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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3F2A5 it is the complementary color #3C0D5A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3F2A5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3F2A5 shade: #C8F2A0, #D9FFB3, #EAFFC6, #FBFFD9 and #FFFFEC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3F2A5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3F2A5 shade: #C3F2A5, #B2E092, #A1CE7F, #90BC6C and #7FAA59

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3F2A5 shade: #C3F2A5, #D8F2A5, #ECF2A5, #F2E3A5 and #F2CEA5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3F2A5 shade: #C3F2A5, #AEF2A5, #A5F2B1, #A5F2C5 and #A5F2DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3F2A5 shade matches the following richer shades: #C3F2A5 and #C1FA9D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3F2A5 shade: #C3F2A5, #C5E9AE, #C7E1B6, #C9D9BE and #CAD1C6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3F2A5 shade: #EDF2A5, #D8F2A5, #C4F2A5, #AFF2A5 and #A5F2AF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3F2A5 shade: #93E75D, #ABED81, #C3F2A5, #DBF7C9 and #F3FCED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3F2A5 shade: #C3F2A5, #A5F2E2 and #F2A5E2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3F2A5 shade: #C3F2A5, #A5C4F2 and #F2A5C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3F2A5 shade: #C3F2A5, #A5F2E2, #D3A5F2 and #F2A5B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3F2A5 shade: #C3F2A5, #A5EAF2, #D3A5F2 and #F2ADA5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 32 / 5

HEX #C3F2A5

RGB 195 242 165

HSL 96.62, 0.75%, 0.8%

LAB 90.7, -28.51, 32.38

 

Complementary color

CMYK 33 / 86 / 0 / 65

HEX #3C0D5A

RGB 60 13 90

HSL 276.62, 0.75%, 0.2%

LAB 15.42, 36.34, -35.62

 

CMYK 17 / 0 / 34 / 5

HEX #C8F2A0

RGB 200 242 160

HSL 90.73, 0.76%, 0.79%

LAB 90.93, -27.45, 35.26

 

CMYK 15 / 0 / 30 / 0

HEX #D9FFB3

RGB 217 255 179

HSL 90, 1%, 0.85%

LAB 95.8, -25.03, 32.42

 

CMYK 8 / 0 / 22 / 0

HEX #EAFFC6

RGB 234 255 198

HSL 82.11, 1%, 0.89%

LAB 97.26, -16.35, 25.02

 

CMYK 2 / 0 / 15 / 0

HEX #FBFFD9

RGB 251 255 217

HSL 66.32, 1%, 0.93%

LAB 98.84, -7.57, 17.74

 

CMYK 0 / 0 / 7 / 0

HEX #FFFFEC

RGB 255 255 236

HSL 60, 1%, 0.96%

LAB 99.55, -3.2, 9.07

 

CMYK 19 / 0 / 32 / 5

HEX #C3F2A5

RGB 195 242 165

HSL 96.62, 0.75%, 0.8%

LAB 90.7, -28.51, 32.38

 

CMYK 21 / 0 / 35 / 12

HEX #B2E092

RGB 178 224 146

HSL 95.38, 0.56%, 0.73%

LAB 84.41, -28.61, 33.47

 

CMYK 22 / 0 / 38 / 19

HEX #A1CE7F

RGB 161 206 127

HSL 94.18, 0.45%, 0.65%

LAB 78.02, -28.72, 34.6

 

CMYK 23 / 0 / 43 / 26

HEX #90BC6C

RGB 144 188 108

HSL 93, 0.37%, 0.58%

LAB 71.54, -28.8, 35.77

 

CMYK 25 / 0 / 48 / 33

HEX #7FAA59

RGB 127 170 89

HSL 91.85, 0.32%, 0.51%

LAB 64.95, -28.86, 36.97

 

CMYK 19 / 0 / 32 / 5

HEX #C3F2A5

RGB 195 242 165

HSL 96.62, 0.75%, 0.8%

LAB 90.7, -28.51, 32.38

 

