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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EF51EA it is the complementary color #10AE15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EF51EA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EF51EA shade: #F451E5, #FF63F8, #FF75FF, #FF87FF and #FF99FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EF51EA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EF51EA shade: #EF51EA, #DE3FD7, #CD2DC4, #BC1BB1 and #AB099E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EF51EA shade: #EE52EA, #EE52BF, #EE5295, #EE526B and #EE5252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EF51EA shade: #EE52EA, #C952EE, #9F52EE, #7552EE and #5252EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EF51EA shade matches the following richer shades: #EE52EA and #FE43F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EF51EA shade: #EE52EA, #DF61DB, #D070CD, #C180BF and #B18FB0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EF51EA shade: #9E52EE, #C752EE, #EE52EC, #EE52C2 and #EE5298

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EF51EA shade: #DA14D4, #EB2CE5, #EE52EA, #F278EE and #F59DF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EF51EA shade: #EF51EA, #EE7452 and #52EEB2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EF51EA shade: #EF51EA, #ECEE52 and #52ECEE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EF51EA shade: #EF51EA, #EE7452, #52EE54 and #52CDEE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EF51EA shade: #EF51EA, #EEA352, #52EE54 and #529EEE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 2 / 6

HEX #EF51EA

RGB 239 81 234

HSL 301.9, 0.83%, 0.63%

LAB 61.81, 77.18, -46.96

 

Complementary color

CMYK 91 / 0 / 88 / 32

HEX #10AE15

RGB 16 174 21

HSL 121.9, 0.83%, 0.37%

LAB 62.03, -63.25, 59.42

 

CMYK 0 / 67 / 6 / 4

HEX #F451E5

RGB 244 81 229

HSL 305.52, 0.88%, 0.64%

LAB 62.32, 77.54, -43.31

 

CMYK 0 / 61 / 3 / 0

HEX #FF63F8

RGB 255 99 248

HSL 302.69, 1%, 0.69%

LAB 67.25, 76.3, -45.98

 

CMYK 0 / 54 / 0 / 0

HEX #FF75FF

RGB 255 117 255

HSL 300, 1%, 0.73%

LAB 70.32, 69.92, -45

 

CMYK 0 / 47 / 0 / 0

HEX #FF87FF

RGB 255 135 255

HSL 300, 1%, 0.76%

LAB 73.42, 61.66, -40.15

 

CMYK 0 / 40 / 0 / 0

HEX #FF99FF

RGB 255 153 255

HSL 300, 1%, 0.8%

LAB 76.84, 52.83, -34.84

 

CMYK 0 / 66 / 2 / 6

HEX #EF51EA

RGB 239 81 234

HSL 301.9, 0.83%, 0.63%

LAB 61.81, 77.18, -46.96

 

CMYK 0 / 72 / 3 / 13

HEX #DE3FD7

RGB 222 63 215

HSL 302.64, 0.71%, 0.56%

LAB 56.08, 76.6, -45.49

 

CMYK 0 / 78 / 4 / 20

HEX #CD2DC4

RGB 205 45 196

HSL 303.38, 0.64%, 0.49%

LAB 50.5, 75.39, -43.61

 

CMYK 0 / 86 / 6 / 26

HEX #BC1BB1

RGB 188 27 177

HSL 304.1, 0.75%, 0.42%

LAB 45.15, 73.29, -41.18

 

CMYK 0 / 95 / 8 / 33

HEX #AB099E

RGB 171 9 158

HSL 304.81, 0.9%, 0.35%

LAB 40.12, 69.98, -38.02

 

CMYK 0 / 66 / 2 / 7

HEX #EE52EA

RGB 238 82 234

HSL 301.54, 0.82%, 0.63%

LAB 61.79, 76.59, -47

 

CMYK 0 / 66 / 20 / 7

HEX #EE52BF

RGB 238 82 191

HSL 318.08, 0.82%, 0.63%

LAB 59.86, 70.29, -25.71

 

