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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EE4E03 it is the complementary color #11B1FC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EE4E03. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EE4E03 shade: #F34E00, #FF6011, #FF7224, #FF8437 and #FF964A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EE4E03. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EE4E03 shade: #EE4E03, #DD3C00, #CC2A00, #BB1800 and #AA0600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EE4E03 shade: #ED4D02, #ED0E02 and #ED0202

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EE4E03 shade: #ED4D02, #ED8C02, #EDCC02, #CFED02 and #8FED02

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EE4E03 shade matches the following richer shades: #ED4D02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EE4E03 shade: #ED4D02, #D95415, #C65B29, #B3623C and #9F694F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EE4E03 shade: #ED0235, #ED0E02, #ED4C02, #ED8B02 and #EDCA02

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EE4E03 shade: #9B3201, #C44001, #ED4D02, #FC631C and #FD7F45

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EE4E03 shade: #EE4E03, #73ED02 and #0215ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EE4E03 shade: #EE4E03, #02ED4C and #4C02ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EE4E03 shade: #EE4E03, #73ED02, #02A2ED and #7B02ED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EE4E03 shade: #EE4E03, #2DED02, #02A2ED and #C202ED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 99 / 7

HEX #EE4E03

RGB 238 78 3

HSL 19.15, 0.98%, 0.47%

LAB 55.72, 59.22, 65.73

 

Complementary color

CMYK 93 / 30 / 0 / 1

HEX #11B1FC

RGB 17 177 252

HSL 199.15, 0.98%, 0.53%

LAB 68.45, -10.76, -47.34

 

CMYK 0 / 68 / 100 / 5

HEX #F34E00

RGB 243 78 0

HSL 19.26, 1%, 0.48%

LAB 56.59, 60.83, 67.28

 

CMYK 0 / 62 / 93 / 0

HEX #FF6011

RGB 255 96 17

HSL 19.92, 1%, 0.53%

LAB 61.37, 57.73, 67.7

 

CMYK 0 / 55 / 86 / 0

HEX #FF7224

RGB 255 114 36

HSL 21.37, 1%, 0.57%

LAB 64.5, 50.01, 64.36

 

CMYK 0 / 48 / 78 / 0

HEX #FF8437

RGB 255 132 55

HSL 23.1, 1%, 0.61%

LAB 68.05, 41.83, 60.07

 

CMYK 0 / 41 / 71 / 0

HEX #FF964A

RGB 255 150 74

HSL 25.19, 1%, 0.65%

LAB 71.94, 33.49, 55.53

 

CMYK 0 / 67 / 99 / 7

HEX #EE4E03

RGB 238 78 3

HSL 19.15, 0.98%, 0.47%

LAB 55.72, 59.22, 65.73

 

CMYK 0 / 73 / 100 / 13

HEX #DD3C00

RGB 221 60 0

HSL 16.29, 1%, 0.43%

LAB 50.22, 60.34, 61.99

 

CMYK 0 / 79 / 100 / 20

HEX #CC2A00

RGB 204 42 0

HSL 12.35, 1%, 0.4%

LAB 44.93, 60.81, 57.74

 

CMYK 0 / 87 / 100 / 27

HEX #BB1800

RGB 187 24 0

HSL 7.7, 1%, 0.37%

LAB 39.95, 60.26, 53.65

 

CMYK 0 / 96 / 100 / 33

HEX #AA0600

RGB 170 6 0

HSL 2.12, 1%, 0.33%

LAB 35.35, 58.37, 49.55

 

CMYK 0 / 68 / 99 / 7

HEX #ED4D02

RGB 237 77 2

HSL 19.15, 0.98%, 0.47%

LAB 55.4, 59.27, 65.68

 

CMYK 0 / 94 / 99 / 7

HEX #ED0E02

RGB 237 14 2

HSL 3.06, 0.98%, 0.47%

LAB 49.89, 74.71, 63.18

 

CMYK 0 / 99 / 99 / 7

HEX #ED0202

RGB 237 2 2

HSL 0, 0.98%, 0.47%

LAB 49.56, 75.65, 63.05

 

CMYK 0 / 68 / 99 / 7

HEX #ED4D02

RGB 237 77 2

HSL 19.15, 0.98%, 0.47%

LAB 55.4, 59.27, 65.68

 

CMYK 0 / 41 / 99 / 7

HEX #ED8C02

RGB 237 140 2

HSL 35.23, 0.98%, 0.47%

LAB 67.1, 29.52, 72.54

 

CMYK 0 / 14 / 99 / 7

HEX #EDCC02

RGB 237 204 2

HSL 51.57, 0.98%, 0.47%

LAB 82.48, -4.01, 83.03

 

CMYK 13 / 0 / 99 / 7

HEX #CFED02

RGB 207 237 2

HSL 67.66, 0.98%, 0.47%

LAB 88.85, -32.69, 86.62

 

CMYK 40 / 0 / 99 / 7

HEX #8FED02

RGB 143 237 2

HSL 84, 0.98%, 0.47%

LAB 85.21, -56.54, 82.25

 

CMYK 0 / 68 / 99 / 7

HEX #ED4D02

RGB 237 77 2

HSL 19.15, 0.98%, 0.47%

LAB 55.4, 59.27, 65.68

 

CMYK 0 / 68 / 99 / 7

HEX #ED4D02

RGB 237 77 2

HSL 19.15, 0.98%, 0.47%

LAB 55.4, 59.27, 65.68

 

CMYK 0 / 61 / 90 / 15

HEX #D95415

RGB 217 84 21

HSL 19.29, 0.82%, 0.47%

LAB 53.11, 49.66, 58.03

 

