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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8916ED it is the complementary color #76E912. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8916ED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8916ED shade: #8E16E8, #9F28FB, #B03AFF, #C14CFF and #D25EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8916ED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8916ED shade: #8916ED, #7804DA, #6700C7, #5600B4 and #4500A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8916ED shade: #8916ED, #C316ED, #ED16DD, #ED16A3 and #ED1669

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8916ED shade: #8916ED, #4F16ED and #1616ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8916ED shade matches the following richer shades: #8916ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8916ED shade: #8916ED, #882AD9, #863FC5, #8553B0 and #83679C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8916ED shade: #1616ED, #4F16ED, #8916ED, #C216ED and #ED16DF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8916ED shade: #5E0CA5, #730FCB, #8916ED, #9C3CF0 and #B063F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8916ED shade: #8916ED, #ED164F and #16ED33

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8916ED shade: #8916ED, #ED8916 and #16ED89

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8916ED shade: #8916ED, #ED164F, #7AED16 and #16EDB4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8916ED shade: #8916ED, #ED1D16, #7AED16 and #16E6ED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 91 / 0 / 7

HEX #8916ED

RGB 137 22 237

HSL 272.09, 0.86%, 0.51%

LAB 41.23, 77.45, -82.61

 

Complementary color

CMYK 49 / 0 / 92 / 9

HEX #76E912

RGB 118 233 18

HSL 92.09, 0.86%, 0.49%

LAB 83.01, -62.59, 78.59

 

CMYK 39 / 91 / 0 / 9

HEX #8E16E8

RGB 142 22 232

HSL 274.29, 0.83%, 0.5%

LAB 41.45, 76.96, -79.37

 

CMYK 37 / 84 / 0 / 2

HEX #9F28FB

RGB 159 40 251

HSL 273.84, 0.96%, 0.57%

LAB 46.78, 78.92, -81.25

 

CMYK 31 / 77 / 0 / 0

HEX #B03AFF

RGB 176 58 255

HSL 275.94, 1%, 0.61%

LAB 51.24, 76.79, -76.11

 

CMYK 24 / 70 / 0 / 0

HEX #C14CFF

RGB 193 76 255

HSL 279.22, 1%, 0.65%

LAB 55.81, 73.19, -68.59

 

CMYK 18 / 63 / 0 / 0

HEX #D25EFF

RGB 210 94 255

HSL 283.23, 1%, 0.68%

LAB 60.72, 69.23, -60.59

 

CMYK 42 / 91 / 0 / 7

HEX #8916ED

RGB 137 22 237

HSL 272.09, 0.86%, 0.51%

LAB 41.23, 77.45, -82.61

 

CMYK 45 / 98 / 0 / 15

HEX #7804DA

RGB 120 4 218

HSL 272.52, 0.96%, 0.44%

LAB 36.26, 74.34, -80.03

 

CMYK 48 / 100 / 0 / 22

HEX #6700C7

RGB 103 0 199

HSL 271.06, 1%, 0.39%

LAB 31.82, 69.38, -76.39

 

CMYK 52 / 100 / 0 / 29

HEX #5600B4

RGB 86 0 180

HSL 268.67, 1%, 0.35%

LAB 27.5, 63.86, -72.37

 

CMYK 57 / 100 / 0 / 37

HEX #4500A1

RGB 69 0 161

HSL 265.71, 1%, 0.32%

LAB 23.13, 58.28, -68.21

 

CMYK 42 / 91 / 0 / 7

HEX #8916ED

RGB 137 22 237

HSL 272.09, 0.86%, 0.51%

LAB 41.23, 77.45, -82.61

 

CMYK 18 / 91 / 0 / 7

HEX #C316ED

RGB 195 22 237

HSL 288.28, 0.86%, 0.51%

LAB 49.85, 84.78, -68.17

 

CMYK 0 / 91 / 7 / 7

HEX #ED16DD

RGB 237 22 221

HSL 304.47, 0.86%, 0.51%

LAB 55.89, 89.05, -49.05

 

CMYK 0 / 91 / 31 / 7

HEX #ED16A3

RGB 237 22 163

HSL 320.65, 0.86%, 0.51%

LAB 53.19, 82.06, -19.69

 

CMYK 0 / 91 / 56 / 7

HEX #ED1669

RGB 237 22 105

HSL 336.84, 0.86%, 0.51%

LAB 51.38, 77.14, 12.52

 

CMYK 42 / 91 / 0 / 7

HEX #8916ED

RGB 137 22 237

HSL 272.09, 0.86%, 0.51%

LAB 41.23, 77.45, -82.61

 

CMYK 67 / 91 / 0 / 7

HEX #4F16ED

RGB 79 22 237

HSL 255.91, 0.86%, 0.51%

LAB 34.7, 72.77, -93.61

 

CMYK 91 / 91 / 0 / 7

HEX #1616ED

RGB 22 22 237

HSL 240, 0.86%, 0.51%

LAB 31.48, 70.85, -99.06

 

CMYK 42 / 91 / 0 / 7

HEX #8916ED

RGB 137 22 237

HSL 272.09, 0.86%, 0.51%

LAB 41.23, 77.45, -82.61

 

CMYK 42 / 91 / 0 / 7

HEX #8916ED

RGB 137 22 237

HSL 272.09, 0.86%, 0.51%

LAB 41.23, 77.45, -82.61

 

CMYK 37 / 81 / 0 / 15

HEX #882AD9

RGB 136 42 217

HSL 272.23, 0.7%, 0.51%

LAB 41.06, 67.91, -71.49

 

