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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9E52EE it is the complementary color #61AD11. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9E52EE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9E52EE shade: #A352E9, #B464FC, #C576FF, #D688FF and #E79AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9E52EE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9E52EE shade: #9E52EE, #8D40DB, #7C2EC8, #6B1CB5 and #5A0AA2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9E52EE shade: #9E53EE, #C853EE, #EE53E9, #EE53C0 and #EE5396

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9E52EE shade: #9E53EE, #7453EE and #5353EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9E52EE shade matches the following richer shades: #9E53EE and #9E44FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9E52EE shade: #9E53EE, #9F62DE, #9F71CF, #9F81C0 and #A090B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9E52EE shade: #535BEE, #7453EE, #9E53EE, #C753EE and #EE53EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9E52EE shade: #7415D9, #892DEA, #9E53EE, #B378F1 and #C89EF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9E52EE shade: #9E52EE, #EE5384 and #53EE60

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9E52EE shade: #9E52EE, #EE9E53 and #53EE9E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9E52EE shade: #9E52EE, #EE5384, #A3EE53 and #53EEBD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9E52EE shade: #9E52EE, #EE5355, #A3EE53 and #53EEEB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 66 / 0 / 7

HEX #9E52EE

RGB 158 82 238

HSL 269.23, 0.82%, 0.63%

LAB 51.24, 59.99, -66.72

 

Complementary color

CMYK 44 / 0 / 90 / 32

HEX #61AD11

RGB 97 173 17

HSL 89.23, 0.82%, 0.37%

LAB 63.73, -46.39, 62.45

 

CMYK 30 / 65 / 0 / 9

HEX #A352E9

RGB 163 82 233

HSL 272.19, 0.77%, 0.62%

LAB 51.5, 59.86, -63.46

 

CMYK 29 / 60 / 0 / 1

HEX #B464FC

RGB 180 100 252

HSL 271.58, 0.96%, 0.69%

LAB 57.89, 59.14, -63.66

 

CMYK 23 / 54 / 0 / 0

HEX #C576FF

RGB 197 118 255

HSL 274.6, 1%, 0.73%

LAB 63.38, 54.77, -56.42

 

CMYK 16 / 47 / 0 / 0

HEX #D688FF

RGB 214 136 255

HSL 279.33, 1%, 0.77%

LAB 68.84, 49.91, -47.66

 

CMYK 9 / 40 / 0 / 0

HEX #E79AFF

RGB 231 154 255

HSL 285.74, 1%, 0.8%

LAB 74.39, 45.31, -38.84

 

CMYK 34 / 66 / 0 / 7

HEX #9E52EE

RGB 158 82 238

HSL 269.23, 0.82%, 0.63%

LAB 51.24, 59.99, -66.72

 

CMYK 36 / 71 / 0 / 14

HEX #8D40DB

RGB 141 64 219

HSL 269.81, 0.68%, 0.55%

LAB 44.86, 60.58, -66.4

 

CMYK 38 / 77 / 0 / 22

HEX #7C2EC8

RGB 124 46 200

HSL 270.39, 0.63%, 0.48%

LAB 38.57, 60.77, -65.79

 

CMYK 41 / 85 / 0 / 29

HEX #6B1CB5

RGB 107 28 181

HSL 270.98, 0.73%, 0.41%

LAB 32.46, 60.22, -64.69

 

CMYK 44 / 94 / 0 / 36

HEX #5A0AA2

RGB 90 10 162

HSL 271.58, 0.88%, 0.34%

LAB 26.73, 58.33, -62.77

 

CMYK 34 / 65 / 0 / 7

HEX #9E53EE

RGB 158 83 238

HSL 269.03, 0.82%, 0.63%

LAB 51.41, 59.51, -66.44

 

CMYK 16 / 65 / 0 / 7

HEX #C853EE

RGB 200 83 238

HSL 285.29, 0.82%, 0.63%

LAB 56.72, 68.42, -57.62

 

CMYK 0 / 65 / 2 / 7

HEX #EE53E9

RGB 238 83 233

HSL 301.94, 0.82%, 0.63%

LAB 61.87, 76.07, -46.32

 

CMYK 0 / 65 / 19 / 7

HEX #EE53C0

RGB 238 83 192

HSL 317.81, 0.82%, 0.63%

LAB 60.04, 70.04, -26.01

 

CMYK 0 / 65 / 37 / 7

HEX #EE5396

RGB 238 83 150

HSL 334.06, 0.82%, 0.63%

LAB 58.57, 64.95, -3.94

 

CMYK 34 / 65 / 0 / 7

HEX #9E53EE

RGB 158 83 238

HSL 269.03, 0.82%, 0.63%

LAB 51.41, 59.51, -66.44

 

CMYK 51 / 65 / 0 / 7

HEX #7453EE

RGB 116 83 238

HSL 252.77, 0.82%, 0.63%

LAB 47.07, 51.59, -73.69

 

CMYK 65 / 65 / 0 / 7

HEX #5353EE

RGB 83 83 238

HSL 240, 0.82%, 0.63%

LAB 44.52, 46.58, -77.97

 

CMYK 34 / 65 / 0 / 7

HEX #9E53EE

RGB 158 83 238

HSL 269.03, 0.82%, 0.63%

LAB 51.41, 59.51, -66.44

 

CMYK 38 / 73 / 0 / 1

HEX #9E44FD

RGB 158 68 253

HSL 269.19, 0.98%, 0.63%

LAB 50.09, 69.7, -76.97

 

CMYK 34 / 65 / 0 / 7

HEX #9E53EE

RGB 158 83 238

HSL 269.03, 0.82%, 0.63%

LAB 51.41, 59.51, -66.44

 

