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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 242 125 142 it is the complementary color RGB 13 130 113. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 242 125 142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 242 125 142 shade: RGB 247 125 137, RGB 255 143 156, RGB 255 161 175, RGB 255 179 194 and RGB 255 197 213

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 242 125 142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 242 125 142 shade: RGB 242 125 142, RGB 225 107 123, RGB 208 89 104, RGB 191 71 85 and RGB 174 53 66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 242 125 142 shade: RGB 242 125 142 and RGB 242 125 125

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 242 125 142 shade: RGB 242 125 142, RGB 242 125 173, RGB 242 125 205, RGB 242 125 236 and RGB 215 125 242

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 242 125 142 shade matches the following richer shades: RGB 242 125 142 and RGB 253 113 133

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 242 125 142 shade: RGB 242 125 142, RGB 230 136 150, RGB 219 148 158, RGB 207 159 166 and RGB 195 171 174

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 242 125 142 shade: RGB 242 125 205, RGB 242 125 173, RGB 242 125 142, RGB 242 138 125 and RGB 242 169 125

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 242 125 142 shade: RGB 234 49 76, RGB 238 87 109, RGB 242 125 142, RGB 245 162 174 and RGB 249 200 207

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 242 125 142 shade: RGB 242 125 142, RGB 236 242 125 and RGB 125 189 242

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 242 125 142 shade: RGB 242 125 142, RGB 142 242 125 and RGB 125 142 242

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 242 125 142 shade: RGB 242 125 142, RGB 236 242 125, RGB 125 242 224 and RGB 130 125 242

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 242 125 142 shade: RGB 242 125 142, RGB 201 242 125, RGB 125 242 224 and RGB 166 125 242

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 41 / 5

HEX #F27D8E

RGB 242 125 142

HSL 351.28, 0.82%, 0.72%

LAB 66.13, 46.44, 11.66

 

Complementary color

CMYK 90 / 0 / 13 / 49

HEX #0D8271

RGB 13 130 113

HSL 171.28, 0.82%, 0.28%

LAB 48.56, -33.68, 0.82

 

CMYK 0 / 49 / 45 / 3

HEX #F77D89

RGB 247 125 137

HSL 354.1, 0.88%, 0.73%

LAB 66.71, 47.68, 15.39

 

CMYK 0 / 44 / 39 / 0

HEX #FF8F9C

RGB 255 143 156

HSL 353.04, 1%, 0.78%

LAB 71.76, 43.52, 12

 

CMYK 0 / 37 / 31 / 0

HEX #FFA1AF

RGB 255 161 175

HSL 351.06, 1%, 0.82%

LAB 75.97, 36.54, 7.51

 

CMYK 0 / 30 / 24 / 0

HEX #FFB3C2

RGB 255 179 194

HSL 348.16, 1%, 0.85%

LAB 80.4, 29.68, 3.54

 

CMYK 0 / 23 / 16 / 0

HEX #FFC5D5

RGB 255 197 213

HSL 343.45, 1%, 0.89%

LAB 84.99, 23.02, 0.02

 

CMYK 0 / 48 / 41 / 5

HEX #F27D8E

RGB 242 125 142

HSL 351.28, 0.82%, 0.72%

LAB 66.13, 46.44, 11.66

 

CMYK 0 / 52 / 45 / 12

HEX #E16B7B

RGB 225 107 123

HSL 351.86, 0.66%, 0.65%

LAB 59.85, 47.41, 13.35

 

CMYK 0 / 57 / 50 / 18

HEX #D05968

RGB 208 89 104

HSL 352.44, 0.56%, 0.58%

LAB 53.55, 48.35, 15.34

 

CMYK 0 / 63 / 55 / 25

HEX #BF4755

RGB 191 71 85

HSL 353, 0.48%, 0.51%

LAB 47.29, 49.18, 17.72

 

