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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F64AC8 it is the complementary color #09B537. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F64AC8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F64AC8 shade: #FB4AC3, #FF5CD6, #FF6EE9, #FF80FC and #FF92FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F64AC8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F64AC8 shade: #F64AC8, #E538B5, #D426A2, #C3148F and #B2027C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F64AC8 shade: #F64AC8, #F64A9A, #F64A6B and #F64A4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F64AC8 shade: #F64AC8, #F64AF6, #C74AF6, #994AF6 and #6B4AF6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F64AC8 shade matches the following richer shades: #F64AC8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F64AC8 shade: #F64AC8, #E75AC1, #D769BA, #C878B3 and #B987AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F64AC8 shade: #C84AF6, #F64AF6, #F64AC8, #F64A9A and #F64A6D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F64AC8 shade: #E40AA9, #F423BC, #F64AC8, #F872D4 and #FA99E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F64AC8 shade: #F64AC8, #F69A4A and #4AF6DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F64AC8 shade: #F64AC8, #C8F64A and #4AC8F6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F64AC8 shade: #F64AC8, #F69A4A, #4AF678 and #4AA6F6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F64AC8 shade: #F64AC8, #F6CE4A, #4AF678 and #4A72F6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 19 / 4

HEX #F64AC8

RGB 246 74 200

HSL 316.05, 0.91%, 0.63%

LAB 60.48, 76.32, -29.79

 

Complementary color

CMYK 95 / 0 / 70 / 29

HEX #09B537

RGB 9 181 55

HSL 136.05, 0.91%, 0.37%

LAB 64.47, -63.35, 51.15

 

CMYK 0 / 71 / 22 / 2

HEX #FB4AC3

RGB 251 74 195

HSL 318.98, 0.96%, 0.64%

LAB 61.09, 76.89, -25.94

 

CMYK 0 / 64 / 16 / 0

HEX #FF5CD6

RGB 255 92 214

HSL 315.09, 1%, 0.68%

LAB 64.78, 73.97, -30.94

 

CMYK 0 / 57 / 9 / 0

HEX #FF6EE9

RGB 255 110 233

HSL 309.1, 1%, 0.72%

LAB 68.24, 69.43, -36.16

 

CMYK 0 / 50 / 1 / 0

HEX #FF80FC

RGB 255 128 252

HSL 301.42, 1%, 0.75%

LAB 72.05, 64.44, -40.66

 

CMYK 0 / 43 / 0 / 0

HEX #FF92FF

RGB 255 146 255

HSL 300, 1%, 0.79%

LAB 75.47, 56.32, -36.95

 

CMYK 0 / 70 / 19 / 4

HEX #F64AC8

RGB 246 74 200

HSL 316.05, 0.91%, 0.63%

LAB 60.48, 76.32, -29.79

 

CMYK 0 / 76 / 21 / 10

HEX #E538B5

RGB 229 56 181

HSL 316.65, 0.77%, 0.56%

LAB 54.89, 75.49, -27.74

 

CMYK 0 / 82 / 24 / 17

HEX #D426A2

RGB 212 38 162

HSL 317.24, 0.7%, 0.49%

LAB 49.49, 73.94, -25.19

 

CMYK 0 / 90 / 27 / 24

HEX #C3148F

RGB 195 20 143

HSL 317.83, 0.81%, 0.42%

LAB 44.36, 71.4, -21.97

 

CMYK 0 / 99 / 30 / 30

HEX #B2027C

RGB 178 2 124

HSL 318.41, 0.98%, 0.35%

LAB 39.52, 67.78, -18.01

 

CMYK 0 / 70 / 19 / 4

HEX #F64AC8

RGB 246 74 200

HSL 316.05, 0.91%, 0.63%

LAB 60.48, 76.32, -29.79

 

CMYK 0 / 70 / 37 / 4

HEX #F64A9A

RGB 246 74 154

HSL 332.09, 0.91%, 0.63%

LAB 58.81, 70.92, -5.78

 

CMYK 0 / 70 / 57 / 4

HEX #F64A6B

RGB 246 74 107

HSL 348.49, 0.91%, 0.63%

LAB 57.61, 66.88, 20.13

 

CMYK 0 / 70 / 70 / 4

HEX #F64A4A

RGB 246 74 74

HSL 0, 0.91%, 0.63%

LAB 57.06, 64.98, 38.51

 

CMYK 0 / 70 / 19 / 4

HEX #F64AC8

RGB 246 74 200

HSL 316.05, 0.91%, 0.63%

LAB 60.48, 76.32, -29.79

 

CMYK 0 / 70 / 0 / 4

HEX #F64AF6

RGB 246 74 246

HSL 300, 0.91%, 0.63%

LAB 62.63, 82.95, -52.26

 

CMYK 19 / 70 / 0 / 4

HEX #C74AF6

RGB 199 74 246

HSL 283.6, 0.91%, 0.63%

LAB 55.78, 73.36, -63.6

 

CMYK 38 / 70 / 0 / 4

HEX #994AF6

RGB 153 74 246

HSL 267.56, 0.91%, 0.63%

LAB 49.89, 64.64, -73.42

 

CMYK 57 / 70 / 0 / 4

HEX #6B4AF6

RGB 107 74 246

HSL 251.51, 0.91%, 0.63%

LAB 45.19, 57.24, -81.29

 

CMYK 0 / 70 / 19 / 4

HEX #F64AC8

RGB 246 74 200

HSL 316.05, 0.91%, 0.63%

LAB 60.48, 76.32, -29.79

 

CMYK 0 / 70 / 19 / 4

HEX #F64AC8

RGB 246 74 200

HSL 316.05, 0.91%, 0.63%

LAB 60.48, 76.32, -29.79

 

