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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #065992 it is the complementary color #F9A66D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #065992. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #065992 shade: #0B598D, #1C6BA0, #2D7DB3, #3E8FC6 and #4FA1D9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #065992. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #065992 shade: #065992, #00477F, #00356C, #002359 and #001146

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #065992 shade: #065992, #063392, #060D92, #240692 and #4A0692

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #065992 shade: #065992, #063392, #060D92 and #060692

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #065992 shade matches the following richer shades: #065992

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #065992 shade: #065992, #125786, #1E547A, #2B526D and #375061

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #065992 shade: #069280, #068092, #065A92, #063592 and #060F92

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #065992 shade: #022943, #04416B, #065992, #0771BA and #0989E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #065992 shade: #065992, #5A0692 and #929206

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #065992 shade: #065992, #92065A and #5A9206

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #065992 shade: #065992, #5A0692, #923E06 and #3E9206

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #065992 shade: #065992, #840692, #923E06 and #149206

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 39 / 0 / 43

HEX #065992

RGB 6 89 146

HSL 204.43, 0.92%, 0.3%

LAB 36.48, 0.3, -37.48

 

Complementary color

CMYK 0 / 33 / 56 / 2

HEX #F9A66D

RGB 249 166 109

HSL 24.43, 0.92%, 0.7%

LAB 75.15, 24.94, 41.77

 

CMYK 92 / 37 / 0 / 45

HEX #0B598D

RGB 11 89 141

HSL 204, 0.86%, 0.3%

LAB 36.25, -1.46, -34.81

 

CMYK 83 / 33 / 0 / 37

HEX #1C6BA0

RGB 28 107 160

HSL 204.09, 0.7%, 0.37%

LAB 43.21, -3.82, -35.16

 

CMYK 75 / 30 / 0 / 30

HEX #2D7DB3

RGB 45 125 179

HSL 204.18, 0.6%, 0.44%

LAB 50.07, -5.58, -35.43

 

CMYK 69 / 28 / 0 / 22

HEX #3E8FC6

RGB 62 143 198

HSL 204.26, 0.54%, 0.51%

LAB 56.83, -6.91, -35.66

 

CMYK 64 / 26 / 0 / 15

HEX #4FA1D9

RGB 79 161 217

HSL 204.35, 0.64%, 0.58%

LAB 63.48, -7.93, -35.87

 

CMYK 96 / 39 / 0 / 43

HEX #065992

RGB 6 89 146

HSL 204.43, 0.92%, 0.3%

LAB 36.48, 0.3, -37.48

 

CMYK 100 / 44 / 0 / 50

HEX #00477F

RGB 0 71 127

HSL 206.46, 1%, 0.25%

LAB 29.51, 3.85, -36.95

 

CMYK 100 / 51 / 0 / 58

HEX #00356C

RGB 0 53 108

HSL 210.56, 1%, 0.21%

LAB 22.4, 8.09, -36.33

 

CMYK 100 / 61 / 0 / 65

HEX #002359

RGB 0 35 89

HSL 216.4, 1%, 0.17%

LAB 15.08, 12.81, -35.73

 

CMYK 100 / 76 / 0 / 73

HEX #001146

RGB 0 17 70

HSL 225.43, 1%, 0.14%

LAB 7.62, 17.96, -34.92

 

CMYK 96 / 39 / 0 / 43

HEX #065992

RGB 6 89 146

HSL 204.43, 0.92%, 0.3%

LAB 36.48, 0.3, -37.48

 

CMYK 96 / 65 / 0 / 43

HEX #063392

RGB 6 51 146

HSL 220.71, 0.92%, 0.3%

LAB 25.2, 26.31, -55.72

 

CMYK 96 / 91 / 0 / 43

HEX #060D92

RGB 6 13 146

HSL 237, 0.92%, 0.3%

LAB 17.47, 48.04, -68.52

 

CMYK 75 / 96 / 0 / 43

HEX #240692

RGB 36 6 146

HSL 252.86, 0.92%, 0.3%

LAB 18.28, 51.12, -67.13

 

CMYK 49 / 96 / 0 / 43

HEX #4A0692

RGB 74 6 146

HSL 269.14, 0.92%, 0.3%

LAB 22.52, 53.8, -59.97

 

CMYK 96 / 39 / 0 / 43

HEX #065992

RGB 6 89 146

HSL 204.43, 0.92%, 0.3%

LAB 36.48, 0.3, -37.48

 

CMYK 96 / 65 / 0 / 43

HEX #063392

RGB 6 51 146

HSL 220.71, 0.92%, 0.3%

LAB 25.2, 26.31, -55.72

 

CMYK 96 / 91 / 0 / 43

HEX #060D92

RGB 6 13 146

HSL 237, 0.92%, 0.3%

LAB 17.47, 48.04, -68.52

 

CMYK 96 / 96 / 0 / 43

HEX #060692

RGB 6 6 146

HSL 240, 0.92%, 0.3%

LAB 16.72, 50.33, -69.77

 

CMYK 96 / 39 / 0 / 43

HEX #065992

RGB 6 89 146

HSL 204.43, 0.92%, 0.3%

LAB 36.48, 0.3, -37.48

 

CMYK 96 / 39 / 0 / 43

HEX #065992

RGB 6 89 146

HSL 204.43, 0.92%, 0.3%

LAB 36.48, 0.3, -37.48

 

CMYK 87 / 35 / 0 / 47

HEX #125786

RGB 18 87 134

HSL 204.31, 0.76%, 0.3%

LAB 35.33, -2.5, -31.98

 

