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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EEF3A5 it is the complementary color #110C5A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EEF3A5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EEF3A5 shade: #F3F3A0, #FFFFB3, #FFFFC6, #FFFFD9 and #FFFFEC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EEF3A5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EEF3A5 shade: #EEF3A5, #DDE192, #CCCF7F, #BBBD6C and #AAAB59

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EEF3A5 shade: #EDF2A5, #F2E2A5, #F2CDA5, #F2B9A5 and #F2A5A5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EEF3A5 shade: #EDF2A5, #D8F2A5, #C3F2A5, #AFF2A5 and #A5F2B0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EEF3A5 shade matches the following richer shades: #EDF2A5 and #F4FB9C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EEF3A5 shade: #EDF2A5, #E6EAAD, #DFE2B5, #D8DABD and #D1D1C6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EEF3A5 shade: #F2CDA5, #F2E1A5, #EEF2A5, #DAF2A5 and #C5F2A5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EEF3A5 shade: #DFE85C, #E6ED80, #EDF2A5, #F4F7C9 and #FBFCED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EEF3A5 shade: #EEF3A5, #A5F2B8 and #D7A5F2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EEF3A5 shade: #EEF3A5, #A5EEF2 and #F2A5EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EEF3A5 shade: #EEF3A5, #A5F2B8, #A9A5F2 and #F2A5DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EEF3A5 shade: #EEF3A5, #A5F2CF, #A9A5F2 and #F2A5C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 32 / 5

HEX #EEF3A5

RGB 238 243 165

HSL 63.85, 0.76%, 0.8%

LAB 93.88, -13.44, 37.13

 

Complementary color

CMYK 81 / 87 / 0 / 65

HEX #110C5A

RGB 17 12 90

HSL 243.85, 0.76%, 0.2%

LAB 9.96, 30.79, -44.79

 

CMYK 0 / 0 / 34 / 5

HEX #F3F3A0

RGB 243 243 160

HSL 60, 0.78%, 0.79%

LAB 94.18, -12.15, 40.09

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB3

RGB 255 255 179

HSL 60, 1%, 0.85%

LAB 98.45, -11.32, 36.42

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC6

RGB 255 255 198

HSL 60, 1%, 0.89%

LAB 98.77, -8.88, 27.33

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFD9

RGB 255 255 217

HSL 60, 1%, 0.93%

LAB 99.14, -6.17, 18.19

 

CMYK 0 / 0 / 7 / 0

HEX #FFFFEC

RGB 255 255 236

HSL 60, 1%, 0.96%

LAB 99.55, -3.2, 9.07

 

CMYK 2 / 0 / 32 / 5

HEX #EEF3A5

RGB 238 243 165

HSL 63.85, 0.76%, 0.8%

LAB 93.88, -13.44, 37.13

 

CMYK 2 / 0 / 35 / 12

HEX #DDE192

RGB 221 225 146

HSL 63.04, 0.57%, 0.73%

LAB 87.63, -13.21, 38.24

 

CMYK 1 / 0 / 39 / 19

HEX #CCCF7F

RGB 204 207 127

HSL 62.25, 0.45%, 0.65%

LAB 81.29, -12.93, 39.39

 

CMYK 1 / 0 / 43 / 26

HEX #BBBD6C

RGB 187 189 108

HSL 61.48, 0.38%, 0.58%

LAB 74.85, -12.59, 40.58

 

CMYK 1 / 0 / 48 / 33

HEX #AAAB59

RGB 170 171 89

HSL 60.73, 0.33%, 0.51%

LAB 68.31, -12.18, 41.78

 

CMYK 2 / 0 / 32 / 5

HEX #EDF2A5

RGB 237 242 165

HSL 63.9, 0.75%, 0.8%

LAB 93.55, -13.32, 36.68

 

CMYK 0 / 7 / 32 / 5

HEX #F2E2A5

RGB 242 226 165

HSL 47.53, 0.75%, 0.8%

LAB 89.85, -3.43, 31.85

 