CMYK 0 / 70 / 62 / 32

HEX #AE3542

RGB 174 53 66

HSL 353.55, 0.53%, 0.45%

LAB 41.12, 49.76, 20.64

 

CMYK 0 / 48 / 41 / 5

HEX #F27D8E

RGB 242 125 142

HSL 351.28, 0.82%, 0.72%

LAB 66.13, 46.44, 11.66

 

CMYK 0 / 48 / 48 / 5

HEX #F27D7D

RGB 242 125 125

HSL 0, 0.82%, 0.72%

LAB 65.77, 44.76, 20.76

 

CMYK 0 / 48 / 41 / 5

HEX #F27D8E

RGB 242 125 142

HSL 351.28, 0.82%, 0.72%

LAB 66.13, 46.44, 11.66

 

CMYK 0 / 48 / 29 / 5

HEX #F27DAD

RGB 242 125 173

HSL 335.38, 0.82%, 0.72%

LAB 66.95, 50.08, -4.72

 

CMYK 0 / 48 / 15 / 5

HEX #F27DCD

RGB 242 125 205

HSL 318.97, 0.82%, 0.72%

LAB 67.99, 54.58, -21.13

 

CMYK 0 / 48 / 2 / 5

HEX #F27DEC

RGB 242 125 236

HSL 303.08, 0.82%, 0.72%

LAB 69.18, 59.57, -36.48

 

CMYK 11 / 48 / 0 / 5

HEX #D77DF2

RGB 215 125 242

HSL 286.15, 0.82%, 0.72%

LAB 66.16, 53.2, -44.76

 

CMYK 0 / 48 / 41 / 5

HEX #F27D8E

RGB 242 125 142

HSL 351.28, 0.82%, 0.72%

LAB 66.13, 46.44, 11.66

 

CMYK 0 / 55 / 47 / 1

HEX #FD7185

RGB 253 113 133

HSL 351.43, 0.97%, 0.72%

LAB 65.27, 55.07, 15.79

 

CMYK 0 / 48 / 41 / 5

HEX #F27D8E

RGB 242 125 142

HSL 351.28, 0.82%, 0.72%

LAB 66.13, 46.44, 11.66

 

CMYK 0 / 41 / 35 / 10

HEX #E68896

RGB 230 136 150

HSL 351.06, 0.65%, 0.72%

LAB 67, 37.46, 8.15

 

CMYK 0 / 32 / 28 / 14

HEX #DB949E

RGB 219 148 158

HSL 351.55, 0.5%, 0.72%

LAB 68.54, 28.1, 5.7

 

CMYK 0 / 23 / 20 / 19

HEX #CF9FA6

RGB 207 159 166

HSL 351.25, 0.33%, 0.72%

LAB 70.05, 18.85, 3.25

 

CMYK 0 / 12 / 11 / 24

HEX #C3ABAE

RGB 195 171 174

HSL 352.5, 0.17%, 0.72%

LAB 72.08, 9.18, 1.65

 

CMYK 0 / 48 / 15 / 5

HEX #F27DCD

RGB 242 125 205

HSL 318.97, 0.82%, 0.72%

LAB 67.99, 54.58, -21.13

 

CMYK 0 / 48 / 29 / 5

HEX #F27DAD

RGB 242 125 173

HSL 335.38, 0.82%, 0.72%

LAB 66.95, 50.08, -4.72

 

CMYK 0 / 48 / 41 / 5

HEX #F27D8E

RGB 242 125 142

HSL 351.28, 0.82%, 0.72%

LAB 66.13, 46.44, 11.66

 

CMYK 0 / 43 / 48 / 5

HEX #F28A7D

RGB 242 138 125

HSL 6.67, 0.82%, 0.72%

LAB 68.41, 38.18, 24.33

 

CMYK 0 / 30 / 48 / 5

HEX #F2A97D

RGB 242 169 125

HSL 22.56, 0.82%, 0.72%

LAB 75.29, 21.94, 33.41

 

