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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EFDC8B it is the complementary color #102374. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EFDC8B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EFDC8B shade: #F4DC86, #FFEE99, #FFFFAC, #FFFFBF and #FFFFD2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EFDC8B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EFDC8B shade: #EFDC8B, #DECA78, #CDB865, #BCA652 and #AB943F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EFDC8B shade: #EFDB8A, #EFC08A, #EFA58A, #EF8A8A and #EF8A8A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EFDC8B shade: #EFDB8A, #E7EF8A, #CBEF8A, #B0EF8A and #95EF8A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EFDC8B shade matches the following richer shades: #EFDB8A and #F9E27F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EFDC8B shade: #EFDB8A, #E4D595, #D9CE9F, #CEC7AA and #C4C1B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EFDC8B shade: #EFA58A, #EFC08A, #EFDA8A, #E8EF8A and #CDEF8A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EFDC8B shade: #E5C641, #EAD166, #EFDB8A, #F4E6AE and #F8F1D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EFDC8B shade: #EFDC8B, #8AEF8A and #B28AEF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EFDC8B shade: #EFDC8B, #8AEFDA and #DA8AEF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EFDC8B shade: #EFDC8B, #8AEF8A, #8A9EEF and #EF8AEF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EFDC8B shade: #EFDC8B, #8AEFA8, #8A9EEF and #EF8AD0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 42 / 6

HEX #EFDC8B

RGB 239 220 139

HSL 48.6, 0.76%, 0.74%

LAB 87.68, -4.47, 42.1

 

Complementary color

CMYK 86 / 70 / 0 / 55

HEX #102374

RGB 16 35 116

HSL 228.6, 0.76%, 0.26%

LAB 18.25, 25.83, -48.25

 

CMYK 0 / 10 / 45 / 4

HEX #F4DC86

RGB 244 220 134

HSL 46.91, 0.83%, 0.74%

LAB 88.04, -2.99, 45.12

 

CMYK 0 / 7 / 40 / 0

HEX #FFEE99

RGB 255 238 153

HSL 50, 1%, 0.8%

LAB 93.76, -5.85, 43.19

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAC

RGB 255 255 172

HSL 60, 1%, 0.84%

LAB 98.34, -12.15, 39.74

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFBF

RGB 255 255 191

HSL 60, 1%, 0.87%

LAB 98.65, -9.81, 30.68

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD2

RGB 255 255 210

HSL 60, 1%, 0.91%

LAB 99, -7.2, 21.56

 

CMYK 0 / 8 / 42 / 6

HEX #EFDC8B

RGB 239 220 139

HSL 48.6, 0.76%, 0.74%

LAB 87.68, -4.47, 42.1

 

CMYK 0 / 9 / 46 / 13

HEX #DECA78

RGB 222 202 120

HSL 48.24, 0.61%, 0.67%

LAB 81.36, -3.93, 43.31

 

CMYK 0 / 10 / 51 / 20

HEX #CDB865

RGB 205 184 101

HSL 47.88, 0.51%, 0.6%

LAB 74.95, -3.3, 44.54

 

CMYK 0 / 12 / 56 / 26

HEX #BCA652

RGB 188 166 82

HSL 47.55, 0.44%, 0.53%

LAB 68.44, -2.55, 45.77

 

CMYK 0 / 13 / 63 / 33

HEX #AB943F

RGB 171 148 63

HSL 47.22, 0.46%, 0.46%

LAB 61.82, -1.64, 46.93

 

CMYK 0 / 8 / 42 / 6

HEX #EFDB8A

RGB 239 219 138

HSL 48.12, 0.76%, 0.74%

LAB 87.41, -4.06, 42.26

 

CMYK 0 / 20 / 42 / 6

HEX #EFC08A

RGB 239 192 138

HSL 32.08, 0.76%, 0.74%

LAB 80.67, 9.9, 33.56

 