CMYK 11 / 0 / 32 / 5

HEX #D8F2A5

RGB 216 242 165

HSL 80.26, 0.75%, 0.8%

LAB 92.05, -21.05, 34.43

 

CMYK 2 / 0 / 32 / 5

HEX #ECF2A5

RGB 236 242 165

HSL 64.68, 0.75%, 0.8%

LAB 93.47, -13.69, 36.57

 

CMYK 0 / 6 / 32 / 5

HEX #F2E3A5

RGB 242 227 165

HSL 48.31, 0.75%, 0.8%

LAB 90.11, -3.94, 32.18

 

CMYK 0 / 15 / 32 / 5

HEX #F2CEA5

RGB 242 206 165

HSL 31.95, 0.75%, 0.8%

LAB 84.86, 6.85, 25.11

 

CMYK 19 / 0 / 32 / 5

HEX #C3F2A5

RGB 195 242 165

HSL 96.62, 0.75%, 0.8%

LAB 90.7, -28.51, 32.38

 

CMYK 28 / 0 / 32 / 5

HEX #AEF2A5

RGB 174 242 165

HSL 112.99, 0.75%, 0.8%

LAB 89.5, -35.56, 30.56

 

CMYK 32 / 0 / 27 / 5

HEX #A5F2B1

RGB 165 242 177

HSL 129.35, 0.75%, 0.8%

LAB 89.24, -36.46, 24.03

 

CMYK 32 / 0 / 19 / 5

HEX #A5F2C5

RGB 165 242 197

HSL 144.94, 0.75%, 0.8%

LAB 89.64, -32.86, 14.28

 

CMYK 32 / 0 / 10 / 5

HEX #A5F2DA

RGB 165 242 218

HSL 161.3, 0.75%, 0.8%

LAB 90.12, -28.68, 4.05

 

CMYK 19 / 0 / 32 / 5

HEX #C3F2A5

RGB 195 242 165

HSL 96.62, 0.75%, 0.8%

LAB 90.7, -28.51, 32.38

 

CMYK 23 / 0 / 37 / 2

HEX #C1FA9D

RGB 193 250 157

HSL 96.77, 0.9%, 0.8%

LAB 92.64, -34.02, 38.92

 

CMYK 19 / 0 / 32 / 5

HEX #C3F2A5

RGB 195 242 165

HSL 96.62, 0.75%, 0.8%

LAB 90.7, -28.51, 32.38

 

CMYK 15 / 0 / 25 / 9

HEX #C5E9AE

RGB 197 233 174

HSL 96.61, 0.57%, 0.8%

LAB 88.54, -22.17, 24.91

 

CMYK 12 / 0 / 19 / 12

HEX #C7E1B6

RGB 199 225 182

HSL 96.28, 0.42%, 0.8%

LAB 86.69, -16.28, 18.21

 

CMYK 7 / 0 / 12 / 15

HEX #C9D9BE

RGB 201 217 190

HSL 95.56, 0.26%, 0.8%

LAB 84.87, -10.23, 11.48

 

CMYK 3 / 0 / 5 / 18

HEX #CAD1C6

RGB 202 209 198

HSL 98.18, 0.11%, 0.8%

LAB 83.04, -4.38, 4.62

 

CMYK 2 / 0 / 32 / 5

HEX #EDF2A5

RGB 237 242 165

HSL 63.9, 0.75%, 0.8%

LAB 93.55, -13.32, 36.68

 

CMYK 11 / 0 / 32 / 5

HEX #D8F2A5

RGB 216 242 165

HSL 80.26, 0.75%, 0.8%

LAB 92.05, -21.05, 34.43

 

CMYK 19 / 0 / 32 / 5

HEX #C4F2A5

RGB 196 242 165

HSL 95.84, 0.75%, 0.8%

LAB 90.76, -28.16, 32.48

 

CMYK 28 / 0 / 32 / 5

HEX #AFF2A5

RGB 175 242 165

HSL 112.21, 0.75%, 0.8%

LAB 89.55, -35.23, 30.64

 

CMYK 32 / 0 / 28 / 5

HEX #A5F2AF

RGB 165 242 175

HSL 127.79, 0.75%, 0.8%

LAB 89.2, -36.79, 25

 

