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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EEE117 it is the complementary color #111EE8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EEE117. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EEE117 shade: #F3E112, #FFF325, #FFFF38, #FFFF4B and #FFFF5E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EEE117. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EEE117 shade: #EEE117, #DDCF04, #CCBD00, #BBAB00 and #AA9900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EEE117 shade: #EDE016, #EDA616, #ED6C16, #ED3216 and #ED1616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EEE117 shade: #EDE016, #C0ED16, #86ED16, #4CED16 and #16ED1A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EEE117 shade matches the following richer shades: #EDE016

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EEE117 shade: #EDE016, #D9CE2A, #C5BC3F, #B0AB53 and #9C9967

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EEE117 shade: #ED6C16, #EDA516, #EDDF16, #C2ED16 and #89ED16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EEE117 shade: #A59B0C, #CBC00F, #EDE016, #F0E53C and #F3EA63

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EEE117 shade: #EEE117, #16ED33 and #8916ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EEE117 shade: #EEE117, #16EDDF and #DF16ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EEE117 shade: #EEE117, #16ED33, #1624ED and #ED16D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EEE117 shade: #EEE117, #16ED73, #1624ED and #ED1690

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 90 / 7

HEX #EEE117

RGB 238 225 23

HSL 56.37, 0.86%, 0.51%

LAB 88.01, -13.9, 84.96

 

Complementary color

CMYK 93 / 87 / 0 / 9

HEX #111EE8

RGB 17 30 232

HSL 236.37, 0.86%, 0.49%

LAB 31.52, 66.94, -96.16

 

CMYK 0 / 7 / 93 / 5

HEX #F3E112

RGB 243 225 18

HSL 55.2, 0.9%, 0.51%

LAB 88.42, -11.86, 86.11

 

CMYK 0 / 5 / 85 / 0

HEX #FFF325

RGB 255 243 37

HSL 56.7, 1%, 0.57%

LAB 94.1, -15.36, 87.99

 

CMYK 0 / 0 / 78 / 0

HEX #FFFF38

RGB 255 255 56

HSL 60, 1%, 0.61%

LAB 97.25, -20.62, 86.3

 

CMYK 0 / 0 / 71 / 0

HEX #FFFF4B

RGB 255 255 75

HSL 60, 1%, 0.65%

LAB 97.34, -19.9, 80.72

 

CMYK 0 / 0 / 63 / 0

HEX #FFFF5E

RGB 255 255 94

HSL 60, 1%, 0.68%

LAB 97.47, -18.93, 74

 

CMYK 0 / 5 / 90 / 7

HEX #EEE117

RGB 238 225 23

HSL 56.37, 0.86%, 0.51%

LAB 88.01, -13.9, 84.96

 

CMYK 0 / 6 / 98 / 13

HEX #DDCF04

RGB 221 207 4

HSL 56.13, 0.96%, 0.44%

LAB 81.84, -12.39, 81.74

 

CMYK 0 / 7 / 100 / 20

HEX #CCBD00

RGB 204 189 0

HSL 55.59, 1%, 0.4%

LAB 75.6, -10.68, 76.93

 

CMYK 0 / 9 / 100 / 27

HEX #BBAB00

RGB 187 171 0

HSL 54.87, 1%, 0.37%

LAB 69.25, -8.88, 71.67

 

CMYK 0 / 10 / 100 / 33

HEX #AA9900

RGB 170 153 0

HSL 54, 1%, 0.33%

LAB 62.78, -7.02, 66.31

 

CMYK 0 / 5 / 91 / 7

HEX #EDE016

RGB 237 224 22

HSL 56.37, 0.86%, 0.51%

LAB 87.67, -13.85, 84.8

 

CMYK 0 / 30 / 91 / 7

HEX #EDA616

RGB 237 166 22

HSL 40.19, 0.86%, 0.51%

LAB 73.11, 16.01, 73.74

 

CMYK 0 / 54 / 91 / 7

HEX #ED6C16

RGB 237 108 22

HSL 24, 0.86%, 0.51%

LAB 60.59, 45.89, 64.56

 

CMYK 0 / 79 / 91 / 7

HEX #ED3216

RGB 237 50 22

HSL 7.81, 0.86%, 0.51%

LAB 52.22, 68.4, 58.75

 

CMYK 0 / 91 / 91 / 7

HEX #ED1616

RGB 237 22 22

HSL 0, 0.86%, 0.51%

LAB 50.26, 74, 57.45

 

CMYK 0 / 5 / 91 / 7

HEX #EDE016

RGB 237 224 22

HSL 56.37, 0.86%, 0.51%

LAB 87.67, -13.85, 84.8

 

CMYK 19 / 0 / 91 / 7

HEX #C0ED16

RGB 192 237 22

HSL 72.56, 0.86%, 0.51%

LAB 87.89, -38.42, 83.56

 

CMYK 43 / 0 / 91 / 7

HEX #86ED16

RGB 134 237 22

HSL 88.74, 0.86%, 0.51%

LAB 84.84, -59.15, 79.83

 

CMYK 68 / 0 / 91 / 7

HEX #4CED16

RGB 76 237 22

HSL 104.93, 0.86%, 0.51%

LAB 83, -73.85, 77.55

 

CMYK 91 / 0 / 89 / 7

HEX #16ED1A

RGB 22 237 26

HSL 121.12, 0.86%, 0.51%

LAB 82.28, -80.18, 76.04

 

CMYK 0 / 5 / 91 / 7

HEX #EDE016

RGB 237 224 22

HSL 56.37, 0.86%, 0.51%

LAB 87.67, -13.85, 84.8

 

CMYK 0 / 5 / 91 / 7

HEX #EDE016

RGB 237 224 22

HSL 56.37, 0.86%, 0.51%

LAB 87.67, -13.85, 84.8

 

