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Color name
HEX #F28D7E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F28D7E it is the complementary color #0D7281. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F28D7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F28D7E shade: #F78D79, #FF9F8C, #FFB19F, #FFC3B2 and #FFD5C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F28D7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F28D7E shade: #F28D7E, #E17B6B, #D06958, #BF5745 and #AE4532

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F28D7E shade: #F28C7D and #F27D7D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F28D7E shade: #F28C7D, #F2AB7D, #F2CB7D, #F2EA7D and #D9F27D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F28D7E shade matches the following richer shades: #F28C7D and #FD8371

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F28D7E shade: #F28C7D, #E69488, #DB9D94, #CFA59F and #C3AEAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F28D7E shade: #F27DAD, #F27D8E, #F28A7D, #F2A97D and #F2C97D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F28D7E shade: #EA4931, #EE6B57, #F28C7D, #F5ADA2 and #F9CEC8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F28D7E shade: #F28D7E, #CDF27D and #7D9EF2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F28D7E shade: #F28D7E, #7DF28A and #8A7DF2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F28D7E shade: #F28D7E, #CDF27D, #7DE4F2 and #A27DF2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F28D7E shade: #F28D7E, #A9F27D, #7DE4F2 and #C57DF2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 48 / 5

HEX #F28D7E

RGB 242 141 126

HSL 7.76, 0.82%, 0.72%

LAB 69.06, 36.73, 24.65

 

Complementary color

CMYK 90 / 12 / 0 / 49

HEX #0D7281

RGB 13 114 129

HSL 187.76, 0.82%, 0.28%

LAB 43.81, -20.61, -15.79

 

CMYK 0 / 43 / 51 / 3

HEX #F78D79

RGB 247 141 121

HSL 9.52, 0.89%, 0.72%

LAB 69.61, 38.16, 28.25

 

CMYK 0 / 38 / 45 / 0

HEX #FF9F8C

RGB 255 159 140

HSL 9.91, 1%, 0.77%

LAB 74.79, 33.65, 24.98

 

CMYK 0 / 31 / 38 / 0

HEX #FFB19F

RGB 255 177 159

HSL 11.25, 1%, 0.81%

LAB 79.16, 26.28, 20.68

 

CMYK 0 / 24 / 30 / 0

HEX #FFC3B2

RGB 255 195 178

HSL 13.25, 1%, 0.85%

LAB 83.71, 19.15, 16.84

 

CMYK 0 / 16 / 23 / 0

HEX #FFD5C5

RGB 255 213 197

HSL 16.55, 1%, 0.89%

LAB 88.39, 12.31, 13.39

 

CMYK 0 / 42 / 48 / 5

HEX #F28D7E

RGB 242 141 126

HSL 7.76, 0.82%, 0.72%

LAB 69.06, 36.73, 24.65

 

CMYK 0 / 45 / 52 / 12

HEX #E17B6B

RGB 225 123 107

HSL 8.14, 0.66%, 0.65%

LAB 62.71, 37.89, 26.36

 

CMYK 0 / 50 / 58 / 18

HEX #D06958

RGB 208 105 88

HSL 8.5, 0.56%, 0.58%

LAB 56.31, 39.14, 28.31

 

CMYK 0 / 54 / 64 / 25

HEX #BF5745

RGB 191 87 69

HSL 8.85, 0.49%, 0.51%

LAB 49.88, 40.46, 30.54

 

CMYK 0 / 60 / 71 / 32

HEX #AE4532

RGB 174 69 50

HSL 9.19, 0.55%, 0.44%

LAB 43.49, 41.78, 33.12

 

CMYK 0 / 42 / 48 / 5

HEX #F28C7D

RGB 242 140 125

HSL 7.69, 0.82%, 0.72%

LAB 68.83, 37.15, 24.9

 

CMYK 0 / 48 / 48 / 5

HEX #F27D7D

RGB 242 125 125

HSL 0, 0.82%, 0.72%

LAB 65.77, 44.76, 20.76

 

CMYK 0 / 42 / 48 / 5

HEX #F28C7D

RGB 242 140 125

HSL 7.69, 0.82%, 0.72%

LAB 68.83, 37.15, 24.9

 

CMYK 0 / 29 / 48 / 5

HEX #F2AB7D

RGB 242 171 125

HSL 23.59, 0.82%, 0.72%

LAB 75.75, 20.88, 34.02

 

CMYK 0 / 16 / 48 / 5

HEX #F2CB7D

RGB 242 203 125

HSL 40, 0.82%, 0.72%

LAB 83.48, 4.08, 43.84

 

CMYK 0 / 3 / 48 / 5

HEX #F2EA7D

RGB 242 234 125

HSL 55.9, 0.82%, 0.72%

LAB 91.33, -11.63, 53.45

 

CMYK 10 / 0 / 48 / 5

HEX #D9F27D

RGB 217 242 125

HSL 72.82, 0.82%, 0.72%

LAB 91.57, -25.25, 53.3

 

CMYK 0 / 42 / 48 / 5

HEX #F28C7D

RGB 242 140 125

HSL 7.69, 0.82%, 0.72%

LAB 68.83, 37.15, 24.9

 

CMYK 0 / 48 / 55 / 1

HEX #FD8371

RGB 253 131 113

HSL 7.71, 0.97%, 0.72%

LAB 68.25, 44.77, 31

 

CMYK 0 / 42 / 48 / 5

HEX #F28C7D

RGB 242 140 125

HSL 7.69, 0.82%, 0.72%

LAB 68.83, 37.15, 24.9

 

CMYK 0 / 36 / 41 / 10

HEX #E69488

RGB 230 148 136

HSL 7.66, 0.65%, 0.72%

LAB 69.31, 29.52, 19.22

 