CMYK 28 / 56 / 0 / 13

HEX #9F62DE

RGB 159 98 222

HSL 269.52, 0.65%, 0.63%

LAB 53.36, 48.31, -54.29

 

CMYK 23 / 45 / 0 / 19

HEX #9F71CF

RGB 159 113 207

HSL 269.36, 0.49%, 0.63%

LAB 55.77, 36.53, -41.98

 

CMYK 17 / 33 / 0 / 25

HEX #9F81C0

RGB 159 129 192

HSL 268.57, 0.33%, 0.63%

LAB 58.86, 23.93, -28.64

 

CMYK 9 / 18 / 0 / 31

HEX #A090B0

RGB 160 144 176

HSL 270, 0.17%, 0.63%

LAB 62.13, 12.18, -14.56

 

CMYK 65 / 62 / 0 / 7

HEX #535BEE

RGB 83 91 238

HSL 236.9, 0.82%, 0.63%

LAB 46.3, 41.85, -75.04

 

CMYK 51 / 65 / 0 / 7

HEX #7453EE

RGB 116 83 238

HSL 252.77, 0.82%, 0.63%

LAB 47.07, 51.59, -73.69

 

CMYK 34 / 65 / 0 / 7

HEX #9E53EE

RGB 158 83 238

HSL 269.03, 0.82%, 0.63%

LAB 51.41, 59.51, -66.44

 

CMYK 16 / 65 / 0 / 7

HEX #C753EE

RGB 199 83 238

HSL 284.9, 0.82%, 0.63%

LAB 56.59, 68.2, -57.84

 

CMYK 0 / 65 / 1 / 7

HEX #EE53EB

RGB 238 83 235

HSL 301.16, 0.82%, 0.63%

LAB 61.97, 76.39, -47.28

 

CMYK 47 / 90 / 0 / 15

HEX #7415D9

RGB 116 21 217

HSL 269.08, 0.82%, 0.47%

LAB 36.48, 71.17, -79.1

 

CMYK 41 / 81 / 0 / 8

HEX #892DEA

RGB 137 45 234

HSL 269.21, 0.82%, 0.55%

LAB 42.97, 70.85, -78.05

 

CMYK 34 / 65 / 0 / 7

HEX #9E53EE

RGB 158 83 238

HSL 269.03, 0.82%, 0.63%

LAB 51.41, 59.51, -66.44

 

CMYK 26 / 50 / 0 / 5

HEX #B378F1

RGB 179 120 241

HSL 269.26, 0.81%, 0.71%

LAB 61.1, 46.01, -52.45

 

CMYK 18 / 36 / 0 / 4

HEX #C89EF5

RGB 200 158 245

HSL 268.97, 0.81%, 0.79%

LAB 71.78, 31.98, -37.73

 

CMYK 34 / 66 / 0 / 7

HEX #9E52EE

RGB 158 82 238

HSL 269.23, 0.82%, 0.63%

LAB 51.24, 59.99, -66.72

 

CMYK 0 / 65 / 45 / 7

HEX #EE5384

RGB 238 83 132

HSL 341.03, 0.82%, 0.63%

LAB 58.07, 63.15, 5.87

 

CMYK 65 / 0 / 60 / 7

HEX #53EE60

RGB 83 238 96

HSL 125.03, 0.82%, 0.63%

LAB 83.88, -67.9, 55.78

 

CMYK 34 / 66 / 0 / 7

HEX #9E52EE

RGB 158 82 238

HSL 269.23, 0.82%, 0.63%

LAB 51.24, 59.99, -66.72

 

CMYK 0 / 34 / 65 / 7

HEX #EE9E53

RGB 238 158 83

HSL 29.03, 0.82%, 0.63%

LAB 71.73, 22.91, 50.44

 

CMYK 65 / 0 / 34 / 7

HEX #53EE9E

RGB 83 238 158

HSL 149.03, 0.82%, 0.63%

LAB 84.72, -58.46, 27.08

 

CMYK 34 / 66 / 0 / 7

HEX #9E52EE

RGB 158 82 238

HSL 269.23, 0.82%, 0.63%

LAB 51.24, 59.99, -66.72

 

CMYK 0 / 65 / 45 / 7

HEX #EE5384

RGB 238 83 132

HSL 341.03, 0.82%, 0.63%

LAB 58.07, 63.15, 5.87

 

CMYK 32 / 0 / 65 / 7

HEX #A3EE53

RGB 163 238 83

HSL 89.03, 0.82%, 0.63%

LAB 86.78, -46.96, 65.21

 

CMYK 65 / 0 / 21 / 7

HEX #53EEBD

RGB 83 238 189

HSL 161.03, 0.82%, 0.63%

LAB 85.33, -51.97, 11.91

 

CMYK 34 / 66 / 0 / 7

HEX #9E52EE

RGB 158 82 238

HSL 269.23, 0.82%, 0.63%

LAB 51.24, 59.99, -66.72

 

CMYK 0 / 65 / 64 / 7

HEX #EE5355

RGB 238 83 85

HSL 359.23, 0.82%, 0.63%

LAB 57.09, 59.61, 31.99

 

CMYK 32 / 0 / 65 / 7

HEX #A3EE53

RGB 163 238 83

HSL 89.03, 0.82%, 0.63%

LAB 86.78, -46.96, 65.21

 

CMYK 65 / 0 / 1 / 7

HEX #53EEEB

RGB 83 238 235

HSL 178.84, 0.82%, 0.63%

LAB 86.5, -40.51, -10.51

 

Description

Color code: HEX #9E52EE | qconv.com Color code: HEX #9E52EE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 82 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 82 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 66 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 66% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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