CMYK 0 / 66 / 37 / 7

HEX #EE5295

RGB 238 82 149

HSL 334.23, 0.82%, 0.63%

LAB 58.4, 65.24, -3.61

 

CMYK 0 / 66 / 55 / 7

HEX #EE526B

RGB 238 82 107

HSL 350.38, 0.82%, 0.63%

LAB 57.34, 61.46, 19.54

 

CMYK 0 / 66 / 66 / 7

HEX #EE5252

RGB 238 82 82

HSL 0, 0.82%, 0.63%

LAB 56.9, 59.84, 33.47

 

CMYK 0 / 66 / 2 / 7

HEX #EE52EA

RGB 238 82 234

HSL 301.54, 0.82%, 0.63%

LAB 61.79, 76.59, -47

 

CMYK 16 / 66 / 0 / 7

HEX #C952EE

RGB 201 82 238

HSL 285.77, 0.82%, 0.63%

LAB 56.71, 69.06, -57.63

 

CMYK 33 / 66 / 0 / 7

HEX #9F52EE

RGB 159 82 238

HSL 269.62, 0.82%, 0.63%

LAB 51.36, 60.19, -66.52

 

CMYK 51 / 66 / 0 / 7

HEX #7552EE

RGB 117 82 238

HSL 253.46, 0.82%, 0.63%

LAB 46.96, 52.3, -73.86

 

CMYK 66 / 66 / 0 / 7

HEX #5252EE

RGB 82 82 238

HSL 240, 0.82%, 0.63%

LAB 44.24, 47.03, -78.43

 

CMYK 0 / 66 / 2 / 7

HEX #EE52EA

RGB 238 82 234

HSL 301.54, 0.82%, 0.63%

LAB 61.79, 76.59, -47

 

CMYK 0 / 74 / 2 / 0

HEX #FE43F8

RGB 254 67 248

HSL 301.93, 0.99%, 0.63%

LAB 63.23, 86.99, -52.34

 

CMYK 0 / 66 / 2 / 7

HEX #EE52EA

RGB 238 82 234

HSL 301.54, 0.82%, 0.63%

LAB 61.79, 76.59, -47

 

CMYK 0 / 57 / 2 / 13

HEX #DF61DB

RGB 223 97 219

HSL 301.9, 0.66%, 0.63%

LAB 61.09, 64.48, -39.85

 

CMYK 0 / 46 / 1 / 18

HEX #D070CD

RGB 208 112 205

HSL 301.88, 0.51%, 0.63%

LAB 61.14, 50.83, -32.04

 

CMYK 0 / 34 / 1 / 24

HEX #C180BF

RGB 193 128 191

HSL 301.85, 0.34%, 0.63%

LAB 62.12, 35.21, -22.77

 

CMYK 0 / 19 / 1 / 31

HEX #B18FB0

RGB 177 143 176

HSL 301.76, 0.18%, 0.63%

LAB 63.45, 18.61, -12.43

 

CMYK 34 / 66 / 0 / 7

HEX #9E52EE

RGB 158 82 238

HSL 269.23, 0.82%, 0.63%

LAB 51.24, 59.99, -66.72

 

CMYK 16 / 66 / 0 / 7

HEX #C752EE

RGB 199 82 238

HSL 285, 0.82%, 0.63%

LAB 56.44, 68.62, -58.08

 

CMYK 0 / 66 / 1 / 7

HEX #EE52EC

RGB 238 82 236

HSL 300.77, 0.82%, 0.63%

LAB 61.88, 76.91, -47.96

 

CMYK 0 / 66 / 18 / 7

HEX #EE52C2

RGB 238 82 194

HSL 316.92, 0.82%, 0.63%

LAB 59.99, 70.69, -27.24

 

CMYK 0 / 66 / 36 / 7

HEX #EE5298

RGB 238 82 152

HSL 333.08, 0.82%, 0.63%

LAB 58.49, 65.56, -5.23

 

