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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5284F8 it is the complementary color #AD7B07. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5284F8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5284F8 shade: #5784F3, #6896FF, #79A8FF, #8ABAFF and #9BCCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5284F8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5284F8 shade: #5284F8, #4172E5, #3060D2, #1F4EBF and #0E3CAC

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5284F8 shade: #5385F7, #5358F7, #7A53F7, #A753F7 and #D353F7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5284F8 shade: #5385F7, #5358F7 and #5353F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5284F8 shade matches the following richer shades: #5385F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5284F8 shade: #5385F7, #628AE9, #7090DA, #7E96CC and #8D9CBE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5284F8 shade: #53DFF7, #53B3F7, #5387F7, #535BF7 and #7753F7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5284F8 shade: #094EEF, #2C68F6, #5385F7, #7BA1F9 and #A2BDFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5284F8 shade: #5284F8, #E453F7 and #C9F753

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5284F8 shade: #5284F8, #F75387 and #87F753

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5284F8 shade: #5284F8, #E453F7, #F7C353 and #66F753

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5284F8 shade: #5284F8, #F753D9, #F7C353 and #53F771

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 47 / 0 / 3

HEX #5284F8

RGB 82 132 248

HSL 221.93, 0.92%, 0.65%

LAB 57.15, 20.05, -63.05

 

Complementary color

CMYK 0 / 29 / 96 / 32

HEX #AD7B07

RGB 173 123 7

HSL 41.93, 0.92%, 0.35%

LAB 55.14, 10.94, 59.86

 

CMYK 64 / 46 / 0 / 5

HEX #5784F3

RGB 87 132 243

HSL 222.69, 0.87%, 0.65%

LAB 57.08, 19.13, -60.39

 

CMYK 59 / 41 / 0 / 0

HEX #6896FF

RGB 104 150 255

HSL 221.72, 1%, 0.7%

LAB 63.32, 15.33, -56.96

 

CMYK 53 / 34 / 0 / 0

HEX #79A8FF

RGB 121 168 255

HSL 218.96, 1%, 0.74%

LAB 68.96, 8.29, -47.98

 

CMYK 46 / 27 / 0 / 0

HEX #8ABAFF

RGB 138 186 255

HSL 215.38, 1%, 0.77%

LAB 74.66, 2.04, -38.99

 

CMYK 39 / 20 / 0 / 0

HEX #9BCCFF

RGB 155 204 255

HSL 210.6, 1%, 0.8%

LAB 80.39, -3.51, -30.07

 

CMYK 67 / 47 / 0 / 3

HEX #5284F8

RGB 82 132 248

HSL 221.93, 0.92%, 0.65%

LAB 57.15, 20.05, -63.05

 

CMYK 72 / 50 / 0 / 10

HEX #4172E5

RGB 65 114 229

HSL 222.07, 0.76%, 0.58%

LAB 50.47, 22.06, -63.26

 

CMYK 77 / 54 / 0 / 18

HEX #3060D2

RGB 48 96 210

HSL 222.22, 0.64%, 0.51%

LAB 43.72, 24.48, -63.43

 

CMYK 84 / 59 / 0 / 25

HEX #1F4EBF

RGB 31 78 191

HSL 222.38, 0.72%, 0.44%

LAB 36.93, 27.42, -63.5

 

CMYK 92 / 65 / 0 / 33

HEX #0E3CAC

RGB 14 60 172

HSL 222.53, 0.85%, 0.36%

LAB 30.17, 30.94, -63.36

 

CMYK 66 / 46 / 0 / 3

HEX #5385F7

RGB 83 133 247

HSL 221.71, 0.91%, 0.65%

LAB 57.4, 19.25, -62.1

 

CMYK 66 / 64 / 0 / 3

HEX #5358F7

RGB 83 88 247

HSL 238.17, 0.91%, 0.65%

LAB 46.36, 46.57, -80

 

CMYK 51 / 66 / 0 / 3

HEX #7A53F7

RGB 122 83 247

HSL 254.27, 0.91%, 0.65%

LAB 48.31, 55.13, -76.69

 

CMYK 32 / 66 / 0 / 3

HEX #A753F7

RGB 167 83 247

HSL 270.73, 0.91%, 0.65%

LAB 53.08, 63.4, -68.73

 

CMYK 15 / 66 / 0 / 3

HEX #D353F7

RGB 211 83 247

HSL 286.83, 0.91%, 0.65%

LAB 58.74, 72.51, -59.31

 

CMYK 66 / 46 / 0 / 3

HEX #5385F7

RGB 83 133 247

HSL 221.71, 0.91%, 0.65%

LAB 57.4, 19.25, -62.1

 

CMYK 66 / 64 / 0 / 3

HEX #5358F7

RGB 83 88 247

HSL 238.17, 0.91%, 0.65%

LAB 46.36, 46.57, -80

 

CMYK 66 / 66 / 0 / 3

HEX #5353F7

RGB 83 83 247

HSL 240, 0.91%, 0.65%

LAB 45.28, 49.47, -81.77

 

CMYK 66 / 46 / 0 / 3

HEX #5385F7

RGB 83 133 247

HSL 221.71, 0.91%, 0.65%

LAB 57.4, 19.25, -62.1

 

CMYK 66 / 46 / 0 / 3

HEX #5385F7

RGB 83 133 247

HSL 221.71, 0.91%, 0.65%

LAB 57.4, 19.25, -62.1

 

CMYK 58 / 41 / 0 / 9

HEX #628AE9

RGB 98 138 233

HSL 222.22, 0.75%, 0.65%

LAB 58.66, 14.17, -52.29

 

