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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 200 120 179 it is the complementary color RGB 55 135 76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 200 120 179. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 200 120 179 shade: RGB 205 120 174, RGB 222 138 193, RGB 239 156 212, RGB 255 174 231 and RGB 255 192 250

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 200 120 179. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 200 120 179 shade: RGB 200 120 179, RGB 183 102 160, RGB 166 84 141, RGB 149 66 122 and RGB 132 48 103

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 200 120 179 shade: RGB 200 121 179, RGB 200 121 158, RGB 200 121 136 and RGB 200 121 121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 200 120 179 shade: RGB 200 121 179, RGB 199 121 200, RGB 178 121 200, RGB 156 121 200 and RGB 135 121 200

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 200 120 179 shade matches the following richer shades: RGB 200 121 179, RGB 215 105 186, RGB 230 90 193 and RGB 246 75 201

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 200 120 179 shade: RGB 200 121 179, RGB 185 136 172, RGB 169 151 164, RGB 154 166 157 and RGB 139 182 150

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 200 120 179 shade: RGB 177 121 200, RGB 198 121 200, RGB 200 121 180, RGB 200 121 159 and RGB 200 121 138

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 200 120 179 shade: RGB 169 69 143, RGB 188 91 162, RGB 200 121 179, RGB 212 150 195 and RGB 224 179 212

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 200 120 179 shade: RGB 200 120 179, RGB 200 156 121 and RGB 121 200 188

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 200 120 179 shade: RGB 200 120 179, RGB 180 200 121 and RGB 121 180 200

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 200 120 179 shade: RGB 200 120 179, RGB 200 156 121, RGB 121 200 140 and RGB 121 164 200

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 200 120 179 shade: RGB 200 120 179, RGB 200 180 121, RGB 121 200 140 and RGB 121 140 200

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 11 / 22

HEX #C878B3

RGB 200 120 179

HSL 315.75, 0.42%, 0.63%

LAB 60.75, 39.67, -17.96

 

Complementary color

CMYK 59 / 0 / 44 / 47

HEX #37874C

RGB 55 135 76

HSL 135.75, 0.42%, 0.37%

LAB 50.29, -38.12, 24.57

 

CMYK 0 / 41 / 15 / 20

HEX #CD78AE

RGB 205 120 174

HSL 321.88, 0.46%, 0.64%

LAB 61.19, 40.51, -14.38

 

CMYK 0 / 38 / 13 / 13

HEX #DE8AC1

RGB 222 138 193

HSL 320.71, 0.56%, 0.71%

LAB 67.69, 39.73, -15.11

 

CMYK 0 / 35 / 11 / 6

HEX #EF9CD4

RGB 239 156 212

HSL 319.52, 0.72%, 0.77%

LAB 74.11, 38.99, -15.76

 

CMYK 0 / 32 / 9 / 0

HEX #FFAEE7

RGB 255 174 231

HSL 317.78, 1%, 0.84%

LAB 80.35, 37.95, -16.53

 

CMYK 0 / 25 / 2 / 0

HEX #FFC0FA

RGB 255 192 250

HSL 304.76, 1%, 0.88%

LAB 84.93, 31.78, -19.8

 

CMYK 0 / 40 / 11 / 22

HEX #C878B3

RGB 200 120 179

HSL 315.75, 0.42%, 0.63%

LAB 60.75, 39.67, -17.96

 

CMYK 0 / 44 / 13 / 28

HEX #B766A0

RGB 183 102 160

HSL 317.04, 0.36%, 0.56%

LAB 54.14, 40.45, -17.25

 

CMYK 0 / 49 / 15 / 35

HEX #A6548D

RGB 166 84 141

HSL 318.29, 0.33%, 0.49%

LAB 47.46, 41.2, -16.41

 

CMYK 0 / 56 / 18 / 42

HEX #95427A

RGB 149 66 122

HSL 319.52, 0.39%, 0.42%

LAB 40.72, 41.87, -15.38

 

CMYK 0 / 64 / 22 / 48

HEX #843067

RGB 132 48 103

HSL 320.71, 0.47%, 0.35%

LAB 33.98, 42.32, -14.02

 