CMYK 0 / 91 / 3 / 15

HEX #DA14D4

RGB 218 20 212

HSL 301.82, 0.83%, 0.47%

LAB 52.02, 84.76, -50.28

 

CMYK 0 / 81 / 3 / 8

HEX #EB2CE5

RGB 235 44 229

HSL 301.88, 0.83%, 0.55%

LAB 57.19, 86.26, -51.51

 

CMYK 0 / 66 / 2 / 7

HEX #EE52EA

RGB 238 82 234

HSL 301.54, 0.82%, 0.63%

LAB 61.79, 76.59, -47

 

CMYK 0 / 50 / 2 / 5

HEX #F278EE

RGB 242 120 238

HSL 301.97, 0.82%, 0.71%

LAB 68.38, 62.27, -38.84

 

CMYK 0 / 36 / 1 / 4

HEX #F59DF3

RGB 245 157 243

HSL 301.36, 0.81%, 0.79%

LAB 76.07, 45.68, -29.63

 

CMYK 0 / 66 / 2 / 6

HEX #EF51EA

RGB 239 81 234

HSL 301.9, 0.83%, 0.63%

LAB 61.81, 77.18, -46.96

 

CMYK 0 / 51 / 66 / 7

HEX #EE7452

RGB 238 116 82

HSL 13.08, 0.82%, 0.63%

LAB 62.74, 44.52, 40.54

 

CMYK 66 / 0 / 25 / 7

HEX #52EEB2

RGB 82 238 178

HSL 156.92, 0.82%, 0.63%

LAB 85.08, -54.56, 17.27

 

CMYK 0 / 66 / 2 / 6

HEX #EF51EA

RGB 239 81 234

HSL 301.9, 0.83%, 0.63%

LAB 61.81, 77.18, -46.96

 

CMYK 1 / 0 / 66 / 7

HEX #ECEE52

RGB 236 238 82

HSL 60.77, 0.82%, 0.63%

LAB 91.5, -19.07, 71.98

 

CMYK 66 / 1 / 0 / 7

HEX #52ECEE

RGB 82 236 238

HSL 180.77, 0.82%, 0.63%

LAB 85.99, -38.93, -12.85

 

CMYK 0 / 66 / 2 / 6

HEX #EF51EA

RGB 239 81 234

HSL 301.9, 0.83%, 0.63%

LAB 61.81, 77.18, -46.96

 

CMYK 0 / 51 / 66 / 7

HEX #EE7452

RGB 238 116 82

HSL 13.08, 0.82%, 0.63%

LAB 62.74, 44.52, 40.54

 

CMYK 66 / 0 / 65 / 7

HEX #52EE54

RGB 82 238 84

HSL 120.77, 0.82%, 0.63%

LAB 83.75, -69.35, 60.65

 

CMYK 66 / 14 / 0 / 7

HEX #52CDEE

RGB 82 205 238

HSL 192.69, 0.82%, 0.63%

LAB 77.06, -24.11, -26.35

 

CMYK 0 / 66 / 2 / 6

HEX #EF51EA

RGB 239 81 234

HSL 301.9, 0.83%, 0.63%

LAB 61.81, 77.18, -46.96

 

CMYK 0 / 32 / 66 / 7

HEX #EEA352

RGB 238 163 82

HSL 31.15, 0.82%, 0.63%

LAB 72.88, 20.2, 52.21

 

CMYK 66 / 0 / 65 / 7

HEX #52EE54

RGB 82 238 84

HSL 120.77, 0.82%, 0.63%

LAB 83.75, -69.35, 60.65

 

CMYK 66 / 34 / 0 / 7

HEX #529EEE

RGB 82 158 238

HSL 210.77, 0.82%, 0.63%

LAB 63.69, 1.2, -47.12

 

Description

Color code: HEX #EF51EA | qconv.com Color code: HEX #EF51EA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 81 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 81 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 2 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 2% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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