CMYK 32 / 68 / 0 / 23

HEX #863FC5

RGB 134 63 197

HSL 271.79, 0.54%, 0.51%

LAB 42.24, 54.51, -58.02

 

CMYK 24 / 53 / 0 / 31

HEX #8553B0

RGB 133 83 176

HSL 272.26, 0.37%, 0.51%

LAB 44.67, 38.84, -41.84

 

CMYK 16 / 34 / 0 / 39

HEX #83679C

RGB 131 103 156

HSL 271.7, 0.21%, 0.51%

LAB 48.17, 21.86, -24.59

 

CMYK 91 / 91 / 0 / 7

HEX #1616ED

RGB 22 22 237

HSL 240, 0.86%, 0.51%

LAB 31.48, 70.85, -99.06

 

CMYK 67 / 91 / 0 / 7

HEX #4F16ED

RGB 79 22 237

HSL 255.91, 0.86%, 0.51%

LAB 34.7, 72.77, -93.61

 

CMYK 42 / 91 / 0 / 7

HEX #8916ED

RGB 137 22 237

HSL 272.09, 0.86%, 0.51%

LAB 41.23, 77.45, -82.61

 

CMYK 18 / 91 / 0 / 7

HEX #C216ED

RGB 194 22 237

HSL 288, 0.86%, 0.51%

LAB 49.69, 84.63, -68.44

 

CMYK 0 / 91 / 6 / 7

HEX #ED16DF

RGB 237 22 223

HSL 303.91, 0.86%, 0.51%

LAB 55.99, 89.32, -50.01

 

CMYK 43 / 93 / 0 / 35

HEX #5E0CA5

RGB 94 12 165

HSL 272.16, 0.86%, 0.35%

LAB 27.73, 59.07, -62.92

 

CMYK 43 / 93 / 0 / 20

HEX #730FCB

RGB 115 15 203

HSL 271.91, 0.86%, 0.43%

LAB 34.6, 69.15, -74.1

 

CMYK 42 / 91 / 0 / 7

HEX #8916ED

RGB 137 22 237

HSL 272.09, 0.86%, 0.51%

LAB 41.23, 77.45, -82.61

 

CMYK 35 / 75 / 0 / 6

HEX #9C3CF0

RGB 156 60 240

HSL 272, 0.86%, 0.59%

LAB 47.74, 69.63, -73.54

 

CMYK 28 / 59 / 0 / 5

HEX #B063F3

RGB 176 99 243

HSL 272.08, 0.86%, 0.67%

LAB 56.71, 56.7, -60.6

 

CMYK 42 / 91 / 0 / 7

HEX #8916ED

RGB 137 22 237

HSL 272.09, 0.86%, 0.51%

LAB 41.23, 77.45, -82.61

 

CMYK 0 / 91 / 67 / 7

HEX #ED164F

RGB 237 22 79

HSL 344.09, 0.86%, 0.51%

LAB 50.85, 75.68, 27.63

 

CMYK 91 / 0 / 78 / 7

HEX #16ED33

RGB 22 237 51

HSL 128.09, 0.86%, 0.51%

LAB 82.37, -79.04, 70.47

 

CMYK 42 / 91 / 0 / 7

HEX #8916ED

RGB 137 22 237

HSL 272.09, 0.86%, 0.51%

LAB 41.23, 77.45, -82.61

 

CMYK 0 / 42 / 91 / 7

HEX #ED8916

RGB 237 137 22

HSL 32.09, 0.86%, 0.51%

LAB 66.48, 31.3, 68.83

 

CMYK 91 / 0 / 42 / 7

HEX #16ED89

RGB 22 237 137

HSL 152.09, 0.86%, 0.51%

LAB 83.2, -68.77, 35.5

 

CMYK 42 / 91 / 0 / 7

HEX #8916ED

RGB 137 22 237

HSL 272.09, 0.86%, 0.51%

LAB 41.23, 77.45, -82.61

 

CMYK 0 / 91 / 67 / 7

HEX #ED164F

RGB 237 22 79

HSL 344.09, 0.86%, 0.51%

LAB 50.85, 75.68, 27.63

 

CMYK 49 / 0 / 91 / 7

HEX #7AED16

RGB 122 237 22

HSL 92.09, 0.86%, 0.51%

LAB 84.36, -62.79, 79.24

 

CMYK 91 / 0 / 24 / 7

HEX #16EDB4

RGB 22 237 180

HSL 164.09, 0.86%, 0.51%

LAB 83.98, -59.88, 14.57

 

CMYK 42 / 91 / 0 / 7

HEX #8916ED

RGB 137 22 237

HSL 272.09, 0.86%, 0.51%

LAB 41.23, 77.45, -82.61

 

CMYK 0 / 88 / 91 / 7

HEX #ED1D16

RGB 237 29 22

HSL 1.95, 0.86%, 0.51%

LAB 50.62, 72.96, 57.69

 

CMYK 49 / 0 / 91 / 7

HEX #7AED16

RGB 122 237 22

HSL 92.09, 0.86%, 0.51%

LAB 84.36, -62.79, 79.24

 

CMYK 91 / 3 / 0 / 7

HEX #16E6ED

RGB 22 230 237

HSL 181.95, 0.86%, 0.51%

LAB 83.38, -41.82, -16.32

 

Description

Color code: HEX #8916ED | qconv.com Color code: HEX #8916ED | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 22 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 22 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 91 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 91% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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