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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F951A4 it is the complementary color #06AE5B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F951A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F951A4 shade: #FE519F, #FF63B2, #FF75C5, #FF87D8 and #FF99EB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F951A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F951A4 shade: #F951A4, #E83F91, #D72D7E, #C61B6B and #B50958

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F951A4 shade: #F852A4, #F85277 and #F85252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F951A4 shade: #F852A4, #F852D1, #F352F8, #C652F8 and #9952F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F951A4 shade matches the following richer shades: #F852A4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F951A4 shade: #F852A4, #EA61A4, #DB6FA5, #CD7EA5 and #BE8CA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F951A4 shade: #F352F8, #F852D2, #F852A5, #F85279 and #F85852

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F951A4 shade: #F0087B, #F72A8F, #F852A4, #FA7AB9 and #FBA2CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F951A4 shade: #F951A4, #F8C652 and #52E8F8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F951A4 shade: #F951A4, #A5F852 and #52A5F8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F951A4 shade: #F951A4, #F8C652, #52F8A5 and #5284F8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F951A4 shade: #F951A4, #F8F852, #52F8A5 and #5252F8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 34 / 2

HEX #F951A4

RGB 249 81 164

HSL 330.36, 0.93%, 0.65%

LAB 60.52, 70.3, -9

 

Complementary color

CMYK 97 / 0 / 48 / 32

HEX #06AE5B

RGB 6 174 91

HSL 150.36, 0.93%, 0.35%

LAB 62.56, -56.37, 32.18

 

CMYK 0 / 68 / 37 / 0

HEX #FE519F

RGB 254 81 159

HSL 332.95, 0.99%, 0.66%

LAB 61.18, 71.13, -5.02

 

CMYK 0 / 61 / 30 / 0

HEX #FF63B2

RGB 255 99 178

HSL 329.62, 1%, 0.69%

LAB 64.48, 66.54, -11.02

 

CMYK 0 / 54 / 23 / 0

HEX #FF75C5

RGB 255 117 197

HSL 325.22, 1%, 0.73%

LAB 68.03, 61.11, -16.42

 

CMYK 0 / 47 / 15 / 0

HEX #FF87D8

RGB 255 135 216

HSL 319.5, 1%, 0.76%

LAB 71.92, 55.34, -21.09

 

CMYK 0 / 40 / 8 / 0

HEX #FF99EB

RGB 255 153 235

HSL 311.76, 1%, 0.8%

LAB 76.09, 49.41, -25.15

 

CMYK 0 / 67 / 34 / 2

HEX #F951A4

RGB 249 81 164

HSL 330.36, 0.93%, 0.65%

LAB 60.52, 70.3, -9

 

CMYK 0 / 73 / 38 / 9

HEX #E83F91

RGB 232 63 145

HSL 330.89, 0.79%, 0.58%

LAB 54.82, 69.96, -6.67

 

CMYK 0 / 79 / 41 / 16

HEX #D72D7E

RGB 215 45 126

HSL 331.41, 0.68%, 0.51%

LAB 49.29, 69.04, -3.81

 

CMYK 0 / 86 / 46 / 22

HEX #C61B6B

RGB 198 27 107

HSL 331.93, 0.76%, 0.44%

LAB 44.02, 67.26, -0.26

 

CMYK 0 / 95 / 51 / 29

HEX #B50958

RGB 181 9 88

HSL 332.44, 0.91%, 0.37%

LAB 39.11, 64.32, 4.19

 

CMYK 0 / 67 / 34 / 3

HEX #F852A4

RGB 248 82 164

HSL 330.36, 0.92%, 0.65%

LAB 60.49, 69.66, -9.06

 

CMYK 0 / 67 / 52 / 3

HEX #F85277

RGB 248 82 119

HSL 346.63, 0.92%, 0.65%

LAB 59.27, 65.42, 15.43

 

CMYK 0 / 67 / 67 / 3

HEX #F85252

RGB 248 82 82

HSL 0, 0.92%, 0.65%

LAB 58.6, 63.02, 35.94

 

CMYK 0 / 67 / 34 / 3

HEX #F852A4

RGB 248 82 164

HSL 330.36, 0.92%, 0.65%

LAB 60.49, 69.66, -9.06

 

CMYK 0 / 67 / 16 / 3

HEX #F852D1

RGB 248 82 209

HSL 314.1, 0.92%, 0.65%

LAB 62.16, 75.24, -32.26

 

CMYK 2 / 67 / 0 / 3

HEX #F352F8

RGB 243 82 248

HSL 298.19, 0.92%, 0.65%

LAB 63.23, 79.94, -52.44

 

CMYK 20 / 67 / 0 / 3

HEX #C652F8

RGB 198 82 248

HSL 281.93, 0.92%, 0.65%

LAB 56.9, 70.36, -62.92

 

CMYK 38 / 67 / 0 / 3

HEX #9952F8

RGB 153 82 248

HSL 265.66, 0.92%, 0.65%

LAB 51.36, 61.41, -72.14

 

CMYK 0 / 67 / 34 / 3

HEX #F852A4

RGB 248 82 164

HSL 330.36, 0.92%, 0.65%

LAB 60.49, 69.66, -9.06

 

CMYK 0 / 67 / 34 / 3

HEX #F852A4

RGB 248 82 164

HSL 330.36, 0.92%, 0.65%

LAB 60.49, 69.66, -9.06

 

