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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B19928 it is the complementary color #4E66D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B19928. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B19928 shade: #B69923, #C7AB36, #D8BD49, #E9CF5C and #FAE16F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B19928. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B19928 shade: #B19928, #A08715, #8F7502, #7E6300 and #6D5100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B19928 shade: #B29A28, #B27528, #B25028, #B22A28 and #B22828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B19928 shade: #B29A28, #A5B228, #80B228, #5BB228 and #35B228

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B19928 shade matches the following richer shades: #B29A28, #C4A616 and #D6B105

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B19928 shade: #B29A28, #A08F3A, #8F834C, #7D775D and #6B6C6F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B19928 shade: #B24F28, #B27428, #B29928, #A7B228 and #82B228

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B19928 shade: #6F6019, #917D20, #B29A28, #D0B533 and #D8C155

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B19928 shade: #B19928, #28B22A and #6228B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B19928 shade: #B19928, #28B299 and #9928B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B19928 shade: #B19928, #28B22A, #2841B2 and #B228B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B19928 shade: #B19928, #28B254, #2841B2 and #B22886

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 77 / 31

HEX #B19928

RGB 177 153 40

HSL 49.49, 0.63%, 0.43%

LAB 63.58, -2.92, 58.39

 

Complementary color

CMYK 64 / 53 / 0 / 16

HEX #4E66D7

RGB 78 102 215

HSL 229.49, 0.63%, 0.57%

LAB 47.01, 26.58, -60.89

 

CMYK 0 / 16 / 81 / 29

HEX #B69923

RGB 182 153 35

HSL 48.16, 0.68%, 0.43%

LAB 64.04, -0.87, 60.65

 

CMYK 0 / 14 / 73 / 22

HEX #C7AB36

RGB 199 171 54

HSL 48.41, 0.57%, 0.5%

LAB 70.55, -2.2, 60.63

 

CMYK 0 / 13 / 66 / 15

HEX #D8BD49

RGB 216 189 73

HSL 48.67, 0.65%, 0.57%

LAB 76.97, -3.32, 60.01

 

CMYK 0 / 11 / 61 / 9

HEX #E9CF5C

RGB 233 207 92

HSL 48.94, 0.76%, 0.64%

LAB 83.3, -4.27, 59.08

 

CMYK 0 / 10 / 56 / 2

HEX #FAE16F

RGB 250 225 111

HSL 49.21, 0.93%, 0.71%

LAB 89.54, -5.08, 58

 

CMYK 0 / 14 / 77 / 31

HEX #B19928

RGB 177 153 40

HSL 49.49, 0.63%, 0.43%

LAB 63.58, -2.92, 58.39

 

CMYK 0 / 16 / 87 / 37

HEX #A08715

RGB 160 135 21

HSL 49.21, 0.77%, 0.35%

LAB 56.93, -1.46, 57.75

 

CMYK 0 / 18 / 99 / 44

HEX #8F7502

RGB 143 117 2

HSL 48.94, 0.97%, 0.28%

LAB 50.18, 0.28, 55.72

 

CMYK 0 / 21 / 100 / 51

HEX #7E6300

RGB 126 99 0

HSL 47.14, 1%, 0.25%

LAB 43.3, 2.45, 50.46

 

CMYK 0 / 26 / 100 / 57

HEX #6D5100

RGB 109 81 0

HSL 44.59, 1%, 0.21%

LAB 36.24, 4.79, 44.65

 

CMYK 0 / 13 / 78 / 30

HEX #B29A28

RGB 178 154 40

HSL 49.57, 0.63%, 0.43%

LAB 63.94, -3.02, 58.76

 

CMYK 0 / 34 / 78 / 30

HEX #B27528

RGB 178 117 40

HSL 33.48, 0.63%, 0.43%

LAB 54.39, 17.41, 49.75

 

CMYK 0 / 55 / 78 / 30

HEX #B25028

RGB 178 80 40

HSL 17.39, 0.63%, 0.43%

LAB 46.12, 37.43, 41.56

 

