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Color name
HEX #F5E174

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F5E174 it is the complementary color #0A1E8B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F5E174. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F5E174 shade: #FAE16F, #FFF382, #FFFF95, #FFFFA8 and #FFFFBB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F5E174. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F5E174 shade: #F5E174, #E4CF61, #D3BD4E, #C2AB3B and #B19928

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F5E174 shade: #F5E174, #F5BE74, #F59C74, #F57974 and #F57474

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F5E174 shade: #F5E174, #E6F574, #C3F574, #A1F574 and #7EF574

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F5E174 shade matches the following richer shades: #F5E174

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F5E174 shade: #F5E174, #E9D980, #DDD08C, #D1C898 and #C5C0A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F5E174 shade: #F59B74, #F5BD74, #F5DF74, #E8F574 and #C6F574

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F5E174 shade: #F0D027, #F2D94E, #F5E174, #F8E99B and #FAF1C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F5E174 shade: #F5E174, #74F579 and #AC74F5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F5E174 shade: #F5E174, #74F5DF and #DF74F5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F5E174 shade: #F5E174, #74F579, #748AF5 and #F574F1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F5E174 shade: #F5E174, #74F59F, #748AF5 and #F574CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 53 / 4

HEX #F5E174

RGB 245 225 116

HSL 50.7, 0.87%, 0.71%

LAB 89.17, -6.71, 55.15

 

Complementary color

CMYK 93 / 78 / 0 / 45

HEX #0A1E8B

RGB 10 30 139

HSL 230.7, 0.87%, 0.29%

LAB 19.46, 37.56, -60.84

 

CMYK 0 / 10 / 56 / 2

HEX #FAE16F

RGB 250 225 111

HSL 49.21, 0.93%, 0.71%

LAB 89.54, -5.08, 58

 

CMYK 0 / 5 / 49 / 0

HEX #FFF382

RGB 255 243 130

HSL 54.24, 1%, 0.75%

LAB 94.73, -10.52, 55.45

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF95

RGB 255 255 149

HSL 60, 1%, 0.79%

LAB 98.01, -14.63, 50.51

 

CMYK 0 / 0 / 34 / 0

HEX #FFFFA8

RGB 255 255 168

HSL 60, 1%, 0.83%

LAB 98.28, -12.61, 41.64

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFBB

RGB 255 255 187

HSL 60, 1%, 0.87%

LAB 98.58, -10.32, 32.6

 

CMYK 0 / 8 / 53 / 4

HEX #F5E174

RGB 245 225 116

HSL 50.7, 0.87%, 0.71%

LAB 89.17, -6.71, 55.15

 

CMYK 0 / 9 / 57 / 11

HEX #E4CF61

RGB 228 207 97

HSL 50.38, 0.71%, 0.64%

LAB 82.9, -5.99, 56.27

 

CMYK 0 / 10 / 63 / 17

HEX #D3BD4E

RGB 211 189 78

HSL 50.08, 0.6%, 0.57%

LAB 76.55, -5.14, 57.29

 

CMYK 0 / 12 / 70 / 24

HEX #C2AB3B

RGB 194 171 59

HSL 49.78, 0.53%, 0.5%

LAB 70.11, -4.13, 58.08

 

CMYK 0 / 14 / 77 / 31

HEX #B19928

RGB 177 153 40

HSL 49.49, 0.63%, 0.43%

LAB 63.58, -2.92, 58.39

 

CMYK 0 / 8 / 53 / 4

HEX #F5E174

RGB 245 225 116

HSL 50.7, 0.87%, 0.71%

LAB 89.17, -6.71, 55.15

 

CMYK 0 / 22 / 53 / 4

HEX #F5BE74

RGB 245 190 116

HSL 34.42, 0.87%, 0.71%

LAB 80.46, 11.28, 44.66

 

CMYK 0 / 36 / 53 / 4

HEX #F59C74

RGB 245 156 116

HSL 18.6, 0.87%, 0.71%

LAB 72.53, 29.17, 34.7

 

CMYK 0 / 51 / 53 / 4

HEX #F57974

RGB 245 121 116

HSL 2.33, 0.87%, 0.71%

LAB 65.24, 47.03, 25.17

 

CMYK 0 / 53 / 53 / 4

HEX #F57474

RGB 245 116 116

HSL 0, 0.87%, 0.71%

LAB 64.29, 49.45, 23.91

 

CMYK 0 / 8 / 53 / 4

HEX #F5E174

RGB 245 225 116

HSL 50.7, 0.87%, 0.71%

LAB 89.17, -6.71, 55.15

 

CMYK 6 / 0 / 53 / 4

HEX #E6F574

RGB 230 245 116

HSL 66.98, 0.87%, 0.71%

LAB 93.18, -22.47, 59.55

 

CMYK 20 / 0 / 53 / 4

HEX #C3F574

RGB 195 245 116

HSL 83.26, 0.87%, 0.71%

LAB 90.86, -35.73, 56.24

 

CMYK 34 / 0 / 53 / 4

HEX #A1F574

RGB 161 245 116

HSL 99.07, 0.87%, 0.71%

LAB 88.99, -47.57, 53.57

 

CMYK 49 / 0 / 53 / 4

HEX #7EF574

RGB 126 245 116

HSL 115.35, 0.87%, 0.71%

LAB 87.49, -58.07, 51.41

 

CMYK 0 / 8 / 53 / 4

HEX #F5E174

RGB 245 225 116

HSL 50.7, 0.87%, 0.71%

LAB 89.17, -6.71, 55.15

 

CMYK 0 / 8 / 53 / 4

HEX #F5E174

RGB 245 225 116

HSL 50.7, 0.87%, 0.71%

LAB 89.17, -6.71, 55.15

 