CMYK 0 / 61 / 16 / 9

HEX #E75AC1

RGB 231 90 193

HSL 316.17, 0.75%, 0.63%

LAB 60.03, 65.54, -26.69

 

CMYK 0 / 51 / 13 / 16

HEX #D769BA

RGB 215 105 186

HSL 315.82, 0.58%, 0.63%

LAB 59.97, 53.18, -22.97

 

CMYK 0 / 40 / 11 / 22

HEX #C878B3

RGB 200 120 179

HSL 315.75, 0.42%, 0.63%

LAB 60.75, 39.67, -17.96

 

CMYK 0 / 27 / 7 / 27

HEX #B987AC

RGB 185 135 172

HSL 315.6, 0.26%, 0.63%

LAB 62.19, 25.15, -11.97

 

CMYK 19 / 70 / 0 / 4

HEX #C84AF6

RGB 200 74 246

HSL 283.95, 0.91%, 0.63%

LAB 55.92, 73.56, -63.37

 

CMYK 0 / 70 / 0 / 4

HEX #F64AF6

RGB 246 74 246

HSL 300, 0.91%, 0.63%

LAB 62.63, 82.95, -52.26

 

CMYK 0 / 70 / 19 / 4

HEX #F64AC8

RGB 246 74 200

HSL 316.05, 0.91%, 0.63%

LAB 60.48, 76.32, -29.79

 

CMYK 0 / 70 / 37 / 4

HEX #F64A9A

RGB 246 74 154

HSL 332.09, 0.91%, 0.63%

LAB 58.81, 70.92, -5.78

 

CMYK 0 / 70 / 56 / 4

HEX #F64A6D

RGB 246 74 109

HSL 347.79, 0.91%, 0.63%

LAB 57.65, 67.02, 19.01

 

CMYK 0 / 96 / 26 / 11

HEX #E40AA9

RGB 228 10 169

HSL 316.24, 0.92%, 0.47%

LAB 51.35, 82.07, -26.21

 

CMYK 0 / 86 / 23 / 4

HEX #F423BC

RGB 244 35 188

HSL 316.08, 0.9%, 0.55%

LAB 56.15, 84.34, -29.64

 

CMYK 0 / 70 / 19 / 4

HEX #F64AC8

RGB 246 74 200

HSL 316.05, 0.91%, 0.63%

LAB 60.48, 76.32, -29.79

 

CMYK 0 / 54 / 15 / 3

HEX #F872D4

RGB 248 114 212

HSL 316.12, 0.91%, 0.71%

LAB 67.08, 62.56, -26.35

 

CMYK 0 / 39 / 10 / 2

HEX #FA99E0

RGB 250 153 224

HSL 316.08, 0.91%, 0.79%

LAB 75.13, 46.05, -20.67

 

CMYK 0 / 70 / 19 / 4

HEX #F64AC8

RGB 246 74 200

HSL 316.05, 0.91%, 0.63%

LAB 60.48, 76.32, -29.79

 

CMYK 0 / 37 / 70 / 4

HEX #F69A4A

RGB 246 154 74

HSL 27.91, 0.91%, 0.63%

LAB 71.69, 27.79, 54.93

 

CMYK 70 / 0 / 9 / 4

HEX #4AF6DF

RGB 74 246 223

HSL 171.98, 0.91%, 0.63%

LAB 88.3, -48.39, -1.58

 

CMYK 0 / 70 / 19 / 4

HEX #F64AC8

RGB 246 74 200

HSL 316.05, 0.91%, 0.63%

LAB 60.48, 76.32, -29.79

 

CMYK 19 / 0 / 70 / 4

HEX #C8F64A

RGB 200 246 74

HSL 76.05, 0.91%, 0.63%

LAB 91.09, -37.48, 73.65

 

CMYK 70 / 19 / 0 / 4

HEX #4AC8F6

RGB 74 200 246

HSL 196.05, 0.91%, 0.63%

LAB 75.71, -20.26, -32.73

 

CMYK 0 / 70 / 19 / 4

HEX #F64AC8

RGB 246 74 200

HSL 316.05, 0.91%, 0.63%

LAB 60.48, 76.32, -29.79

 

CMYK 0 / 37 / 70 / 4

HEX #F69A4A

RGB 246 154 74

HSL 27.91, 0.91%, 0.63%

LAB 71.69, 27.79, 54.93

 

CMYK 70 / 0 / 51 / 4

HEX #4AF678

RGB 74 246 120

HSL 136.05, 0.91%, 0.63%

LAB 86.37, -69.15, 47.86

 

CMYK 70 / 33 / 0 / 4

HEX #4AA6F6

RGB 74 166 246

HSL 207.91, 0.91%, 0.63%

LAB 66.05, -1.88, -47.81

 

CMYK 0 / 70 / 19 / 4

HEX #F64AC8

RGB 246 74 200

HSL 316.05, 0.91%, 0.63%

LAB 60.48, 76.32, -29.79

 

CMYK 0 / 16 / 70 / 4

HEX #F6CE4A

RGB 246 206 74

HSL 46.05, 0.91%, 0.63%

LAB 84.09, 0.62, 67.81

 

CMYK 70 / 0 / 51 / 4

HEX #4AF678

RGB 74 246 120

HSL 136.05, 0.91%, 0.63%

LAB 86.37, -69.15, 47.86

 

CMYK 70 / 54 / 0 / 4

HEX #4A72F6

RGB 74 114 246

HSL 226.05, 0.91%, 0.63%

LAB 52, 29.28, -70.27

 

Description

Color code: HEX #F64AC8 | qconv.com Color code: HEX #F64AC8 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 74 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 74 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 19 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 19% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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