CMYK 0 / 79 / 68 / 8

HEX #EA314C

RGB 234 49 76

HSL 351.24, 0.81%, 0.55%

LAB 52.07, 69.45, 30.82

 

CMYK 0 / 63 / 54 / 7

HEX #EE576D

RGB 238 87 109

HSL 351.26, 0.82%, 0.64%

LAB 58.13, 59.58, 19.44

 

CMYK 0 / 48 / 41 / 5

HEX #F27D8E

RGB 242 125 142

HSL 351.28, 0.82%, 0.72%

LAB 66.13, 46.44, 11.66

 

CMYK 0 / 34 / 29 / 4

HEX #F5A2AE

RGB 245 162 174

HSL 351.33, 0.81%, 0.8%

LAB 75.02, 32.3, 6.53

 

CMYK 0 / 20 / 17 / 2

HEX #F9C8CF

RGB 249 200 207

HSL 351.43, 0.8%, 0.88%

LAB 84.97, 18.41, 3.12

 

CMYK 0 / 48 / 41 / 5

HEX #F27D8E

RGB 242 125 142

HSL 351.28, 0.82%, 0.72%

LAB 66.13, 46.44, 11.66

 

CMYK 2 / 0 / 48 / 5

HEX #ECF27D

RGB 236 242 125

HSL 63.08, 0.82%, 0.72%

LAB 92.93, -17.91, 55.27

 

CMYK 48 / 22 / 0 / 5

HEX #7DBDF2

RGB 125 189 242

HSL 207.18, 0.82%, 0.72%

LAB 74.3, -6.32, -32.61

 

CMYK 0 / 48 / 41 / 5

HEX #F27D8E

RGB 242 125 142

HSL 351.28, 0.82%, 0.72%

LAB 66.13, 46.44, 11.66

 

CMYK 41 / 0 / 48 / 5

HEX #8EF27D

RGB 142 242 125

HSL 111.28, 0.82%, 0.72%

LAB 87.36, -51.21, 47.2

 

CMYK 48 / 41 / 0 / 5

HEX #7D8EF2

RGB 125 142 242

HSL 231.28, 0.82%, 0.72%

LAB 61.75, 20.33, -52.25

 

CMYK 0 / 48 / 41 / 5

HEX #F27D8E

RGB 242 125 142

HSL 351.28, 0.82%, 0.72%

LAB 66.13, 46.44, 11.66

 

CMYK 2 / 0 / 48 / 5

HEX #ECF27D

RGB 236 242 125

HSL 63.08, 0.82%, 0.72%

LAB 92.93, -17.91, 55.27

 

CMYK 48 / 0 / 7 / 5

HEX #7DF2E0

RGB 125 242 224

HSL 170.77, 0.82%, 0.72%

LAB 88.56, -37.46, -1.55

 

CMYK 46 / 48 / 0 / 5

HEX #827DF2

RGB 130 125 242

HSL 242.56, 0.82%, 0.72%

LAB 57.87, 31.47, -58.42

 

CMYK 0 / 48 / 41 / 5

HEX #F27D8E

RGB 242 125 142

HSL 351.28, 0.82%, 0.72%

LAB 66.13, 46.44, 11.66

 

CMYK 17 / 0 / 48 / 5

HEX #C9F27D

RGB 201 242 125

HSL 81.03, 0.82%, 0.72%

LAB 90.51, -31.26, 51.77

 

CMYK 48 / 0 / 7 / 5

HEX #7DF2E0

RGB 125 242 224

HSL 170.77, 0.82%, 0.72%

LAB 88.56, -37.46, -1.55

 

CMYK 31 / 48 / 0 / 5

HEX #A67DF2

RGB 166 125 242

HSL 261.03, 0.82%, 0.72%

LAB 60.94, 40.16, -53.33

 

Description

Color code: RGB 242 125 142 | qconv.com Color code: RGB 242 125 142 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 125 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 125 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 41 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 41% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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