CMYK 0 / 54 / 79 / 22

HEX #C65B29

RGB 198 91 41

HSL 19.11, 0.66%, 0.47%

LAB 51.44, 39.74, 47.41

 

CMYK 0 / 45 / 66 / 30

HEX #B3623C

RGB 179 98 60

HSL 19.16, 0.5%, 0.47%

LAB 50.27, 29.39, 35.61

 

CMYK 0 / 34 / 50 / 38

HEX #9F694F

RGB 159 105 79

HSL 19.5, 0.34%, 0.47%

LAB 49.54, 18.61, 23.42

 

CMYK 0 / 99 / 78 / 7

HEX #ED0235

RGB 237 2 53

HSL 346.98, 0.98%, 0.47%

LAB 49.86, 76.49, 41.82

 

CMYK 0 / 94 / 99 / 7

HEX #ED0E02

RGB 237 14 2

HSL 3.06, 0.98%, 0.47%

LAB 49.89, 74.71, 63.18

 

CMYK 0 / 68 / 99 / 7

HEX #ED4C02

RGB 237 76 2

HSL 18.89, 0.98%, 0.47%

LAB 55.25, 59.65, 65.61

 

CMYK 0 / 41 / 99 / 7

HEX #ED8B02

RGB 237 139 2

HSL 34.98, 0.98%, 0.47%

LAB 66.88, 30.04, 72.39

 

CMYK 0 / 15 / 99 / 7

HEX #EDCA02

RGB 237 202 2

HSL 51.06, 0.98%, 0.47%

LAB 81.97, -2.99, 82.67

 

CMYK 0 / 68 / 99 / 39

HEX #9B3201

RGB 155 50 1

HSL 19.09, 0.99%, 0.31%

LAB 36.46, 42.02, 48

 

CMYK 0 / 67 / 99 / 23

HEX #C44001

RGB 196 64 1

HSL 19.38, 0.99%, 0.39%

LAB 46.18, 50.62, 57.17

 

CMYK 0 / 68 / 99 / 7

HEX #ED4D02

RGB 237 77 2

HSL 19.15, 0.98%, 0.47%

LAB 55.4, 59.27, 65.68

 

CMYK 0 / 61 / 89 / 1

HEX #FC631C

RGB 252 99 28

HSL 19.02, 0.97%, 0.55%

LAB 61.4, 55.56, 64.45

 

CMYK 0 / 50 / 73 / 1

HEX #FD7F45

RGB 253 127 69

HSL 18.91, 0.98%, 0.63%

LAB 66.89, 44.09, 52.44

 

CMYK 0 / 67 / 99 / 7

HEX #EE4E03

RGB 238 78 3

HSL 19.15, 0.98%, 0.47%

LAB 55.72, 59.22, 65.73

 

CMYK 51 / 0 / 99 / 7

HEX #73ED02

RGB 115 237 2

HSL 91.15, 0.98%, 0.47%

LAB 84.08, -65.09, 80.88

 

CMYK 99 / 91 / 0 / 7

HEX #0215ED

RGB 2 21 237

HSL 235.15, 0.98%, 0.47%

LAB 31.03, 70.93, -99.83

 

CMYK 0 / 67 / 99 / 7

HEX #EE4E03

RGB 238 78 3

HSL 19.15, 0.98%, 0.47%

LAB 55.72, 59.22, 65.73

 

CMYK 99 / 0 / 68 / 7

HEX #02ED4C

RGB 2 237 76

HSL 138.89, 0.98%, 0.47%

LAB 82.43, -77.85, 62.09

 

CMYK 68 / 99 / 0 / 7

HEX #4C02ED

RGB 76 2 237

HSL 258.89, 0.98%, 0.47%

LAB 33.34, 75.99, -95.89

 

CMYK 0 / 67 / 99 / 7

HEX #EE4E03

RGB 238 78 3

HSL 19.15, 0.98%, 0.47%

LAB 55.72, 59.22, 65.73

 

CMYK 51 / 0 / 99 / 7

HEX #73ED02

RGB 115 237 2

HSL 91.15, 0.98%, 0.47%

LAB 84.08, -65.09, 80.88

 

CMYK 99 / 32 / 0 / 7

HEX #02A2ED

RGB 2 162 237

HSL 199.15, 0.98%, 0.47%

LAB 63.32, -8.27, -47.26

 

CMYK 48 / 99 / 0 / 7

HEX #7B02ED

RGB 123 2 237

HSL 270.89, 0.98%, 0.47%

LAB 38.5, 78.82, -87.17

 

CMYK 0 / 67 / 99 / 7

HEX #EE4E03

RGB 238 78 3

HSL 19.15, 0.98%, 0.47%

LAB 55.72, 59.22, 65.73

 

CMYK 81 / 0 / 99 / 7

HEX #2DED02

RGB 45 237 2

HSL 109.02, 0.98%, 0.47%

LAB 82.45, -78.78, 78.9

 

CMYK 99 / 32 / 0 / 7

HEX #02A2ED

RGB 2 162 237

HSL 199.15, 0.98%, 0.47%

LAB 63.32, -8.27, -47.26

 

CMYK 18 / 99 / 0 / 7

HEX #C202ED

RGB 194 2 237

HSL 289.02, 0.98%, 0.47%

LAB 49.04, 86.55, -69.48

 

Description

Color code: HEX #EE4E03 | qconv.com Color code: HEX #EE4E03 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 78 green and 3 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 78 3 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 99 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 99% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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