CMYK 0 / 59 / 30 / 8

HEX #EA61A4

RGB 234 97 164

HSL 330.66, 0.77%, 0.65%

LAB 60.54, 59.53, -9.22

 

CMYK 0 / 49 / 25 / 14

HEX #DB6FA5

RGB 219 111 165

HSL 330, 0.6%, 0.65%

LAB 60.91, 48.39, -9.46

 

CMYK 0 / 39 / 20 / 20

HEX #CD7EA5

RGB 205 126 165

HSL 330.38, 0.44%, 0.65%

LAB 62.18, 35.91, -7.76

 

CMYK 0 / 26 / 13 / 25

HEX #BE8CA5

RGB 190 140 165

HSL 330, 0.28%, 0.65%

LAB 63.69, 22.92, -5.71

 

CMYK 2 / 67 / 0 / 3

HEX #F352F8

RGB 243 82 248

HSL 298.19, 0.92%, 0.65%

LAB 63.23, 79.94, -52.44

 

CMYK 0 / 67 / 15 / 3

HEX #F852D2

RGB 248 82 210

HSL 313.73, 0.92%, 0.65%

LAB 62.21, 75.38, -32.76

 

CMYK 0 / 67 / 33 / 3

HEX #F852A5

RGB 248 82 165

HSL 330, 0.92%, 0.65%

LAB 60.52, 69.77, -9.59

 

CMYK 0 / 67 / 51 / 3

HEX #F85279

RGB 248 82 121

HSL 345.9, 0.92%, 0.65%

LAB 59.32, 65.58, 14.32

 

CMYK 0 / 65 / 67 / 3

HEX #F85852

RGB 248 88 82

HSL 2.17, 0.92%, 0.65%

LAB 59.48, 60.65, 37

 

CMYK 0 / 97 / 49 / 6

HEX #F0087B

RGB 240 8 123

HSL 330.26, 0.94%, 0.49%

LAB 51.98, 80.4, 2.51

 

CMYK 0 / 83 / 42 / 3

HEX #F72A8F

RGB 247 42 143

HSL 330.44, 0.93%, 0.57%

LAB 55.5, 79.04, -4.19

 

CMYK 0 / 67 / 34 / 3

HEX #F852A4

RGB 248 82 164

HSL 330.36, 0.92%, 0.65%

LAB 60.49, 69.66, -9.06

 

CMYK 0 / 51 / 26 / 2

HEX #FA7AB9

RGB 250 122 185

HSL 330.47, 0.93%, 0.73%

LAB 67.83, 55.66, -10.05

 

CMYK 0 / 35 / 18 / 2

HEX #FBA2CE

RGB 251 162 206

HSL 330.34, 0.92%, 0.81%

LAB 76.56, 38.92, -8.67

 

CMYK 0 / 67 / 34 / 2

HEX #F951A4

RGB 249 81 164

HSL 330.36, 0.93%, 0.65%

LAB 60.52, 70.3, -9

 

CMYK 0 / 20 / 67 / 3

HEX #F8C652

RGB 248 198 82

HSL 41.93, 0.92%, 0.65%

LAB 82.35, 6, 62.81

 

CMYK 67 / 6 / 0 / 3

HEX #52E8F8

RGB 82 232 248

HSL 185.78, 0.92%, 0.65%

LAB 85.14, -34.27, -19.38

 

CMYK 0 / 67 / 34 / 2

HEX #F951A4

RGB 249 81 164

HSL 330.36, 0.93%, 0.65%

LAB 60.52, 70.3, -9

 

CMYK 33 / 0 / 67 / 3

HEX #A5F852

RGB 165 248 82

HSL 90, 0.92%, 0.65%

LAB 89.74, -50.52, 68.74

 

CMYK 67 / 33 / 0 / 3

HEX #52A5F8

RGB 82 165 248

HSL 210, 0.92%, 0.65%

LAB 66.12, 0.54, -48.76

 

CMYK 0 / 67 / 34 / 2

HEX #F951A4

RGB 249 81 164

HSL 330.36, 0.93%, 0.65%

LAB 60.52, 70.3, -9

 

CMYK 0 / 20 / 67 / 3

HEX #F8C652

RGB 248 198 82

HSL 41.93, 0.92%, 0.65%

LAB 82.35, 6, 62.81

 

CMYK 67 / 0 / 33 / 3

HEX #52F8A5

RGB 82 248 165

HSL 150, 0.92%, 0.65%

LAB 87.8, -61.09, 27.69

 

CMYK 67 / 47 / 0 / 3

HEX #5284F8

RGB 82 132 248

HSL 221.93, 0.92%, 0.65%

LAB 57.15, 20.05, -63.05

 

CMYK 0 / 67 / 34 / 2

HEX #F951A4

RGB 249 81 164

HSL 330.36, 0.93%, 0.65%

LAB 60.52, 70.3, -9

 

CMYK 0 / 0 / 67 / 3

HEX #F8F852

RGB 248 248 82

HSL 60, 0.92%, 0.65%

LAB 95.03, -19.03, 75.85

 

CMYK 67 / 0 / 33 / 3

HEX #52F8A5

RGB 82 248 165

HSL 150, 0.92%, 0.65%

LAB 87.8, -61.09, 27.69

 

CMYK 67 / 67 / 0 / 3

HEX #5252F8

RGB 82 82 248

HSL 240, 0.92%, 0.65%

LAB 45.09, 50.24, -82.64

 

Description

Color code: HEX #F951A4 | qconv.com Color code: HEX #F951A4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 81 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 81 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 34 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 34% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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