CMYK 0 / 28 / 32 / 14

HEX #DB9D94

RGB 219 157 148

HSL 7.61, 0.5%, 0.72%

LAB 70.39, 21.92, 13.89

 

CMYK 0 / 20 / 23 / 19

HEX #CFA59F

RGB 207 165 159

HSL 7.5, 0.33%, 0.72%

LAB 71.34, 14.53, 8.98

 

CMYK 0 / 11 / 12 / 24

HEX #C3AEAB

RGB 195 174 171

HSL 7.5, 0.17%, 0.72%

LAB 72.77, 7.05, 4.29

 

CMYK 0 / 48 / 29 / 5

HEX #F27DAD

RGB 242 125 173

HSL 335.38, 0.82%, 0.72%

LAB 66.95, 50.08, -4.72

 

CMYK 0 / 48 / 41 / 5

HEX #F27D8E

RGB 242 125 142

HSL 351.28, 0.82%, 0.72%

LAB 66.13, 46.44, 11.66

 

CMYK 0 / 43 / 48 / 5

HEX #F28A7D

RGB 242 138 125

HSL 6.67, 0.82%, 0.72%

LAB 68.41, 38.18, 24.33

 

CMYK 0 / 30 / 48 / 5

HEX #F2A97D

RGB 242 169 125

HSL 22.56, 0.82%, 0.72%

LAB 75.29, 21.94, 33.41

 

CMYK 0 / 17 / 48 / 5

HEX #F2C97D

RGB 242 201 125

HSL 38.97, 0.82%, 0.72%

LAB 82.98, 5.12, 43.22

 

CMYK 0 / 69 / 79 / 8

HEX #EA4931

RGB 234 73 49

HSL 7.78, 0.81%, 0.55%

LAB 54.53, 60.63, 48.58

 

CMYK 0 / 55 / 63 / 7

HEX #EE6B57

RGB 238 107 87

HSL 7.95, 0.82%, 0.64%

LAB 61.12, 49.16, 35.86

 

CMYK 0 / 42 / 48 / 5

HEX #F28C7D

RGB 242 140 125

HSL 7.69, 0.82%, 0.72%

LAB 68.83, 37.15, 24.9

 

CMYK 0 / 29 / 34 / 4

HEX #F5ADA2

RGB 245 173 162

HSL 7.95, 0.81%, 0.8%

LAB 77.23, 24.98, 16.21

 

CMYK 0 / 17 / 20 / 2

HEX #F9CEC8

RGB 249 206 200

HSL 7.35, 0.8%, 0.88%

LAB 86.23, 14.21, 8.65

 

CMYK 0 / 42 / 48 / 5

HEX #F28D7E

RGB 242 141 126

HSL 7.76, 0.82%, 0.72%

LAB 69.06, 36.73, 24.65

 

CMYK 15 / 0 / 48 / 5

HEX #CDF27D

RGB 205 242 125

HSL 78.97, 0.82%, 0.72%

LAB 90.76, -29.77, 52.14

 

CMYK 48 / 35 / 0 / 5

HEX #7D9EF2

RGB 125 158 242

HSL 223.08, 0.82%, 0.72%

LAB 65.92, 11.01, -45.66

 

CMYK 0 / 42 / 48 / 5

HEX #F28D7E

RGB 242 141 126

HSL 7.76, 0.82%, 0.72%

LAB 69.06, 36.73, 24.65

 

CMYK 48 / 0 / 43 / 5

HEX #7DF28A

RGB 125 242 138

HSL 126.67, 0.82%, 0.72%

LAB 86.85, -54.2, 40.14

 

CMYK 43 / 48 / 0 / 5

HEX #8A7DF2

RGB 138 125 242

HSL 246.67, 0.82%, 0.72%

LAB 58.49, 33.3, -57.39

 

CMYK 0 / 42 / 48 / 5

HEX #F28D7E

RGB 242 141 126

HSL 7.76, 0.82%, 0.72%

LAB 69.06, 36.73, 24.65

 

CMYK 15 / 0 / 48 / 5

HEX #CDF27D

RGB 205 242 125

HSL 78.97, 0.82%, 0.72%

LAB 90.76, -29.77, 52.14

 

CMYK 48 / 6 / 0 / 5

HEX #7DE4F2

RGB 125 228 242

HSL 187.18, 0.82%, 0.72%

LAB 85.13, -26.36, -16.11

 

CMYK 33 / 48 / 0 / 5

HEX #A27DF2

RGB 162 125 242

HSL 258.97, 0.82%, 0.72%

LAB 60.57, 39.15, -53.96

 

CMYK 0 / 42 / 48 / 5

HEX #F28D7E

RGB 242 141 126

HSL 7.76, 0.82%, 0.72%

LAB 69.06, 36.73, 24.65

 

CMYK 30 / 0 / 48 / 5

HEX #A9F27D

RGB 169 242 125

HSL 97.44, 0.82%, 0.72%

LAB 88.65, -42.61, 49.08

 

CMYK 48 / 6 / 0 / 5

HEX #7DE4F2

RGB 125 228 242

HSL 187.18, 0.82%, 0.72%

LAB 85.13, -26.36, -16.11

 

CMYK 19 / 48 / 0 / 5

HEX #C57DF2

RGB 197 125 242

HSL 276.92, 0.82%, 0.72%

LAB 64.12, 48.32, -48.1

 

Description

Color code: HEX #F28D7E | qconv.com Color code: HEX #F28D7E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 141 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 141 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 48 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 48% 5% C M Y K

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Provide designers and agencies with accurate color values.

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