CMYK 0 / 31 / 42 / 6

HEX #EFA58A

RGB 239 165 138

HSL 16.04, 0.76%, 0.74%

LAB 74.25, 24.18, 25.02

 

CMYK 0 / 42 / 42 / 6

HEX #EF8A8A

RGB 239 138 138

HSL 0, 0.76%, 0.74%

LAB 68.29, 38.35, 16.86

 

CMYK 0 / 42 / 42 / 6

HEX #EF8A8A

RGB 239 138 138

HSL 0, 0.76%, 0.74%

LAB 68.29, 38.35, 16.86

 

CMYK 0 / 8 / 42 / 6

HEX #EFDB8A

RGB 239 219 138

HSL 48.12, 0.76%, 0.74%

LAB 87.41, -4.06, 42.26

 

CMYK 3 / 0 / 42 / 6

HEX #E7EF8A

RGB 231 239 138

HSL 64.75, 0.76%, 0.74%

LAB 91.93, -17.15, 47.81

 

CMYK 15 / 0 / 42 / 6

HEX #CBEF8A

RGB 203 239 138

HSL 81.39, 0.76%, 0.74%

LAB 89.98, -27.7, 44.95

 

CMYK 26 / 0 / 42 / 6

HEX #B0EF8A

RGB 176 239 138

HSL 97.43, 0.76%, 0.74%

LAB 88.35, -37.32, 42.54

 

CMYK 38 / 0 / 42 / 6

HEX #95EF8A

RGB 149 239 138

HSL 113.47, 0.76%, 0.74%

LAB 86.98, -46.11, 40.51

 

CMYK 0 / 8 / 42 / 6

HEX #EFDB8A

RGB 239 219 138

HSL 48.12, 0.76%, 0.74%

LAB 87.41, -4.06, 42.26

 

CMYK 0 / 9 / 49 / 2

HEX #F9E27F

RGB 249 226 127

HSL 48.69, 0.91%, 0.74%

LAB 89.89, -4.68, 50.9

 

CMYK 0 / 8 / 42 / 6

HEX #EFDB8A

RGB 239 219 138

HSL 48.12, 0.76%, 0.74%

LAB 87.41, -4.06, 42.26

 

CMYK 0 / 7 / 35 / 11

HEX #E4D595

RGB 228 213 149

HSL 48.61, 0.59%, 0.74%

LAB 85.13, -4.09, 33.55

 

CMYK 0 / 5 / 27 / 15

HEX #D9CE9F

RGB 217 206 159

HSL 48.62, 0.43%, 0.74%

LAB 82.59, -3.46, 24.8

 

CMYK 0 / 3 / 17 / 19

HEX #CEC7AA

RGB 206 199 170

HSL 48.33, 0.27%, 0.74%

LAB 80.11, -2.37, 15.41

 

CMYK 0 / 2 / 8 / 23

HEX #C4C1B5

RGB 196 193 181

HSL 48, 0.11%, 0.74%

LAB 78, -1.07, 6.4

 

CMYK 0 / 31 / 42 / 6

HEX #EFA58A

RGB 239 165 138

HSL 16.04, 0.76%, 0.74%

LAB 74.25, 24.18, 25.02

 

CMYK 0 / 20 / 42 / 6

HEX #EFC08A

RGB 239 192 138

HSL 32.08, 0.76%, 0.74%

LAB 80.67, 9.9, 33.56

 

CMYK 0 / 9 / 42 / 6

HEX #EFDA8A

RGB 239 218 138

HSL 47.52, 0.76%, 0.74%

LAB 87.16, -3.55, 41.93

 

CMYK 3 / 0 / 42 / 6

HEX #E8EF8A

RGB 232 239 138

HSL 64.16, 0.76%, 0.74%

LAB 92.01, -16.76, 47.92

 

CMYK 14 / 0 / 42 / 6

HEX #CDEF8A

RGB 205 239 138

HSL 80.2, 0.76%, 0.74%

LAB 90.11, -26.97, 45.14

 