CMYK 0 / 40 / 11 / 22

HEX #C879B3

RGB 200 121 179

HSL 315.95, 0.42%, 0.63%

LAB 60.97, 39.14, -17.63

 

CMYK 0 / 40 / 21 / 22

HEX #C8799E

RGB 200 121 158

HSL 331.9, 0.42%, 0.63%

LAB 60.27, 35.77, -6.66

 

CMYK 0 / 40 / 32 / 22

HEX #C87988

RGB 200 121 136

HSL 348.61, 0.42%, 0.63%

LAB 59.65, 32.67, 5.09

 

CMYK 0 / 40 / 40 / 22

HEX #C87979

RGB 200 121 121

HSL 0, 0.42%, 0.63%

LAB 59.28, 30.82, 13.21

 

CMYK 0 / 40 / 11 / 22

HEX #C879B3

RGB 200 121 179

HSL 315.95, 0.42%, 0.63%

LAB 60.97, 39.14, -17.63

 

CMYK 0 / 40 / 0 / 22

HEX #C779C8

RGB 199 121 200

HSL 299.24, 0.42%, 0.63%

LAB 61.64, 42.56, -28.52

 

CMYK 11 / 40 / 0 / 22

HEX #B279C8

RGB 178 121 200

HSL 283.29, 0.42%, 0.63%

LAB 59.26, 36.1, -32.4

 

CMYK 22 / 40 / 0 / 22

HEX #9C79C8

RGB 156 121 200

HSL 266.58, 0.42%, 0.63%

LAB 56.99, 29.46, -36.11

 

CMYK 33 / 40 / 0 / 22

HEX #8779C8

RGB 135 121 200

HSL 250.63, 0.42%, 0.63%

LAB 55.07, 23.39, -39.26

 

CMYK 0 / 40 / 11 / 22

HEX #C879B3

RGB 200 121 179

HSL 315.95, 0.42%, 0.63%

LAB 60.97, 39.14, -17.63

 

CMYK 0 / 51 / 13 / 16

HEX #D769BA

RGB 215 105 186

HSL 315.82, 0.58%, 0.63%

LAB 59.97, 53.18, -22.97

 

CMYK 0 / 61 / 16 / 10

HEX #E65AC1

RGB 230 90 193

HSL 315.86, 0.74%, 0.63%

LAB 59.88, 65.27, -26.93

 

CMYK 0 / 70 / 18 / 4

HEX #F64BC9

RGB 246 75 201

HSL 315.79, 0.9%, 0.63%

LAB 60.64, 76.12, -30.11

 

CMYK 0 / 40 / 11 / 22

HEX #C879B3

RGB 200 121 179

HSL 315.95, 0.42%, 0.63%

LAB 60.97, 39.14, -17.63

 

CMYK 0 / 26 / 7 / 27

HEX #B988AC

RGB 185 136 172

HSL 315.92, 0.26%, 0.63%

LAB 62.42, 24.59, -11.62

 

CMYK 0 / 11 / 3 / 34

HEX #A997A4

RGB 169 151 164

HSL 316.67, 0.09%, 0.63%

LAB 64.36, 9, -4.37

 

CMYK 7 / 0 / 5 / 35

HEX #9AA69D

RGB 154 166 157

HSL 135, 0.06%, 0.63%

LAB 66.96, -5.99, 3.19

 

CMYK 24 / 0 / 18 / 29

HEX #8BB696

RGB 139 182 150

HSL 135.35, 0.23%, 0.63%

LAB 70.28, -20.89, 11.67

 

CMYK 12 / 40 / 0 / 22

HEX #B179C8

RGB 177 121 200

HSL 282.53, 0.42%, 0.63%

LAB 59.15, 35.79, -32.58

 

CMYK 1 / 40 / 0 / 22

HEX #C679C8

RGB 198 121 200

HSL 298.48, 0.42%, 0.63%

LAB 61.53, 42.25, -28.71

 

CMYK 0 / 40 / 10 / 22

HEX #C879B4

RGB 200 121 180

HSL 315.19, 0.42%, 0.63%

LAB 61, 39.31, -18.15

 

CMYK 0 / 40 / 21 / 22

HEX #C8799F

RGB 200 121 159

HSL 331.14, 0.42%, 0.63%

LAB 60.3, 35.92, -7.19

 