CMYK 0 / 15 / 32 / 5

HEX #F2CDA5

RGB 242 205 165

HSL 31.17, 0.75%, 0.8%

LAB 84.62, 7.37, 24.77

 

CMYK 0 / 24 / 32 / 5

HEX #F2B9A5

RGB 242 185 165

HSL 15.58, 0.75%, 0.8%

LAB 79.78, 17.87, 18.11

 

CMYK 0 / 32 / 32 / 5

HEX #F2A5A5

RGB 242 165 165

HSL 0, 0.75%, 0.8%

LAB 75.14, 28.46, 11.6

 

CMYK 2 / 0 / 32 / 5

HEX #EDF2A5

RGB 237 242 165

HSL 63.9, 0.75%, 0.8%

LAB 93.55, -13.32, 36.68

 

CMYK 11 / 0 / 32 / 5

HEX #D8F2A5

RGB 216 242 165

HSL 80.26, 0.75%, 0.8%

LAB 92.05, -21.05, 34.43

 

CMYK 19 / 0 / 32 / 5

HEX #C3F2A5

RGB 195 242 165

HSL 96.62, 0.75%, 0.8%

LAB 90.7, -28.51, 32.38

 

CMYK 28 / 0 / 32 / 5

HEX #AFF2A5

RGB 175 242 165

HSL 112.21, 0.75%, 0.8%

LAB 89.55, -35.23, 30.64

 

CMYK 32 / 0 / 27 / 5

HEX #A5F2B0

RGB 165 242 176

HSL 128.57, 0.75%, 0.8%

LAB 89.22, -36.63, 24.51

 

CMYK 2 / 0 / 32 / 5

HEX #EDF2A5

RGB 237 242 165

HSL 63.9, 0.75%, 0.8%

LAB 93.55, -13.32, 36.68

 

CMYK 3 / 0 / 38 / 2

HEX #F4FB9C

RGB 244 251 156

HSL 64.42, 0.92%, 0.8%

LAB 96.26, -16.13, 44.74

 

CMYK 2 / 0 / 32 / 5

HEX #EDF2A5

RGB 237 242 165

HSL 63.9, 0.75%, 0.8%

LAB 93.55, -13.32, 36.68

 

CMYK 2 / 0 / 26 / 8

HEX #E6EAAD

RGB 230 234 173

HSL 63.93, 0.59%, 0.8%

LAB 91.09, -10.93, 29.26

 

CMYK 1 / 0 / 20 / 11

HEX #DFE2B5

RGB 223 226 181

HSL 64, 0.44%, 0.8%

LAB 88.65, -8.37, 21.71

 

CMYK 1 / 0 / 13 / 15

HEX #D8DABD

RGB 216 218 189

HSL 64.14, 0.28%, 0.8%

LAB 86.21, -5.61, 14.06

 

CMYK 0 / 0 / 5 / 18

HEX #D1D1C6

RGB 209 209 198

HSL 60, 0.11%, 0.8%

LAB 83.57, -1.95, 5.44

 

CMYK 0 / 15 / 32 / 5

HEX #F2CDA5

RGB 242 205 165

HSL 31.17, 0.75%, 0.8%

LAB 84.62, 7.37, 24.77

 

CMYK 0 / 7 / 32 / 5

HEX #F2E1A5

RGB 242 225 165

HSL 46.75, 0.75%, 0.8%

LAB 89.6, -2.92, 31.51

 

CMYK 2 / 0 / 32 / 5

HEX #EEF2A5

RGB 238 242 165

HSL 63.12, 0.75%, 0.8%

LAB 93.62, -12.95, 36.79

 

CMYK 10 / 0 / 32 / 5

HEX #DAF2A5

RGB 218 242 165

HSL 78.7, 0.75%, 0.8%

LAB 92.19, -20.33, 34.63

 

CMYK 19 / 0 / 32 / 5

HEX #C5F2A5

RGB 197 242 165

HSL 95.06, 0.75%, 0.8%

LAB 90.82, -27.81, 32.57

 