CMYK 0 / 76 / 78 / 30

HEX #B22A28

RGB 178 42 40

HSL 0.87, 0.63%, 0.43%

LAB 40.04, 53.71, 35.21

 

CMYK 0 / 78 / 78 / 30

HEX #B22828

RGB 178 40 40

HSL 0, 0.63%, 0.43%

LAB 39.81, 54.35, 34.96

 

CMYK 0 / 13 / 78 / 30

HEX #B29A28

RGB 178 154 40

HSL 49.57, 0.63%, 0.43%

LAB 63.94, -3.02, 58.76

 

CMYK 7 / 0 / 78 / 30

HEX #A5B228

RGB 165 178 40

HSL 65.65, 0.63%, 0.43%

LAB 69.46, -21.2, 63.41

 

CMYK 28 / 0 / 78 / 30

HEX #80B228

RGB 128 178 40

HSL 81.74, 0.63%, 0.43%

LAB 66.96, -36.37, 60.19

 

CMYK 49 / 0 / 78 / 30

HEX #5BB228

RGB 91 178 40

HSL 97.83, 0.63%, 0.43%

LAB 65.14, -49.3, 57.81

 

CMYK 70 / 0 / 78 / 30

HEX #35B228

RGB 53 178 40

HSL 114.35, 0.63%, 0.43%

LAB 63.96, -58.74, 56.27

 

CMYK 0 / 13 / 78 / 30

HEX #B29A28

RGB 178 154 40

HSL 49.57, 0.63%, 0.43%

LAB 63.94, -3.02, 58.76

 

CMYK 0 / 15 / 89 / 23

HEX #C4A616

RGB 196 166 22

HSL 49.66, 0.8%, 0.43%

LAB 68.8, -1.93, 68.55

 

CMYK 0 / 17 / 98 / 16

HEX #D6B105

RGB 214 177 5

HSL 49.38, 0.95%, 0.43%

LAB 73.38, -0.01, 75.22

 

CMYK 0 / 13 / 78 / 30

HEX #B29A28

RGB 178 154 40

HSL 49.57, 0.63%, 0.43%

LAB 63.94, -3.02, 58.76

 

CMYK 0 / 11 / 64 / 37

HEX #A08F3A

RGB 160 143 58

HSL 50, 0.47%, 0.43%

LAB 59.36, -4.13, 46.26

 

CMYK 0 / 8 / 47 / 44

HEX #8F834C

RGB 143 131 76

HSL 49.25, 0.31%, 0.43%

LAB 54.65, -3.47, 31.26

 

CMYK 0 / 5 / 26 / 51

HEX #7D775D

RGB 125 119 93

HSL 48.75, 0.15%, 0.43%

LAB 49.91, -2.22, 15.16

 

CMYK 4 / 3 / 0 / 56

HEX #6B6C6F

RGB 107 108 111

HSL 225, 0.02%, 0.43%

LAB 45.63, 0.24, -1.81

 

CMYK 0 / 56 / 78 / 30

HEX #B24F28

RGB 178 79 40

HSL 16.96, 0.63%, 0.43%

LAB 45.92, 37.94, 41.35

 

CMYK 0 / 35 / 78 / 30

HEX #B27428

RGB 178 116 40

HSL 33.04, 0.63%, 0.43%

LAB 54.14, 17.97, 49.52

 

CMYK 0 / 14 / 78 / 30

HEX #B29928

RGB 178 153 40

HSL 49.13, 0.63%, 0.43%

LAB 63.67, -2.48, 58.51

 

CMYK 6 / 0 / 78 / 30

HEX #A7B228

RGB 167 178 40

HSL 64.78, 0.63%, 0.43%

LAB 69.62, -20.34, 63.61

 

CMYK 27 / 0 / 78 / 30

HEX #82B228

RGB 130 178 40

HSL 80.87, 0.63%, 0.43%

LAB 67.08, -35.59, 60.34

 