CMYK 75 / 31 / 0 / 52

HEX #1E547A

RGB 30 84 122

HSL 204.78, 0.61%, 0.3%

LAB 34.03, -3.9, -26.63

 

CMYK 61 / 25 / 0 / 57

HEX #2B526D

RGB 43 82 109

HSL 204.55, 0.43%, 0.3%

LAB 33.25, -4.97, -19.72

 

CMYK 43 / 18 / 0 / 62

HEX #375061

RGB 55 80 97

HSL 204.29, 0.28%, 0.3%

LAB 32.73, -4.5, -12.91

 

CMYK 96 / 0 / 12 / 43

HEX #069280

RGB 6 146 128

HSL 172.29, 0.92%, 0.3%

LAB 54.19, -36.93, 0.29

 

CMYK 96 / 12 / 0 / 43

HEX #068092

RGB 6 128 146

HSL 187.71, 0.92%, 0.3%

LAB 48.95, -22.45, -18.01

 

CMYK 96 / 38 / 0 / 43

HEX #065A92

RGB 6 90 146

HSL 204, 0.92%, 0.3%

LAB 36.79, -0.34, -36.98

 

CMYK 96 / 64 / 0 / 43

HEX #063592

RGB 6 53 146

HSL 219.86, 0.92%, 0.3%

LAB 25.74, 24.92, -54.83

 

CMYK 96 / 90 / 0 / 43

HEX #060F92

RGB 6 15 146

HSL 236.14, 0.92%, 0.3%

LAB 17.72, 47.29, -68.11

 

CMYK 97 / 39 / 0 / 74

HEX #022943

RGB 2 41 67

HSL 204, 0.94%, 0.14%

LAB 15.51, -1.77, -20.05

 

CMYK 96 / 39 / 0 / 58

HEX #04416B

RGB 4 65 107

HSL 204.47, 0.93%, 0.22%

LAB 26.36, -0.43, -29.36

 

CMYK 96 / 39 / 0 / 43

HEX #065992

RGB 6 89 146

HSL 204.43, 0.92%, 0.3%

LAB 36.48, 0.3, -37.48

 

CMYK 96 / 39 / 0 / 27

HEX #0771BA

RGB 7 113 186

HSL 204.47, 0.93%, 0.38%

LAB 46.18, 1.32, -45.69

 

CMYK 96 / 39 / 0 / 11

HEX #0989E2

RGB 9 137 226

HSL 204.61, 0.92%, 0.46%

LAB 55.52, 2.32, -53.53

 

CMYK 96 / 39 / 0 / 43

HEX #065992

RGB 6 89 146

HSL 204.43, 0.92%, 0.3%

LAB 36.48, 0.3, -37.48

 

CMYK 38 / 96 / 0 / 43

HEX #5A0692

RGB 90 6 146

HSL 276, 0.92%, 0.3%

LAB 24.89, 55.56, -55.99

 

CMYK 0 / 0 / 96 / 43

HEX #929206

RGB 146 146 6

HSL 60, 0.92%, 0.3%

LAB 58.68, -14.13, 61.43

 

CMYK 96 / 39 / 0 / 43

HEX #065992

RGB 6 89 146

HSL 204.43, 0.92%, 0.3%

LAB 36.48, 0.3, -37.48

 

CMYK 0 / 96 / 38 / 43

HEX #92065A

RGB 146 6 90

HSL 324, 0.92%, 0.3%

LAB 31.76, 56.71, -8.77

 

CMYK 38 / 0 / 96 / 43

HEX #5A9206

RGB 90 146 6

HSL 84, 0.92%, 0.3%

LAB 54.81, -37.87, 56.74

 

CMYK 96 / 39 / 0 / 43

HEX #065992

RGB 6 89 146

HSL 204.43, 0.92%, 0.3%

LAB 36.48, 0.3, -37.48

 

CMYK 38 / 96 / 0 / 43

HEX #5A0692

RGB 90 6 146

HSL 276, 0.92%, 0.3%

LAB 24.89, 55.56, -55.99

 

CMYK 0 / 58 / 96 / 43

HEX #923E06

RGB 146 62 6

HSL 24, 0.92%, 0.3%

LAB 37.06, 32.88, 45.74

 

CMYK 58 / 0 / 96 / 43

HEX #3E9206

RGB 62 146 6

HSL 96, 0.92%, 0.3%

LAB 53.59, -47.08, 55.25

 

CMYK 96 / 39 / 0 / 43

HEX #065992

RGB 6 89 146

HSL 204.43, 0.92%, 0.3%

LAB 36.48, 0.3, -37.48

 

CMYK 10 / 96 / 0 / 43

HEX #840692

RGB 132 6 146

HSL 294, 0.92%, 0.3%

LAB 32.06, 61.66, -44

 

CMYK 0 / 58 / 96 / 43

HEX #923E06

RGB 146 62 6

HSL 24, 0.92%, 0.3%

LAB 37.06, 32.88, 45.74

 

CMYK 86 / 0 / 96 / 43

HEX #149206

RGB 20 146 6

HSL 114, 0.92%, 0.3%

LAB 52.64, -55.19, 54.08

 

Description

Color code: HEX #065992 | qconv.com Color code: HEX #065992 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 6 red, 89 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
6 89 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, 39 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 39% 0% 43% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

30% - Noticias Uruguay y e...
Link: http://pruebas.elpais.com.uy

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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