CMYK 0 / 5 / 81 / 15

HEX #D9CE2A

RGB 217 206 42

HSL 56.23, 0.7%, 0.51%

LAB 81.33, -12.93, 74.95

 

CMYK 0 / 5 / 68 / 23

HEX #C5BC3F

RGB 197 188 63

HSL 55.97, 0.54%, 0.51%

LAB 74.95, -11.46, 61.46

 

CMYK 0 / 3 / 53 / 31

HEX #B0AB53

RGB 176 171 83

HSL 56.77, 0.37%, 0.51%

LAB 68.74, -10.21, 45.36

 

CMYK 0 / 2 / 34 / 39

HEX #9C9967

RGB 156 153 103

HSL 56.6, 0.21%, 0.51%

LAB 62.36, -6.87, 26.72

 

CMYK 0 / 54 / 91 / 7

HEX #ED6C16

RGB 237 108 22

HSL 24, 0.86%, 0.51%

LAB 60.59, 45.89, 64.56

 

CMYK 0 / 30 / 91 / 7

HEX #EDA516

RGB 237 165 22

HSL 39.91, 0.86%, 0.51%

LAB 72.87, 16.54, 73.56

 

CMYK 0 / 6 / 91 / 7

HEX #EDDF16

RGB 237 223 22

HSL 56.09, 0.86%, 0.51%

LAB 87.41, -13.35, 84.6

 

CMYK 18 / 0 / 91 / 7

HEX #C2ED16

RGB 194 237 22

HSL 72, 0.86%, 0.51%

LAB 88.01, -37.63, 83.72

 

CMYK 42 / 0 / 91 / 7

HEX #89ED16

RGB 137 237 22

HSL 87.91, 0.86%, 0.51%

LAB 84.97, -58.2, 79.98

 

CMYK 0 / 6 / 93 / 35

HEX #A59B0C

RGB 165 155 12

HSL 56.08, 0.86%, 0.35%

LAB 62.9, -10.18, 64.5

 

CMYK 0 / 5 / 93 / 20

HEX #CBC00F

RGB 203 192 15

HSL 56.49, 0.86%, 0.43%

LAB 76.33, -12.48, 75.81

 

CMYK 0 / 5 / 91 / 7

HEX #EDE016

RGB 237 224 22

HSL 56.37, 0.86%, 0.51%

LAB 87.67, -13.85, 84.8

 

CMYK 0 / 5 / 75 / 6

HEX #F0E53C

RGB 240 229 60

HSL 56.33, 0.86%, 0.59%

LAB 89.34, -14.06, 77.61

 

CMYK 0 / 4 / 59 / 5

HEX #F3EA63

RGB 243 234 99

HSL 56.25, 0.86%, 0.67%

LAB 91.14, -13.24, 64.94

 

CMYK 0 / 5 / 90 / 7

HEX #EEE117

RGB 238 225 23

HSL 56.37, 0.86%, 0.51%

LAB 88.01, -13.9, 84.96

 

CMYK 91 / 0 / 78 / 7

HEX #16ED33

RGB 22 237 51

HSL 128.09, 0.86%, 0.51%

LAB 82.37, -79.04, 70.47

 

CMYK 42 / 91 / 0 / 7

HEX #8916ED

RGB 137 22 237

HSL 272.09, 0.86%, 0.51%

LAB 41.23, 77.45, -82.61

 

CMYK 0 / 5 / 90 / 7

HEX #EEE117

RGB 238 225 23

HSL 56.37, 0.86%, 0.51%

LAB 88.01, -13.9, 84.96

 

CMYK 91 / 0 / 6 / 7

HEX #16EDDF

RGB 22 237 223

HSL 176.09, 0.86%, 0.51%

LAB 85.03, -48.88, -6.47

 

CMYK 6 / 91 / 0 / 7

HEX #DF16ED

RGB 223 22 237

HSL 296.09, 0.86%, 0.51%

LAB 54.42, 89.02, -60.55

 

CMYK 0 / 5 / 90 / 7

HEX #EEE117

RGB 238 225 23

HSL 56.37, 0.86%, 0.51%

LAB 88.01, -13.9, 84.96

 

CMYK 91 / 0 / 78 / 7

HEX #16ED33

RGB 22 237 51

HSL 128.09, 0.86%, 0.51%

LAB 82.37, -79.04, 70.47

 

CMYK 91 / 85 / 0 / 7

HEX #1624ED

RGB 22 36 237

HSL 236.09, 0.86%, 0.51%

LAB 33.02, 66.2, -96.49

 

CMYK 0 / 91 / 12 / 7

HEX #ED16D0

RGB 237 22 208

HSL 308.09, 0.86%, 0.51%

LAB 55.21, 87.32, -42.71

 

CMYK 0 / 5 / 90 / 7

HEX #EEE117

RGB 238 225 23

HSL 56.37, 0.86%, 0.51%

LAB 88.01, -13.9, 84.96

 

CMYK 91 / 0 / 51 / 7

HEX #16ED73

RGB 22 237 115

HSL 145.95, 0.86%, 0.51%

LAB 82.9, -72.38, 45.8

 

CMYK 91 / 85 / 0 / 7

HEX #1624ED

RGB 22 36 237

HSL 236.09, 0.86%, 0.51%

LAB 33.02, 66.2, -96.49

 

CMYK 0 / 91 / 39 / 7

HEX #ED1690

RGB 237 22 144

HSL 325.95, 0.86%, 0.51%

LAB 52.5, 80.2, -9.44

 

Description

Color code: HEX #EEE117 | qconv.com Color code: HEX #EEE117 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 225 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 225 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 90 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 90% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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