89, -70.3

 

CMYK 0 / 33 / 56 / 2

HEX #F9A66D

RGB 249 166 109

HSL 24.43, 0.92%, 0.7%

LAB 75.15, 24.94, 41.77

 

CMYK 56 / 0 / 34 / 3

HEX #6CF8A4

RGB 108 248 164

HSL 144, 0.91%, 0.7%

LAB 88.45, -56.37, 29.19

 

CMYK 34 / 56 / 0 / 3

HEX #A46CF8

RGB 164 108 248

HSL 264, 0.91%, 0.7%

LAB 57.46, 50.47, -62.24

 

CMYK 0 / 33 / 56 / 2

HEX #F9A66D

RGB 249 166 109

HSL 24.43, 0.92%, 0.7%

LAB 75.15, 24.94, 41.77

 

CMYK 34 / 0 / 56 / 3

HEX #A4F86C

RGB 164 248 108

HSL 96, 0.91%, 0.7%

LAB 89.91, -48.66, 58.27

 

CMYK 56 / 23 / 0 / 3

HEX #6CC0F8

RGB 108 192 248

HSL 204, 0.91%, 0.7%

LAB 74.61, -9.8, -35.41

 

CMYK 23 / 56 / 0 / 3

HEX #C06CF8

RGB 192 108 248

HSL 276, 0.91%, 0.7%

LAB 60.52, 57.07, -57.16

 

CMYK 0 / 33 / 56 / 2

HEX #F9A66D

RGB 249 166 109

HSL 24.43, 0.92%, 0.7%

LAB 75.15, 24.94, 41.77

 

CMYK 51 / 0 / 56 / 3

HEX #7AF86C

RGB 122 248 108

HSL 114, 0.91%, 0.7%

LAB 88.14, -61.21, 55.76

 

CMYK 56 / 23 / 0 / 3

HEX #6CC0F8

RGB 108 192 248

HSL 204, 0.91%, 0.7%

LAB 74.61, -9.8, -35.41

 

CMYK 6 / 56 / 0 / 3

HEX #EA6CF8

RGB 234 108 248

HSL 294, 0.91%, 0.7%

LAB 65.74, 67.41, -48.55

 

Description

Color code: HEX #F9A66D | qconv.com Color code: HEX #F9A66D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 166 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 166 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 56 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 56% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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