CMYK 36 / 0 / 60 / 9

HEX #93E75D

RGB 147 231 93

HSL 96.52, 0.74%, 0.64%

LAB 84.04, -48.62, 57.87

 

CMYK 28 / 0 / 46 / 7

HEX #ABED81

RGB 171 237 129

HSL 96.67, 0.75%, 0.72%

LAB 87.39, -39.25, 45.64

 

CMYK 19 / 0 / 32 / 5

HEX #C3F2A5

RGB 195 242 165

HSL 96.62, 0.75%, 0.8%

LAB 90.7, -28.51, 32.38

 

CMYK 11 / 0 / 19 / 3

HEX #DBF7C9

RGB 219 247 201

HSL 96.52, 0.74%, 0.88%

LAB 94.23, -17.18, 19.12

 

CMYK 4 / 0 / 6 / 1

HEX #F3FCED

RGB 243 252 237

HSL 96, 0.71%, 0.96%

LAB 97.95, -5.58, 6.14

 

CMYK 19 / 0 / 32 / 5

HEX #C3F2A5

RGB 195 242 165

HSL 96.62, 0.75%, 0.8%

LAB 90.7, -28.51, 32.38

 

CMYK 32 / 0 / 7 / 5

HEX #A5F2E2

RGB 165 242 226

HSL 167.53, 0.75%, 0.8%

LAB 90.32, -26.99, 0.17

 

CMYK 0 / 32 / 7 / 5

HEX #F2A5E2

RGB 242 165 226

HSL 312.47, 0.75%, 0.8%

LAB 76.85, 37.59, -19.24

 

CMYK 19 / 0 / 32 / 5

HEX #C3F2A5

RGB 195 242 165

HSL 96.62, 0.75%, 0.8%

LAB 90.7, -28.51, 32.38

 

CMYK 32 / 19 / 0 / 5

HEX #A5C4F2

RGB 165 196 242

HSL 215.84, 0.75%, 0.8%

LAB 78.4, 0.17, -26.12

 

CMYK 0 / 32 / 19 / 5

HEX #F2A5C4

RGB 242 165 196

HSL 335.84, 0.75%, 0.8%

LAB 75.93, 32.76, -4.25

 

CMYK 19 / 0 / 32 / 5

HEX #C3F2A5

RGB 195 242 165

HSL 96.62, 0.75%, 0.8%

LAB 90.7, -28.51, 32.38

 

CMYK 32 / 0 / 7 / 5

HEX #A5F2E2

RGB 165 242 226

HSL 167.53, 0.75%, 0.8%

LAB 90.32, -26.99, 0.17

 

CMYK 13 / 32 / 0 / 5

HEX #D3A5F2

RGB 211 165 242

HSL 275.84, 0.75%, 0.8%

LAB 74.3, 30.81, -32.11

 

CMYK 0 / 32 / 25 / 5

HEX #F2A5B5

RGB 242 165 181

HSL 347.53, 0.75%, 0.8%

LAB 75.53, 30.59, 3.38

 

CMYK 19 / 0 / 32 / 5

HEX #C3F2A5

RGB 195 242 165

HSL 96.62, 0.75%, 0.8%

LAB 90.7, -28.51, 32.38

 

CMYK 32 / 3 / 0 / 5

HEX #A5EAF2

RGB 165 234 242

HSL 186.23, 0.75%, 0.8%

LAB 88.57, -19.52, -10.77

 

CMYK 13 / 32 / 0 / 5

HEX #D3A5F2

RGB 211 165 242

HSL 275.84, 0.75%, 0.8%

LAB 74.3, 30.81, -32.11

 

CMYK 0 / 29 / 32 / 5

HEX #F2ADA5

RGB 242 173 165

HSL 6.23, 0.75%, 0.8%

LAB 76.97, 24.23, 14.18

 

Description

Color code: HEX #C3F2A5 | qconv.com Color code: HEX #C3F2A5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 242 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 242 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 32 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 32% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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