CMYK 0 / 14 / 77 / 56

HEX #6F6019

RGB 111 96 25

HSL 49.53, 0.63%, 0.27%

LAB 40.92, -2.33, 40.36

 

CMYK 0 / 14 / 78 / 43

HEX #917D20

RGB 145 125 32

HSL 49.38, 0.64%, 0.35%

LAB 52.72, -2.47, 50.04

 

CMYK 0 / 13 / 78 / 30

HEX #B29A28

RGB 178 154 40

HSL 49.57, 0.63%, 0.43%

LAB 63.94, -3.02, 58.76

 

CMYK 0 / 13 / 75 / 18

HEX #D0B533

RGB 208 181 51

HSL 49.68, 0.63%, 0.51%

LAB 74, -3.68, 65.32

 

CMYK 0 / 11 / 61 / 15

HEX #D8C155

RGB 216 193 85

HSL 49.47, 0.63%, 0.59%

LAB 78.11, -4.64, 56.02

 

CMYK 0 / 14 / 77 / 31

HEX #B19928

RGB 177 153 40

HSL 49.49, 0.63%, 0.43%

LAB 63.58, -2.92, 58.39

 

CMYK 78 / 0 / 76 / 30

HEX #28B22A

RGB 40 178 42

HSL 120.87, 0.63%, 0.43%

LAB 63.72, -60.74, 55.29

 

CMYK 45 / 78 / 0 / 30

HEX #6228B2

RGB 98 40 178

HSL 265.22, 0.63%, 0.43%

LAB 32.54, 53.76, -62.82

 

CMYK 0 / 14 / 77 / 31

HEX #B19928

RGB 177 153 40

HSL 49.49, 0.63%, 0.43%

LAB 63.58, -2.92, 58.39

 

CMYK 78 / 0 / 14 / 30

HEX #28B299

RGB 40 178 153

HSL 169.13, 0.63%, 0.43%

LAB 65.43, -41.48, 2.58

 

CMYK 14 / 78 / 0 / 30

HEX #9928B2

RGB 153 40 178

HSL 289.13, 0.63%, 0.43%

LAB 40.42, 63.5, -49.67

 

CMYK 0 / 14 / 77 / 31

HEX #B19928

RGB 177 153 40

HSL 49.49, 0.63%, 0.43%

LAB 63.58, -2.92, 58.39

 

CMYK 78 / 0 / 76 / 30

HEX #28B22A

RGB 40 178 42

HSL 120.87, 0.63%, 0.43%

LAB 63.72, -60.74, 55.29

 

CMYK 78 / 63 / 0 / 30

HEX #2841B2

RGB 40 65 178

HSL 229.13, 0.63%, 0.43%

LAB 32.8, 31.83, -62.58

 

CMYK 0 / 78 / 1 / 30

HEX #B228B0

RGB 178 40 176

HSL 300.87, 0.63%, 0.43%

LAB 44.4, 68.16, -41.89

 

CMYK 0 / 14 / 77 / 31

HEX #B19928

RGB 177 153 40

HSL 49.49, 0.63%, 0.43%

LAB 63.58, -2.92, 58.39

 

CMYK 78 / 0 / 53 / 30

HEX #28B254

RGB 40 178 84

HSL 139.13, 0.63%, 0.43%

LAB 64.11, -56.06, 37.71

 

CMYK 78 / 63 / 0 / 30

HEX #2841B2

RGB 40 65 178

HSL 229.13, 0.63%, 0.43%

LAB 32.8, 31.83, -62.58

 

CMYK 0 / 78 / 25 / 30

HEX #B22886

RGB 178 40 134

HSL 319.13, 0.63%, 0.43%

LAB 42.31, 62.12, -19.89

 

Description

Color code: HEX #B19928 | qconv.com Color code: HEX #B19928 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 153 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 153 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 77 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 77% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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