CMYK 0 / 40 / 31 / 22

HEX #C8798A

RGB 200 121 138

HSL 347.09, 0.42%, 0.63%

LAB 59.7, 32.93, 4.01

 

CMYK 0 / 59 / 15 / 34

HEX #A9458F

RGB 169 69 143

HSL 315.6, 0.42%, 0.47%

LAB 45.19, 49.86, -21.06

 

CMYK 0 / 52 / 14 / 26

HEX #BC5BA2

RGB 188 91 162

HSL 316.08, 0.42%, 0.55%

LAB 52.71, 48.02, -20.54

 

CMYK 0 / 40 / 11 / 22

HEX #C879B3

RGB 200 121 179

HSL 315.95, 0.42%, 0.63%

LAB 60.97, 39.14, -17.63

 

CMYK 0 / 29 / 8 / 17

HEX #D496C3

RGB 212 150 195

HSL 316.45, 0.42%, 0.71%

LAB 69.29, 30.28, -13.93

 

CMYK 0 / 20 / 5 / 12

HEX #E0B3D4

RGB 224 179 212

HSL 316, 0.42%, 0.79%

LAB 77.78, 21.68, -10.42

 

CMYK 0 / 40 / 11 / 22

HEX #C878B3

RGB 200 120 179

HSL 315.75, 0.42%, 0.63%

LAB 60.75, 39.67, -17.96

 

CMYK 0 / 22 / 40 / 22

HEX #C89C79

RGB 200 156 121

HSL 26.58, 0.42%, 0.63%

LAB 67.6, 11.69, 24.6

 

CMYK 40 / 0 / 6 / 22

HEX #79C8BC

RGB 121 200 188

HSL 170.89, 0.42%, 0.63%

LAB 75.45, -27.1, -1.65

 

CMYK 0 / 40 / 11 / 22

HEX #C878B3

RGB 200 120 179

HSL 315.75, 0.42%, 0.63%

LAB 60.75, 39.67, -17.96

 

CMYK 10 / 0 / 40 / 22

HEX #B4C879

RGB 180 200 121

HSL 75.19, 0.42%, 0.63%

LAB 77.51, -19.46, 37.25

 

CMYK 40 / 10 / 0 / 22

HEX #79B4C8

RGB 121 180 200

HSL 195.19, 0.42%, 0.63%

LAB 70.09, -13.96, -16.18

 

CMYK 0 / 40 / 11 / 22

HEX #C878B3

RGB 200 120 179

HSL 315.75, 0.42%, 0.63%

LAB 60.75, 39.67, -17.96

 

CMYK 0 / 22 / 40 / 22

HEX #C89C79

RGB 200 156 121

HSL 26.58, 0.42%, 0.63%

LAB 67.6, 11.69, 24.6

 

CMYK 40 / 0 / 30 / 22

HEX #79C88C

RGB 121 200 140

HSL 134.43, 0.42%, 0.63%

LAB 74.36, -37.1, 22.57

 

CMYK 40 / 18 / 0 / 22

HEX #79A4C8

RGB 121 164 200

HSL 207.34, 0.42%, 0.63%

LAB 65.58, -5.32, -23.03

 

CMYK 0 / 40 / 11 / 22

HEX #C878B3

RGB 200 120 179

HSL 315.75, 0.42%, 0.63%

LAB 60.75, 39.67, -17.96

 

CMYK 0 / 10 / 40 / 22

HEX #C8B479

RGB 200 180 121

HSL 44.81, 0.42%, 0.63%

LAB 73.74, -1.23, 32.7

 

CMYK 40 / 0 / 30 / 22

HEX #79C88C

RGB 121 200 140

HSL 134.43, 0.42%, 0.63%

LAB 74.36, -37.1, 22.57

 

CMYK 40 / 30 / 0 / 22

HEX #798CC8

RGB 121 140 200

HSL 225.57, 0.42%, 0.63%

LAB 58.97, 8.32, -33.24

 

Description

Color code: RGB 200 120 179 | qconv.com Color code: RGB 200 120 179 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 120 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 120 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 11 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 11% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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