CMYK 49 / 34 / 0 / 15

HEX #7090DA

RGB 112 144 218

HSL 221.89, 0.59%, 0.65%

LAB 60.3, 8.94, -41.3

 

CMYK 38 / 26 / 0 / 20

HEX #7E96CC

RGB 126 150 204

HSL 221.54, 0.43%, 0.65%

LAB 62.18, 5.01, -30.48

 

CMYK 26 / 18 / 0 / 25

HEX #8D9CBE

RGB 141 156 190

HSL 221.63, 0.27%, 0.65%

LAB 64.29, 2.37, -19.31

 

CMYK 66 / 10 / 0 / 3

HEX #53DFF7

RGB 83 223 247

HSL 188.78, 0.91%, 0.65%

LAB 82.56, -30.14, -22.76

 

CMYK 66 / 28 / 0 / 3

HEX #53B3F7

RGB 83 179 247

HSL 204.88, 0.91%, 0.65%

LAB 70.03, -7.48, -42.07

 

CMYK 66 / 45 / 0 / 3

HEX #5387F7

RGB 83 135 247

HSL 220.98, 0.91%, 0.65%

LAB 57.93, 18.04, -61.25

 

CMYK 66 / 63 / 0 / 3

HEX #535BF7

RGB 83 91 247

HSL 237.07, 0.91%, 0.65%

LAB 47.02, 44.81, -78.91

 

CMYK 52 / 66 / 0 / 3

HEX #7753F7

RGB 119 83 247

HSL 253.17, 0.91%, 0.65%

LAB 48.04, 54.64, -77.14

 

CMYK 96 / 67 / 0 / 6

HEX #094EEF

RGB 9 78 239

HSL 222, 0.93%, 0.49%

LAB 40.8, 44.51, -84.74

 

CMYK 82 / 58 / 0 / 4

HEX #2C68F6

RGB 44 104 246

HSL 222.18, 0.92%, 0.57%

LAB 48.37, 32.4, -76.22

 

CMYK 66 / 46 / 0 / 3

HEX #5385F7

RGB 83 133 247

HSL 221.71, 0.91%, 0.65%

LAB 57.4, 19.25, -62.1

 

CMYK 51 / 35 / 0 / 2

HEX #7BA1F9

RGB 123 161 249

HSL 221.9, 0.91%, 0.73%

LAB 66.93, 10.92, -47.91

 

CMYK 35 / 25 / 0 / 2

HEX #A2BDFB

RGB 162 189 251

HSL 221.8, 0.92%, 0.81%

LAB 76.7, 5.41, -33.57

 

CMYK 67 / 47 / 0 / 3

HEX #5284F8

RGB 82 132 248

HSL 221.93, 0.92%, 0.65%

LAB 57.15, 20.05, -63.05

 

CMYK 8 / 66 / 0 / 3

HEX #E453F7

RGB 228 83 247

HSL 293.05, 0.91%, 0.65%

LAB 61.13, 76.16, -55.36

 

CMYK 19 / 0 / 66 / 3

HEX #C9F753

RGB 201 247 83

HSL 76.83, 0.91%, 0.65%

LAB 91.49, -37.01, 70.82

 

CMYK 67 / 47 / 0 / 3

HEX #5284F8

RGB 82 132 248

HSL 221.93, 0.92%, 0.65%

LAB 57.15, 20.05, -63.05

 

CMYK 0 / 66 / 45 / 3

HEX #F75387

RGB 247 83 135

HSL 340.98, 0.91%, 0.65%

LAB 59.63, 66.09, 6.54

 

CMYK 45 / 0 / 66 / 3

HEX #87F753

RGB 135 247 83

HSL 100.98, 0.91%, 0.65%

LAB 88.11, -59.6, 66.24

 

CMYK 67 / 47 / 0 / 3

HEX #5284F8

RGB 82 132 248

HSL 221.93, 0.92%, 0.65%

LAB 57.15, 20.05, -63.05

 

CMYK 8 / 66 / 0 / 3

HEX #E453F7

RGB 228 83 247

HSL 293.05, 0.91%, 0.65%

LAB 61.13, 76.16, -55.36

 

CMYK 0 / 21 / 66 / 3

HEX #F7C353

RGB 247 195 83

HSL 40.98, 0.91%, 0.65%

LAB 81.53, 7.19, 61.47

 

CMYK 59 / 0 / 66 / 3

HEX #66F753

RGB 102 247 83

HSL 113.05, 0.91%, 0.65%

LAB 86.98, -68.26, 64.7

 

CMYK 67 / 47 / 0 / 3

HEX #5284F8

RGB 82 132 248

HSL 221.93, 0.92%, 0.65%

LAB 57.15, 20.05, -63.05

 

CMYK 0 / 66 / 12 / 3

HEX #F753D9

RGB 247 83 217

HSL 310.98, 0.91%, 0.65%

LAB 62.48, 75.77, -36.29

 

CMYK 0 / 21 / 66 / 3

HEX #F7C353

RGB 247 195 83

HSL 40.98, 0.91%, 0.65%

LAB 81.53, 7.19, 61.47

 

CMYK 66 / 0 / 54 / 3

HEX #53F771

RGB 83 247 113

HSL 130.98, 0.91%, 0.65%

LAB 86.78, -68.91, 51.63

 

Description

Color code: HEX #5284F8 | qconv.com Color code: HEX #5284F8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 132 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 132 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 47 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 47% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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