CMYK 4 / 0 / 60 / 9

HEX #DFE85C

RGB 223 232 92

HSL 63.86, 0.75%, 0.64%

LAB 89, -20.8, 65.09

 

CMYK 3 / 0 / 46 / 7

HEX #E6ED80

RGB 230 237 128

HSL 63.85, 0.75%, 0.72%

LAB 91.21, -17.54, 51.68

 

CMYK 2 / 0 / 32 / 5

HEX #EDF2A5

RGB 237 242 165

HSL 63.9, 0.75%, 0.8%

LAB 93.55, -13.32, 36.68

 

CMYK 1 / 0 / 19 / 3

HEX #F4F7C9

RGB 244 247 201

HSL 63.91, 0.74%, 0.88%

LAB 95.99, -8.43, 21.83

 

CMYK 0 / 0 / 6 / 1

HEX #FBFCED

RGB 251 252 237

HSL 64, 0.71%, 0.96%

LAB 98.53, -2.89, 7.05

 

CMYK 2 / 0 / 32 / 5

HEX #EEF3A5

RGB 238 243 165

HSL 63.85, 0.76%, 0.8%

LAB 93.88, -13.44, 37.13

 

CMYK 32 / 0 / 24 / 5

HEX #A5F2B8

RGB 165 242 184

HSL 134.81, 0.75%, 0.8%

LAB 89.38, -35.24, 20.62

 

CMYK 11 / 32 / 0 / 5

HEX #D7A5F2

RGB 215 165 242

HSL 278.96, 0.75%, 0.8%

LAB 74.68, 32.04, -31.49

 

CMYK 2 / 0 / 32 / 5

HEX #EEF3A5

RGB 238 243 165

HSL 63.85, 0.76%, 0.8%

LAB 93.88, -13.44, 37.13

 

CMYK 32 / 2 / 0 / 5

HEX #A5EEF2

RGB 165 238 242

HSL 183.12, 0.75%, 0.8%

LAB 89.65, -21.5, -9.16

 

CMYK 0 / 32 / 2 / 5

HEX #F2A5EE

RGB 242 165 238

HSL 303.12, 0.75%, 0.8%

LAB 77.26, 39.68, -25.13

 

CMYK 2 / 0 / 32 / 5

HEX #EEF3A5

RGB 238 243 165

HSL 63.85, 0.76%, 0.8%

LAB 93.88, -13.44, 37.13

 

CMYK 32 / 0 / 24 / 5

HEX #A5F2B8

RGB 165 242 184

HSL 134.81, 0.75%, 0.8%

LAB 89.38, -35.24, 20.62

 

CMYK 30 / 32 / 0 / 5

HEX #A9A5F2

RGB 169 165 242

HSL 243.12, 0.75%, 0.8%

LAB 70.7, 18.4, -37.97

 

CMYK 0 / 32 / 8 / 5

HEX #F2A5DF

RGB 242 165 223

HSL 314.81, 0.75%, 0.8%

LAB 76.75, 37.07, -17.76

 

CMYK 2 / 0 / 32 / 5

HEX #EEF3A5

RGB 238 243 165

HSL 63.85, 0.76%, 0.8%

LAB 93.88, -13.44, 37.13

 

CMYK 32 / 0 / 14 / 5

HEX #A5F2CF

RGB 165 242 207

HSL 152.73, 0.75%, 0.8%

LAB 89.86, -30.92, 9.4

 

CMYK 30 / 32 / 0 / 5

HEX #A9A5F2

RGB 169 165 242

HSL 243.12, 0.75%, 0.8%

LAB 70.7, 18.4, -37.97

 

CMYK 0 / 32 / 17 / 5

HEX #F2A5C8

RGB 242 165 200

HSL 332.73, 0.75%, 0.8%

LAB 76.04, 33.36, -6.27

 

Description

Color code: HEX #EEF3A5 | qconv.com Color code: HEX #EEF3A5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 243 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 243 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 32 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 32% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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