CMYK 0 / 7 / 45 / 9

HEX #E9D980

RGB 233 217 128

HSL 50.86, 0.7%, 0.71%

LAB 86.26, -6.41, 45.65

 

CMYK 0 / 6 / 37 / 13

HEX #DDD08C

RGB 221 208 140

HSL 50.37, 0.54%, 0.71%

LAB 83.11, -5.3, 35.41

 

CMYK 0 / 4 / 27 / 18

HEX #D1C898

RGB 209 200 152

HSL 50.53, 0.38%, 0.71%

LAB 80.25, -4.34, 25.19

 

CMYK 0 / 3 / 17 / 23

HEX #C5C0A4

RGB 197 192 164

HSL 50.91, 0.22%, 0.71%

LAB 77.43, -2.96, 14.75

 

CMYK 0 / 37 / 53 / 4

HEX #F59B74

RGB 245 155 116

HSL 18.14, 0.87%, 0.71%

LAB 72.31, 29.69, 34.41

 

CMYK 0 / 23 / 53 / 4

HEX #F5BD74

RGB 245 189 116

HSL 33.95, 0.87%, 0.71%

LAB 80.22, 11.8, 44.37

 

CMYK 0 / 9 / 53 / 4

HEX #F5DF74

RGB 245 223 116

HSL 49.77, 0.87%, 0.71%

LAB 88.66, -5.7, 54.55

 

CMYK 5 / 0 / 53 / 4

HEX #E8F574

RGB 232 245 116

HSL 66.05, 0.87%, 0.71%

LAB 93.33, -21.69, 59.76

 

CMYK 19 / 0 / 53 / 4

HEX #C6F574

RGB 198 245 116

HSL 81.86, 0.87%, 0.71%

LAB 91.04, -34.63, 56.51

 

CMYK 0 / 13 / 84 / 6

HEX #F0D027

RGB 240 208 39

HSL 50.45, 0.87%, 0.55%

LAB 83.85, -4.22, 78.65

 

CMYK 0 / 10 / 68 / 5

HEX #F2D94E

RGB 242 217 78

HSL 50.85, 0.86%, 0.63%

LAB 86.53, -6.44, 68.61

 

CMYK 0 / 8 / 53 / 4

HEX #F5E174

RGB 245 225 116

HSL 50.7, 0.87%, 0.71%

LAB 89.17, -6.71, 55.15

 

CMYK 0 / 6 / 38 / 3

HEX #F8E99B

RGB 248 233 155

HSL 50.32, 0.87%, 0.79%

LAB 91.95, -5.83, 39.76

 

CMYK 0 / 4 / 23 / 2

HEX #FAF1C1

RGB 250 241 193

HSL 50.53, 0.85%, 0.87%

LAB 94.77, -4.4, 24.32

 

CMYK 0 / 8 / 53 / 4

HEX #F5E174

RGB 245 225 116

HSL 50.7, 0.87%, 0.71%

LAB 89.17, -6.71, 55.15

 

CMYK 53 / 0 / 51 / 4

HEX #74F579

RGB 116 245 121

HSL 122.33, 0.87%, 0.71%

LAB 87.19, -60.05, 48.66

 

CMYK 30 / 53 / 0 / 4

HEX #AC74F5

RGB 172 116 245

HSL 266.05, 0.87%, 0.71%

LAB 59.76, 47.34, -56.85

 

CMYK 0 / 8 / 53 / 4

HEX #F5E174

RGB 245 225 116

HSL 50.7, 0.87%, 0.71%

LAB 89.17, -6.71, 55.15

 

CMYK 53 / 0 / 9 / 4

HEX #74F5DF

RGB 116 245 223

HSL 169.77, 0.87%, 0.71%

LAB 89.09, -40.96, -0.31

 

CMYK 9 / 53 / 0 / 4

HEX #DF74F5

RGB 223 116 245

HSL 289.77, 0.87%, 0.71%

LAB 65.57, 60.36, -47.26

 

CMYK 0 / 8 / 53 / 4

HEX #F5E174

RGB 245 225 116

HSL 50.7, 0.87%, 0.71%

LAB 89.17, -6.71, 55.15

 

CMYK 53 / 0 / 51 / 4

HEX #74F579

RGB 116 245 121

HSL 122.33, 0.87%, 0.71%

LAB 87.19, -60.05, 48.66

 

CMYK 53 / 44 / 0 / 4

HEX #748AF5

RGB 116 138 245

HSL 229.77, 0.87%, 0.71%

LAB 60.32, 21.64, -56.22

 

CMYK 0 / 53 / 2 / 4

HEX #F574F1

RGB 245 116 241

HSL 301.86, 0.87%, 0.71%

LAB 68.21, 65.43, -40.72

 

CMYK 0 / 8 / 53 / 4

HEX #F5E174

RGB 245 225 116

HSL 50.7, 0.87%, 0.71%

LAB 89.17, -6.71, 55.15

 

CMYK 53 / 0 / 35 / 4

HEX #74F59F

RGB 116 245 159

HSL 140, 0.87%, 0.71%

LAB 87.74, -54.26, 30.8

 

CMYK 53 / 44 / 0 / 4

HEX #748AF5

RGB 116 138 245

HSL 229.77, 0.87%, 0.71%

LAB 60.32, 21.64, -56.22

 

CMYK 0 / 53 / 18 / 4

HEX #F574CA

RGB 245 116 202

HSL 320, 0.87%, 0.71%

LAB 66.65, 59.31, -21.46

 

Description

Color code: HEX #F5E174 | qconv.com Color code: HEX #F5E174 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 225 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 225 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 53 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 53% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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