CMYK 0 / 14 / 72 / 10

HEX #E5C641

RGB 229 198 65

HSL 48.66, 0.76%, 0.58%

LAB 80.42, -2.87, 67.09

 

CMYK 0 / 11 / 56 / 8

HEX #EAD166

RGB 234 209 102

HSL 48.64, 0.76%, 0.66%

LAB 83.99, -4.17, 55.37

 

CMYK 0 / 8 / 42 / 6

HEX #EFDB8A

RGB 239 219 138

HSL 48.12, 0.76%, 0.74%

LAB 87.41, -4.06, 42.26

 

CMYK 0 / 6 / 29 / 4

HEX #F4E6AE

RGB 244 230 174

HSL 48, 0.76%, 0.82%

LAB 91.18, -3.58, 29.06

 

CMYK 0 / 3 / 15 / 3

HEX #F8F1D2

RGB 248 241 210

HSL 48.95, 0.73%, 0.9%

LAB 94.96, -2.67, 15.82

 

CMYK 0 / 8 / 42 / 6

HEX #EFDC8B

RGB 239 220 139

HSL 48.6, 0.76%, 0.74%

LAB 87.68, -4.47, 42.1

 

CMYK 42 / 0 / 42 / 6

HEX #8AEF8A

RGB 138 239 138

HSL 120, 0.76%, 0.74%

LAB 86.49, -49.39, 39.79

 

CMYK 26 / 42 / 0 / 6

HEX #B28AEF

RGB 178 138 239

HSL 263.76, 0.76%, 0.74%

LAB 64.86, 35.38, -45.41

 

CMYK 0 / 8 / 42 / 6

HEX #EFDC8B

RGB 239 220 139

HSL 48.6, 0.76%, 0.74%

LAB 87.68, -4.47, 42.1

 

CMYK 42 / 0 / 9 / 6

HEX #8AEFDA

RGB 138 239 218

HSL 167.52, 0.76%, 0.74%

LAB 88.06, -34.43, 0.91

 

CMYK 9 / 42 / 0 / 6

HEX #DA8AEF

RGB 218 138 239

HSL 287.52, 0.76%, 0.74%

LAB 68.98, 46.76, -38.66

 

CMYK 0 / 8 / 42 / 6

HEX #EFDC8B

RGB 239 220 139

HSL 48.6, 0.76%, 0.74%

LAB 87.68, -4.47, 42.1

 

CMYK 42 / 0 / 42 / 6

HEX #8AEF8A

RGB 138 239 138

HSL 120, 0.76%, 0.74%

LAB 86.49, -49.39, 39.79

 

CMYK 42 / 34 / 0 / 6

HEX #8A9EEF

RGB 138 158 239

HSL 228.12, 0.76%, 0.74%

LAB 66.59, 13.29, -42.92

 

CMYK 0 / 42 / 0 / 6

HEX #EF8AEF

RGB 239 138 239

HSL 300, 0.76%, 0.74%

LAB 71.39, 52.86, -34.73

 

CMYK 0 / 8 / 42 / 6

HEX #EFDC8B

RGB 239 220 139

HSL 48.6, 0.76%, 0.74%

LAB 87.68, -4.47, 42.1

 

CMYK 42 / 0 / 30 / 6

HEX #8AEFA8

RGB 138 239 168

HSL 137.82, 0.76%, 0.74%

LAB 86.98, -44.56, 25.34

 

CMYK 42 / 34 / 0 / 6

HEX #8A9EEF

RGB 138 158 239

HSL 228.12, 0.76%, 0.74%

LAB 66.59, 13.29, -42.92

 

CMYK 0 / 42 / 13 / 6

HEX #EF8AD0

RGB 239 138 208

HSL 318.42, 0.76%, 0.74%

LAB 70.23, 47.65, -19.42

 

Description

Color code: HEX #EFDC8B | qconv.com Color code: HEX #EFDC8B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 220 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 220 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 42 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 42% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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